18 Cultural Events from 2018 – Ballet Arkansas’ 40th anniversary THE NUTCRACKER

Ballet Arkansas’ 40th Anniversary Nutcracker Spectacular took the stage at the Robinson Performance Hall December 6–9, 2018 for four main stage performances and two student matinee performances. The largest holiday production in Central Arkansas, Ballet Arkansas’ Nutcracker has been a tradition in Little Rock for decades.

A two-act ballet, originally choreographed by Marius Petipa, with a score by Pyotr Ilyich Tchaikovsky, The Nutcracker is a timeless story about a young girl’s journey into a magical land, The Land of the Sweets, on one winter’s eve.

Joining Ballet Arkansas’ fourteen professional dancers onstage was a community cast made up of over 200 children and adults, including local dancers, previous Ballet Arkansas dancers, Ballet Arkansas board members.

The production is enhanced with live music provided by the talented musicians of the Arkansas Symphony Orchestra, conducted by Geoffrey Robson, and the ethereal voices of the Mount St. Mary Academy Concert Belles and the Episcopal Collegiate Choirs,

“The Nutcracker is a beloved Holiday classic that families look forward to each year as a part of their traditions, and this year’s production features fully updated choreography, a handful of holiday surprises, and much more!” says Associate Artistic Director, Catherine Fothergill.

In 2017, Michael Fothergill, Executive and Artistic Director of the organization took steps to re-vitalize the choreography in the 2nd Act. This year, Ballet Arkansas have renovated the 1st Act, while maintaining some of the time honored and fan favorite traditions. This updated show celebrates the past, breathing new life into the organization’s most beloved holiday tradition.

For the 2nd year in a row, Ballet Arkansas live streamed the matinee performances to Arkansas Children’s Hospital.

Home for the Holidays with the ASO and Maestro Philip Mann this weekend

Maestro Philip Mann and the musicians of the Arkansas Symphony Orchestra welcome singers Maria Fasciano and Vernon Di Carlo, Arkansas Chamber Singers, and the Episcopal Collegiate School Steel Drum Band to take the Robinson Center Performance Hall stage on December 14-16.

Kids aged one to one hundred will enjoy fun holiday favorites like “Silver Bells,” “O Holy Night,” and “White Christmas,” fun selections from The Nutcracker featuring steel drums, brassy Henry Mancini arrangements and winter-themed orchestral music.

Concerts are tonight at 7:30, Saturday, December 15 at 7:30 and Sunday, December 16 at 3:00.  Because Sunday’s show is nearly sold out, the Entergy Kids’ Ticket program has been extended to tonight’s concert.

ANDERSON – Sleigh Ride
RIMSKY-KORSAKOV – Dance of the Tumblers from The Snow Maiden Suite
LIVINGSTON/EVANS arr. Holcombe – Silver Bells (Vernon Di Carlo, vocal)
MANCINI – Joy
ADAMS/Ryden – O Holy Night (Maria Fasciano, vocal)
BERLIN/Moss – White Christmas (Vernon Di Carlo, vocal)
BIZET – IV. Farandole from L’Arlésienne Suite No. 2
TYZIK – Twelve Gifts of Christmas (Maria Fasciano, vocal)

~INTERMISSION~

MANCINI/Hayes – Christmas Rhapsody
TCHAIKOVSKY – Selections from The Nutracker (with the Episcopal Collegiate School Steel Drum Band)
RICHMAN – Hanukkah Festival Overture
STYNE/Hayes – The Christmas Waltz (with chorus)
COURTNEY – Festival Gloria (with chorus)
HERMAN/Hayes – We Need a Little Christmas (with chorus)
FINNEGAN – Singalong

Extras!
Pre-concert happenings in the marble lobby:

  • Friday: Concertmaster Andrew Irvin’s violin caroling ensemble
  • Saturday: Brent Shires (ASO horn) leads his Hornaments ensemble
  • Sunday: Annual Children’s Fair (begins at 2 p.m.)

Little Rock Look Back: First Ballet Arkansas production of THE NUTCRACKER

Burton and Tuzer

One of the sure signs of the Christmas season is the return of The Nutcracker to ballet companies across America.  Though the Little Rock Civic Ballet had first presented this ballet in 1968, by the mid-1970s, it was no longer performing the complete ballet.

In 1978, the Little Rock Civic Ballet was reorganized and re-christened Ballet Arkansas.  That first year, it did not perform The Nutcracker.  But on December 11, 1979, the tradition returned as Ballet Arkansas presented its first production of The Nutcracker.  It was once again at Robinson Center Music Hall.

The production was directed and choreographed by Lorraine Cranford, Ballet Arkansas’ Artistic Director.  The music was provided by musicians from the Arkansas Symphony Orchestra under the baton of guest conductor David Schimmell.  This was the first time in several years that the ballet had been accompanied by the ASO.

The guest artists were Anne Burton and Tanju Tuzer, both from Dallas.  The local dancers including David Twillie, Mirana, Peggy Howard, Carol Campbell, Jeffrey Stuart, Haven Cooper, Buddy Harris, Chris Clarke and Jeff Johns.

Tickets were $3.00 for the matinee. Evening performances ranged from $5 to $10 a person.

40th Anniversary production of Ballet Arkansas’ THE NUTCRACKER this weekend!

Ballet Arkansas’ 40th Anniversary Nutcracker Spectacular takes the stage at the Robinson Performance Hall this December 6th – 9th , 2018 for four main stage performances and two student matinee performances. The largest holiday production in Central Arkansas, Ballet Arkansas’ Nutcracker has been a tradition in Little Rock for decades.

A two-act ballet, originally choreographed by Marius Petipa, with a score by Pyotr Ilyich Tchaikovsky, The Nutcracker is a timeless story about a young girl’s journey into a magical land, The Land of the Sweets, on one winter’s eve.

Joining Ballet Arkansas’ fourteen professional dancers onstage is a community cast made up of over 200 children and adults, including local dancers, previous Ballet Arkansas dancers, Ballet Arkansas board members, and local celebrities.

The production is enhanced with live music provided by the talented musicians of the Arkansas Symphony Orchestra, conducted by Geoffrey Robson, and the ethereal voices of the Mount St. Mary Academy Concert Belles or the Episcopal Collegiate Choirs,

“The Nutcracker is a beloved Holiday classic that families look forward to each year as a part of their traditions, and this year’s production features fully updated choreography, a handful of holiday surprises, and much more!” says Associate Artistic Director, Catherine Fothergill.

In 2017, Michael Fothergill, Executive and Artistic Director of the organization took steps to re-vitalize the choreography in the 2nd Act. This year, Ballet Arkansas have renovated the 1st Act, while maintaining some of the time honored and fan favorite traditions. This updated show celebrates the past, breathing new life into the organization’s most beloved holiday tradition.

For the 2nd year in a row, Ballet Arkansas will be live streaming the matinee performances at Arkansas Children’s Hospital.

Performances Friday, December 7, 7:00 pm, Saturday, December 8, 2:00 pm and 7:00 pm, and Sunday, December 9, 2:00pm.

This year’s performance includes an opportunity to purchase ‘sweet seats’ for $99 which includes the best seats in house and a special gift with purchase. Tickets range from $20-99 and are available by calling Celebrity Attractions Box Office at (501)-244- 8800 or by visiting Ticketmaster at https://www1.ticketmaster.com/event/1B0054BEE444598E.

Still time for Spoken Word submissions for CALS and ASO collaboration

The Arkansas Symphony Orchestra (ASO) and Central Arkansas Library System (CALS) have announced a collaboration in a spoken word performance event focused on themes of joy, unity and hope.

Spoken word artists ages 18 and younger should submit their work, either in writing or by video, through a participating CALS branch or via email at teenpoetry@cals.org.

Adults should submit via odetojoy@arkansassymphony.org. Submissions will be accepted until December 3, 2018, and should be limited to no more than three minutes long. Performers may perform original work or works for which they have secured performance rights.

CALS and ASO will invite youth and adult finalists to perform for a panel of judges and a live audience January 10, 2019 at the Ron Robinson Theater. At this event, performers will be selected to join the ASO on stage at Beethoven’s Symphony No. 9: Ode to Joy, February 23 & 24 at the Robinson Center.

“Whether lyrics in a popular song, libretto for an opera, or a symphonic setting of a poem, music and writing go hand-in-hand,” said Christina Littlejohn, CEO of the Arkansas Symphony Orchestra. “We are excited to join with another fundamental Little Rock institution to enrich our community with the power of orchestral music and language in our first spoken word collaboration.”

“Engaging people with words, music, and creativity lies at the center of our broad library mission,” said Nate Coulter, CALS Executive Director. “This collaborative performance with ASO musicians and library patrons speaking poetry will be an opportunity to express shared hopes and joys through two of our oldest and most emotionally evocative art forms. Beethoven’s ‘Ode to Joy’ is a great choice by the orchestra to inspire and embrace our library community’s aspiring poets.”

With a full orchestra and massed Arkansas intercollegiate and professional chorus, Maestro Philip Mann will lead more than 300 musicians on stage to perform one of the most powerful and recognizable works in the entire history of music: Symphony No. 9, Ode to Joy. In this first ever collaboration between the ASO and CALS, spoken word artists will perform from the Robinson Center stage during the concert.

A series of special events at CALS branches is being planned as part of the partnership, including spoken word performances, mini-concerts and educational performances by ASO musicians, and panel discussions. CALS will also curate a multimedia collection of materials on Beethoven’s Symphony No. 9, its libretto, and other topics relevant to the themes of the presentation. For detailed information about events and materials at CALS and ASO, please visit ArkansasSymphony.org/spoken-word.

Tickets to Ode to Joy are available now and cost $16, $36, $57, and $68; active duty military and student tickets are $10 and can be purchased online at ArkansasSymphony.org at the Robinson Center street-level box office beginning 90 minutes prior to a concert; or by phone at 501-666-1761, ext. 1. All Arkansas students grades K-12 are admitted to Sunday’s matinee free of charge with the purchase of an adult ticket using the Entergy Kids’ Ticket, downloadable at http://www.arkansassymphony.org/freekids.

Little Rock Look Back: The 2004 opening of the Clinton Presidential Center

wjc library openingIt has been fourteen years since the Clinton Presidential Center opened on a wet, cold Thursday.

The days leading up to it had been glorious.  And while the weather may have literally dampened spirits a bit, it was still an important day for Little Rock and Arkansas.

The events leading up to the opening included a concert by Aretha Franklin with the Arkansas Symphony Orchestra and an appearance by Senator John Glenn at the Museum of Discovery.  Events were hosted by the Arkansas Arts Center, Arkansas Repertory Theatre, Historic Arkansas Museum, and Old State House Museum.  There were scores of receptions and parties as Hollywood, New York, and DC descended on Little Rock.

November 18 dawned rainy and cool.  As the day continued on the precipitation continued while the temperature did not warm up.  Years of planning for a grand opening ceremony came down to this.  But at the appointed time, festivities began.

On the site of an abandoned warehouse district and unofficial dump which had previously been a train station, many leaders of the free world were gathered.  They rubbed shoulders with thousands of Arkansans from probably every county in the state.

It had been seven years and eleven days since Bill Clinton had announced the site of his presidential library.  It had been five years since artifacts and articles started arriving from Washington DC in Little Rock.  There had been lawsuits, threats of lawsuits, the threat of a Counter-Clinton Library, and countless meetings.

After speeches from Presidents Carter, Bush 41 and Bush 43, remarks from President Clinton and then-Senator Clinton (who was made even wetter by water pouring off an ill-placed umbrella), and even a musical performance by Bono and The Edge, Chelsea Clinton turned over the ceremonial key from the Clinton Foundation to the National Archives to officially open the Clinton Presidential Center.

In his capacity leading the Clinton Foundation, Skip Rutherford oversaw the planning for the Clinton Library and the grand opening festivities.  He, along with the foundation’s Executive Director Stephanie S. Streett, oversaw a phalanx of volunteers and staff to anticipate every detail.  The 1,000 days countdown sign that had been on the construction site (the brainchild of Tyler Denton) finally reached 0.

Isabelle Rodriguez, Shannon Butler, Mariah Hatta, Jordan Johnson, Lucas Hargraves, Ben Beaumont, Denver Peacock — among others — had been putting in twelve plus hour days for months on end to get ready for the opening.  City Manager Bruce T. Moore led a team of City officials who had assisted on the planning and execution of the site preparation and making sure Little Rock was ready to welcome the world.  Moore and City Director Dean Kumpuris had been appointed by Little Rock Mayor Jim Dailey to lead Little Rock’s efforts to land the library.  After Clinton’s announcement of the site, Dailey, Kumpuris and Moore continued to work together to ensure the library would be successful.

Among those present were Oscar winning actors Barbara Streisand, Robin Williams, and (of course) Arkansan Mary Steenburgen.  Future Oscar winner Morgan Freeman was also in attendance. Among the Oscar nominees who were present were Bono and The Edge (who performed at the ceremony) and Alfre Woodard.  It was the first public appearance by Senator John Kerry after his loss earlier in the month to President George W. Bush. Scores of Senators and members of Congress as well as countless Clinton Administration staffers were also in attendance.

While the weather on November 18, 2004, may have been a disappointment, the people who were gathered knew they were witnesses to history.  And fourteen years later, is a day people still talk about.

 

 

Little Rock Look Back: Aretha Franklin with the Arkansas Symphony Orchestra at Robinson Center

On November 16, 2004, the rafters of Robinson Center Music Hall were shaken by the vocal prowess of Aretha Franklin.

She shared the Robinson stage with the Arkansas Symphony Orchestra.  The ASO brought Miss Franklin to town as part of the festivities surrounding the opening of the presidential library.  Long a favorite of the Clintons, Miss Franklin sang at his 1993 inaugural festivities the night before he took the oath of office.

Resplendent in a series of white dresses, Miss Franklin was in top form feeding off the love from the audience.  While backstage she may have been dealing with back and knee issues (which the Culture Vulture saw first hand), when she stepped on to the stage she was giving her all as she rolled through hit after hit from her starry career.  She sang, she played the piano, she entertained!

It was a sold out house and her voice and energy reached the last row of the balcony.

Prior to her appearance, the ASO played a few selections including variations on “Hail to the Chief” and “America.”

Earlier in the day, I had the privilege of picking up several copies of Bill Clinton’s autobiography for her to get signed by him.  I delivered them to her as she was resting between rehearsals. She was preparing for an interview with Craig O’Neill, and I hated disturbing her. But I wanted to be sure she got the books.  She was gracious and very appreciative.