Tag Archives: South Pacific

Little Rock Look Back: SOUTH PACIFIC opens on Broadway 66 years ago today

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southpacific_obcSixty-six years ago today, a fictional Little Rock heroine took the stage of a Broadway megahit when South Pacific opened at the Majestic Theatre on April 7, 1949. It settled in for a run of 1925 performances. Based on the James Michener Pulitzer Prize winning novel Tales of the South Pacific, it featured a book by Oscar Hammerstein II and Joshua Logan, songs by Richard Rodgers and Hammerstein and direction by Logan. It was produced by Rodgers, Hammerstein, Logan and Leland Hayward. Set in the titular islands, it concerned the relationships of sailors, nurses, island natives and other island inhabitants.

The musical starred recent Tony winner Mary Martin as Little Rock native Nellie Forbush, opera star Ezio Pinza, stage veterans Myron McCormick and Juanita Hall, and stage newcomers William Tabbert and Betta St. John. Cloris Leachman was Martin’s understudy and would later succeed her in the part of Little Rock native Nellie Forbush.

Like other Rodgers and Hammerstein musicals, this show tackled tough themes – this one being prejudice. That did not set well with some theatergoers. Indeed, some potential investors did not put money into the show because of its stance. But Rodgers, Hammerstein, Logan and Hayward persisted. Their diligence paid off when the musical received the 1950 Pulitzer Prize in Drama, only the second musical to receive this designation. It is also the only Pulitzer Prize for Drama winner to be based on Pulitzer Prize winning source material. This was the first Rodgers & Hammerstein musical to not feature big dance numbers. In fact, there was no choreographer. The dance steps which existed were created by Martin, who had taught dance in her native Texas as a young mother.

Opening late in the season, South Pacific was named the 1949 New York Drama Critics Circle Best Musical, but was not part of the Tony Awards until 1950. (Though Jo Mielziner, who designed the set for South Pacific received a Tony for his set designs of shows during the 1948-49 season and South Pacific was one of the titles listed.) At the 1950 Tonys, it received six Tony Awards (sometimes listed as eight because Book and Score were not broken separate from Best Musical that year—but some sources incorrectly separate them.) It was named Best Musical, Actor in a Musical (Pinza), Actress in a Musical (Martin), Featured Actor in a Musical (McCormick), Featured Actress in a Musical (Hall), and Director (Logan). This is the only time that all four acting awards in the musical category went to performers in the same production. In fact, the other two acting trophies that year were incorrectly engraved as being from South Pacific out of habit.

Logan’s win was also the first time that the Director Tony went for a musical, since at the time that award was not separated out among plays and musicals. Hall was the first African American to win a Tony Award for Acting. Martin would reunite with Hayward, Rodgers & Hammerstein ten years later for The Sound of Music. Pinza and Tabbert reunited in 1954 for Fanny which would be the final Broadway credit for each gentleman. McCormick stayed with the show the entire run, except for vacations.

In 1999 for the 50th anniversary and in 2008 for the opening of the first Broadway revival remaining cast members from the original production had reunions in New York City. At the 50th anniversary ceremony, a proclamation from Little Rock Mayor Jim Dailey was read declaring it South Pacific day in Little Rock and honoring the show. It is interesting to note that in 1949, there were two heroines on the Broadway stage from Little Rock: Nellie Forbush from South Pacificand Lorelei Lee from Gentlemen Prefer Blondes.

In 2008, Lincoln Center Theatre produced the first revival of South Pacific on Broadway. It opened on April 3, just four days shy of the musical’s 59th anniversary.  The cast was led by Paulo Szot, Kelli O’Hara (as Little Rock girl Nellie Forbush), Matthew Morrison (before “Glee”), Danny Burstein and Loretta Ables Sayre.  The production restored a song which had been written for the original Broadway production that had been dropped. “My Girl Back Home” was featured in the movie version and in this Broadway revival. In it O’Hara and Morrison sang of their hometowns of Little Rock and Philadelphia.  The production was nominated for 11 Tony Awards and won 7: Best Musical Revival, Actor in a Musical (Szot), Director of a Musical (Bartlett Sher), Scenic Design (Michael Yeargan), Costume Design (Catherine Zuber), Lighting Design (Donald Holder) and Sound Design (Scott Lehrer).

Bartlett and O’Hara are reunited with Lincoln Center right now for a revival of The King and I. The song “Getting to Know You” from that show was originally written for South Pacific as a song called “Suddenly Lucky.”  It was replaced in South Pacific by “(I’m in Love with a) Wonderful Guy.”

Robinson Redux March

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Blackstone adWhile Robinson Center Music Hall is closed for renovations, the Culture Vulture blog is taking a look back at previous bookings in the facility each month.

March 1940 was the first full month that Robinson Auditorium was open.  The month started with Blackstone the magician in performances from March 2 through 4. In addition to his appearance touted by the auditorium, Muswick Beverage & Cigar Company promoted his appearance, and the fact that he endorsed Budweiser beer.  Later that month, appearances included the Shrine Circus, the AAU girls basketball championship, and the Saint Louis Symphony.

March 1950 was a particularly busy month. It featured singer Vaughn Monroe on the 6th and the Arkansas State Symphony playing Beethoven’s Ninth Symphony on the 7th.  On the lower level, a circus took up residency from the 7th through 10th.  Back upstairs in the music hall, Ballet Theatre visited performing Balanchine’s “Theme and Variations” featuring ballerina Nora Kaye and conductor Max Goberman.  The month concluded on the 27th with James Dunn starring in the Pulitzer Prize winning Harvey.

In 1955, Jose Greco and His Spanish Dancers entertained audiences on March 7. Five years later, the Chicago Ballet was featured on March 26, 1960. Earlier that month (the 16th), Max Rudolf conducted the Cincinnati Symphony Orchestra. March 1965 feautured the Chicago Opera Ballet (on the 2nd) and an evening of country music stars including Buck Owens and Kitty Wells (on the 10th).

In March 1970, the national tour of the Broadway musical Mame starring Sheila Smith launched the month on the 6th and 7th. Later that month The Florida Boys were in concert. March 1975 saw much activity at Robinson Center. Guy Lombardo and his orchestra appeared on the 2nd and Richard Fredricks, baritone, gave a recital on the 4th, under the auspices of the Community Concert Series. On March 5 & 6, a statewide touring production of South Pacific played at Robinson. Produced by Vince Insalaco, it starred Judy Pryor (now Judy Trice) as Little Rock native Nellie Forbush. The month closed out with the national tour of Fiddler on the Roof.

March 1980 saw Dawn Wells starring in Neil Simon’s Chapter Two on the 8th. The Arkansas Symphony Orchestra performed on the 15th and 16th with pianist Lorin Hollander as guest artist. Five years later, Marilyn Horne appeared with the ASO on March 2, 1985. At the same time that evening, the Shriners Ball was taking place on the lower level. Later that month a national tour of Sophisticated Ladies stopped by Robinson on the 12th. The ASO returned on March 20 & 21 with pianist Garrick Ohlsson.

The Sharks and the Jets lept on the stage on March 20, 1990, as a tour of West Side Story came to Robinson Center. The month concluded with pianist Jose Carlos Cocarelli in concert with the ASO.

Marilyn Horne returned to Little Rock, ten years and one day after her previous appearance, and performed with the ASO again on March 3, 1995. The month also included The Will Rogers Follies on March 10-12, Jazz Explosion II (with George Duke, Dianne Reeves, Phil Perry, Howard Hewett, and George Howard) on March 15, and the ASO in concert with cellist Jeffrey Solow on March 18 & 19. On March 22, the musical Raisin was performed. The cast included Peabo Bryson, Jeffrey Osborne and Lynette Hawkins.

As the 2000s rolled around, Robinson Center continued to feature an eclectic mix. In March 2000, Ann Hampton Callaway performed with the ASO on March 4 & 5. Later that month the original cast of Red, White & Tuna played at Robinson from March 14 through 19. In 2005, the national tour of Mamma Mia! played at Robinson from March 1-6. Later that month the ASO performed Broadway a la Carte with an eveningn of songs from the Great White Way (on March 18 & 19).

In 2010, the ASO performed a concert version of Porgy & Bess on March 12 & 13. It was the first time that title had ever been performed in its entirity in Arkansas. Irish dance took the stage the next night as Lord of the Dance took up residence at Robinson Center.

Little Rock Look Back: Oscar Hammerstein II

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OHIIOn July 12, 1895, Oscar Greeley Clendenning Hammerstein, better known as Oscar Hammerstein II was born. He spent his entire professional life working in the theatre.  One of the musicals he wrote was South Pacific, which featured a character from Little Rock.

In the source novel, Tales of the South Pacific, Forbush is from rural Arkansas.  When Hammerstein, Richard Rodgers and Joshua Logan were adapting it for the stage, they moved the character to Little Rock (or “Small Rock” as the French planter Emil De Becque mistakenly refers to it).

Little Rock is referred to throughout the show.  One song, “My Girl Back Home” contained musical references to Arkansas’ capitol city.  That song was cut before South Pacific opened on Broadway.  It was, however, included in the movie version.  It was also reinstated and included in the 2008 Broadway revival.

Mary Martin won a Tony for originating the role of Nellie Forbush on Broadway. One of the actors who succeeded her was Cloris Leachman. Kelli O’Hara received a Tony nomination in 2008 for the Broadway revival.

South Pacific became the second musical to win the Pulitzer Prize for Drama. It also became the first winner of the Pulitzer for Drama to be based on another Pulitzer prize winner — James Michener won the Pulitzer for Tales of the South Pacific.

Hammerstein’s creation of a character from Little Rock caused problems when the show was being performed in late 1957 and for a few years after.  With the 1957 desegregation crisis still fresh in people’s memories, a show about a woman from Little Rock facing her own racial prejudices was sometimes a bit much for audiences. Apparently some audiences would boo when Little Rock was mentioned.  But Rodgers and Hammerstein did not change her hometown.

At the 1999 celebration marking the 50th anniversary of South Pacific opening on Broadway, a proclamation from then-Little Rock Mayor Jim Dailey was read.  It paid tribute to Nellie Forbush as an ambassador (albeit fictional) for Little Rock. The proclamation noted that her optimism, forbearance and ability to change for the better were emblems of Little Rock.  Since these were attributes which Mr. Hammerstein himself exhibited, one suspects he would be pleased.

Hammerstein died in 1960 during the run of The Sound of Music (which like South Pacific starred Mary Martin).

For those wanting to see an Oscar Hammerstein II show on his birthday or during his birth month, South Pacific has just started a run in Benton at the Royal Players.

Little Rock Look Back: Richard Rodgers

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richard_rodgersOn June 28, 1902, Richard Rodgers was born.  He grew up to become a composer, producer and arts educator. For his talents he was recognized with two Pulitzer Prizes, a Kennedy Center Honor, and seven Tony Awards.

He is featured on this blog, because one of his shows was the musical South Pacific.  The fictional heroine was Little Rock native Nellie Forbush.  Through the success of the show, this “cock-eyed optimist” represented Little Rock to the world.  Rodgers composed a song called “My Girl Back Home” which contained references to Little Rock.  It was cut from South Pacific before it opened on Broadway in April 1949.  However it was used in the movie version and appeared in the 2008 Broadway revival.

The works of Rodgers have been performed by the Arkansas Repertory Theatre, Arkansas Symphony Orchestra, Ballet Arkansas, Wildwood Park for the Arts, Little Rock Wind Symphony and many other cultural organizations.  Numerous tours of Richard Rodgers musicals have been performed at Robinson Center Music Hall since it first opened in 1940.

ROCKing the TONY AWARDS – Billy Joel and Elton John

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Rock the Tonys

Joel and John in photo by Dimitrios Kambouris/WireImage.com

Joel and John in photo by Dimitrios Kambouris/WireImage.com

BILLY JOEL and ELTON JOHN

Little Rock Connection: Both have performed in Little Rock over the years.  In 1995, they played a joint concert at War Memorial Stadium which brought in $1.6 million. An additional Little Rock connection for Joel – who’s birthday is today – is in his song “We Didn’t Start the Fire” there are references to South Pacific (which had a fictional Little Rock heroine), Little Rock resident Winthrop Rockefeller, and the 1957 integration crisis at Little Rock Central High.

Tony Awards Connection: Billy Joel won a Tony Award for his orchestrations of Movin’ Out which featured his songs as a backdrop of dances choreographed by Twyla Tharp.  Elton John won a Tony Award for his score to Aida.  He has received additional Tony nominations for The Lion King and Billy Elliot for Best Score.  He additionally was a producer of Best Play nominee Next Fall.

ROCKing the TONYS – Robert Goulet

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Rock the TonysGouletRobert Goulet

Little Rock connection: Appeared in Little Rock on several national tours of shows including South Pacific and Camelot.

Tony Awards connection: Won the 1968 Tony Award for his performance in the musical The Happy Time. Appeared at Tony Awards ceremonies in 1961, 1962, 1981, 1982, 1984 and 1996.  In 2005, made his final Tony appearance introducing revival of La Cage aux Folles in which he was appearing.

Another Tony connection is that he is referenced in a song lyric in the Tony winning score of A Chorus Line.

Little Rock Look Back: SOUTH PACIFIC opens on Broadway

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southpacific_obcSixty-five years ago today, a fictional Little Rock heroine took the stage of a Broadway megahit when South Pacific opened at the Majestic Theatre on April 7, 1949. It settled in for a run of 1925 performances. Based on the James Michener Pulitzer Prize winning novel Tales of the South Pacific, it featured a book by Oscar Hammerstein II and Joshua Logan, songs by Richard Rodgers and Hammerstein and direction by Logan. It was produced by Rodgers, Hammerstein, Logan and Leland Hayward. Set in the titular islands, it concerned the relationships of sailors, nurses, island natives and other island inhabitants.

The musical starred recent Tony winner Mary Martin as Little Rock native Nellie Forbush, opera star Ezio Pinza, stage veterans Myron McCormick and Juanita Hall, and stage newcomers William Tabbert and Betta St. John. Cloris Leachman was Martin’s understudy and would later succeed her in the part of Little Rock, Arkansas native Nellie Forbush.

Like other Rodgers and Hammerstein musicals, this show tackled tough themes – this one being prejudice. That did not set well with some theatergoers. Indeed, some potential investors did not put money into the show because of its stance. But Rodgers, Hammerstein, Logan and Hayward persisted. Their diligence paid off when the musical received the 1950 Pulitzer Prize in Drama, only the second musical to receive this designation. It is also the only Pulitzer Prize for Drama winner to be based on Pulitzer Prize winning source material. This was the first Rodgers & Hammerstein musical to not feature big dance numbers. In fact, there was no choreographer. The dance steps which existed were created by Martin, who had taught dance in her native Texas as a young mother.

Opening late in the season, South Pacific was named the 1949 New York Drama Critics Circle Best Musical, but was not part of the Tony Awards until 1950. (Though Jo Mielziner, who designed the set for South Pacific received a Tony for his set designs of shows during the 1948-49 season and South Pacific was one of the titles listed.) At the 1950 Tonys, it received six Tony Awards (sometimes listed as eight because Book and Score were not broken separate from Best Musical that year—but some sources incorrectly separate them.) It was named Best Musical, Actor in a Musical (Pinza), Actress in a Musical (Martin), Featured Actor in a Musical (McCormick), Featured Actress in a Musical (Hall), and Director (Logan). This is the only time that all four acting awards in the musical category went to performers in the same production. In fact, the other two acting trophies that year were incorrectly engraved as being from South Pacific out of habit.

Logan’s win was also the first time that the Director Tony went for a musical, since at the time that award was not separated out among plays and musicals. Hall was the first African American to win a Tony Award for Acting. Martin would reunite with Hayward, Rodgers & Hammerstein ten years later for The Sound of Music. Pinza and Tabbert reunited in 1954 for Fanny which would be the final Broadway credit for each gentleman. McCormick stayed with the show the entire run, except for vacations.

In 1999 for the 50th anniversary and in 2008 for the opening of the first Broadway revival remaining cast members from the original production had reunions in New York City. At the 50th anniversary ceremony, a proclamation from Little Rock Mayor Jim Dailey was read declaring it South Pacific day in Little Rock and honoring the show. It is interesting to note that in 1949, there were two heroines on the Broadway stage from Little Rock: Nellie Forbush from South Pacific and Lorelei Lee from Gentlemen Prefer Blondes.

In 2008, Lincoln Center Theatre produced the first revival of South Pacific on Broadway. It opened on April 3, just four days shy of the musical’s 59th anniversary.  The cast was led by Paulo Szot, Kelli O’Hara (as Little Rock girl Nellie Forbush), Matthew Morrison (before “Glee”), Danny Burstein and Loretta Ables Sayre.  The production restored a song which had been written for the original Broadway production that had been dropped. “My Girl Back Home” was featured in the movie version and in this Broadway revival. In it O’Hara and Morrison sang of their hometowns of Little Rock and Philadelphia.  The production was nominated for 11 Tony Awards and won 7: Best Musical Revival, Actor in a Musical (Szot), Director of a Musical (Bartlett Sher), Scenic Design (Michael Yeargan), Costume Design (Catherine Zuber), Lighting Design (Donald Holder) and Sound Design (Scott Lehrer).