15 Highlights of 2015 – Little Rock Film Festival ends

LRFF EndOn September 30, 2015, the “Fin” screen appeared for the Little Rock Film Festival. The mark it has made to boost filmmaking and the artform of cinema will last for years to come.

Statement from the Little Rock Film Festival:

After 9 great years, each one bigger and arguably better than the last, The Little Rock Film Festival is retiring.

We are proud of the Arkansas filmmaking community that we have helped to inspire and promote, and pleased to have brought hundreds of the top independent filmmakers from around the World to Central Arkansas each year to share their work directly with audiences.

Along the way, we were able to show off our beautiful city and state, and provide the kind of cultural entertainment we believe is essential for a city like Little Rock, to attract and retain the young people it needs to prosper and compete.

Thank you to the sponsors, festivalgoers, filmmakers and volunteers who have been a part of this fantastic ride. We love you all.

Longtime Little Rock Film Festival programmer Justin Nickels has stepped in to make sure that the Little Rock Picture Show festival will continue.  It will take place in June 2016.

Several in the Little Rock arts and film community are trying to pick up the banner for a new Little Rock Film Festival. Stay tuned to 2016!

15 Highlights of 2015 – Arkansas Arts Center exhibits “Our America” and “30 Americans”

Since the 1960s, the Arkansas Arts Center has worked to showcase artists from a variety of backgrounds.  This year, Dr. Todd Herman and his staff brought two outstanding exhibits to Little Rock.

From April to June, the Arkansas Arts Center was home to 30 Americans.

30americans30 Americans showcased works by many of the most important African American artists of the last three decades. This provocative exhibition focused on issues of racial, sexual, and historical identity in contemporary culture while exploring the powerful influence of artistic legacy and community across generations.

“This exhibition presents a sweeping survey of artwork by many of the most influential African-American artists of the last four decades,” said Arkansas Arts Center executive director Todd Herman. “For years, I’ve searched for an exhibition of this kind but couldn’t quite find what I was looking for – an exhibition with powerful interpretations of cultural identity and artistic legacy. When I came across 30 Americans, I knew this was exactly what I wanted patrons and visitors of the Arts Center to experience. These themes are universal in nature and speak to the larger human experience.”

30 Americans features work by such early and influential artists as Barkley L. Hendricks, Robert Colescott and Jean-Michel Basquiat, and those of younger and emerging artists, such as Kehinde Wiley, Wangechi Mutu and Shinique Smith. Often provocative and challenging, 30 Americans explores what it means to be a contemporary artist through an African-American point of view – whether addressing issues of race, gender, sexuality, politics or history.

Drawn from the collection of Mera and Don Rubell, 30 Americans contains 41 works in a variety of media – paintings, drawings, sculptures, installations, digital videos and photographs – by 30 of the leading contemporary African American artists. The Rubells began acquiring contemporary art in the late 1960s, often forging close friendships with living artists, particularly young artists.

On display since October and there until January 17, 2016 is Our America: The Latino Presence in American Art.

A major collection of modern and contemporary Latino art from the Smithsonian American Art Museum, the exhibition Our America includes 93 works in all media by 72 artists who participated in various artistic styles and movements, including abstract expressionism; activist, conceptual and performance art and classic American genres such as landscape, portraiture and scenes of everyday life.

Our America presents the rich and varied contributions of Latino artists in the United States since the mid-20th century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum’s pioneering collection of Latino art.

Artists featured in the exhibition reflect the rich diversity of Latino communities in the United States. Our Americashowcases artists of Mexican, Puerto Rican, Cuban and Dominican descent, as well as other Latin American groups with deep roots in the United States. By presenting works by artists of different generations and regions, the exhibition reveals recurring themes among artists working across the country.

The 72 artists featured in the exhibition are ADÁL, Manuel Acevedo, Elia Alba, Olga Albizu, Carlos Almaraz, Jesse Amado, Asco (Harry Gamboa Jr., Gronk, Willie Herrón and Patssi Valdez), Luis Cruz Azaceta, Myrna Báez, Guillermo Bejarano, Charles “Chaz” Bojórquez, María Brito, Margarita Cabrera, María Magdalena Campos-Pons, Melesio “Mel” Casas, Leonard Castellanos, Oscar R. Castillo, José Cervantes, Enrique Chagoya, Roberto Chavez, Carlos A. Cortéz, Marcos Dimas, Ricardo Favela, Christina Fernandez, Teresita Fernández, iliana emilia garcía, Rupert García, Scherezade García, Carmen Lomas Garza, Ignacio Gomez, Ken Gonzales-Day, Hector González, Luis C. “Louie the Foot” González, Muriel Hasbun, Ester Hernandez, Judithe Hernández, Carmen Herrera, Carlos Irizarry, Luis Jiménez, Miguel Luciano, Emanuel Martinez, María Martínez-Cañas, Antonio Martorell, Ana Mendieta, Amalia Mesa-Bains, Franco Mondini-Ruiz, Delilah Montoya, Malaquias Montoya, Abelardo Morell, Jesús Moroles, Raphael Montañez Ortiz, Pepón Osorio, Amado M. Peña Jr., Chuck Ramirez, Paul Henry Ramirez, Sophie Rivera, Arturo Rodríguez, Freddy Rodríguez, Joseph Rodríguez, Frank Romero, Emilio Sánchez, Juan Sánchez, Jorge Soto Sánchez, Rafael Soriano, Ruben Trejo, Jesse Treviño, John M. Valadez, Alberto Valdés and Xavier Viramontes.

The exhibition is organized by E. Carmen Ramos, curator of Latino art at the Smithsonian American Art Museum.

Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez, Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for “Treasures to Go,” the museum’s traveling exhibition program, comes from The C.F. Foundation, Atlanta.

15 Highlights of 2015 – Kennedy Center President Deborah Rutter led panel at Clinton Presidential Center

Kennedy Center President Deborah Rutter addressing the audience. Photo by James Doyle

On October 21, 2015, Kennedy Center president Deborah Rutter and a distinguished panel of Arkansas educators and artistic directors discussed national trends in teaching the arts and humanities, while exploring new ways to give Arkansas schools access to combined national and local resources.

While no single cultural institution in Arkansas can match the reach & multi-disciplinary offerings of The Kennedy Center, Little Rock and Arkansas have many of the same resources distributed across multiple institutions. Educators and arts advocates from across the state participated in this very important conversation about the transformation of arts and humanities education in Arkansas through deeper collaboration between these institutions.
The program included two engaging panels.
Educator Discussion Panelists
  • Joy Pennington ( Moderator ), Executive Director, Arkansas Arts Council
  • Zinse Aggine, Teaching Artist and Musician
  • Jama Best, Senior Program Officer, Arkansas Humanities Council
  • Dr. Jeff Grubbs, Associate Professor, University of Arkansas at Little Rock
  • Lana Hallmark, Fine Arts Coordinator, Arkansas Department of Education
  • Melanie Landum, Executive Director, Arkansas A+ Schools
  • Dr. Lenore Shoults, Executive Director, The Arts & Science Center for Southeast Arkansas
Institution Discussion Panelists
  • Dr. Todd Herman  ( Moderator ), Executive Director, Arkansas Arts Center
  • Sericia Cole, Director, Mosaic Templars Cultural Center
  • Robert Hupp, Producing Artistic Director, Arkansas Repertory Theatre
  • Philip Mann, Music Director, Arkansas Symphony
  • Deborah Rutter, President, The Kennedy Center
  • Stephanie S. Streett, Executive Director, Clinton Foundation
This event was hosted by the Clinton Foundation; President’s Advisory Committee on the Arts member, Kaki Hockersmith; Mid-America Arts Alliance; Donna and Mack McLarty; and the Stella Boyle Smith Trust.

Little Rock Look Back: Boxing Day look at Robinson Auditorium boxing

Boxer Al Globe lays in the ring after being knocked down by Bob Sikes in this GAZETTE staff photo

Boxer Al Globe lays in the ring after being knocked down by Bob Sikes in this GAZETTE staff photo

Though the origins of the name Boxing Day have nothing to do with pugilism, today’s entry looks at early boxing matches at Robinson Auditorium.

Though the building did not open until February 1940, there were a few preview events in the lower level exhibition hall beginning in October 1939.  (The construction upstairs would not be completed until January 1940.)

Wrestling was a more common sport on the lower level. But from time to time there was boxing.  It appears that the first boxing matches took place on November 9, 1939.

Pine Bluff’s heavyweight Bob Sikes was the star attraction on the main card as he faced off against Chicago’s Al Globe.  The two were fairly evenly matched through the first three rounds. In the fourth round, Globe sent Sikes to the mat, before the latter arose on the seventh count. (He was a bit groggy and could not name the city in which he was boxing.)  Ninety seconds into the fifth round, however, Sikes delivered a knockout punch to Globe.

The warm-up bout featured Carolinian Maxie Doyle against Jimmy Merritt of Oklahoma. After the ref called the match on a TKO in favor of Doyle, the two continued to fight in the ring. It took their seconds to leave the corner and help the ref break it up.  The boxers were threatened with suspension if they continued it any further.

Prior to the Doyle-Merritt bout, Bauxite’s Woody Bell edged out Young Leonard in six rounds. Charley Regan and Bobbie Lee came to a draw after their six.  The first match of the evening featured two African American boxers: Little Rock’s Bill Walker, who earned a decision over North Little Rock’s Herbert Taylor.

Since the heating system was not yet operational at Robinson Auditorium, promoters for the early wrestling and boxing matches touted the fact that a temporary heating system was in place as temperatures started to drop.

Sikes was back at Robinson in another marquee match on February 9, 1940, one week before the official opening of the upstairs Music Hall.  By this time permanent heating and lighting had been connected.

Boxer Bob Sikes, GAZETTE staffer Lou MacDuff and boxer Joe Regan in a GAZETTE staff photo

Boxer Bob Sikes, GAZETTE staffer Lou MacDuff and boxer Joe Regan in a GAZETTE staff photo

The headline bout was Sikes against Joe Regan of Ames, Iowa.  They were scheduled for ten rounds.

Earlier fights on the card were the six-round middleweight match of Gould Nix of Willow meeting Buck Buchanan of Rogers; welterweight Doyle Venable of Dierks vs. Little Rock’s Freddie Richardson; Johnny Allen of Saint Louis meeting Woody Bell of Bauxite; and, in the first match, Kid Tobey of Hot Springs vs. Bill Walker of Little Rock. The latter was a four round bout featuring two African American boxers.

The marquee fight did not go anywhere near as long as ten rounds.  Fifty-four seconds into the second round, Sikes pummeled Regan with a right to the chin, a right to the cheek and a left hook to the head. After that Regan was down for the count. Though at the eight count he did manage to turn over from his back to his stomach and remained in that position until being helped to his corner following the bell.

Earlier in the evening, Nix, Venable, and Bell all won their bouts by decisions of the judges. Walker won the curtain raiser by a knock out in the second round.

It was a capacity crowd for the boxing event at Robinson Auditorium.  Tickets, which were available for purchase at Rube & Scott, Inc. men’s clothing store, ranged from 55 cents for general admission, to $1.10 for reserved seating and ringside seats of $1.65 or @2.20.

15 Highlights of 2015 – Chelsea Clinton was 1,000th Clinton School Speaker

chelsea

Eleven years to the day of the first Clinton School Speaker Series public program, that initiative celebrated its 1,000th speaker on September 18, 2015.

In “It’s Your World: Get Informed, Get Inspired & Get Going!,” Chelsea Clinton tackles the biggest challenges facing us today. She combines facts, charts, photographs and stories to give readers a deep understanding of the world around them and how anyone can make a difference. With stories about children and teens who have made real changes big and small, this book inspires readers of all ages to do their part to make our world a better place.

One of Clinton’s favorite childhood books was “50 Simple Things Kids Can Do to Save the Earth.” As an elementary school student in Little Rock, she helped start a paper-recycling program at her school; as a teenager in Washington, D.C., she led her school’s service club; and as a student at Stanford University, she volunteered as a reading and writing tutor and at the Children’s Hospital.

Today, she is Vice Chair of the Bill, Hillary and Chelsea Clinton Foundation where she helps lead the work of the Foundation across its various initiatives, with a particular focus on work related to health, girls and women, creating service opportunities, and empowering the next generation of leaders. Chelsea holds a BA from Stanford University, an MPH from Columbia University, and an MPhil and doctorate degree in international relations from Oxford University.

The lecture featuring Chelsea Clinton was the 1,000th public program for the Clinton School of Public Service. On September 18, 2004, the Clinton School welcomed their first public program speaker, Senator Bob Dole.

This event will be at the Wally Allen Ballroom at the Statehouse Convention Center at 6pm.

Little Rock Look Back: Actress Fay Templeton born in Little Rock on Christmas Day 1865

Fay Templeton.jpg

Though largely forgotten today, Little Rock native Fay Templeton was one of the leading stars of vaudeville and Broadway in the late 1800s and early 1900s.

She was born in Little Rock on Christmas Day in 1865.  Her parents were touring here with the Templeton Opera Company. Her father, John Templeton, was a well-known Southern theatre manager, comedian, and author. Her mother, Helen Alice Vane, starred with her husband.  The family of three left Little Rock a few weeks after Fay was born, once her mother was able to travel.

She made her stage debut at age three, and her New York vaudeville debut at eight. At fifteen, she married a co-star but separated after six weeks.  She made her legitimate New York stage debut at nineteen in a revival of Evangeline.

In the late 1880s and early 1890s, she spent most of her time in Europe, appearing on stage and touring shows.  By 1895, she was back on stage in New York.  She then starred in a series of shows first for the vaudeville team of Joe Weber and Lew Fields, later for George M. Cohan. She introduced the songs “So Long Mary” and “Mary Is a Grand Old Name” in the latter’s Forty-Five Minutes from Broadway.  Her work with Cohan is portrayed in the Oscar winning film Yankee Doodle Dandy and in the Tony winning musical George M!

She retired from the stage after marrying Pittsburgh businessman William Patterson. But by 1911, was once again touring with Weber and Fields.  She retired again in 1913, this time staying off stage until 1926. She then played the role of Buttercup in a revival of HMS Pinafore and would be known as the definitive Buttercup for the rest of the 1920s and into the 1930s.  When her husband died in 1932, she returned to the stage.  In 1933, she starred with Bob Hope in the Jerome Kern musical Roberta.

In 1936, she entered the Actors’ Fund Home in New Jersey, but later moved to San Francisco to live with a cousin.  She died there on October 3, 1939, and is buried in Valhalla, New York.

Templeton returned to Little Rock several times throughout her life as she was embarking on tours.

15 Highlights of 2015 – Robinson Center Renovation Tops Out

LRCV 1The Little Rock Convention & Visitors Bureau (LRCVB), members of the Little Rock Advertising and Promotion Commission (LRA&P), local officials, and members of the design and construction teams hosted a topping out ceremony July 1, 2015 at 10:00 AM for the Robinson Center’s new conference facility, signifying a one–‐year milestone in the 28–‐month, $70 million renovation and expansion project.

Following a press conference and ceremonial beam signing held on the western side of the Robinson Center, local media and special guests were given tours of the magnificent ballroom platform and conference center located on Robinson’s north side. This new addition not only provides some of the most dramatic enhancements of the project, but will also provide groups with spectacular views of the Arkansas River and the city’s illuminated bridges.

Along with additional meeting and pre–‐function space situated above its ballroom, the new conference center will also provide a new connection to the DoubleTree Hotel, with an adjoining lobby and additional pre–‐function space.

Robinson Center will reopen in November 2016.  The Arkansas Symphony Orchestra will return its Masterworks and Pops series to Robinson. Ballet Arkansas will perform The Nutcracker there in December 2016.  Celebrity Attractions will bring Broadway back to Robinson (on Broadway, no less) next season as well.  They have already announced The Phantom of the Opera for March 2017.

LRCV 5For more information on the Robinson Center Second Act renovation and expansion project, visit http://www.RobinsonCenterSecondAct.com.

Robinson Construction Facts to Date:

  • Nearly 10,000 tons of material have been recycled, representing 91% of the waste material diverted 1,216 tons of steel has been erected
  • 2,300 cubic yards of concrete has been placed
  • 470 individuals have gone through CDI/Hunt Safety Orientation
  • 73% of the project subcontractors are local