Tag Archives: Arkansas Arts Center

“Art. Race. Identity. Bringing ’30 Americans’ to Little Rock” – An Arts Center discussion at Clinton School today

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The Arkansas Arts Center premieres a new exhibit tomorrow – “30 Americans.”  Today at noon at the Clinton School, Dr. Todd Herman will discuss the exhibit.

“30 Americans” presents a sweeping survey of artwork by many of the most important African American artists of the last four decades. Organized by the Rubell Family Collection in Miami, the exhibition features work by such early and influential artists as Barkley L. Hendricks, Robert Colescott and Jean-Michel Basquiat, and those of younger and emerging artists, like Kehinde Wiley, Wangechi Mutu, and Shinique Smith. Often provocative and challenging, “30 Americans” explores what it means to be a contemporary artist and an African American today. Whether addressing issues of race, gender, sexuality, politics, or history—or the seeming lack thereof—the works in the exhibition offer powerful interpretations of cultural identity and artistic legacy.

Dr. Herman, executive director of the Arkansas Arts Center will discuss the steps taken to bring a nationally recognized exhibition to Little Rock and the impact it will have.

A Tin Roof Project Tales from the South: Ruth Coker Burks-the Cemetery Angel

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ruthcokerburksGenerally the first Tuesday of the month is a special Tales from the South called “Tin Roof Project” which involves an autobiography.  While all are special, this one is even more special.

Ruth Coker Burks was a young mother in her 20s when the AIDS epidemic hit Arkansas in the early 1980s. She took it upon herself to care for AIDS patients who were abandoned by their families, and even by medical professionals, who feared the disease. Coker Burks, now 55, has no medical training, but she estimates that she has cared for nearly 1,000 people over the past three decades. She became involved after visiting a friend at a Little Rock hospital where one of the state’s early AIDS patients was dying. “The nurses were drawing straws to see who would go in and check on him,” says Coker Burks. “And so I snuck into his room. And he wanted his mama. And so I marched myself out to the nurses’ station and I said, ‘Can we call his mother?’ And they go, ‘Honey, his mama’s not coming. He’s been here six weeks. Nobody’s coming.’

“And so I went back in and he looked up at me and he said, ‘Oh, Mama, I knew you’d come.’ I stayed with him for 13 hours while he took his last breath. I called his mother and I told her that he had died and she said, ‘I’m not burying him.’ So I had him cremated and I brought him home… I’ve buried over 40 people in my family’s cemetery, because their families didn’t want them.”

Ruth Coker Burks has been featured in regional and national publications and shows, including The Arkansas Times, StoryCorp, the BBC, and NPR’s Morning Edition. Originally from Hot Springs, Ruth now lives in Northwest Arkansas with her family.

Tonight’s program will take place at Best Impressions restaurant at the Arkansas Arts Center.  Music will be provided by The Salty Dogs and bluesman Mark Simpson.

“Tales From the South” is a radio show created and produced by Paula Martin Morell, who is also the show’s host. The show is taped live on Tuesday. The night is a cross between a house concert and a reading/show, with incredible food and great company. Tickets must be purchased before the show, as shows are usually standing-room only.

Dinner is served from 5pm to 6:30pm, the show starts at 7pm.  Admission is $15.  Dinner can be purchased separately.

You MUST purchase your ticket before the show.  Any tickets still available at the door can be purchased for $20.

Previous episodes of “Tales from the South” air on KUAR Public Radio on Thursdays at 7pm.  This program will air on April 16.

Peter Gluck presents tonight’s Architecture and Design Network lecture

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This evening at 6pm, Peter Gluck, founder and principal of Gluck+ of NYC will speak.  Entitled “What’s Wrong with Us,” the lecture is presented by the Architecture and Design Network.

Gluck +, the innovative architectural firm founded by Peter Gluck, is known for its multi-faceted approach to creating award winning buildings. Responsive to a range and variety of factors – site, cost, time, construction, evolving client needs and attitudes among them – the firm is capable of dealing with a project from conception to completion.

The process, known as Architect Led Design Build (ALDB), requires the architect’s assuming responsibility for all phases of a building’s construction as well as its design. One firm, wielding a hammer as well as a pencil, does it all. in architectural circles, the approach is frequently the exception rather than the rule.

While a student at Yale, where he  earned his bachelor’s and master’s degrees, Gluck encountered the design build culture that subsequently served as the inspiration for ALDB. Architectural luminary Louis Kahn who taught at Yale  during the time Gluck was a student at the School, had an early and significant influence on his approach to architecture, his focus on the important link between design and construction.

Gluck, known for his iconic tree topping Tower House, is  also regarded for his work with moderate income urban housing. In one example, components were prefabricated in Pennsylvania and assembled on site in New York City.

Gluck, who is widely published in architectural journals worldwide, has taught at the Columbia and Yale schools of architecture. Exhibitions of his award-winning work have been held in the United States and Japan. He has curated exhibits for the Museum of Modern Art.

The program will take place in the lecture hall at the Arkansas Arts Center at 6pm.  A reception will start at 5:30 prior to the lecture.

All Architecture and Design Network lectures are free and open to the public. For additional information contact ardenetwork@icloud.com. Supporters of ADN include the Central Section of the Arkansas Chapter of the American Institute of Architects, UA’s Fay Jones School of Architecture, the Arkansas Arts Center and friends in the community.

Final weekend for CAT IN THE HAT at Ark. Arts Center Children’s Theatre

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IMG_5568Today and tomorrow at 2pm are the final two days to CATch the Arkansas Arts Center Children’s Theatre presentation of The Cat in the Hat.

“One of the most familiar and beloved picture books of the last half century will erupt with fun on the Children’s Theatre stage,” said Todd Herman, executive director of the Arkansas Arts Center.

“Young audiences and those young at heart will be transported into the world they’ve always imagined while seeing the classic book come to life.”

It’s a rainy day with nothing to do. Sally and her brother are miserable. Bored. Simply dying for fun. Then bump! Something quite unexpected. You guessed it. It’s a cat. In a hat. In fact, it’s the Cat in the Hat, and he’s just in time to show the kids a thing or two about fun. It’s just a matter of know-how, you know. So don’t listen to that fish! Jump in! The water’s fine! Just don’t tell mom!

The cast for The Cat in the Hat includes:

  • Ben Gibson of Little Rock as Boy
  • Sharon Combs of New York, N.Y., as Sally
  • Courtney Bennett of Little Rock as Cat
  • Mark Hansen of Little Rock as Fish
  • Aleigha Morton of Beebe as Kitten 1/Thing 1
  • Lauren Linton of Memphis as Kitten 2/Thing 2

Bradley Anderson is the artistic director and Katie Campbell is the show director. Costumes are designed by Erin Larkin; technical direction by Drew Posey; lighting design by Penelope Poppers; properties and set design by Miranda Young and Rivka Kuperman is the stage manager.

The Arkansas Arts Center Children’s Theatre presenting sponsor is Arkansas Blue Cross and Blue Shield and the season sponsor is Dr. Loren Bartole, ‘Family Footcare’.

Dr. Seuss’ The Cat in the Hat is presented through special arrangement with Music Theatre International (MTI).

Drain Smart Public Art contest announced

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DrainSmartA coalition of state and local agencies and nonprofit organizations have announced the launch of Drain Smart — a public art program aimed at raising awareness on education and protection of local streams.

Like most cities, Little Rock’s storm drains flow directly into our streams. When it rains, water picks up everything in its path and carries it through storm drains into streams and creeks. Drain Smart is an engaging public-education and environmental program that uses art to communicate the importance of reducing the litter that flows into storm drains.

Program coordinators are calling for local artists to submit their ideas for murals that would be painted on 18 storm drains in the downtown and midtown areas of Little Rock. Supplies for these projects will be provided to the artists.

Artists have until April 3 to submit their applications along with a sketch of their idea. An artist selection committee will choose 18 artists to paint a mural on the designated storm drains.  Artists will be eligible for a final prize to be given to the winner chosen by public voting. This exciting project gives artists the opportunity to express themselves via semi-permanent public art in a series of small-scale outdoor storm drain murals. This art will then serve to educate the public on watershed and stream protection.

Partners in this inaugural project include the City of Little Rock, Audubon Arkansas, Arkansas Department of Environmental Quality, Little Rock Parks and Recreation, Friends of Fourche Creek, Keep Little Rock Beautiful, Studio Main, The Bernice Garden, MacPark Group, The Arkansas Arts Center and Sculpture at the River Market. Sherwin Williams, Walmart and Seal Krete will donate supplies and materials.

Artists will be notified by April 10 and all art will be completed by June 1.

For more information on this project, the timeline, rules and artist application visit www.drain-smart.org.

Women’s History Month Throwback Thursday: The Little Rock Musical Coterie

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In 1893 Mrs. Elizabeth Pierce Lyman (pictured at left), Mrs. Susie Pierce Stephens, and Mrs. Effie Miller Williams were invited to the home of Mrs. Cora Cross Marshall for tea and the express purpose of forming a music club. From this grew the organization now known as the Little Rock Musical Coterie.

Meetings of the Little Rock Musical Coterie were first held in members’ homes, and by January 1904, the organization had become well enough established to be featured in Arkansas Life magazine in an article marking its first decade as `a notable institution for the promotion of musical talent and higher culture * * * the leading organization of its kind in the Southeast.’

Meetings, with concerts, were held monthly from September through May, and from members’ homes moved to various city locations, including the Masonic Temple, the Christian Temple at Tenth and Louisiana, the Hotel Marion, Robinson Auditorium, and the Arkansas Arts Center.

From its modest beginnings, the coterie was more than just an opportunity for like-minded individuals to get together to make music. Perhaps because the membership has always included a good percentage of music teachers, the main interest and concern has been to foster musical talent in the young and provide financial support wherever possible.

In 1898 similar music clubs around the Nation formed the National Federation of Music Clubs [NFMC], which Arkansas joined in 1915, becoming one of the first States to affiliate with the national organization.

In 1904 the coterie voted to send $25 to the NFMC convention toward prize money for an American composition contest, the first such contribution recorded in the history of American music clubs.

In 1973 the coterie was incorporated as a nonprofit corporation and received tax-exempt status. Over the years, the Little Rock Musical Coterie has been in the forefront of movements that later resulted in the formation of the Arkansas Symphony Orchestra, the Arkansas Choral Society, the Arkansas Opera Theatre, and the Community Concerts organization.

Annually, the coterie sponsors or promotes competitions and awards designed to encourage young musicians. The Hildegard Smith Award, in the amount of $1,000, is given each year to a university student. The Crusade for Strings competition, part of a national program of the same name, is open to elementary and secondary school students, winners receiving cash prizes and an opportunity to perform on a coterie program.

Programs for young musicians are organized and promoted through 11 junior music clubs and junior festivals are held in February.

The coterie contributes to the Butterfield Endowment Fund, which provides scholarships to the opera workshop and festival at Inspiration Point in Eureka Springs, presents the Stillman-Kelly Scholarship quadrennially, and the Wendell Irish Viola Award.

In the of cutbacks and budget constraints, organizations like the Little Rock Musical Coterie fill the void in school music curricula, as well as touch many other areas of the community through its actions in the cause of music.

On the occasion of the 100th anniversary, Senator Dale Bumpers delivered an address on the floor of the Senate extolling the virtues of the LR Musical Coterie. 

The Ides of March Are Come

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“The Ides of March are come” – so wrote William Shakespeare.

In tribute to the day on which Julius Caesar was felled by assassins in Rome, a look at a two pieces of art featuring views of Rome, which are in the Arkansas Arts Center collection.    
The first presents a classical take on Rome. View of the Piazza del Campidoglio (Veduta della Piazza del Campdoglio) was created in 1774 by Giovanni Battista Piranesi (1720 – 1778). The print is an etching, acquired by the Arts Center in 1990; it was a gift of John and Grace Marjorie Wood Keppel and Nell Wood.

According to the Arkansas Arts Center,

The Campidoglio has been the seat of the city government of Rome from ancient times to the present. At the top of the Capitoline Hill-one of the famed Seven Hills of Rome-the buildings in Piranesi’s etching are the work of Michelangelo. These elegant Renaissance palaces, perched on this ancient site, were important tourist destinations in the 18th century just as they are today.

Piranesi takes a viewpoint from the side of the site, giving us a dramatic diagonal view of one palace and a head-on view of the other. In the foreground are Grand Tourists in their three-cornered hats as well as a number of less well dressed, slightly suspicious-looking figures.

The second piece is John Heliker’s Pertaining to Rome. Heliker was a 20th Century artist from New York living from 1909 to 2000. His painting is an abstract look at the Italian capital city. It was a gift in 2005 to the Arkansas Arts Center from the Heliker-LaHotan Foundation, Inc.