2015 In Memoriam – Dugald MacArthur

1515 MacArthur

In these final days of 2015, we pause to look back at 15 who influenced Little Rock’s cultural scene who left us in 2015.

Though his contributions to Arkansas’ theatre scene are now largely forgotten, Dugald MacArthur played a pivotal role in establishing professional theatre in Arkansas.

A native of Birmingham, Alabama, he received a bachelor’s degree from Dartmouth and an MBA from Harvard.  He did not enjoy the corporate world. After seeing an innovative theatrical production, he enrolled at Baylor and received a master’s degree.

After graduating from Baylor, he was hired by Winthrop Rockefeller to come to Little Rock and establish a professional theatre program at the Arkansas Arts Center. One of the people who participated in that program was Cliff Baker, who would go on to found the Arkansas Repertory Theatre a few years later.  In a remembrance after MacArthur died, Baker recalled, “He opened my eyes to directing. He will forever have a very special place in my heart!”

MacArthur was interested in using theatre to explore social issues. This would ultimately lead to his exit from Arkansas.  At the Arts Center, he created a play that explored problems with the prison system in Arkansas.  As Mr. Rockefeller was by now Governor Rockefeller and in charge of the prisons, this did not — needless to say — sit well with some members of the Arts Center board and the greater Little Rock business community.  Before the show opened, the production was cancelled.  (It eventually was repurposed into the movie Brubaker starring Robert Redford.)

MacArthur left Arkansas to lead the Theatre program at San Francisco State University. He later helped found the California Institute of the Arts before taking over the MFA program at Temple University, from which he would retire after 25 years.  Everywhere he went, he was lauded for his teaching, directing and mentoring. In 2009, he was honored with a Barrymore Award in for Lifetime Achievement.

 

15 Highlights of 2015 – Opera in the Rock and ASO presented THE MAGIC FLUTE

680 Magic Flute LogoFully-staged, full-length opera returned to the Rock for the first time in over a decade tonight and tomorrow!

The Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, in partnership with Opera In The Rock, opens the 2014-2015 Intimate Neighborhood Concerts series with Mozart’s Magic Flute. Performances were on January 22 and Friday January 23 at the Albert Pike Masonic Center in downtown Little Rock.  Dancers from Arkansas Festival Ballet also appear in the performances which is stage directed by Robert Hupp, Producing Artistic Director of the Arkansas Repertory Theatre.

Die Zauberflöte (The Magic Flute) was written during the last year of Mozart’s life (1791). The opera was composed in the style of Singspiel (using sung and spoken text) and was an outlet for Mozart’s Masonic belief.

Magic Flute was an immediate success, performed over 100 times in the first two years of its existence. Mozart was not alive to see the 100th performance, having died only months after the premiere.

Tickets are $25; active duty military and student tickets are $10 are can be purchased online ; at the Albert Pike Masonic Center beginning 60 minutes prior to the concert; or by phone at 501-666-1761, ext. 100.  The Friday performance is sold out, but tickets remain for tonight’s opening.

CAST
Dana Pundt, Queen of the Night
Nicholas Nelson, Sarastro
Darren Drone, Papageno
Genevieve West Fulks, Papagena
Vernon DiCarlo, Tamino
Bonnie Frauenthal, Pamina

Others in the cast include Maria Fasciano DiCarlo, Stephanie Smittle, Kelley Ponder, Daniel Foltz-Morrison, Suzanne Banister, Kathryne Overturf, Satia Spencer, Robert Holden, Luke Frauenthal, Chase Burns and Sam Prescott

CHORUS
Sopranos: Alisa Dixon, Hayley Coughlin, Margaret McMurray, LaSheena Gordon
Altos: Claire Wilkinson, Melissa Wilcox, Sarah Blakey
Tenors: Adam Baldwin, Aaron Baker, Jonathan Treloggen, Josiah Wheeler, Sage Shaddox
Basses: J.J. Albrecht, Luke Frauenthal

PROGRAM
MOZART: Die Zauberflöte, K. 620 (text by Ruth and Thomas Martin)

Grants for Rep, ASO, Oxford American announced by National Endowment for the Arts

nea-logo-960Three Little Rock based cultural institutions were among the eight Arkansas recipients of National Endowment for Arts grants recently announced.

These were Art Works and Challenge America grants. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts and the strengthening of communities through the arts. Challenge America grants offer support primarily to small and mid-sized organizations for projects that extend the reach of the arts to underserved populations whose opportunities to experience the arts are limited by geography, ethnicity, economics or disability.

The Arkanas Repertory Theatre received $15,000 to support a production of An Iliad by Lisa Peterson and Denis O’Hare.  The playwriting team has adapted Homer’s Trojan War epic into a compelling monologue that captures both the heroism and horror of warfare. A key theme is the personal cost of war. The theatre will continue and deepen its ongoing partnership with the Little Rock Air Force base and will engage with the service members and their families during the project. During the performance run, veterans returning from service overseas will share their personal stories as part of a post-performance community conversation. Activities will occur in the theater’s newly constructed second stage and center for community engagement on the Main Street Creative Corridor.

The Arkansas Symphony Orchestra received $10,000 to support performances and educational workshops that will culminate in the world premiere performance of a composition by D.J. Sparr, featuring guitarist Ted Ludwig.  The composition is inspired by Ludwig’s flight from New Orleans following Hurricane Katrina. In addition to performances, electric guitarists Ludwig and Sparr will lead workshops for student musicians and community members from central and southeastern Arkansas, including a high percentage of low-income residents.

The Oxford American received $20,000 to support the publication and promotion of the magazine.  Exploring the complexity and vitality of the American South, the magazine publishes poetry, fiction, creative nonfiction, and criticism by emerging and established authors. The magazine will be promoted through social media, the magazine’s website, a weekly e-newsletter, and events throughout the South.

In addition, TheatreSquared in Fayetteville received $25,000 for its Arkansas New Play Festival. This is presented in Fayetteville and Little Rock. The Little Rock performances are in conjunction with the Arkansas Rep.

Other Arkansas recipients were the Walton Arts Center, Sonny Boy Blues Society (for the King Biscuit Blues Festival), Ozarks Foothills Film Festival and John Brown University.

THE LITTLE MERMAID swims into Ark Rep for holiday season

LittleMermaidFrom the creators of Beauty and the Beast, Aladdin and Little Shop of Horrors, the Arkansas Rep presents Disney’s The Little Mermaid, an enchanting musical features an infectious score that includes the popular songs “Part of Your World,” “Under the Sea” and “Kiss the Girl.”

Adapted from the beloved fairy tale by Hans Christian Andersen into one of Disney’s most popular animated films of all time, The Little Mermaid is now a lavish theatrical spectacle you won’t want to miss. Plunge into the colorful depths of an undersea wonderland as The Rep’s stage is transformed into an aquatic playground underscored by a funky Calypso beat. The musical features a book by Pulitzer Prize winner Douglas Wright and a score by Alan Menken, Howard Ashman and Glenn Slater.

“A heart warming musical for the entire family,” said Bob Hupp. “From Hans Christian Anderson to Disney to The Rep, generations have fallen in love with the young mermaid who dreams of love and life on land. This musical has it all: a great story, lush designs and all the songs you sang with your kids. You’ll certainly want to make The Little Mermaid part of your world this holiday season.”

The show opens tonight and runs through Sunday, January 3.  Performances are at 7pm with Sunday matinees at 2pm.

The production is directed by Melissa Rain Anderson in her Arkansas Rep debut. Other members of the creative team are Adam Cates (choreography), Mark Binns (music director), Shoko Kambara (scenery), Rafael Colon Castanera (costumes), Robert Denton (lighting), Allan Branson (sound), Lynda J. Kwallek (properties), Robert Pickens (wigs) and 2 Ring Circus (aerial and circus direction).

Katie Emerson plays the title character and Shayne Kennon is her prince. Others in the cast include Cornelius Davis (Sebastian), Jack Doyle (Grimsby), Jared Green (Flotsam), Zach Green (Jetsam), Amy Jo Jackson (Ursula), Ben Liebert (Scuttle), Evan Tyrone Martin (King Triton) and DJ Plunkett (Flounder). Rounding out the cast are Anthony D. Bryant, Kacie Burns, Taylor Collins, Lani Corson, Audra Cramer, Joshua Dean, Ben Franklin, Luke Grooms, Samantha L. Harrington, Sydney Ippolito, Shaun Repetto and Molly Rosenthal.

Some of the performances are already sold out, so act quickly on buying tickets.

 

Ark Rep’s The Little Mermaid is focus of Clinton School lunchtime program today

LittleMermaidThe Arkansas Repertory Theatre works in partnership with the Clinton School of Public Service to participate in the UACS’s Distinguished Speaker Series, hosting educational panel discussions on various Rep productions.

The latest in these takes place today, Thursday, December 3 at 12 noon at Sturgis Hall in Clinton Presidential Park.  It focuses on the Rep’s upcoming production of Disney’s The Little Mermaid.

Adapted from the beloved fairy tale by Hans Christian Andersen into one of Disney’s most popular animated films of all time, “The Little Mermaid” is now a lavish theatrical spectacle you won’t want to miss.

From Hans Christian Andersen to Disney to The Rep, generations have fallen in love with the young mermaid who dreams of love and life on land. This musical has it all: a great story, lush designs and all the songs you sang with your kids.

Join the Clinton School for a panel discussion about this production with moderator Bob Hupp, producing artistic director at the Arkansas Repertory Theatre.

The play opens officially on Friday evening and runs through Sunday, January 3.

Go “Behind the Theme” tonight at Arkansas Rep before next month’s THE LITTLE MERMAID

LittleMermaidTonight, Monday, November 23, join the Arkansas Rep for its new event series, Behind the Theme, for a discussion of  The Origin of Fairy Tales!

The Little Mermaid is based on Hans Christian Andersen’s folktale of the same name.  Before you plunge into the colorful depths of the Rep’s production of Disney’s The Little Mermaid, UCA professor Jay Ruud will lead a discussion on Tolkien’s theory on the nature of myth and ‘fairy-stories.’ Find out where fairy tales originated and how they’ve become the stories we know and love today. 

Monday, November 23, 6 p.m.

Foster’s, located on the first mezzanine

FREE and open to the public

Cash bar available

Please RSVP to Allyson Gattin

501.378.0445 ext. 125 | agattin@therep.org

T-H-E E-N-D of Rep’s SPELLING BEE

Rep Spelling BeeToday marks the final two performances of the Arkansas Rep production of The 25th Annual Putnam County Spelling Bee.

From William Finn, the composer of Falsettos, A New Brain and Little Miss Sunshine, comes a Tony Award-winning look at the all-too-familiar world of adolescence, told with hilarity, catchy tunes and surprising poignancy. The musical features a Tony-winning book by Rachel Sheinkin.  It was conceived by Rebecca Feldman with additional material by Jay Reiss.  The Rep’s production is directed by Nicole Capri.

The gloves are off in the take-no-prisoners, cold-blooded, dog-eat-dog world of competitive spelling as a menagerie of pre-pubescent misfits vies to d-e-c-i-m-a-t-e their young rivals on the cutthroat path to the national spelling bee championship.

Hormones rage and pulses pound as our awkward adversaries engage in feats of o-r-t-h-o-g-r-a-p-h-i-c prowess. The winner will receive a shining trophy and a luxurious DC hotel room with a big screen TV. The loser – nothing but a broken heart, a pat on the back and a juice box.

“A truly funny, unpredictable night of theatre,” said Bob Hupp. “The 25th Annual Putnam County Spelling Beeis never the same musical twice. The actors’ wit and verbal agility are put to the test night after night as each new audience brings new hilarity to the performance. If you can spell “cow”, then this musical is for you.”

Join The Rep onstage (quite literally, since several lucky audience members will be asked to show off their spelling chops alongside the cast each night) as we bring you this sidesplitting, irreverent, interactive musical comedy hit!