Poetry Month: Peggy Vining and “Arkansas, The Natural State”

pviningPeggy Vining is Arkansas’s Poet Laureate.  She was appointed to this position in 2003 by Gov. Mike Huckabee.

Since 1963, Vining has been a member of Poet’s Roundtable of Arkansas (PRA) which is associated with the National Federation of State Poetry Societies.  She attributes her writing success to the “wonderful poets of PRA that mentored, encouraged and inspired me to keep writing”.  Vining has served as state PRA President for three separate terms.  She has been director of the Ozark Creative Writers Conference, the Arkansas Writers Conference and still serves on the official Board of each.  She has also served as state President of Arkansas Penwomen and Arkansas Songwriters Association and is a member of Fiction Writers of Central Arkansas.  Her bio is listed in Who’s Who of Editors, Writers and Poets and several other such books and anthologies.  She is presently compiling a collection of her published works entitled “Tethered to the Moment”.

Loved and appreciated for her artistic abilities and her work with children, Vining has nurtured over 6000 pre-schoolers during her teaching career.  For twenty one years, she was Instructor and Director of the UALR Children’s Center having earned a Masters Degree in Early Childhood Education.  She has also worked with children’s groups at her church for many years.

Married for over 60 years, Vining cherishes her family; She is a mother, grandmother and great-grandmother. other of five (four daughters and one son)and grandmother of eleven and Greatgrandmother of eight. Vining is also active in many other community organizations.  A twenty-seven year cancer survivor, she was honored with a “Point of Light Award” from President Bush for her volunteer work with CARTI.

Arkansas, The Natural State

I stood today on top of Petit Jean
And felt a kindredship to all I found,
And I, intrigued by such a lovely scene,
Was grateful for the beauties that abound.
The spirit of a mountain miss was host,
Her phantom figure hovered, light as wind,
And I became enchanted by her ghost,
As we stood on the ledge at river’s bend.
I asked her of her legend and its truth;
Of how she stowed away to sail from France,
Of how she cropped her hair; became uncouth,
To give her love and lover one more chance.
            “It is all truth; the future will proclaim
            My spirit guards this mount which bears my name.”
 
Then, as we talked, my personage subdued,
And I became, as Petit Jean, a ghost,
And with uncanny knowledge I reviewed
Historic deeds of others who could boast,
Of coming to this great green state to live;
To homestead and to plow their plots of land;
To mine the hills; to hunt the woods and give
Their very lives to make it far more grand.
I spoke to men who also came to look
For ways of life upon the river’s road;
They pushed their crafts to every shallow nook
And rounded bends of hardship with each load.
            The Indians told me their tales of woe,
            Of how they battled as both friend and foe.
 
They told me how De Soto searched for gold
And, trudging through the swamps to look for it,
As upward, through the mountains and the cold,
He traded with the natives, matching wit.
La Salle then came to claim the Arkansas
But left to join another group of men,
De Tonty came to start, as did John Law,
A river post where trading could begin.
These men with whom I talked could really boast
Of being first to settle on this land,
Of fighting long and hard to save the Post
Where then was housed the laws and all command.
            My spirit saw the past and lived it through,
            A vision of the old when it was new.
 
As history passes, the seasons came in view,
And time and space and beauty knew no date.
I saw each month in its most brilliant hue
And gazed at it as if I tempted fate.
 I looked at Spring and thought it surely best,
For everywhere the land was newly green,
The pristine white of dogwood seemed to test
The worthiness and beauty of each scene.
Then summer came with nesting meadowlarks,
And I beheld the golden days of fun,
As tourists came with camping gear to parks,
And found their pleasures under shade and sun.
            I watched the summer visitors with awe,
            They loved this state of mine . . .this Arkansas.
 
Perhaps they liked spelunking in a cave,
Or digging for a diamond at the mine,
Or floating trips that made of them a slave
To mountain streams, to setting out trotline.
Perhaps they liked the baths at old Hot Springs,
Or climbing under rushing waterfalls,
Or smelling the sweet air that summer brings,
Or listening to whippoorwills’ faint calls.
I think they surely liked the little creeks,
That tumble down deep-set against tall bluffs.
I think they liked the deer and quail that seeks
New hideouts when invaders find their roughs.
            The eager tourists came to see our state
            Because the opportunities are great.
 
Then suddenly, as Autumn took her turn,
The Ozark Hills became a brilliant hue.
In blazing reds the forest seemed to burn
Across the valleys, up the mountains too.
In delta lands I saw vast cotton crops,
And harvest fields of rice, bowed down with grain.
The short-leaf pines were green with heavy tops,
And muscadines hung heavy down the lane.
Then winter came attired in snowfall white,
And lovely landscapes suddenly seemed bare.
The prairie sky was filled with ducks in flight,
And sounds of happy hunters filled the air.
            O Arkansas, which season is your best?
            Each one seems far more lovely than the rest.
 
What makes you great?  I wondered as I looked.
Is it your timber, standing straight and tall?
Is it your rivers wide and roughly crooked?
Is it your lovely Ozarks in the fall?
Is it your heritage that makes you grand,
Your opportunities . . . yet still unknown?
Is it your rich oil fields, or delta land
That makes men proud to choose you for their own?
O Arkansas, I see your very breath,
In hazy clouds that skim your vast terrain.
I know about your struggling with death
And I have felt your birth with labored pain.
            O land of mine, I find you truly great,
No wonder you are called “The Natural State”.

Rev. G and the Gospel Allstars headline South on Main Gospel Brunch today

pic_rev_g_and_gospel_allstars_copy.jpg.190x140_q60_cropA first for Little Rock! – Join The Oxford American for South on Main’s first ever Gospel Brunch! Two sets of live music will be performed between 11:00 AM – 1:00 PM featuring Rev. G and the Gospel Allstars. There is a $10 per person cover charge.

Seating is available first come, first served when the doors open at 10:00 AM.  No reservations are being taken for this event.

Rev. G and the Gospel Allstars includes Arkansas artists and musicians Greg Spradlin, Mable Bealer (a Tru-Soul recording artist), Chris Michaels, and Jonathan “J-Roc” Burks performing classic southern gospel favorites from Sister Rosetta Tharpe, The Staple Singers, Sam Cooke, and more.

Tonight at 10pm – BAD MATCH takes to the South on Main stage

badmatchstudio1_cropped2.png.190x140_q60_cropTonight at 10:00pm, The Oxford American is proud to welcome Bad Match to South on Main! The Coasts will support the bill. Doors open at 9:00 PM. This is a ticketed event, with a $8 cover payable in cash only at the door on the night of the show.

Recently formed Bad Match is rock and roll. Un-gussied, raw-throated rock and roll that makes you lick your teeth and spill your beer. As the Arkansas Times has said, they play with promise, “balancing compulsive, soulful rock with carefully calibrated arrangements heavy on Rhodes piano and steely, charismatic energy.”  Bad Match is Sarah Stricklin, Isaac Alexander, Ryan Hitt, Jack Lloyd, and Mike Motley.

 

Baseball season is here – so is THE SANDLOT at CALS Ron Robinson Theatre today at 2

calsrr sandlotThe Boys of Summer have returned as Major League Baseball is back.  On a smaller scale, sandlot ball is also back.  To celebrate this, the CALS Ron Robinson Theater is showing the 1993 film THE SANDLOT this afternoon at 2pm.

The film is told through the perspective of Scotty Smalls, who is reminiscing on his first summer in Los Angeles. In 1962, Smalls moves with his mother and stepfather, Bill, to a new neighborhood, and struggles to make new friends. One afternoon, he decides to follow a group of neighborhood boys, and watches them play an improvised game of baseball at a small field, which they call the sandlot. Smalls is reluctant to join their game, as he fears he will be ridiculed on account of his inexperience. Nevertheless, he chooses to play with them.  After a rough start, in time, Smalls is accepted and becomes an integral part of the team.  The team has adventures and misadventures on and off the titular sandlot.

The film stars Tom Guiry, Mike Vitar, Patrick Renna, Chauncey Leopardi, Marty York, Brandon Quinton Adams, Grant Gelt, Shane Obedzinski and Victor DiMattia.  Adult roles are played by Denis Leary, Karen Allen and James Earl Jones.

The film costs $5 to see on the big screen at the Ron Robinson Theater.  Concessions will be available for purchase.

 

This weekend – the ASO finishes 2014-15 Masterworks with Mozart, Prokoviev and Strauss

aso500+yeol-eum-sonThe Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, presents the sixth and final concert in the 2014-2015 Stella Boyle Smith Masterworks Series: Mozart, Prokofiev and Strauss.

Piano virtuoso Yeol Eum Son takes the stage for the final Masterworks concert of the season, performing Prokofiev’s Piano Concerto No. 3. The program also features Mozart’s grand “Jupiter” Symphony, and Strauss’s Der Rosenkavalier Suite.  The Masterworks Series is sponsored by the Stella Boyle Smith Trust.

The concert takes place Saturday, April 11, 2015 at 7:30 p.m., & Sunday, April 12, 2015 at 3:00 p.m. at the Maumelle Performing Arts Center, 100 Victory Lane, Maumelle.

Concert Conversations: All concert ticket holders are invited to a pre-concert lecture an hour before each Masterworks concert.  These talks feature insights from the Maestro and guest artists, and feature musical examples to enrich the concert experience.

Tickets are $19, $35, $49, and $58; active duty military and student tickets are $10 are can be purchased online at www.ArkansasSymphony.org; at the Maumelle Performing Arts Center box office beginning 90 minutes prior to a concert; or by phone at 501-666-1761, ext. 100. All Arkansas students grades K-12 are admitted to Sunday’s matinee free of charge with the purchase of an adult ticket using the Entergy Kids’ Ticket, downloadable at the ASO website.

Yeol Eum Son, piano
Philip Mann, conductor

PROGRAM:
MOZART: Symphony No. 41 in C Major, K. 551 “Jupiter”
PROKOFIEV: Piano Concerto No. 3 in C Major, Op. 26
STRAUSS: Der Rosenkavelier, Op. 59 Suite

PROGRAM NOTES:
Jupiter is the last, grandest and most joyous of all of Mozart’s symphonies. Speaking on the fact that there is no evidence of a commission to inspire the final three symphonies, scholar Neal Zaslaw commented: “The very idea that Mozart would have written three such symphonies, unprecedented in length, complexity, and seriousness, merely to please himself or because he was ‘inspired,’ flies in the face of his known attitudes to music and life and the financial straits in which he then found himself.”

Prokofiev composed Piano Concerto No. 3 after studying at the St. Petersburg Conservatory. It emphasis on virtuosity and sharpness of humor with the earlier concertos, but it also contains a strong helping of mature warmth, making it easier to approach and enjoy.

Excerpts from the Der Rosenkavalier have been featured in concert virtually since the opera’s creation, although Strauss did not prepare many of them himself. This popular concert suite appeared in 1945, without crediting an arranger. It presents an enchanting medley of the opera’s most glorious moments, including the surging Prelude; the presentation of the silver rose; a luscious love duet between Sophie and Octavian; a teasing, languorous waltz associated with the lecherous Baron Ochs; the ecstatic final trio and duet; and another, quicker waltz to finish.

The Arkansas Symphony Orchestra celebrates its 49th season in 2014-2015, under the leadership of Music Director Philip Mann. ASO is the resident orchestra of Robinson Center Music Hall, and performs more than sixty concerts each year for more than 165,000 people through its Stella Boyle Smith Masterworks Series, ACXIOM Pops LIVE! Series, Landers FIAT River Rhapsodies Chamber Music Series, and numerous concerts performed around the state of Arkansas, in addition to serving central Arkansas through numerous community outreach programs and bringing live symphonic music education to over 26,000 school children and over 200 schools.

World premiere of Phillip McMath’s play KARSKI’S MESSAGE next at Weekend Theater

Karaskis-Message-Poster_LgThe latest offering of the Weekend Theater is a world premiere of Phillip McMath’s new play, Karski’s Message.

A local playwright, lawyer and historian, McMath based the play on the true story of Jan Karski, a Polish World War II resistance fighter and later professor at Georgetown University. In 1942 and 1943, Karski escaped capture and near death to report to the Western Allies — Britain and the United States — on the situation in German-occupied Poland, especially the destruction of the Warsaw Ghetto and the secretive German-Nazi extermination camps. Karski personally met with world leaders, telling them about the situation in Poland, becoming the first eyewitness to try to convince the world that the Jewish Holocaust was a reality.

The cast includes Ryan Whitfield, Jeff Lewellen, Terry White, Brice Ward, Madison Wolfe, Barry Clifton, Tommie Tinker, Ann Norris, Deb Lewis, Bill Jones, Alexander White, Elijah White, Lauren Lasseigne and Justin Wolfe.  It is directed by Matthew Mentgen.

The play opened last night and continues its run tonight, April 17 & 18 and April 24 & 25. Curtain times are 7:30.

 

The UALR Artspree 2014-15 series concludes tonight with William Bennett, flute

flutistBennet3The University of Arkansas at Little Rock’s final Artspree event of the 2014-15 season will feature a musician regarded as the “greatest flute player alive” at 7:30 p.m. Friday, April 10, in the Stella Boyle Smith Concert Hall of the Fine Arts Building.

Flutist William Bennett will perform including a rendition of Piano and Flute Sonata in A Minor from opus 64 by Mel Bonis accompanied by pianist Kaeko Suzuki.

General admission is $15 and $10 for non-UALR students. Admission for UALR students, faculty, and staff is free.

By raising the profile of the flute to that of an instrument capable of a wide range of tonal colours, dynamics, and expression, Bennett is considered one of the foremost musical artists performing today.

He studied in London with Geoffrey Gilbert, and in France with Jean-Pierre Rampal and Marcel Moyse.

According to Artspree Director Naoki Hakutani,  Bennett is a legend in the music world and in many circles is considered the greatest flute player alive.

His long list of accomplishments include earning the title of “Flute of Gold” from the Italian “Falaut” Flute society and the Most Excellent Order of the British Empire (O.B.E) for his distinguished Services to Music from Queen Elizabeth II.

Prior to the April 10th performance, Bennett will host a free master class featuring students from UALR and local high schools at 12:15 pm. Thursday, April 9.

For more information, contact Hakutani at 501.683.7230 or nxhakutani@ualr.edu.

Artspree is funded in part by the UALR Chancellor’s Circle Foundation and KLRE Classical 90.5.