Tag Archives: Matthew Lopez

Final Weekend for THE WHIPPING MAN at the Arkansas Rep

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THEREP_THE WHIPPINGMAN (no credits)-page-001There are only three chances remaining to see the riveting play on stage at the Arkansas Rep – Matthew Lopez’s award winning The Whipping Man.  

An extraordinary tale of loyalty, deceit and deliverance, The Whipping Man opened off-Broadway in 2011 to critical acclaim, winning the 2011 John Gassner New Play Award from the NY Outer Critics Circle and becoming one of the most produced plays in the country.

On Passover, 1865, the Civil War has just ended and the annual celebration of freedom from bondage is being observed in Jewish homes across the country. One of these homes sits in ruins. As Jewish confederate officer Caleb DeLeon returns from the war, badly wounded, to find his family missing and only two former slaves remaining, Simon and John, the two men are forced to care for him.

As Caleb, Simon and John wait for the family’s return, they wrestle with their shared past as master and slave, digging up long-buried family secrets as well as new ones. With Passover upon them, the three men unite to celebrate the holiday, even as they struggle to comprehend their new relationships at a crossroads of personal and national history and to come to terms with the sordid legacies of slavery and war that threaten each of their future freedoms.

Ryan Barry, who was featured in last season’s Clybourne Park returns to the Rep joined by Michael A. Shepperd and Damian Thompson.  The production is directed by Rep vet Gilbert McCauley (Gee’s Bend, Looking Over the President’s Shoulder, The Piano Lesson, A Soldier’s Play, Fences, Frost/Nixon).  Other members of the creative team are set designer Mike Nichols, costume designer Yslan Hicks, lighting designer Dan Kimble, sound designer Allan Branson and props designer Lynda J. Kwallek.

Performances are at 8pm tonight, 2pm tomorrow and 7pm tomorrow night.

Riveting WHIPPING MAN at Arkansas Rep

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THEREP_THE WHIPPINGMAN (no credits)-page-001The Arkansas Repertory Theatre production of Matthew Lopez’s The Whipping Man is a riveting production which features three men grappling with issues of faith, family, and fidelity over three days at the close of the Civil War.  Set in the remains of a once-grand townhouse in Richmond (masterfully designed by Mike Nichols), it tells the story of Caleb, the scion of the edifice’s owner, and two of the now-former house slaves, Simon and John.

As Simon, the moral compass of the trio, Michael A. Sheppherd portrays a complex man wrestling with the changing times while holding on to a vision of a bright future. His approach to the role is to emphasize Simon’s pragmatism. He can easily shift from stern (when making hard decisions) to tender (when discussing his wife and daughter). Sheppherd projects an inner strength which never allows the character to slip into the “noble, long-suffering slave” stereotype.  As do the other two actors, he finds the quiet, honest humor in the script while not disrupting the story.

Damian Thompson likewise avoids having John wear the “shiftless, devious” label. He joyfully struts like a peacock in his increasingly finer clothing (a deft creation of costume designer Yslan Hicks) and brags of his latest acquisitions (which progressively litter the stage courtesy of props designer Lynda J. Kwallek). But like the other two characters, he is seeking to better himself in these uncertain times. Thompson’s eyes and smile flash the brilliance of the character, who obviously has intelligence since he taught himself to read.

Ryan Barry’s Caleb spends much of the time onstage sitting in one place due to an injury. Through his sometimes pained voice, shifts in posture and gestures, he never seems static. His descriptions of the horrors of war are gripping. When paired with his soft tone of voice and romantic longing for the girl he left behind at home, he serves as a reminder that not all went into war with gusto.

Throughout the play, it becomes apparent that all is not what it seems with any of the three. What the secrets are, and who knows what about whom, is just part of the evening.  While the mysteries are plot points, they are not the whole point of the story.  The faith and shared experiences bind these three together far more than they would care to admit.  Sheppherd, Thompson and Barry share a great chemistry which serves the production well.

Director Gilbert McCauley obviously trusts his actors and the script.  He lets the action unfold at a languid, but not sluggish pace.  In his hands, the silences and stillness of the actors can sometimes be more powerful than words and movement.  There are moments in the script which could easily shift into melodrama, but McCauley does not allow that.

This same approach is shared with the strong and subtle lighting design of Dan Kimble. He achieves a rare balance of having the stage dim and well-lit at the same time. The mood of the play is also ably served by Allan Branson’s sound design.

The Whipping Man offers no easy answers or pat endings. While none of the characters are without flaws (who is?), they each have redeeming qualities.  At the end of the play, one is left wondering what will happen to them.  Realizing that the Reconstruction era in the South was hardly pleasant for anyone regardless of race, the audience knows that the future will probably not be too satisfying for any of the three.

Toward the end of the play, the trio share a Seder. In addition to the obvious connections (Abraham Lincoln and Abraham from the Bible, the end of slavery in both eras), it is also about sharing faith and sharing experiences.  It is, for a brief respite, a moment of pure peace.

The Arkansas Rep production of Lopez’s play serves as a helpful reminder that in the midst of chaos, harmony can be achieved, if only for a moment.

Award winning THE WHIPPING MAN now at Arkansas Rep

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THEREP_THE WHIPPINGMAN (no credits)-page-001As Producing Artistic Director Bob Hupp often says, one of the objectives of the Arkansas Repertory Theatre is to tell a variety of stories.  Following the holiday frolic that was Elf, next on stage is Matthew Lopez’s award-winning play The Whipping Man.

An extraordinary tale of loyalty, deceit and deliverance, The Whipping Man opened off-Broadway in 2011 to critical acclaim, winning the 2011 John Gassner New Play Award from the NY Outer Critics Circle and becoming one of the most produced plays in the country.

On Passover, 1865, the Civil War has just ended and the annual celebration of freedom from bondage is being observed in Jewish homes across the country. One of these homes sits in ruins. As Jewish confederate officer Caleb DeLeon returns from the war, badly wounded, to find his family missing and only two former slaves remaining, Simon and John, the two men are forced to care for him.

As Caleb, Simon and John wait for the family’s return, they wrestle with their shared past as master and slave, digging up long-buried family secrets as well as new ones. With Passover upon them, the three men unite to celebrate the holiday, even as they struggle to comprehend their new relationships at a crossroads of personal and national history and to come to terms with the sordid legacies of slavery and war that threaten each of their future freedoms.

Ryan Barry, who was featured in last season’s Clybourne Park returns to the Rep joined by Michael A. Shepperd and Damian Thompson.  The production is directed by Rep vet Gilbert McCauley (Gee’s Bend, Looking Over the President’s Shoulder, The Piano Lesson, A Soldier’s Play, Fences, Frost/Nixon).  Other members of the creative team are set designer Mike Nichols, costume designer Yslan Hicks, lighting designer Dan Kimble, sound designer Allan Branson and props designer Lynda J. Kwallek.

The production opens Friday, January 23 and runs through Sunday, February 8.

THE WHIPPING MAN at Arkansas Rep is focus of Clinton School lunchtime conversation

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THEREP_THE WHIPPINGMAN (no credits)-page-001The Arkansas Repertory Theatre works in partnership with the Clinton School of Public Service to participate in the UACS’s Distinguished Speaker Series, hosting educational panel discussions on various Rep productions.

The latest in these takes place today, Thursday, January 22 at 12 noon at Sturgis Hall in Clinton Presidential Park.  It focuses on the Rep’s upcoming production of Matthew Lopez’s The Whipping Man.

Arkansas Repertory Theatre producing artistic director, Bob Hupp, will host a panel discussion on the upcoming production of The Whipping Man, winner of the 2011 John Gassner New Play Award from the NY Outer Critics Circle and becoming one of the most produced plays in the country.

In this post-Civil War drama, a Jewish confederate officer, Caleb DeLeon, returns from the war, badly wounded, to find his family missing and only two former slaves remaining, Simon and John, the two men who are forced to care for him. As Caleb, Simon and John wait for the family’s return, they wrestle with their shared past as master and slave, digging up long-buried family secrets, as well as new ones. The Whipping Man is critically acclaimed drama full of loyalty, deceit, and deliverance.

Join members of the production team as they discuss this chilling play selected for the Halloween season.

The Whipping Man opens officially on Friday evening and runs through Sunday, February 8.

Grants for Rep, ASO announced by National Endowment for the Arts

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nea-logo-960Two Little Rock cultural institutions were among the nine Arkansas recipients of National Endowment for Arts grants recently announced.

These were Art Works and Challenge America grants. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts and the strengthening of communities through the arts. Challenge America grants offer support primarily to small and mid-sized organizations for projects that extend the reach of the arts to underserved populations whose opportunities to experience the arts are limited by geography, ethnicity, economics or disability.

The Arkansas Repertory Theatre received $10,000 to support the production of Matthew Lopez’s The Whipping Man. This play is set during Passover 1865.  As the annual celebration of freedom from bondage is being observed in Jewish homes, a wounded Confederate officer returns from the Civil War to find his family missing and only two former slaves remaining.

The Rep  will partner with the Mosaic Templars Cultural Center and the Jewish Federation of Arkansas to explore the play’s themes and the role of both the African-American and Jewish communities in Arkansas history.

The Arkansas Symphony Orchestra received $10,000 Little to support performances, workshops, and related outreach activities featuring violinist Randall Goosby. Goosby, the first-place winner of the 2010 Sphinx Competition, will be in residence in Central Arkansas conducting free workshops and music demonstrations for community members and student musicians drawn from economically disadvantaged schools.

In addition, TheatreSquared in Fayetteville received $10,000 for its Arkansas New Play Festival. This is presented in Fayetteville and Little Rock. The Little Rock performances are in conjunction with the Arkansas Rep.

Other Arkansas recipients were the Walton Arts Center, Fort Smith Symphony, Sonny Boy Blues Society (for the King Biscuit Blues Festival), Low Key Arts of Hot Springs, Ozarks Foothills Film Festival and John Brown University.

Thrills and Chills, Fun and Dysfunction all part of Arkansas Rep 2014-2015 season

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A large and dysfunctional family, a flying nanny, a tall elf, a menacing thief, a post-Civil War trio and a Rock & Roll pioneer await audiences at the Arkansas Repertory Theatre’s 39th season in 2014-2015.

“The stories we’ll tell speak to the power of live theatre,” says Robert Hupp, Producing Artistic Director at Arkansas Repertory Theatre. “It’s a season of entertainment, for sure, but it’s also a season of firsts for The Rep and our audience: The new season features engaging plays and musicals, many brought to life for the very first time in our state, all created in our intimate home on Main Street. Three popular and crowd pleasing, over the top musicals complement three amazing plays that embody the best our art form.”

The season kicks off with a regional theatre premiere of a Tony winning Best Musical. Memphis will run from September 5-28. It features a Tony-winning tuneful score by David Bryan which melds rock, blues, gospel and soul. The Tony-winning book is by Joe DiPietro.

“When I first saw Memphis on Broadway, I couldn’t wait for the day we could tell this story on our stage,” says Hupp. “Imagine how pleased I was when the producers contacted us about creating one of the first regional theatre productions of Memphis in the country. It’s a story we all know; it’s the telling of it that will get you on your feet: brash and exciting with music and dancing that will reach and grab you from start to finish.”

Next up, is Frederick Knott’s classic thriller Wait until Dark from October 24 through November 9. Though perhaps best known for the film version starring Audrey Hepburn, it first starred Lee Remick on Broadway (earning her a Tony nomination).

A sinister con man and two ex-convicts are about to meet their match. They have traced the location of a mysterious doll to the Greenwich Village apartment of Sam Hendrix and his wife, Susy. With murder afoot, a deadly game of cat and mouse ensues, as Susy discovers the only way to play fair is to play by her rules.

“It’s been years since we’ve had a thriller in our line-up,” says Hupp. “This retro suspense classic still packs a punch, still brings a gasp, still gets you clutching the arm of the person sitting beside you. Wait Until Dark is scary fun.”

A recent addition to the canon of holiday classic films has been turned into a musical. At the holiday season, Elf will be on stage from December 5 through the 28th. With a book by Tony winners Thomas Meehan (Annie, The Producers) and Bob Martin (The Driwsy Chaperone) and a score by Tony®-nominated songwriting team of Matthew Sklar and Chad Beguelin (The Wedding Singer), Elf turns one of Hollywood’s most beloved holiday hits into a hilarious and heartwarming musical that towers above the rest.

“Funny and touching, Elf is a musical with a big heart that is just perfect for families this holiday season,” says Hupp.

The year 2015 marks the sesquicentennial of the end of the Civil War. The Rep kicks off 2015 with Matthew Lopez’s award winning play The Whipping Man from January 23 through February 8.

An extraordinary tale of loyalty, deceit and deliverance, The Whipping Man opened off-Broadway in 2011 to critical acclaim, winning the 2011 John Gassner New Play Award from the NY Outer Critics Circle and becoming one of the most produced plays in the country.

On Passover, 1865, the Civil War has just ended and the annual celebration of freedom from bondage is being observed in Jewish homes across the country. A Jewish confederate officer returns from the war, badly wounded, to find his family missing and only two former slaves remaining. As the three wait for the family’s return, they wrestle with their shared past as master and slave, digging up long-buried family secrets as well as new ones.

“Make The Whipping Man a new discovery. It will challenge your assumptions about our history, and the plot twists and turns will keep you on the edge of your seat,” says Hupp. “You’ll want to see why The Whipping Man has established itself as one of the most produced plays in the country.”

Everyone’s favorite British nanny will arrive at the Rep as Mary Poppins takes the stage from March 6 through April 5. With songs by the Academy Award-winning Sherman Brothers (Chitty Chitty Bang Bang, The Jungle Book) and additional music and lyrics by George Stiles and Anthony Drewe it has a book by Oscar winner Julian Fellowes (Downton Abbey, Gosford Park). Disney’s stage musical Mary Poppins is based on the similarly titled series of children’s books by P. L. Travers and the 1964 Disney film.

The Broadway production opened in November 2006 and received nominations for seven Tony Awards, including Best Musical. It won a Tony Award, a Theatre World Award and two Drama Desk Awards. The Broadway production ran formover 2600 performances.

“Bringing Mary Poppins to the stage for the first time for Central Arkansas audiences is a special thrill,” says Hupp. “Like most of us, Mary Poppins has been a part of my life since I was a kid; we all remember the first time we met her and, even today, how many times do we wish someone would drift in from the sky to set everything right? Mary Poppins will be one of the biggest musicals we’ve ever undertaken, and will be a special treat in our intimate theatre.”

The dysfunctional family to end all dysfunctional families will conclude the Rep’s season when the Pulitzer and Tony winning August: Osage County runs from June 5 through 21, 2015.

One of the most bracing and critically acclaimed plays in recent Broadway history, August: Osage County is a darkly comedic portrait of an extended family coming apart and trying to hold itself together. Written by Tracy Letts, August: Osage County was the recipient of the 2008 Pulitzer Prize for Drama. It won five 2008 Tony Awards, including Best Play, three 2008 Drama Desk Awards including Outstanding Play, the 2008 New York Drama Critics’ Circle Award for Best Play, the 2008 Drama League Award for Distinguished Production of a Play and the 2008 Outer Critics Circle Award for Outstanding Broadway Play.

“In my opinion, August: Osage County is the best play written in the last ten years,” says Hupp. “We’ve had the rights for a few years but feel we’re now ready to bring this dynamic, funny and powerful new play to life for our audience. Maybe you saw the movie, but you need to meet this family at The Rep.”

In between Mary Poppins and August: Osage County, the stage at the Rep will feature both performances by Ballet Arkansas as well as the Rep’s educational program’s Project Élan.