RobinsoNovember: James Rice and Jim Rice

J Rice 1920On June 7, 1920, the Little Rock City Council finally authorized the demolition of Little Rock’s 1906 temporary auditorium.  The structure had originally been built as a skating rink which, when chairs were added, could be used for public meetings.  Since the mid 1910’s, the City Council had discussed tearing it down over safety concerns.  But since Little Rock had no other structure as a substitute, the Council kept delaying the decision.
In 1920, though there was not alternative space available, the Council decided that the structure had to come down.  So City Engineer James H. Rice was authorized to have the building removed.

JimRice RobinsonToday, Rice’s grandson, also known as Jim Rice is the COO of the Little Rock Convention & Visitors Bureau.  In that capacity he oversaw the renovation of Little Rock’s 1940 municipal auditorium – Robinson Center Music Hall.

While his grandfather was efficient at demolishing a worn out building that was beyond repair, Jim deftly helped make sure that the existing city auditorium was refitted and restructured so that it would no longer be worn out.

Little Rock Look Back: A Dozen Years of the Clinton Library

SkipIt has been twelve years.  Have you warmed up yet?

Many remember November 18, 2004, for the rain and cold wind which greeted visitors to the opening of the William Jefferson Clinton Presidential Center and Park.  In the years which lead up to that day, November 18, 2004, was known simply as “Game Day” for a group of people.  The chief one was Skip Rutherford.

Overseeing the planning for the Clinton Presidential Center and the events surrounding it had been the focus of James L. “Skip” Rutherford for many years. A FOB for decades, he had stayed in Little Rock when so many went to Washington DC in 1993.

He oversaw the planning for the Clinton Library and led the Clinton Foundation.  No detail was too small or insignificant for him to consider. For months leading to the opening he led meetings to help restaurants, hotels, and attractions understand the scope of the opening.

Together with Dean Kumpuris and Bruce Moore on behalf of the City of Little Rock and Stephanie Streett of the Clinton Foundation, he reviewed plans for the Clinton Presidential Park and the streets and neighborhoods around the Clinton Presidential Center.

Skip used his connections with the business community in Little Rock and throughout the state to discuss the importance of a Presidential Library regardless of one’s personal political affiliations.  He withstood critics who second-guessed everything from the cost, the design, the location, the purpose, and even the anticipated tourism and economic impacts.

Finally the big day had come.  If the weather was not ideal, that was almost inconsequential. It was still the culmination of more than seven years hard work.  As he remarked later that evening when discussing the weather “Many who attended today go to events like this all the time.  This is one they won’t forget!”

However, the opening of the Clinton Presidential Center was not the end of the task. It merely was the move from one phase to another. A few years later, Skip’s role would change as he would leave the Foundation and become the second Dean of the Clinton School of Public Service.

Explore Robinson Center with SHARP- Arkansas Symphony’s Young Professionals

Robinson IntermissionThis Wednesday at 5:30pm (November 16), the Arkansas Symphony Orchestra’s young professionals (also known as SHARP) will be exploring the ASO’s new performance space when they tour Robinson Center.

This sneak-peek party will include a tour, as well as live entertainment, hors d’oeuvres, a cash bar, and the opportunity to sit-in as the orchestra rehearses for their first concert in Robinson in over two years. Tickets are $10 and can be purchased at the door

SHARP is a group of young professionals enjoying contemporary social experiences that provide networking opportunities, enlightening programs, and community connection while promoting audience growth and sustainability for the Arkansas Symphony Orchestra. SHARP membership includes a free ticket (upon request) to all ASO subscription concerts along with special social events,  and volunteer opportunities.

RobinsoNovember: Election Days in 1937, 1940 and 2013

Since today is Election Day, it is appropriate to look back at the three different campaigns to build, furnish, and restore Robinson Center Music Hall.  (Note, there have been at least two other General Capital Bond elections which contained money for Robinson, but those were not stand alone elections about the auditorium and have thus been excluded.

1937-robinson-election1937

On January 26, 1937, Little Rock voters were asked to approve three bond programs which would build a municipal auditorium, expand the City library, and construct a park for African Americans.  Each issue had its own group of supporters, though they all encouraged “Yes” votes for each question.  The “Forward Little Rock Committee” (sometimes referred to as the “Little Rock Forward Committee) was headed by W. H. Williams and led the charge for the auditorium.   The bonds for the auditorium would be $468,000 in general obligation bonds which would be paid off between 1940 and 1971.  This was toward a total cost of $760,000 for the entire project.

The campaign stressed the economic benefits from all the conventions which would be held in Little Rock after an auditorium was constructed.  The focus was as much, if not more, on the exhibition hall space as it was about the music hall space.   The Municipal Auditorium had the lowest level of support of all three issues, but it still passed overwhelmingly.  It is interesting to note that the design featured in the campaign ad bears little resemblance to the project which was actually constructed.

The final vote total was 1,518 for and 519 against. The project passed in each of the City’s 23 precincts.

 

1940-robinson-election1940

Because the project ran out of money, Robinson Auditorium opened in February 1940 with out any landscaping, furnishings in the meeting rooms, and a lack of equipment in various areas throughout the facility.  To remedy this, additional bonds for the auditorium were added to a request put to the voters on April 2, 1940.  The dollar amount was $30,000 for the completion of the project.  The other two issues were additional fire equipment and establishment of an administrative building at the municipal airport.

The campaign for the new bonds used a similar structure and message as the 1937 election to build the auditorium.  There were newspaper ads by the steering committee (this time simply called the Citizen’s Committee and led by Omar Throgmorton) and support from civic organizations.  One thing very different from the 1937 campaign was the presence of an actual building.  On Sunday, March 31, just two days before the election, there was an open house for the public to explore the edifice.  From 1:00 p.m. to 9:00 p.m., members of various Little Rock Boy Scout troops led 4,000 visitors on tours of the auditorium.  Visitors were shown all over the building; one scout calculated that the walking tour equated to two miles.  Though most people were from Little Rock, the guest registry indicated visitors from California and Pennsylvania

On election day, the Auditorium bonds passed with a vote of 1,413 to 423.  Every precinct in every ward of the city voted in favor of the new bonds.

 

restore-robinson-20132013

In an effort to bring Robinson Center Music Hall into the 21st Century, the Advertising and Promotion Commission (which took over administration of Robinson in 1971) leadership decided to dedicate the renewal of their bonds to the renovation of Robinson.  What had been built as a 1940 civic auditorium did not meet the artistic or convention needs of the 2010s.  The Restore Robinson Committee was led by former LR Mayor Jim Dailey, civic leader Charles Stewart and A&P Commissioner Capi Peck.  In campaign literature Mr. Stewart noted: “An upgraded Robinson will allow thousands of children and residents from Little Rock to enjoy future dance recitals, graduations and community gathering in a spectacular new performance and events center.”

Plans called for taking the historic building down to its exterior walls (except for the front lobby which remained).  The music hall level was to be dropped 30 feet to street level.  A new conference center would wrap around the northern facade of the structure.

The referendum passed with 5,183 For vs. 1,800 Against.

The building closed on July 1, 2014 with a ceremonial breaking of the stage flooring.  On July 1, 2015, the reconstruction “topping out” ceremony took place.  The ribbon cutting for the new structure will take place on November 10, 2016, at 10 a.m.

Creative Class 2016: Bryant Phelan

cc16-phelanDesigner and scientist Bryant Phelan has no interest in choosing between his two passions. He is devoted to exploring both of them.

In 2014, Bryant launched O’Faolain (Gealic for The Wolf), a line of handcrafted luxury leather goods which combine modern design with classic quality.  He shows his work at New York Fashion Week.

His handbags, cuffs, and other designs have been featured in ElleNylon, and Bleep among others.Sharon Needles, Goapele, Johnny Cassanova, Alaska 5000, and Mel B are among his growing legion of fans and patrons.

In addition to being a PhD student in Epidemiology at UAMS, he currently holds a position as a biostatistician on a private research team.  He is looking to become a professor after his PhD is earned.

Creative Class 2016: Korto Momolu

cc16-momoluInspired by her African roots, Liberian-born fashion designer and stylist Korto Momolu is stamping her global brand on fashion forward women’s wear and accessories that celebrate the essence of her rich heritage while based in her new home of Little Rock.

After a coup in Liberia in 1989, she relocated to Canada in 1990.  A graduate of the L’Academies des Couturiers Design Institute in Ottawa, Ontario, Korto also studied at the renowned Parsons School of Design in New York City while working as an independent fashion designer. Advancing her field experience, she earned a spot on the fifth season of Bravo TV’s hit show, Project Runway. Throughout the season, Korto’s primary signature for high color and diversity in style and presentation, in addition to her feisty spirit, resonated well with audiences, earning her the prize of “fan favorite” and ultimately, a placement of first runner up at the season’s close.

As the Korto Momolu brand expands, so do her accomplishments and opportunities to include designing for Miss Universe (Leila Lopes) and the President of Liberia, Ellen Johnson-Sirleaf; creating an accessory line for Dillard’s; producing an eco-friendly jewelry line for the Smithsonian museum stores; designing the uniforms for the Crystal Bridges; serving as the Cheerios’ ambassador for the Shoprite Partners in Caring “Knock Out Hunger” campaign; and contributing her time and talents to countless charitable and philanthropic endeavors.

Highlighted in the ‘Top 5 Designers to Watch’ in New York City this season, Korto has been featured in many international and national publications and has appeared on numerous television shows, including two seasons of Project Runway AllStars.

Creative Class 2016: Yslan Hicks

cc16-hicksYslan Hicks has dressed hundreds of people in all sorts of clothing.  As a theatrical costume designer and educator, she has worked throughout the United States.  She is currently an Associate Professor and Interim Department Chair for the UALR Theatre and Dance Department.

Yslan has design credits that include productions at UALR, Arkansas Repertory Theatre, Lincoln Center Institute in New York City, the Goodman Theatre in Chicago, Portland Center Stage in Oregon, the Old Globe in San Diego and Williamstown Theatre Festival in Williamstown, Mass. As an artistic associate at Lifeline Theatre in Chicago, she has designed a number of literary adaptations including Dracula, Pride and Prejudice and Jane Eyre.

Her work with the Arkansas Rep spans over two decades.  Among her recent productions are The Whipping Man, Clybourne Park, and Gee’s Bend.  In addition to UALR, she has served on the faculties of the University of Tulsa and Tulane University. Yslan is a member of United Scenic Artists, Local 829.

Yslan is also an in-demand speaker.  Most recently, she has given a series of talks for the Central Arkansas Library System on the history of fashion. Among her topics have been Downton Abbey and bridal dresses.