Tag Archives: UA Little Rock

Women’s History Month – Janet Jones, first female chair of Little Rock Chamber

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Janet Jones served as the 1998 Chair of the Little Rock Regional Chamber.  She was the first woman to lead the organization in its history (which started in 1866).

She began selling real estate in 1974 and formed the company which bears her name in 1980.  In addition to continuing to be a realtor, she has remained active in civic affairs.  She is a past Chairman of the Federal Reserve Board of the Little Rock Branch.

She has also served on various community boards throughout the years, including CARTI, UA Little Rock, YMCA, Big Brothers/Big Sisters of Central Arkansas, Fifty for the Future, and Youth Home. She was named Business Executive of the Year by Arkansas Business, Sustainer of the Year by The Junior League of Little Rock, ranked in the Top 100 Women in Arkansas, and Rotary Club of Little Rock Business & Professional Leader of the Year Award.

Super Bowl Sunday: Little Rock Police Copper Bowl at Quigley Stadium

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A Little Rock police officer tackles a NLR player in one of the Copper Bowls.


Today is Super Bowl Sunday, so it seems to be a good time to remember the five year series of football games in Little Rock known as the Copper Bowl.

From December 1959 through December 1963, the Little Rock Police Department played the North Little Rock Police Department in a series of football games.  The Copper Bowl games were fundraisers to help the LRPD provide food and presents for needy families during the Christmas season.

The agreement was that the teams would play for five years. The team with the most wins would permanently receive the Copper Bowl trophy.  The LRPD was outfitted with uniforms from Little Rock University and Louisiana State University (thanks to the efforts of Sgt. Harold Zook).  The games were played at Quigley Stadium.

Before the final game on December 1, 1963, the series was tied at 2-2.  The LRPD team won the game and permanently captured the trophy.  Over the five year period several thousand dollars were raised.

Black History Month – Danny Glover and Robinson Center

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danny-glover-new-headshot-2010On Saturday, February 3, 2001, actor Danny Glover narrated Aaron Copland’s “Lincoln Portrait” with the Arkansas Symphony Orchestra at Robinson Center.

The Culture Vulture had the privilege of spending part of the day with Mr. Glover while he was here in Little Rock. (At Mr. Glover’s request for good Soul Food, they went to Kitchen Express. When the parking lot was still full at 2:45 on a Saturday afternoon, Mr. Glover remarked “That’s a good sign.”  He enjoyed the food so much, he apparently went back the next day before leaving town.) They also discussed college and NBA basketball and went by the UA Little Rock campus where then-Lakers star Derek Fisher had played his college ball.

While Danny Glover may well be best-known for his role in the Lethal Weapon movies, his distinguished acting career has taken him to Broadway and Off-Broadway, motion picture screens and TV.  He is also well-known for his political and social activism. He is not afraid to speak his mind, and to make donations to causes in which he is a believer.

As he concludes his fourth decade of acting, Glover shows no signs of slowing down – nor does he appear to be softening his stance on social issues.

Little Rock Look Back: The Sun shines in as HAIR plays Robinson Center

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Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Forty-five years ago today, on January 18, 1972, the musical Hair settled in for a week-long run at Robinson Auditorium.  The saga to bring the national tour to Little Rock had actually begun eleven months earlier.

In February 1971, a young Little Rock attorney named Phil Kaplan petitioned the Little Rock Board of Censors to see if it would allow a production of Hair to play in the city. He was asking on behalf of a client who was interested in bringing a national tour to Arkansas’ capital city. The show, which had opened on Broadway to great acclaim in April 1968 after an Off Broadway run in 1967, was known for containing a nude scene as well for a script which was fairly liberally sprinkled with four-letter words. The Censors stated they could not offer an opinion without having seen a production.

By July 1971, Kaplan and his client (who by then had been identified as Southwest Productions) were seeking permission for a January 1972 booking of Hair from the City’s Auditorium Commission which was charged with overseeing operations at Robinson Auditorium. At its July meeting, the Commissioners voted against allowing Hair because of its “brief nude scene” and “bawdy language.”

Kaplan decried the decision. He stated that the body couldn’t “sit in censorship of legitimate theatrical productions.” He noted courts had held that Hair  could be produced and that the Auditorium Commission, as an agent for the State, “clearly can’t exercise prior censorship.” He proffered that if the production was obscene it would be a matter for law enforcement not the Auditorium Commission.

The Commission countered that they had an opinion from City Attorney Joseph Kemp stating they had the authority. One of the Commissioners, Mrs. Grady Miller (sister-in-law of the building’s namesake the late Senator Robinson, she had served on the Commission since 1940), expressed her concern that allowing Hair would open the door to other productions such as Oh! Calcutta!

On July 26, 1971, Southwest Productions filed suit against the Auditorium Commission. Four days later there was a hearing before federal Judge G. Thomas Eisele. At that hearing, Auditorium Commission member Lee Rogers read aloud excerpts from the script he found objectionable. Under questioning from Kaplan, a recent touring production of Neil Simon’s Plaza Suite was discussed. That play has adultery as a central theme of one of its acts. Rogers admitted he found the play funny, and that since the adultery did not take place on stage, he did not object to it. Among those testifying in favor of it was Robert Reddington, who was director of performing arts at the Arkansas Arts Center.

Judge Eisele offered a ruling on August 11 which compelled the Auditorium Commission to allow Hair to be performed. Prior to the ruling, some of the Auditorium Commissioners had publicly stated that if they had to allow Hair, they would close it after the first performance on the grounds of obscenity. To combat this, Judge Eisele stated that the Commission had to allow Hair to perform the entire six day engagement it sought.

Upon hearing of the Judge’s ruling, Commissioner Miller offered a succinct, two word response. “Oh, Dear!”

In the end, the production of Hair at Robinson would not be the first performance in the state.  The tour came through Fayetteville for two performances in October 1971 at Barnhill Arena.

On January 18, 1972, Hair played the first of its 8 performances over 6 days at Robinson Auditorium.  In his review the next day, the Arkansas Gazette’s Bill Lewis noted that Hair “threw out all it had to offer” and that Little Rock had survived.

The ads promoting the production carried the tagline “Arkansas will never be the same.”  Tickets (from $2 all the way up to $8.50) could be purchased at Moses Melody Shops both downtown and in “The Mall” (meaning Park Plaza). That business is gone from downtown, but the scion of that family, Jimmy Moses, is actively involved in building downtown through countless projects. His sons are carrying on the family tradition too.

Little Rock was by no means unique in trying to stop productions of Hair.  St. Louis, Birmingham, Los Angeles, Tallahassee, Boston, Atlanta, Charlotte NC, West Palm Beach, Oklahoma City, Mobile and Chattanooga all tried unsuccessfully to stop performances in their public auditoriums.  Despite Judge Eisele’s ruling against the City of Little Rock, members of the Fort Smith City Council also tried to stop a production later in 1972 in that city. This was despite warnings from City staff that there was not legal standing.

Within a few years, the Board of Censors of the City of Little Rock would be dissolved (as similar bodies also were disappearing across the US). Likewise, the Auditorium Commission was discontinued before Hair even opened with its duties being taken over by the Advertising and Promotion Commission and the Convention & Visitors Bureau staff.  This was not connected to the Hair decision; it was, instead, related to expanding convention facilities in Robinson and the new adjacent hotel.  Regardless of the reasons for their demise, both bygone bodies were vestiges of earlier, simpler and differently focused days in Little Rock.

UALR Historian Dr. Deborah Baldwin to serve as interim provost

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baldwin-cropped-700x709Dr. Deborah Baldwin, associate provost of collections and archives and director of the Center for Arkansas History and Culture, has been named the interim provost and vice chancellor of academic affairs for the University of Arkansas at Little Rock.

Baldwin will serve as the interim provost for the spring 2017 semester, following the departure of UALR Executive Vice Chancellor for Academic and Student Affairs and Provost Dr. Zulma Toro, who will begin her tenure as president of Central Connecticut State University on Jan. 3. The university will conduct a search for a permanent provost with an anticipated start date of July 1, 2017.

Baldwin has served the university in a number of positions, including six years as the chair of the Department of History and nearly 20 years as the dean of the College of Arts, Humanities, and Social Sciences.

Throughout her years of administrative service, Baldwin has continued to teach in the public history program and has overseen graduate student work with community organizations. Baldwin holds a Ph.D. in history from the University of Chicago.

Through her public history teaching, Baldwin and her students have helped to document the history of various Little Rock businesses and institutions. Among those are the Arkansas Arts Center, Arkansas Symphony Orchestra, Museum of Discovery and Little Rock Zoo.

RobinsoNovember: Stella Boyle Smith

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stellaThe new terrace at Robinson Center bears the name of Stella Boyle Smith. She died at the age of 100 in 1994 and was well known for her love of music and philanthropy.  It is a lasting connection of her to a building in which she spent so many hours as an arts patron.

Stella Boyle Smith was a Little Rock philanthropist and founder of the Arkansas Symphony Orchestra. She lived to be 100, but ensured that her legacy would continue.  In her lifetime, she donated more than $2.5 million to organizations in the music and medical fields.  Since her death, the Stella Boyle Smith Trust has donated more than $5 million.  One of its most recent gifts was the sculpture In the Wings which graces the front of Robinson Center.

She was born in Farmington, Mo., into a large, musically inclined family, which moved to Arkansas when she was two. She began singing at the age of three and graduated from high school at 14. In 1922, she moved to Little Rock with her first husband, Dandridge Perry Compton, who died in 1935. Her second husband, George Smith, held various business interests and extensive farms in Woodruff and Arkansas counties, which allowed them to engage in philanthropy. Mr. Smith died in 1946.

In 1923, Smith’s love for music inspired her to start The Musical Group in her living room of her residence at 102 Ridgeway Drive in Little Rock, where she lived until she died. Through several iterations, the group eventually became the Arkansas Symphony Orchestra in 1966. Her initial objective was to establish the symphony as an educational tool for children, and, in 1968, she helped establish the Youth Orchestra. In 1972, the symphony board of directors named her an honorary life member. Smith established a trust fund for the symphony’s permanent endowment in 1985. A loyal friend of music and the symphony, she attended nearly every performance and most rehearsals.

Smith was also a pianist. In 1988, she gave UALR a grand piano as well as an endowed trust of $500,000. When she purchased the grand piano for UALR, a Steinway, she later on the same day purchased a Steinway for herself.  She remains the only individual to purchase two Steinway grand pianos in the same day. UALR renamed its concert hall the Stella Boyle Smith Concert Hall as a tribute to her. That year the university also gave her an honorary doctor of humane letters degree. Interest from the trust provides scholarships each year for music students studying string instruments, piano or voice.  After she died, her personal Steinway was given to UALR.  The music faculty and students now lovingly refer to the two pianos as Stella and George (after her and her husband).

Smith enabled many students around the state to attend college through the more than 200 scholarships that she financed.

Other organizations that have benefited from her generosity include Arkansas Arts Center and Historic Arkansas Museum as well as the University of Arkansas.

RobinsoNovember: J. N. Heiskell

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At the age of 87, J. N. Heiskell in 1960.

John Netherland (J. N.) Heiskell served as editor of the Arkansas Gazette for more than seventy years.  He was usually called “Mr. Heiskell” by all, but a very few confidantes felt confident to call him “Ned.”

Mr. Heiskell is the person most responsible for Robinson Center Music Hall being located at the corner of Markham and Broadway.  As Chair of the Planning Commission and editor of the Arkansas Gazette he had twin bully pulpits to promote this location when those on the City Council (who actually had the final say) were looking at other locations.  He felt the location would help create a cluster of public buildings with its proximity to the county courthouse and to City Hall.  Mr. Heiskell finally succeeded in winning over the mayor and aldermen to his viewpoint.

He was born on November 2, 1872, in Rogersville, Tennessee, to Carrick White Heiskell and Eliza Ayre Netherland Heiskell. He entered the University of Tennessee at Knoxville before his eighteenth birthday and graduated in three years at the head of his class on June 7, 1893.

His early journalism career included jobs with newspapers in Knoxville and Memphis and with the Associated Press in Chicago and Louisville. On June 17, 1902, Heiskell’s family bought controlling interest in the Arkansas Gazette. Heiskell became the editor, and his brother, Fred, became managing editor.

Governor George Donaghey appointed Heiskell to succeed Jeff Davis in the United States Senate after Davis’s death in office. Heiskell served from January 6, 1913, until January 29, 1913, when a successor was chosen by the Arkansas General Assembly.  His tenure is the shortest in the U. S. Senate history.  His first speech on the Senate floor was his farewell.  He was also only the second US Senator to live to be 100.

On June 28, 1910, Heiskell married Wilhelmina Mann, daughter of the nationally prominent architect, George R. Mann. The couple had four children: Elizabeth, Louise, John N. Jr., and Carrick.

In 1907, he joined a successful effort to build the city’s first public library. He served on the library board from that year until his death and was issued the first library card.  He also served on the City’s Planning Commission for decades.  In 1912, he was instrumental in bringing John Nolen to Little Rock to devise a park plan.

In the paper and in his own personal opinions, he crusaded on a variety of progressive causes.  Perhaps the most famous was the Gazette’s stance in the 1957 Central High desegregation crisis.  It was for this effort that the paper received two Pulitzer Prizes.

Although Heiskell stopped going to the office at age ninety-nine, he continued to take an active interest in the newspaper. He began by having a copy of the newspaper delivered to his home by messenger as soon as it came off the press each night. Eventually, he switched to having his secretary call him daily at his home and read the entire newspaper to him. He operated on the premise that “anyone who runs a newspaper needs to know what’s in it, even to the classified ads.”

A few weeks after turning 100, Heiskell died of congestive heart failure brought on by arteriosclerosis on December 28, 1972. He is buried in Little Rock’s Mount Holly Cemetery.  Interestingly, he is buried in the same cemetery as two of his most notable adversaries: Governor Jeff Davis, and segregationist Congressman Dale Alford.

Mr. Heiskell donated his vast papers to UALR. They are part of the Arkansas Studies Institute collection. These papers give insight into not only his career as a journalist, but also his political and civic affairs.  Thankfully he saved much of his paperwork. Without it, much insight into Little Rock in the 20th Century would be lost.