69th Tony Awards wrap up (published on 6/9)

Tony Tony TonyThe 69th Tony Awards have been distributed. The medallions have been spun. Producers are already starting to think about their shows for the 70th ceremony in June 2016. And actors are auditioning for the next jobs.

While Little Rock’s Will Trice did not personally pick up another Tony this year, two of the Tony winners were for shows he produced.  Annaleigh Ashford won the Tony for Featured Actress in a Play for her performance in You Can’t Take It with You.  Christopher Oram won the Tony for Costume Design of a Play for Wolf Hall, Part One and Two.  Catherine Zuber, who won a Tony for her costume design of The King and I will be working with Trice next season on a production of Fiddler on the Roof.

One of the Tony Awards went to Bob Crowley and 59 Productions for Scenic Design of a Musical for An American in Paris.  Ben Pearcy is the American representative of 59 Productions.  Ben’s father grew up in Little Rock, and his grandmother Janet Pearcy was a longtime supporter of Wildwood, the Arkansas Symphony Orchestra and the Arkansas Rep.   One of Ben’s first Broadway projects was on the lighting design team of the Broadway revival of Chicago which earned him a mention from Ken Billington in his Tony acceptance speech.

Time will tell, but undoubtedly some of the titles nominated for Tonys will eventually be performed in Little Rock either at the Rep, on tour courtesy of Celebrity Attractions, or as part of one of the seasons of one of the volunteer theatre seasons. This month, on stage in Little Rock are 2008 Tony winning Best Play August: Osage County at the Rep, 2009 Tony nominee 9 to 5 at Community Theatre of Little Rock and 2010 Tony nominee The Addams Family.

A couple of more Little Rock connections to Sunday’s ceremony.  Nick Jonas, who appeared at the Clinton Center 10th anniversary concert, was one of the presenters at the ceremony. Darren Criss, who attended the Clinton Center 10th anniversary events, hosted a red-carpet preview program.

I went 19 for 24 in my predictions.

The ones I got right:

Play The Curious Incident of the Dog in the Night-Time, Simon Stephens

Revival of a PlaySkylight

Revival of a Musical – The King and I

Actor, PlayAlex Sharp, The Curious Incident of the Dog in the Night-Time

Actress, Play – Helen Mirren, The Audience

Actor, MusicalMichael Cerveris, Fun Home

Featured Actress, Play – Annaleigh Ashford, You Can’t Take It with You

Direction, PlayMarianne Elliott, The Curious Incident of the Dog in the Night-Time

Direction, MusicalSam Gold, Fun Home

ChoreographyChristopher Wheeldon, An American in Paris

Book of a MusicalLisa Kron, Fun Home

Original ScoreJeanine Tesori & Lisa Kron, Fun Home

OrchestrationsChristopher Austin, Don Sebesky, Bill Elliott, An American in Paris

Scenic Design, PlayBunny Christie & Finn Ross, The Curious Incident of the Dog in the Night-Time

Scenic Design, MusicalBob Crowley & 59 Productions, An American in Paris

Costume Design, PlayChristopher Oram, Wolf Hall Parts One & Two

Costume Design, MusicalCatherine Zuber, The King and I

Lighting Design, PlayPaule Constable, The Curious Incident of the Dog in the Night-Time

Lighting Design, MusicalNatasha Katz, An American in Paris

 

I missed:

Musical – Fun Home (I picked An American in Paris)

Actress, Musical – Kelli O’Hara, The King and I (I picked Kristen Chenoweth, On the Twentieth Century)

Featured Actor, Play – Richard McCabe, The Audience (I picked Nathaniel Parker, Wolf Hall, Parts One and Two)

Featured Actor, Musical – Christian Borle, Something Rotten! (I picked Andy Karl, On the Twentieth Century)

Featured Actress, Musical – Ruthie Ann Miles, The King and I (I picked Judy Kuhn, Fun Home)

 

69th Tony Awards Tonight!

Tony Tony TonyThe 69th Antoinette Perry “Tony” Awards are tonight. The telecast starts at 7pm central on CBS.

Here are my predictions for winners (in bold) and my favorites (with an asterisk).

Play

  • *The Curious Incident of the Dog in the Night-Time, Simon Stephens
  • Disgraced, Ayad Akhtar
  • Hand to God, Robert Askins
  • Wolf Hall Parts One & Two, Hilary Mantel and Mike Poulton

 

Musical

  • *An American in Paris
  • Fun Home
  • Something Rotten!
  • The Visit

 

Revival of a Play

  • The Elephant Man
  • Skylight
  • This Is Our Youth
  • *You Can’t Take It with You

 

Revival of a Musical

  • The King and I
  • *On the Town
  • On the Twentieth Century

 

Actor, Play

  • Steven Boyer, Hand to God
  • Bradley Cooper, The Elephant Man
  • Ben Miles, Wolf Hall Parts One & Two
  • Bill Nighy, Skylight
  • *Alex Sharp, The Curious Incident of the Dog in the Night-Time

 

Actress, Play

  • Geneva Carr, Hand to God
  • *Helen Mirren, The Audience
  • Elisabeth Moss, The Heidi Chronicles
  • Carey Mulligan, Skylight
  • Ruth Wilson, Constellations

 

Actor, Musical

  • Michael Cerveris, Fun Home
  • *Robert Fairchild, An American in Paris
  • Brian d’Arcy James, Something Rotten!
  • Ken Watanabe, The King and I
  • Tony Yazbeck, On the Town

 

Actress, Musical

  • Kristin Chenoweth, On the Twentieth Century
  • Leanne Cope, An American in Paris
  • Beth Malone, Fun Home
  • *Kelli O’Hara, The King and I
  • Chita Rivera, The Visit

 

Featured Actor, Play

  • Matthew Beard, Skylight 
  • K. Todd Freeman, Airline Highway
  • Richard McCabe, The Audience
  • Alessandro Nivola, The Elephant Man
  • Nathaniel Parker, Wolf Hall Parts One & Two
  • *Micah Stock, It’s Only a Play

 

Featured Actress, Play

  • *Annaleigh Ashford, You Can’t Take It with You
  • Patricia Clarkson, The Elephant Man
  • Lydia Leonard, Wolf Hall Parts One & Two
  • Sarah Stiles, Hand to God
  • Julie White, Airline Highway

 

Featured Actor, Musical

  • Christian Borle, Something Rotten!
  • Andy Karl, On the Twentieth Century
  • Brad Oscar, Something Rotten!
  • Brandon Uranowitz, An American in Paris
  • *Max von Essen, An American in Paris

 

Featured Actress, Musical

  • Victoria Clark, Gigi
  • *Judy Kuhn, Fun Home
  • Sydney Lucas, Fun Home
  • Ruthie Ann Miles, The King and I
  • Emily Skeggs, Fun Home

 

Direction, Play

  • Stephen Daldry, Skylight
  • *Marianne Elliott, The Curious Incident of the Dog in the Night-Time
  • Scott Ellis, You Can’t Take It with You
  • Jeremy Herrin, Wolf Hall Parts One & Two
  • Moritz von Stuelpnagel, Hand to God

 

Direction, Musical

  • Sam Gold, Fun Home
  • Casey Nicholaw, Something Rotten!
  • John Rando, On the Town
  • Bartlett Sher, The King and I
  • *Christopher Wheeldon, An American in Paris

 

Choreography

  • Joshua Bergasse, On the Town
  • Christopher Gattelli, The King and I
  • Scott Graham & Steven Hoggett for Frantic Assembly, The Curious Incident of the Dog in the Night-Time
  • Casey Nicholaw, Something Rotten!
  • *Christopher Wheeldon, An American in Paris

 

Book of a Musical

  • Karey Kirkpatrick & John O’Farrell, Something Rotten!
  • *Lisa Kron, Fun Home
  • Craig Lucas, An American in Paris
  • Terrence McNally, The Visit

Original Score

  • John Kander & Fred Ebb, The Visit
  • Wayne Kirkpatrick & Karey Kirkpatrick, Something Rotten!
  • Sting, The Last Ship
  • *Jeanine Tesori & Lisa Kron, Fun Home

 

Orchestrations

  • *Christopher Austin, Don Sebesky, Bill Elliott, An American in Paris
  • John Clancy, Fun Home
  • Larry Hochman, Something Rotten!
  • Rob Mathes, The Last Ship

 

Scenic Design, Play

  • *Bunny Christie & Finn Ross, The Curious Incident of the Dog in the Night-Time
  • Bob Crowley, Skylight
  • Christopher Oram, Wolf Hall Parts One & Two
  • David Rockwell, You Can’t Take It with You

 

Scenic Design, Musical

  • *Bob Crowley & 59 Productions, An American in Paris
  • David Rockwell, On the Twentieth Century
  • Michael Yeargan, The King and I
  • David Zinn, Fun Home

 

Costume Design, Play

  • Bob Crowley, The Audience
  • *Jane Greenwood, You Can’t Take It with You
  • Christopher Oram, Wolf Hall Parts One & Two
  • David Zinn, Airline Highway

 

Costume Design, Musical

  • *Gregg Barnes, Something Rotten!
  • Bob Crowley, An American in Paris
  • William Ivey Long, On the Twentieth Century
  • Catherine Zuber, The King and I

 

Lighting Design, Play

  • Paule Constable, The Curious Incident of the Dog in the Night-Time
  • Paule Constable and David Plater, Wolf Hall Parts One & Two
  • Natasha Katz, Skylight
  • *Japhy Weideman, Airline Highway

 

Lighting Design, Musical

  • Donald Holder, The King and I
  • *Natasha Katz, An American in Paris
  • Ben Stanton, Fun Home
  • Japhy Weideman, The Visit

Tony Awards Week – Tony Titles at Arkansas Rep

ark repNext year the Arkansas Repertory Theatre celebrates its 40th anniversary season.  Since its first season, the Rep has often programmed plays and musicals which have been recognized with the Tony for Best Play or Best Musical of the season.

Many other Rep productions have been titles which have also won Tony Awards in some Broadway production.  But this list only looks at those which won or were nominated for the Tony for Best Play and Best Musical.

The first Rep production was The Threepenny Opera.  While it did not win the Tony for Best Musical, it goes on this list because it received a Special Tony in 1956 for its production.  The original production in the 1930s ran for just a few performances. So this production was not eligible for the Best Musical award. But it was so outstanding, it received a Special Tony.

That 1976-77 season also included a Best Play winner – The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, which took home the silver medallion for Best Play in 1966.

Rep SalesmanOther Tony Best Play winners produced by the Rep have been:

(Tony Year; Title; Rep season)

  • 1949 – Death of a Salesman – 2012-13
  • 1955 – The Diary of Anne Frank – 1977-78; 1981-82
  • 1960 – The Miracle Worker – 2004-05
  • 1963 – Who’s Afraid of Virginia Woolf? – 1978-79
  • 1965 – The Subject Was Roses – 1981-82
  • 1973 – That Championship Season – 1984-85
  • 1979 – The Elephant Man – 2008-09
  • 1981 – Amadeus – 1995-96
  • 1984 – The Real Thing – 1986-87
  • 1985 – Biloxi Blues – 1987-88
  • 1986 – I’m Not Rappaport – 1989-90
  • 1987 – Fences – 2006-07
  • 1990 – The Grapes of Wrath – 2000-01
  • 1991 – Lost in Yonkers – 1994-95 (featuring future Tony winner Will Trice in the cast)
  • 1993 – Angels in America: Millennium Approaches – 1995-96; 1996-97
  • 1994 – Angels in America: Perestroika – 1996-97
  • 1997 – The Last Night of Ballyhoo – 1998-99
  • 1998 – Art – 2001-02
  • 2001 – Proof – 2002-03 (written by LR Hall graduate David Auburn)
  • 2005 – Doubt – 2007-08
  • 2008 – August: Osage County – 2014-15
  • 2010 – Red – 2013-14
  • 2012 – Clybourne Park – 2013-14

 

Next season the Rep will produce Peter and the Starcatcher which was nominated for Best Play in 2012.  Other Best Play nominees produced by the Rep include: Barefoot in the Park; Broadway Bound; Cat on a Hot Tin Roof; Crimes of the Heart; Frost/Nixon; The Gin Game; Glengarry Glen Ross; Having Our Say; Home; Lend Me a Tenor; A Lesson from Aloes; ‘Night, Mother; The Night of the Iguana; Noises Off; The Piano Lesson; The Rainmaker; A Raisin in the Sun; The Retreat from Moscow; Talley’s Folly; The 39 Steps; and A Walk in the Woods.

The Rep also produced House of Blue Leaves six years before it was nominated for Best Play at the Tonys. In addition, it produced All My Sons which received a Special Tony for playwright Arthur Miller at the first ceremony and is sometimes erroneously listed as being the Best Play of 1947. There was none that year.

 

THEREP_MEMPHIS (no credits)-page-001The 1971 Best Musical Company was part of the Rep’s inaugural season in 1976-77.  Other Tony Best Musicals winners produced by the Rep have been:

(Tony Year; Title; Rep season)

  • 1951 – Guys and Dolls – 1989-90
  • 1952 – The King and I – 2006-07
  • 1956 – Damn Yankees – 1999-2000
  • 1957 – My Fair Lady – 2004-05
  • 1960 – The Sound of Music – 2001-02
  • 1964 – Hello, Dolly! – 2007-08
  • 1967 – Cabaret – 2001-02
  • 1975 – The Wiz – 2011-12
  • 1976 – A Chorus Line – 2005-06
  • 1977 – Annie – 2002-03
  • 1978 – Ain’t Misbehavin’ – 1984-85; 2004-05
  • 1980 – Evita – 1989-90; 2010-11
  • 1986 – The Mystery of Edwin Drood – 1988-89
  • 1987 – Les Miserables – 2008-09; 2013-14
  • 2003 – Hairspray – 2010-11
  • 2004 – Avenue Q – 2012-13
  • 2010 – Memphis – 2014-15 (produced at Rep and on Broadway by LR native Remmel T. Dickinson)

In addition, the Rep has produced staged concert versions of 1958 Best Musical The Music Man and 1973 Best Musical A Little Night Music in collaboration with the Arkansas Symphony Orchestra.

Next season the Rep will produce The 25th Annual Putnam County Spelling Bee which was nominated for Best Musical in 2005.  Other Best Musical nominees produced by the Rep include: The Best Little Whorehouse in Texas; Blues in the Night; Chicago; Dreamgirls; Five Guys Named Moe; The Full Monty; Gypsy; Into The Woods; Joseph and the Amazing Technicolor Dreamcoat; Mary Poppins;  Next to Normal; Oh What A Lovely War; Once On This Island; Peter Pan; Pump Boys and Dinettes; Quilters; Side by Side by Sondheim; Smokey Joe’s Café; Stop the World, I Want To Get Off; Sweet Charity; West Side Story; and The Who’s Tommy.

Tony Awards Week – SOUTH PACIFIC – “How Far Away from Little Rock A-r-k”

southpacific_obcSeveral Tony Awards have been won by a show with a main character from Little Rock.

South Pacific opened at the Majestic Theatre on April 7, 1949 and settled in for a run of 1925 performances. Based on the James Michener Pulitzer Prize winning novel Tales of the South Pacific, it featured a book by Oscar Hammerstein II and Joshua Logan, songs by Richard Rodgers and Hammerstein and direction by Logan. It was produced by Rodgers, Hammerstein, Logan and Leland Hayward. Set in the titular islands, it concerned the relationships of sailors, nurses, island natives and other island inhabitants.

The musical starred recent Tony winner Mary Martin as Little Rock native Nellie Forbush, opera star Ezio Pinza, stage veterans Myron McCormick and Juanita Hall, and stage newcomers William Tabbert and Betta St. John. Cloris Leachman was Martin’s understudy and would later succeed her in the part of Little Rock native Nellie Forbush.

Like other Rodgers and Hammerstein musicals, this show tackled tough themes – this one being prejudice. That did not set well with some theatergoers. Indeed, some potential investors did not put money into the show because of its stance. But Rodgers, Hammerstein, Logan and Hayward persisted. Their diligence paid off when the musical received the 1950 Pulitzer Prize in Drama, only the second musical to receive this designation. It is also the only Pulitzer Prize for Drama winner to be based on Pulitzer Prize winning source material. This was the first Rodgers & Hammerstein musical to not feature big dance numbers. In fact, there was no choreographer. The dance steps which existed were created by Martin, who had taught dance in her native Texas as a young mother.

Opening late in the season, South Pacific was named the 1949 New York Drama Critics Circle Best Musical, but was not part of the Tony Awards until 1950. (Though Jo Mielziner, who designed the set for South Pacific received a Tony for his set designs of shows during the 1948-49 season and South Pacific was one of the titles listed.) At the 1950 Tonys, it received six Tony Awards: Best Musical, Actor in a Musical (Pinza), Actress in a Musical (Martin), Featured Actor in a Musical (McCormick), Featured Actress in a Musical (Hall), and Director (Logan).

This is the only time that all four acting awards in the musical category went to performers in the same production. In fact, the other two acting trophies that year were incorrectly engraved as being from South Pacific out of habit. Logan’s win was also the first time that the Director Tony went for a musical, since at the time that award was not separated out among plays and musicals. Hall was the first African American to win a Tony Award for Acting.

In 1999 for the 50th anniversary and in 2008 for the opening of the first Broadway revival remaining cast members from the original production had reunions in New York City. At the 50th anniversary ceremony, a proclamation from Little Rock Mayor Jim Dailey was read declaring it South Pacific day in Little Rock and honoring the show. It is interesting to note that in 1949, there were two heroines on the Broadway stage from Little Rock: Nellie Forbush from South Pacific and Lorelei Lee from Gentlemen Prefer Blondes.

In 2008, Lincoln Center Theatre produced the first revival of South Pacific on Broadway. It opened on April 3, just four days shy of the musical’s 59th anniversary.  The cast was led by Paulo Szot, Kelli O’Hara (as Little Rock girl Nellie Forbush), Matthew Morrison (before “Glee”), Danny Burstein and Loretta Ables Sayre.  The production restored a song which had been written for the original Broadway production that had been dropped. “My Girl Back Home” was featured in the movie version and in this Broadway revival. In it O’Hara and Morrison sang of their hometowns of Little Rock and Philadelphia.  The production was nominated for 11 Tony Awards and won 7: Best Musical Revival, Actor in a Musical (Szot), Director of a Musical (Bartlett Sher), Scenic Design (Michael Yeargan), Costume Design (Catherine Zuber), Lighting Design (Donald Holder) and Sound Design (Scott Lehrer).

Sher, Yeargan, Zuber, Holder and Lehrer are all reuniting again next season to work on a revival of Fiddler on the Roof.  One of the producers of that is Little Rock native (and three time Tony winner) Will Trice.

While Trice has not starred in a production of South Pacific, his mother Judy Trice starred in a statewide tour in the 1970s. A few years later, his sister Kathryn Pryor, starred in the Central High production.

Little Rock Look Back: SOUTH PACIFIC opens on Broadway 66 years ago today

southpacific_obcSixty-six years ago today, a fictional Little Rock heroine took the stage of a Broadway megahit when South Pacific opened at the Majestic Theatre on April 7, 1949. It settled in for a run of 1925 performances. Based on the James Michener Pulitzer Prize winning novel Tales of the South Pacific, it featured a book by Oscar Hammerstein II and Joshua Logan, songs by Richard Rodgers and Hammerstein and direction by Logan. It was produced by Rodgers, Hammerstein, Logan and Leland Hayward. Set in the titular islands, it concerned the relationships of sailors, nurses, island natives and other island inhabitants.

The musical starred recent Tony winner Mary Martin as Little Rock native Nellie Forbush, opera star Ezio Pinza, stage veterans Myron McCormick and Juanita Hall, and stage newcomers William Tabbert and Betta St. John. Cloris Leachman was Martin’s understudy and would later succeed her in the part of Little Rock native Nellie Forbush.

Like other Rodgers and Hammerstein musicals, this show tackled tough themes – this one being prejudice. That did not set well with some theatergoers. Indeed, some potential investors did not put money into the show because of its stance. But Rodgers, Hammerstein, Logan and Hayward persisted. Their diligence paid off when the musical received the 1950 Pulitzer Prize in Drama, only the second musical to receive this designation. It is also the only Pulitzer Prize for Drama winner to be based on Pulitzer Prize winning source material. This was the first Rodgers & Hammerstein musical to not feature big dance numbers. In fact, there was no choreographer. The dance steps which existed were created by Martin, who had taught dance in her native Texas as a young mother.

Opening late in the season, South Pacific was named the 1949 New York Drama Critics Circle Best Musical, but was not part of the Tony Awards until 1950. (Though Jo Mielziner, who designed the set for South Pacific received a Tony for his set designs of shows during the 1948-49 season and South Pacific was one of the titles listed.) At the 1950 Tonys, it received six Tony Awards (sometimes listed as eight because Book and Score were not broken separate from Best Musical that year—but some sources incorrectly separate them.) It was named Best Musical, Actor in a Musical (Pinza), Actress in a Musical (Martin), Featured Actor in a Musical (McCormick), Featured Actress in a Musical (Hall), and Director (Logan). This is the only time that all four acting awards in the musical category went to performers in the same production. In fact, the other two acting trophies that year were incorrectly engraved as being from South Pacific out of habit.

Logan’s win was also the first time that the Director Tony went for a musical, since at the time that award was not separated out among plays and musicals. Hall was the first African American to win a Tony Award for Acting. Martin would reunite with Hayward, Rodgers & Hammerstein ten years later for The Sound of Music. Pinza and Tabbert reunited in 1954 for Fanny which would be the final Broadway credit for each gentleman. McCormick stayed with the show the entire run, except for vacations.

In 1999 for the 50th anniversary and in 2008 for the opening of the first Broadway revival remaining cast members from the original production had reunions in New York City. At the 50th anniversary ceremony, a proclamation from Little Rock Mayor Jim Dailey was read declaring it South Pacific day in Little Rock and honoring the show. It is interesting to note that in 1949, there were two heroines on the Broadway stage from Little Rock: Nellie Forbush from South Pacificand Lorelei Lee from Gentlemen Prefer Blondes.

In 2008, Lincoln Center Theatre produced the first revival of South Pacific on Broadway. It opened on April 3, just four days shy of the musical’s 59th anniversary.  The cast was led by Paulo Szot, Kelli O’Hara (as Little Rock girl Nellie Forbush), Matthew Morrison (before “Glee”), Danny Burstein and Loretta Ables Sayre.  The production restored a song which had been written for the original Broadway production that had been dropped. “My Girl Back Home” was featured in the movie version and in this Broadway revival. In it O’Hara and Morrison sang of their hometowns of Little Rock and Philadelphia.  The production was nominated for 11 Tony Awards and won 7: Best Musical Revival, Actor in a Musical (Szot), Director of a Musical (Bartlett Sher), Scenic Design (Michael Yeargan), Costume Design (Catherine Zuber), Lighting Design (Donald Holder) and Sound Design (Scott Lehrer).

Bartlett and O’Hara are reunited with Lincoln Center right now for a revival of The King and I. The song “Getting to Know You” from that show was originally written for South Pacific as a song called “Suddenly Lucky.”  It was replaced in South Pacific by “(I’m in Love with a) Wonderful Guy.”

ROCKing the TONYS – Rocco Landesman

Rock the Tonys

Rocco Landesman on stage at the Arkansas Rep

Rocco Landesman on stage at the Arkansas Rep

Rocco Landesman

Little Rock connection: Visited Little Rock in 2012 in his capacity as chair of the National Endowment for the Arts for the Obama Administration.

Tony Awards connection: As a Broadway producer, won Tony awards for the musical Big River (which opened on this day in 1985), The Grapes of Wrath (1990 Best Play), City of Angels (1990 Best Musical), Guys and Dolls (1992 Best Revival), Angels in America: Millennium Approaches (1993 Best Play), Angels in America: Perestroika (1994 Best Play), Love! Valour! Compassion! (1995 Best Play), The King and I (1996 Best Musical Revival), Titanic (1997 Best Musical), Death of a Salesman (1999 Best Play Revival), Proof (2001 Best Play), The Producers (2001 Best Musical), 42nd Street (2001 Best Musical Revival), Into the Woods (2002 Best Musical Revival), Jersey Boys (2005 Best Musical), Hair (2009 Best Musical Revival) and Kinky Boots (2013 Best Musical).  He has been nominated for 33 additional Tony Awards.

ROCKing the TONYS – Gertrude Lawrence

Rock the TonysGertieGertrude Lawrence

Little Rock connection: Performed at Robinson Auditorium in 1940, the first year it was open.

Tony Awards connection: Won the 1952 Tony for Actress in a Musical for her performance as Mrs. Anna in The King and I.