31 Days of Arkansas Rep: 2014’s CLYBOURNE PARK

The Arkansas Rep kicked off 2014 with the Pulitzer and Tony winning CLYBOURNE PARK.  Both a prequel and sequel of sorts to A Raisin in the Sun, it looks at the life of a house and a neighborhood.

In 1959, a white couple sells their home to a black family (the fictional Younger family from A Raisin in the Sun), causing an uproar in their middle-class neighborhood. Fifty years later in 2009, the same house is changing hands again, but the stakes have changed.

As neighbors wage a hilarious and pitched battle over territory and legacy, Clybourne Park reveals just how far our ideas about race and identity have evolved.

In 2014, Arkansas Repertory Theatre brought the play to Little Rock in a production directed by the founder of the Rep, Cliff Baker.  The cast included Shaleah Adkisson, Ryan Barry, Katie Cunningham, Lawrence Evans, LeeAnne Hutchison, Robert Ierardi, Jason O’Connell, and David Tennal.

The creative team included scenic designer Mike Nichols, costume designer Yslan Hicks, lighting designer Yael Lubetzky, sound designer Allan Branson and properties designer Lynda J. Kwallek.

Pulitzers play Little Rock – CLYBOURNE PARK

Clybourne

While A Raisin in the Sun did not win the Pulitzer, it did inspire a sort of prequel AND sequel which did win that award.  Bruce Norris’ Clybourne Park was inspired by the earlier play.  After an Off Broadway production in 2010, it won the 2011 Pulitzer for Drama. A subsequent Broadway production won the 2012 Tony for Best Play.

In 1959, a white couple sells their home to a black family (the fictional Younger family from A Raisin in the Sun), causing an uproar in their middle-class neighborhood. Fifty years later in 2009, the same house is changing hands again, but the stakes have changed.

As neighbors wage a hilarious and pitched battle over territory and legacy, Clybourne Park reveals just how far our ideas about race and identity have evolved.

In 2014, Arkansas Repertory Theatre brought the play to Little Rock in a production directed by the founder of the Rep, Cliff Baker (up next at the Rep with God of Carnage which closes out the 2017-2018 season).

The cast included Shaleah Adkisson, Ryan Barry, Katie Cunningham, Lawrence Evans, LeeAnne Hutchison, Robert Ierardi, Jason O’Connell, and David Tennal.  The creative team includes scenic designer Mike Nichols, costume designer Yslan Hicks, lighting designer Yael Lubetzky, sound designer Allan Branson and properties designer Lynda J. Kwallek.

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

Tony Awards Week – Tony Titles at Arkansas Rep

ark repNext year the Arkansas Repertory Theatre celebrates its 40th anniversary season.  Since its first season, the Rep has often programmed plays and musicals which have been recognized with the Tony for Best Play or Best Musical of the season.

Many other Rep productions have been titles which have also won Tony Awards in some Broadway production.  But this list only looks at those which won or were nominated for the Tony for Best Play and Best Musical.

The first Rep production was The Threepenny Opera.  While it did not win the Tony for Best Musical, it goes on this list because it received a Special Tony in 1956 for its production.  The original production in the 1930s ran for just a few performances. So this production was not eligible for the Best Musical award. But it was so outstanding, it received a Special Tony.

That 1976-77 season also included a Best Play winner – The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, which took home the silver medallion for Best Play in 1966.

Rep SalesmanOther Tony Best Play winners produced by the Rep have been:

(Tony Year; Title; Rep season)

  • 1949 – Death of a Salesman – 2012-13
  • 1955 – The Diary of Anne Frank – 1977-78; 1981-82
  • 1960 – The Miracle Worker – 2004-05
  • 1963 – Who’s Afraid of Virginia Woolf? – 1978-79
  • 1965 – The Subject Was Roses – 1981-82
  • 1973 – That Championship Season – 1984-85
  • 1979 – The Elephant Man – 2008-09
  • 1981 – Amadeus – 1995-96
  • 1984 – The Real Thing – 1986-87
  • 1985 – Biloxi Blues – 1987-88
  • 1986 – I’m Not Rappaport – 1989-90
  • 1987 – Fences – 2006-07
  • 1990 – The Grapes of Wrath – 2000-01
  • 1991 – Lost in Yonkers – 1994-95 (featuring future Tony winner Will Trice in the cast)
  • 1993 – Angels in America: Millennium Approaches – 1995-96; 1996-97
  • 1994 – Angels in America: Perestroika – 1996-97
  • 1997 – The Last Night of Ballyhoo – 1998-99
  • 1998 – Art – 2001-02
  • 2001 – Proof – 2002-03 (written by LR Hall graduate David Auburn)
  • 2005 – Doubt – 2007-08
  • 2008 – August: Osage County – 2014-15
  • 2010 – Red – 2013-14
  • 2012 – Clybourne Park – 2013-14

 

Next season the Rep will produce Peter and the Starcatcher which was nominated for Best Play in 2012.  Other Best Play nominees produced by the Rep include: Barefoot in the Park; Broadway Bound; Cat on a Hot Tin Roof; Crimes of the Heart; Frost/Nixon; The Gin Game; Glengarry Glen Ross; Having Our Say; Home; Lend Me a Tenor; A Lesson from Aloes; ‘Night, Mother; The Night of the Iguana; Noises Off; The Piano Lesson; The Rainmaker; A Raisin in the Sun; The Retreat from Moscow; Talley’s Folly; The 39 Steps; and A Walk in the Woods.

The Rep also produced House of Blue Leaves six years before it was nominated for Best Play at the Tonys. In addition, it produced All My Sons which received a Special Tony for playwright Arthur Miller at the first ceremony and is sometimes erroneously listed as being the Best Play of 1947. There was none that year.

 

THEREP_MEMPHIS (no credits)-page-001The 1971 Best Musical Company was part of the Rep’s inaugural season in 1976-77.  Other Tony Best Musicals winners produced by the Rep have been:

(Tony Year; Title; Rep season)

  • 1951 – Guys and Dolls – 1989-90
  • 1952 – The King and I – 2006-07
  • 1956 – Damn Yankees – 1999-2000
  • 1957 – My Fair Lady – 2004-05
  • 1960 – The Sound of Music – 2001-02
  • 1964 – Hello, Dolly! – 2007-08
  • 1967 – Cabaret – 2001-02
  • 1975 – The Wiz – 2011-12
  • 1976 – A Chorus Line – 2005-06
  • 1977 – Annie – 2002-03
  • 1978 – Ain’t Misbehavin’ – 1984-85; 2004-05
  • 1980 – Evita – 1989-90; 2010-11
  • 1986 – The Mystery of Edwin Drood – 1988-89
  • 1987 – Les Miserables – 2008-09; 2013-14
  • 2003 – Hairspray – 2010-11
  • 2004 – Avenue Q – 2012-13
  • 2010 – Memphis – 2014-15 (produced at Rep and on Broadway by LR native Remmel T. Dickinson)

In addition, the Rep has produced staged concert versions of 1958 Best Musical The Music Man and 1973 Best Musical A Little Night Music in collaboration with the Arkansas Symphony Orchestra.

Next season the Rep will produce The 25th Annual Putnam County Spelling Bee which was nominated for Best Musical in 2005.  Other Best Musical nominees produced by the Rep include: The Best Little Whorehouse in Texas; Blues in the Night; Chicago; Dreamgirls; Five Guys Named Moe; The Full Monty; Gypsy; Into The Woods; Joseph and the Amazing Technicolor Dreamcoat; Mary Poppins;  Next to Normal; Oh What A Lovely War; Once On This Island; Peter Pan; Pump Boys and Dinettes; Quilters; Side by Side by Sondheim; Smokey Joe’s Café; Stop the World, I Want To Get Off; Sweet Charity; West Side Story; and The Who’s Tommy.

Final Weekend for THE WHIPPING MAN at the Arkansas Rep

THEREP_THE WHIPPINGMAN (no credits)-page-001There are only three chances remaining to see the riveting play on stage at the Arkansas Rep – Matthew Lopez’s award winning The Whipping Man.  

An extraordinary tale of loyalty, deceit and deliverance, The Whipping Man opened off-Broadway in 2011 to critical acclaim, winning the 2011 John Gassner New Play Award from the NY Outer Critics Circle and becoming one of the most produced plays in the country.

On Passover, 1865, the Civil War has just ended and the annual celebration of freedom from bondage is being observed in Jewish homes across the country. One of these homes sits in ruins. As Jewish confederate officer Caleb DeLeon returns from the war, badly wounded, to find his family missing and only two former slaves remaining, Simon and John, the two men are forced to care for him.

As Caleb, Simon and John wait for the family’s return, they wrestle with their shared past as master and slave, digging up long-buried family secrets as well as new ones. With Passover upon them, the three men unite to celebrate the holiday, even as they struggle to comprehend their new relationships at a crossroads of personal and national history and to come to terms with the sordid legacies of slavery and war that threaten each of their future freedoms.

Ryan Barry, who was featured in last season’s Clybourne Park returns to the Rep joined by Michael A. Shepperd and Damian Thompson.  The production is directed by Rep vet Gilbert McCauley (Gee’s Bend, Looking Over the President’s Shoulder, The Piano Lesson, A Soldier’s Play, Fences, Frost/Nixon).  Other members of the creative team are set designer Mike Nichols, costume designer Yslan Hicks, lighting designer Dan Kimble, sound designer Allan Branson and props designer Lynda J. Kwallek.

Performances are at 8pm tonight, 2pm tomorrow and 7pm tomorrow night.

Award winning THE WHIPPING MAN now at Arkansas Rep

THEREP_THE WHIPPINGMAN (no credits)-page-001As Producing Artistic Director Bob Hupp often says, one of the objectives of the Arkansas Repertory Theatre is to tell a variety of stories.  Following the holiday frolic that was Elf, next on stage is Matthew Lopez’s award-winning play The Whipping Man.

An extraordinary tale of loyalty, deceit and deliverance, The Whipping Man opened off-Broadway in 2011 to critical acclaim, winning the 2011 John Gassner New Play Award from the NY Outer Critics Circle and becoming one of the most produced plays in the country.

On Passover, 1865, the Civil War has just ended and the annual celebration of freedom from bondage is being observed in Jewish homes across the country. One of these homes sits in ruins. As Jewish confederate officer Caleb DeLeon returns from the war, badly wounded, to find his family missing and only two former slaves remaining, Simon and John, the two men are forced to care for him.

As Caleb, Simon and John wait for the family’s return, they wrestle with their shared past as master and slave, digging up long-buried family secrets as well as new ones. With Passover upon them, the three men unite to celebrate the holiday, even as they struggle to comprehend their new relationships at a crossroads of personal and national history and to come to terms with the sordid legacies of slavery and war that threaten each of their future freedoms.

Ryan Barry, who was featured in last season’s Clybourne Park returns to the Rep joined by Michael A. Shepperd and Damian Thompson.  The production is directed by Rep vet Gilbert McCauley (Gee’s Bend, Looking Over the President’s Shoulder, The Piano Lesson, A Soldier’s Play, Fences, Frost/Nixon).  Other members of the creative team are set designer Mike Nichols, costume designer Yslan Hicks, lighting designer Dan Kimble, sound designer Allan Branson and props designer Lynda J. Kwallek.

The production opens Friday, January 23 and runs through Sunday, February 8.

Don’t WAIT UNTIL the show is DARK – Final two performances of thriller at Arkansas Rep

THEREP_WAITUNTILDARK (no credits)-page-001Frederick Knott’s Tony-nominated thriller Wait Until Dark plays its final two performances today on the stage of the Arkansas Repertory Theatre.

This masterfully constructed tale of suspense will keep Rep audiences on the edge of their seat (but you still have to pay for the entire seat).

A sinister con man and two ex-convicts are about to meet their match. They have traced the location of a mysterious doll to the Greenwich Village apartment of Sam Hendrix and his wife, Susy. With murder afoot, a deadly game of cat and mouse ensues, as Susy discovers the only way to play fair is to play by her rules.

The cast is composed entirely of Rep veterans. It includes Amy Hutchins (It’s a Wonderful Life), Nate Washburn (Henry V), Michael Stewart Allen (Of Mice and Men, The Grapes of Wrath, Romeo & Juliet), Robert Ierardi (Clybourne Park), Craig Maravich (Death of a Salesman), Michael Lowe (Les Miserables, Hairspray), David Tennal (Clybourne Park, Les Miserables), Reagan Hodson (Because of Winn Dixie), and Ella Moody (White Christmas).

The production is directed by Robert Hupp. Others on the production team include Mike Nichols (set), Marianne Custer (costumes), Yael Lubetzky (lighting), Allan Branson (sound), Lynda J. Kwallek (props), and D. C. Wright (fight choreography).

Show times are 2pm and 7pm.

No Longer a Wait – WAIT UNTIL DARK opens tonight at Arkansas Rep

THEREP_WAITUNTILDARK (no credits)-page-001Frederick Knott’s Tony-nominated thriller Wait Until Dark opens tonight on the stage of the Arkansas Repertory Theatre.

This masterfully constructed tale of suspense will keep Rep audiences on the edge of their seat (but you still have to pay for the entire seat).

A sinister con man and two ex-convicts are about to meet their match. They have traced the location of a mysterious doll to the Greenwich Village apartment of Sam Hendrix and his wife, Susy. With murder afoot, a deadly game of cat and mouse ensues, as Susy discovers the only way to play fair is to play by her rules.

The cast is composed entirely of Rep veterans. It includes Amy Hutchins (It’s a Wonderful Life), Nate Washburn (Henry V), Michael Stewart Allen (Of Mice and Men, The Grapes of Wrath, Romeo & Juliet), Robert Ierardi (Clybourne Park), Craig Maravich (Death of a Salesman), Michael Lowe (Les Miserables, Hairspray), David Tennal (Clybourne Park, Les Miserables), Reagan Hodson (Because of Winn Dixie), and Ella Moody (White Christmas).

The production is directed by Robert Hupp. Others on the production team include Mike Nichols (set), Marianne Custer (costumes), Yael Lubetzky (lighting), Allan Branson (sound), Lynda J. Kwallek (props), and D. C. Wright (fight choreography).

The show runs through November 9th.  Show times are 7pm on Wednesday, Thursday and Sundays, 8pm on Friday and Saturday and 2pm on Sunday matinees.