Tag Archives: Arkansas Arts Center

2 times 13 photos of 2013

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Here are 26 of the Culture Vulture’s favorite photos from 2013.

Mount Holly Cemetery in January 2013.

Mount Holly Cemetery in January 2013.

A former movie theatre at 13th and Pine.

A former movie theatre at 13th and Pine.

Faded advertisement at 12th and Cedar.

Faded advertisement at 12th and Cedar.

A father and daughter enjoying time together at the Arkansas Arts Center.

A father and daughter enjoying time together at the Arkansas Arts Center.

Looking up through the grand staircase at Little Rock City Hall.

Looking up through the grand staircase at Little Rock City Hall.

Peering through a piece of public art in the River Market.

Peering through a piece of public art in the River Market.

Doorways

Doorways

Inside one of the houses on the Quapaw Quarter Spring Tour.

Inside one of the houses on the Quapaw Quarter Spring Tour.

A Superhero and his mother leaving the library after checking out books and games.

A Superhero and his mother leaving the library after checking out books and games.

A duck enjoying the Carrie Remmel Dickinson Fountain at the Arkansas Arts Center.

A duck enjoying the Carrie Remmel Dickinson Fountain at the Arkansas Arts Center.

The stairwell in the Villa Marre.

The stairwell in the Villa Marre.

A downtown streetsign.

A downtown streetsign.

The Broadway Bridge balustrade reflected in a rain puddle.

The Broadway Bridge balustrade reflected in a rain puddle.

The stairwell in the auditorium on the Philander Smith campus.

The stairwell in the auditorium on the Philander Smith campus.

The Tower Building.

The Tower Building.

Geese at dusk over MacArthur Park.

Geese at dusk over MacArthur Park.

Raindrops rest on the new Patty Cake sculpture in Riverfront Park.

Raindrops rest on the new Patty Cake sculpture in Riverfront Park.

The Capital Hotel.

The Capital Hotel.

A pigeon at City Hall.

A pigeon at City Hall.

Birds alighting on transformer wires.

Birds alighting on transformer wires.

A downtown sidewalk.

A downtown sidewalk.

The Clinton Presidential Bridge during the JCA Walk for CommUNITY.

The Clinton Presidential Bridge during the JCA Walk for CommUNITY.

Gingko leaves in Hillcrest.

Gingko leaves in Hillcrest.

Robinson Auditorium

Robinson Auditorium

Steps along the Broadway Bridge after the December snow.

Steps along the Broadway Bridge after the December snow.

A December sunset in midtown Little Rock.

A December sunset in midtown Little Rock.

FREE Admission to ROTHKO exhibit at Ark Arts Center through Dec 31

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No. 8, 1949
Oil and mixed media on canvas
90 x 66 in.
The National Gallery of Art, Washington
Gift of The Mark Rothko Foundation, Inc., 1986.43.147
©1998 Kate Rothko Prizel & Christopher Rothko /Artists Rights Society (ARS), New York Image courtesy of the National Gallery of Art, Washington

In the spirit of giving, the Arkansas Arts Center is offering FREE admission to Mark Rothko in the 1940s: The Decisive Decade through Tuesday, December 31.

Mark Rothko in the 1940s: The Decisive Decade is the first exhibition and catalogue to reevaluate Rothko’s work in the context of his thoughts about art from the period. The exhibition brings to light many works not seen before by scholars or the public and highlights a period of his career that is often overlooked.

The 1940s was a decade of tremendous change for the world, for Western art, for New York City’s place in the art world and for Mark Rothko (1903-1970). The most important result was the formation of what became known as The New York School, a collection of artists working in a nexus of artistic approaches, the best known of which were Gesturalism, or Abstract Expressionism and Color Field. What most members of this group shared was a faith in the power of art effectively to address the pressing historical problems of their era writ large in the movies, news reports, and photographs of the war and its uncertain aftermath.

One of the major members of the New York School was Mark Rothko, the most important of the School’s Color Field wing. For Rothko, like many of his colleagues, the 1940s was the critical decade for his development. Mark Rothko in the 1940s is an examination into the artistic maturation—a decade of searching and rapid evolution– of one of the most influential artists of the twentieth century that deserves not only closer attention but also a re-evaluation.

Mark Rothko in the 1940s will be the first exhibition and catalogue to reevaluate this work in the context of Rothko’s thoughts about art from the period. Mark Rothko in the 1940s will bring to light many works not seen before by scholars or the public and highlight a period of his career that is often overlooked.

Mark Rothko in the 1940s: The Decisive Decade is organized by the Arkansas Arts Center, the Columbia Museum of art, the Columbus Museum of Art and the Denver Art Museum, in conjunction with the National Gallery of Art, Washington. The exhibition is funded in part by the Dedalus Foundation and is supported by an indemnity from the Federal Council on the Arts and the Humanities. It is sponsored locally by Harriet and Warren Stephens; Chucki and Curt Bradbury; The Brown Foundation, Inc. of Houston; Mary Ellen and Jason Vangilder and the Capital Hotel.

Final Two Days for The Engine That Thought It Could at AAC Children’s Theatre

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Take a break from holiday shopping and events and return to a simpler time.

Today and tomorrow are the final performances of the Arkansas Arts Center Children’s Theatre production of The Engine That Thought It Could.  This play takes the audience on an exciting journey in this classic tale of determination when it’s left up to the little engine to save the day. The little engine learns that hard work pays off even when faced with adversity. The Engine That Thought It Could is written by Alan Keith Smith and is based on the 1906 story by Reverend Charles S. Wing.

The cast for The Engine That Thought It Could includes:

  • Veronica Lowry, of Charlottesville, Va., as Fast Fanny
  • Jeremy Matthey, of Little Rock, as Mister Moon/Big Electric Bill/Yard Hand
  • Aleigha Garstka, of Little Rock, as Big Momma Engine
  • Sissy Anne Quaranta, of Denver, Colo., as Miss Phoebe Sunshine
  • Ben Fish, of Little Rock, as Uncle Big Reggie Engine/Yard Hand
  • Erin Fowler, of Little Rock, as Yard Hand/Choreographer
  • Mark Hansen, of Little Rock, as Conductor Mike/Big Don Diesel
  • Madison Stolzer, of Little Rock, Little Millie Engine

The production is directed by John Isner, artistic direction by Bradley Anderson, choreography by Erin Fowler, costumes are designed by Erin Larkin, technical direction by Drew Posey, lighting design by Penelope Poppers, musical direction by Lori Isner, properties by Miranda Young, scenic design by Mary Alyce Hare and Rivka Kuperman is the stage manager.

Presenting sponsors are Landers FIAT in Benton, Arkansas Blue Cross and Blue Shield, JPMS Cox and Centennial Bank.  This production also sponsored by All Aboard Restaurant.

Recognized by The Drama League as one of the best regional theatre companies in America, the Arkansas Arts Center Children’s Theatre is the only professional company in Arkansas that produces children’s literary works for the stage. Since 1979, Children’s Theatre has been creating unique experiences for family audiences. During the 2012-13 season, nearly 43,000 children and families enjoyed Arkansas Arts Center Children’s Theatre productions which included more than 200 schools across Arkansas.

For more information, visit arkansasartscenter.org or call (501)372-4000. “Like” the Arkansas Arts Center on Facebook for the most up-to-date information on exhibitions, events and educational offerings.

GENERAL INFORMATION
Contact: (501)372-4000
Arkansas Arts Center Children’s Theatre – 9th and Commerce, Little Rock, AR 72202
Cost: General Admission Tickets are $12.50 for children and adults & $10 for AAC members.

Performance Times:
Saturday at 2 p.m. and 4 p.m.
Sunday at 2 p.m.
Arkansas Arts Center programs are supported in part by: the City of Little Rock; The Little Rock Convention and Visitors Bureau; The City of North Little Rock and the Arkansas Arts Council, an agency of the Department of Arkansas Heritage and the National Endowment for the Arts.

Arkansas Arts Center presents the 45th Collectors Show and Sale

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Jean-Baptiste-Camille Corot, (French, Paris, France, 1796 – 1875, Paris, France), Vue de Paris prise d’Arcueil (View of Paris from the North-East), circa 1830-1835, graphite, watercolor and gouache, pencil on paper, Arkansas Arts Center Foundation Collection: Purchase, Tabriz Fund and Collectors Group Fund. 2013.003

“Art enthusiasts, new collectors, and seasoned buyers will be delighted to see what we have in store for this year’s sale that features a range of unique works,” said Arkansas Arts Center executive director Todd Herman. “This is an excellent opportunity for new and veteran collectors to add a treasure that was hand-selected with great consideration by the Arkansas Arts Center curators and myself.”

The annual Collectors Show and Sale is an Arkansas Arts Center tradition that brings the New York gallery scene to Little Rock. Arkansas Arts Center Executive Director Todd Herman and curators select the best in drawings and contemporary craft from New York galleries. All works are for sale and vary in price from $400 to in excess of $80,000. The exhibition includes works-on-paper such as drawings, prints, and photographs, as well as examples of contemporary craft in wood and ceramic.

Celebrating its forty-fifth year, the Collectors Show and Sale remains one of the longest running and most popular exhibitions organized by the Arkansas Arts Center. This past September, Arts Center curators and members of the Collectors Group ventured to New York City to select the work for the exhibition. Over the course of three days, the group visited over a dozen galleries and viewed about 1,000 works of art – ultimately narrowing the selection to the 150 or so works in the exhibition.

The Collectors Group, an auxiliary membership of the Arkansas Arts Center, offers its members exclusive programs and events to increase their appreciation of art and the field of collecting. Equally important, the group supports the collecting activities of the Arts Center. At their “Sneak Peek” reception before the exhibition opening, members of the Collectors Group will be able to cast their vote for a work to be acquired in their name for the Arts Center’s collection.

Through the Collectors Show and Sale, the Arkansas Arts Center affords veteran collectors the opportunity to add new works to their collections while inspiring new collectors to enter the field. For more information about the Collectors Group or to join, please visit www.arkansasartscenter.org or call Sharon Howell at (501) 396-0303.

December Rock Town Slam! Tonight

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rocktown micThe monthly Rock Town Slam takes place tonight at the Arkansas Arts Center.  Who knows, there might even be a holiday themed poem?

Get your poetry on at the Rock Town Slam! Slam artists will perform during this friendly competition. You can too!
Sign up at the door to perform or come and hear the most exciting poets around. Poets are judged on the delivery of written poetry.
The event takes place in the Arts Center Lecture Hall from 7pm to 9pm.
The cost is free for Arts Center members and $5 for non-members.  Participating poets pay $10.
Can’t make it this month?  This takes place the second Wednesday of the month twelve times a year.

Architecture and Design Network presents HIGHLIGHTING HILLCREST: History, Architecture and a Sense of Community

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HillcrestThe monthly Architecture and Design Network lecture takes place tonight. This month’s topic is “HIGHLIGHTING HILLCREST: History, Architecture and a Sense of Community.”  The program begins at 6pm at the Arkansas Arts Center following a 5:30pm reception.

In 1891 two young  Michigan attorneys purchased 800 acres of land northwest of the city of Little Rock. Within a year, ten blocks were platted on a section of that acreage by the Pulaski Heights Land Company. Other suburban developments, including Hillcrest, followed.

A diversity of housing styles prevailed in those turn-of-the-century neighborhoods. A generous sampling of the area’s homes, including Colonial Revival and Craftsman style dwellings as well as vernacular  “pyramid cottages”, survive. Hillcrest’s historic housing stock includes  a variety of architecturally significant structures, built between 1893-1940. All are part of the Historic Hillcrest District, an area of the city listed on the National Register of Historic Places.

The story of Hillcrest, a popular Little Rock neighborhood, distinguished by its history, its architecture and its unrivaled  community spirit, will be explored by Rachel Silva, Preservation Outreach Coordinator for the Arkansas Historic Preservation Program, Tommy Jameson, an architect whose firm focuses on the restoration, rehabilitation and adaptive reuse of historic buildings, and Jim McKenzie, executive director of Metroplan and a  founder of the Hillcrest Residents  Association.

While demographics may provide information about an area’s population and its proclivities, it is the mindset of people who live in a particular section of town that determines the parameters, both social and physical, of a neighborhood.

Supporters of the Architecture and Design Network include the Arkansas Arts Center, the University of Arkansas Fay Jones School of Architecture and the Central Chapter of the American Institute of Architects.

LITTLE ENGINE running at Arts Center Children’s Theatre

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As the state’s premiere center for visual and performing arts with a renowned collection of international art, the Arkansas Arts Center Children’s Theatre will present The Engine That Thought It Could November 29 – December 22.

“We are thrilled to bring this wonderful children’s book to life with the excitement and magic that only live theater can,” said Arkansas Arts Center executive director Todd Herman. “Generations will enjoy the style and spirit of a story they know and love.”

The Arkansas Arts Center Children’s Theatre will take the audience on an exciting journey in this classic tale of determination when it’s left up to the little engine to save the day. The little engine learns that hard work pays off even when faced with adversity. The Engine That Thought It Could is written by Alan Keith Smith and is based on the 1906 story by Reverend Charles S. Wing.

The cast for The Engine That Thought It Could includes:

  • Veronica Lowry, of Charlottesville, Va., as Fast Fanny
  • Jeremy Matthey, of Little Rock, as Mister Moon/Big Electric Bill/Yard Hand
  • Aleigha Garstka, of Little Rock, as Big Momma Engine
  • Sissy Anne Quaranta, of Denver, Colo., as Miss Phoebe Sunshine
  • Ben Fish, of Little Rock, as Uncle Big Reggie Engine/Yard Hand
  • Erin Fowler, of Little Rock, as Yard Hand/Choreographer
  • Mark Hansen, of Little Rock, as Conductor Mike/Big Don Diesel
  • Madison Stolzer, of Little Rock, Little Millie Engine

The production is directed by John Isner, artistic direction by Bradley Anderson, choreography by Erin Fowler, costumes are designed by Erin Larkin, technical direction by Drew Posey, lighting design by Penelope Poppers, musical direction by Lori Isner, properties by Miranda Young, scenic design by Mary Alyce Hare and Rivka Kuperman is the stage manager.

Presenting sponsors are Landers FIAT in Benton, Arkansas Blue Cross and Blue Shield, JPMS Cox and Centennial Bank.  This production also sponsored by All Aboard Restaurant.

Recognized by The Drama League as one of the best regional theatre companies in America, the Arkansas Arts Center Children’s Theatre is the only professional company in Arkansas that produces children’s literary works for the stage. Since 1979, Children’s Theatre has been creating unique experiences for family audiences. During the 2012-13 season, nearly 43,000 children and families enjoyed Arkansas Arts Center Children’s Theatre productions which included more than 200 schools across Arkansas.

For more information, visit arkansasartscenter.org or call (501)372-4000. “Like” the Arkansas Arts Center on Facebook for the most up-to-date information on exhibitions, events and educational offerings.

GENERAL INFORMATION
Contact: (501)372-4000
Arkansas Arts Center Children’s Theatre – 9th and Commerce, Little Rock, AR 72202
Cost: General Admission Tickets are $12.50 for children and adults & $10 for AAC members.

Performance Times: Friday at 7 p.m.
Saturday at 2 p.m. and 4 p.m.
Sunday at 2 p.m.
Arkansas Arts Center programs are supported in part by: the City of Little Rock; The Little Rock Convention and Visitors Bureau; The City of North Little Rock and the Arkansas Arts Council, an agency of the Department of Arkansas Heritage and the National Endowment for the Arts.