Author Archives: Scott

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About Scott

A cultural thinker with a life long interest in the arts and humanities: theatre, music, architecture, photography, history, urban planning, etc.

200 years since the birth of Little Rock’s 23rd Mayor, early settler Gordon Neill Peay

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On December 12, 1819, future Little Rock Mayor Gordon Neill Peay was born.  The Peay family arrived in Arkansas from Kentucky in 1825.  They quickly became one of Little Rock’s leading families.

Mayor Peay’s father, Nicholas Peay served on the Little Rock Board of Trustees (which existed before the town was incorporated) and later served on the City Council and was acting mayor.

It is Nicholas Peay’s Egg Nog recipe which inspired the Historic Arkansas Museum Nog Off! (2019 edition is Friday night!)

Godon N. Peay served as mayor of Little Rock from 1859 to 1861.  During the Civil War, Peay served as Captain and later Colonel of the Capital Guard.  He later received a pardon from the federal government.  In the days leading up to the Civil War and during it, Mayor Peay was one of a group of civic leaders who corresponded with Union leaders. It has been said that this conciliatory tone is a reason that Little Rock fared better during Federal occupation and Reconstruction than did many other Confederate cities.

The Peay family owned the Peay Hotel, Little Rock’s first hotel, and were also co-founders of what became Worthen Bank.  They were also a founding family of Christ Episcopal Church. Mayor Peay later served as Pulaski County Chancery Clerk.

He died on December 14, 1876, and is buried at Mount Holly Cemetery along with many members of his family.  A nephew of his, Ashley Peay, served on the City Council in the 1920s.  Mayor Peay’s great-grandson Joseph Barber Hurst, Sr. served on the Little Rock City Board of Directors from 1967-1971. One of Mr. Hurst’s sons, Howard, was born on Mayor Peay’s birthday.

40 years since the first Ballet Arkansas production of THE NUTCRACKER

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Burton and Tuzas from 1979 production

One of the sure signs of the Christmas season is the return of The Nutcracker to ballet companies across America.  Though the Little Rock Civic Ballet had first presented this ballet in 1968, by the mid-1970s, it was no longer performing the complete ballet.

In 1978, the Little Rock Civic Ballet was reorganized and re-christened Ballet Arkansas.  That first year, it did not perform The Nutcracker.  But on December 11, 1979, the tradition returned as Ballet Arkansas presented its first production of The Nutcracker.  It was once again at Robinson Center Music Hall.

The production was directed and choreographed by Lorraine Cranford, Ballet Arkansas’ Artistic Director.  The music was provided by musicians from the Arkansas Symphony Orchestra under the baton of guest conductor David Schimmell.  This was the first time in several years that the ballet had been accompanied by the ASO.

The guest artists were Anne Burton and Tanju Tuzer, both from Dallas.  The local dancers including David Twillie, Mirana, Peggy Howard, Carol Campbell, Jeffrey Stuart, Haven Cooper, Buddy Harris, Chris Clarke and Jeff Johns.

Tickets were $3.00 for the matinee. Evening performances ranged from $5 to $10 a person.

6 years since LR voters approved Restore Robinson project

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On Tuesday, Dec. 10, 2013, voters of Little Rock overwhelmingly chose to renovate the historic Joseph Taylor Robinson Memorial Auditorium.

By a vote of 5,183 For and 1,800 Against, Little Rock citizens approved a plan to use a portion of the city’s existing 2 percent restaurant and hotel tax to repay bonds for a renovation of Robinson Center.  The campaign was chaired by businessman Charles Stewart, restaurateur Capi Peck and former LR Mayor Jim Dailey.

Robinson has long been a landmark in central Arkansas. Construction of the Joseph T. Robinson Memorial Auditorium began in 1938 (after a December 1937 groundbreaking under a deadline) and officially opened February 1940. The structure was a PWA (Public Works Administration) project, and is an excellent example of the Art Deco style architecture of the time. The building was added to the National Register of Historic Places in 2007.

The facility is owned by the City of Little Rock and managed by the Little Rock Convention & Visitors Bureau.

The 1940 structure suffered from a wide array of deficiencies, including stage loading and unloading, stage size, acoustical insufficiency, dressing room access and inadequate wing space within the performance hall. Also, structural, mechanical and electrical issues, public circulation and outdated conference center spaces existed within the facility.

Knowing the center is in need of major upgrades if the facility is to continue to serve central Arkansas into the future, the Little Rock Advertising and Promotion Commission (LRA&P) created a Robinson Center Concept Team in October 2011. The group was tasked with evaluating all aspects of the existing facility, researching user needs, proposing conceptual solutions and estimating the cost and construction schedule of the proposed additions and renovations. The concept team was led by Mike Steelman of SCM Architects, PLLC, and included representatives from WD&D Architects, Shuler Shook Theatre Planners, Jaffe-Holden Acoustical Consultants, TME Inc. Mechanical and Electrical Engineers, ECI Inc. Structural Engineers, McClelland Consulting Engineers Inc. Civil Engineers, East Harding Construction, HVS Consulting and Hunt Construction Group.

Additionally, stakeholder and tenant organizations representing the Arkansas Symphony Orchestra, Celebrity Attractions of Tulsa, Oklahoma and the Double Tree Hotel participated in the planning. The concept team findings were presented publicly on June 5, 2012.

On January 17, 2013 the LRA&P announced the selection of Polk Stanley Wilcox Architects, partnered with Ennead Architects, as the architectural and design team for the future renovations. On March 28, 2013 CDI Contractors LLC, partnered with Hunt Construction Group, were selected by LRA&P as the general contractors and construction managers.

On September 23, 2013 the final schematic renderings and cost estimates were presented publicly. The schematic plans depict major interior upgrades within the performance hall including additional volume to create a two-balcony setup, increased lobby space, acoustical improvements, theatrical upgrades, loading dock expansion, a larger stage area, and new dressing room facilities. Additionally, an enhanced modern ballroom and small conference center was unveiled. New technology, mechanical systems, and outdoor plaza spaces were included in the presentation.

Construction would begin on July 1, 2014.  It reopened on schedule and on budget on November 10, 2016.

Discover your inner ELF tonight at the CALS Ron Robinson Theater

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Elf Poster

Will Ferrell stars as the ultimate fish out of water, Buddy, who as a baby crawls into Santa’s toy bag and is whisked off to the North Pole, where he is raised as an elf.

This 2003 holiday movie is being shown at the CALS Ron Robinson Theater tonight (December 10).

A misfit who grows to be three times the size of his elf family, Buddy ultimately heads to his birthplace of New York City to seek out his roots. Unfortunately, they turn out to be a “Scrooge”-like father (James Caan) and a cynical eight-year-old stepbrother who doesn’t believe in Santa.

Worst of all, everyone seems to have forgotten the true meaning of Christmas. But using his simple elf ways, Buddy sets out to single-handedly win over his family and save Christmas in New York, hoping to at last find his true place in the world.

The movie also includes Arkansan Mary Steenburgen along with Bob Newhart, Edward Asner, Zooey Deschanel, Daniel Tay, Peter Dinklage, Michael Lerner, Amy Sedaris, and Andy Richter.

Doors open at 6:00 p.m. Film starts at 7:00 p.m. Beer, wine, and concessions (and COCOA!) will be available!

Festival of the Senses presents Music for the Holidays on December 10 at St. Luke’s

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sheet music with holiday ornaments, ribbons and evergreen branchesOn Tuesday, December 10, at 7:00 p.m., Festival of the Senses will present a holiday concert of music by Sant-Saens, Brahms, Yon, and traditional carols played by May Tsao-Lim at the piano, Andrew Irvin on violin, and David Renfro on French horn.

The concert, which is free and open to the public, is the third in the 2019-20 season of the performing arts series sponsored by St. Luke’s Episcopal Church, 4106 JFK Boulevard. A reception with holiday treats will be held in the church’s parish hall following the performance.

The program will be as follows:

  • Caprice in the Form of a Waltz, Opus 52, No. 6, for Violin & Piano by Camille Sant-Saens;
  • Trio for Horn, Violin & Piano, Opus 40, by Johannes Brahms;
  • Gesu Bambino, by Pietro Yon;
  • A selection of traditional carols to be sung by the audience.

Festival of the Senses is a performing arts series created in 2011 by St. Luke’s Episcopal Church as a gift of the arts to the community to entertain, enlighten, and inspire.

May Tsao-Lim, who played in the Eric Hayward memorial concert for Festival of the Senses in September, teaches applied piano and piano pedagogy at Henderson State University, where she is Assistant Chair of the music department and Director of International Music Festivals. She has also taught at Iowa State University and Malaysia’s University College Sedaya International

ASO concertmaster Andrew Irvin is well known to Festival audiences as a member of the duo ARmusica. He also plays in the Camino Trio and recently was heard as substitute concertmaster with the Omaha Symphony. He has concertized across America and throughout Europe on his 1765 Gagliano violin, and his recordings are available on the Potenza and Naxos labels.

Since 2005, David Renfro has been the ASO’s principal horn player and also serves as the orchestra’s chief development officer. He is a member of Etesian Winds, a woodwind quintet, and the ASO Brass Quintet, and has taught at Ouachita Baptist University and Henderson State University. He was previously the principal horn in the Texarkana and Missouri Symphony Orchestras.

Tickets now on sale for STOMP, coming to Robinson Center in 2020

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STOMP, the international percussion sensation, takes the stage at Robinson Performance Hall for a limited 3 show engagement March 10-12, 2020.

From its beginnings as a street performance in the UK, STOMP has grown into an international sensation over the past 20 years, having performed in more than 50 countries and in front of more than 24 million people. Tickets are on sale available at Celebrity Attractions, by phone at 501.244.8800 or by visiting Ticketmaster.com.

Created by Luke Cresswell and Steve McNicholas, STOMP continues its phenomenal run with four global productions: the ongoing sell-out production at New York’s Orpheum Theatre, a permanent London company, and North American and European tours. Throughout its life, the show has continued to change by creating new material; next year/this year (depending on when release goes out), it will incorporate two new pieces.  It is safe to say you will never again look at supermarket carts  or plumbing fixtures the same way… or paint cans, or kitchen sinks or…

STOMP, an overwhelming success marked by rave reviews, numerous awards, and sell-out engagements, is the winner of an Olivier Award for Best Choreography (London’s Tony Award), a New York Obie Award, a Drama Desk Award for Unique Theatre Experience, and a Special Citation from Best Plays.

In addition to the stage shows, STOMP has been an overwhelming success marked by rave reviews, numerous awards, an Academy Award nomination, four Emmy nominations and one Emmy Award for their acclaimed HBO special Stomp Out Loud, noteworthy TV appearances including The London 2012 Olympic Games Closing Ceremony, The Academy Awards (produced by Quincy Jones), Mister Rogers’ Neighborhood, and a series of award-winning international commercials.

The performers “make a rhythm out of anything we can get our hands on that makes a sound,” says co-founder/director Luke Cresswell.  A unique combination of percussion, movement and visual comedy, STOMP has created its own inimitable, contemporary form of rhythmic expression: both household and industrial objects find new life as musical instruments in the hands of an idiosyncratic band of body percussionists.  It is a journey through sound, a celebration of the everyday and a comic interplay of characters wordlessly communicating through dance and drum.

Synchronized stiff-bristle brooms become a sweeping orchestra, eight Zippo lighters flip open and closed to create a fiery fugue; wooden poles thump and clack in a rhythmic explosion.  STOMP uses everything but conventional percussion instruments – dustbins, tea chests, radiator hoses, boots, hub caps – to fill the stage with a compelling and unique act that is often imitated but never duplicated.

Critics and audiences have raved: “STOMP is as crisp and exuberant as if it had opened yesterday,” says The New York Times. The San Francisco Chronicle declares “STOMP has a beat that just won’t quit!” The Los Angeles Times exclaims: “Electrifying! Triumphs in the infinite variety of the human experience.” “A phenomenal show! Bashing, crashing, smashing, swishing, banging and kicking – a joyous invention!” says the Chicago Tribune.

STOMP will appear at Robinson Performance Hall in Little Rock for three performances only March 10-12, 2020 (Tuesday-Thursday at 7:30pm).  Tickets may be purchased in person at Celebrity Attractions, via phone at 501.244.8800 or online at Ticketmaster.com.  Groups of 10 or more receive a discount by calling 501.492.3312.

Ticket buyers are reminded that for Celebrity Attractions’ productions, Celebrity Attractions and Ticketmaster are the only official retail ticket outlets and the only way to guarantee that you are paying face value for legitimate tickets.  Ticket buyers who purchase tickets from a ticket broker or any third party should also be aware that Celebrity Attractions is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.