Little Rock Look Back: Public facilities in Little Rock ordered to be integrated

Following the March 1962 lawsuit by twenty-two (22) African Americans seeking the integration of public facilities in Little Rock, Federal Judge J. Smith Henley issued a order on February 15, 1963.  Judge Henley ordered the end to segregation in City parks, playgrounds, golf courses, tennis facilities, community centers, and Robinson Auditorium.

Regarding the auditorium, the order allowed for single event, short-term leasing of wholly private meetings for membership and immediate friends of members.  But it did stress that there could be no racial discrimination in the selection of or terms of leases.

The judge’s order did not cover “other facilities not identified in the record.”  Which meant, the order did not apply to swimming pools.  At the time, War Memorial pool was operated for whites and Gillam Park pool was operated for African Americans.   The judge wrote that he saw no reason to extend it to facilities not mentioned, but did not rule out the ability for future lawsuits.  In asking for a summary judgement in January 1963, the defendants had listed many types of facilities but not swimming pools.

Judge Henley’s decision did not mean that a municipality was required to integrate.  It just could not enforce segregation.  As with many other court decisions at the time, it was narrow in scope.

The end result was that Little Rock facilities were now integrated.  Except for the swimming pools.  Those would have their own story.  It would take the 1964 Civil Rights act and more legal actions for that to happen.

Bromance and Besties on a double bill at CALS Ron Robinson Theater tonight

Celebrate Valentine’s Day with a double feature of two classic friendship movies, picked by our followers on Facebook and Instagram: Wayne’s World (1992, PG-13) and Clueless (1995, PG-13). Doors open at 6:00 p.m., Wayne’s World begins at 7:00 p.m., and Clueless begins at 9:00 p.m.

Beer, wine, and concessions will be available.

Originally a skit on Saturday Night Live during the late ’80s and early ’90s, Wayne’s World is about two teenage dudes who host a public access TV show, which is mainly about rock, babes and people who live in the area.

Clueless, director Amy Heckerling’s fresh adaptation of Jane Austen’s novel Emma follows the misadventures of meddlesome Beverly Hills high schooler Cher, who gets more than she bargained for when she gives a fashion-challenged student a makeover.

2019 Grants announced by National Endowment for the Arts

Three Little Rock organizations were announced today as recipients of grants from the National Endowment for the Arts.  They are: Arkansas Symphony Orchestra, Chamber Music Society of Little Rock, and the Oxford American magazine.

Each year, more than 4,500 communities large and small throughout the United States benefit from National Endowment for the Arts (NEA) grants to nonprofits. For the NEA’s first of two major grant announcements of fiscal year 2019, more than $25 million in grants across all artistic disciplines will be awarded to nonprofit organizations in all 50 states, the District of Columbia, and Puerto Rico. These grants are for specific projects and range from performances and exhibitions, to healing arts and arts education programs, to festivals and artist residencies.

Arkansas Symphony Orchestra Society, Inc.
$10,000
Challenge America
To support concert performances and related outreach activities.

Chamber Music Society of Little Rock
$10,000
Challenge America
To support a series of chamber music performances and related educational programming.

Oxford American Literary Project
$20,000
Art Works — Literature
To support payments to writers for The Oxford American magazine.

In addition, three other Arkansas organizations and one Arkansas artist received funds. TheatreSquared of Fayetteville, received $30,000 for the Arkansas New Play Festival, the King Biscuit Blues Festival of Helena received $25,000, the Ozark Foothills Film Fest received $10,000, and Geffrey Davis of Fayetteville received $25,000 for a Creative Writing fellowship.

Little Rock Look Back: First TABRIZ Gala in 1971

After a casual evening on Friday, February 12, 1971, the next night, several hundred people donned their tuxedos and maxi-length formal wear to attend the first Tabriz Gala.

After eating a gourmet dinner, guests were treated to a live auction with over 90 items.  The auctioneers were Edwin C. Jenkins of Los Angeles and Little Rock’s Dalton Dailey.

Among the items in the live auction (which raised $30,000)  were usage of a billboard for a month, a five day cruise in the Bahamas and the opportunity to help create a sculpture.  One of the more unique items was a lot in Pleasant Valley, which went for $11,500 (the equivalent of $72,000 in 2019).  The final item in the live auction was lunch with Martha Mitchell. The Pine Bluff native was married to US Attorney General John Mitchell. Little did anyone know at the time that President Nixon would one day blame Watergate on Martha Mitchell making life difficult for John Mitchell.

The Fine Arts Club had desired that Tabriz would be a unique event in Little Rock’s social calendar.  It appeared they succeeded.  The Arkansas Gazette noted that the crowd was livelier than normally happened at black tie events in Little Rock.

Due to the success of Tabriz, the Arts Center more than had the money it needed for the National Endowment for the Arts challenge match program.

Tonight at 6:30, CALS presents Sounds in the Stacks with the ASO Quapaw Quartet at the CALS Williams Library Branch

Sounds in the Stacks: Quapaw QuartetExperience the beauty of string music of the highest caliber with the Quapaw String Quartet of the Arkansas Symphony Orchestra!

This free concert at the CALS Williams Library will be a lovely way to take a break from the work week or introduce kids to the magic of violin, viola, and cello.

Arkansas Symphony Orchestra’s Quapaw Quartet includes Meredith Maddox Hicks, violin; Charlotte Crosmer, violin; Ryan Mooney, viola; and David Gerstein, cello.

It is today (February 12) from 6:30pm to 7:30pm at the CALS Sue Cowan Williams Library, which is located at 1800 South Chester Street.

On Lincoln’s Birthday – A Lincoln Viaduct Portrait

Photo courtesy of the Arkansas Historic Preservation Program

Since today is Abraham Lincoln’s birthday, it is a good day to pay tribute to the Lincoln Avenue Viaduct.  This arched bridge is traversed by thousands of cars each day, with most having no idea the name of the structure.  The Lincoln Avenue Viaduct is the arched bridge connecting LaHarpe with Cantrell Road which (literally) bridges downtown with the west along Highway 10.

The Lincoln Avenue Viaduct is a reinforced concrete rainbow arch bridge. It was opened at 2:05 p.m. on Friday, December 28, 1928, and, despite later alterations, it remains particularly well-preserved. The Missouri Pacific Railroad Company, considered the most important railroad company in the state, constructed the bridge amid a series of improvements in Little Rock made necessary by the damage wrought by the infamous spring floods of 1927.

Though the bridge was constructed by the railroad, the City had to give authorization to do so, this was accomplished by the passing of Ordinance 4,335, at the May 28, 1928, City Council meeting.

Lincoln Avenue was one of several names for stretches of Highway 10 in Little Rock. By the 1960s, the areas west of the Lincoln Avenue viaduct were all renamed Cantrell in honor of the man who had developed much of the area west of the Heights. The longest stretch of the road already carried that name. There had been an effort to rename Highway 10 (including sections named Lincoln, Q, and Cantrell) in Little Rock for Senator Joseph Taylor Robinson in 1930. He declined the offer because he did not want to diminish the contributions of Mr. Cantrell.  Over time the entire stretch bore the name Cantrell.

The stretches east of the viaduct which involved a couple of names were renamed La Harpe Boulevard in honor of the French explorer who first saw the Little Rock. (La Harpe was originally an extension of Riverfront Drive. But with changes to development along the Arkansas River and the coming of I-30, the streets were reconfigured significantly in the 1950s and early 1960s.)

Though the street has been renamed, the bridge still carries the name of the 16th President of the United States.

Temporary Home for Arkansas Arts Center announced

The Arkansas Arts Center will temporarily relocate to 2510 Cantrell Road in the Riverdale Shopping Center for two and a half years during the center’s upcoming renovation and expansion project.

The temporary location, about three miles from the AAC’s MacArthur Park site, will include studio space for Museum School classes, design and rehearsal space for the Children’s Theatre and additional flexible spaces for offices, retail, facilities storage and educational programs.

“The AAC’s impact in our community, both in Central Arkansas and across the state, is immense and enduring,” said Merritt Dyke, President of the AAC board. “In addition to the nearly 200,000 visitors to MacArthur Park, the AAC’s statewide outreach numbers approach half a million people. We’ve been working with numerous community partners to ensure that we can continue to fulfill our mission and to serve these people while the AAC is under construction.”

“The support we’ve received throughout this endeavor has been overwhelming, and we are grateful to Harriet and Warren Stephens who are chairing our lead gifts capital campaign,” said Dyke. “Without their leadership, this project would not be where it is today. I am greatly appreciative to the AAC and Foundation boards, staff and all our community partners for their role in realizing this important vision.”

The AAC’s staff of approximately 100 full-and part-time employees will office out of this location during the renovation. Groundbreaking on the AAC’s transformational building project is scheduled for fall 2019, with the project anticipated to be completed in early 2022. The MacArthur Park facility will be available for all regular summer programming, with the new temporary Riverdale location opening sometime in September.

“The AAC’s programs are a vital part of our community,” said Bobby Tucker, Chairman of the AAC’s Foundation board. “We feel it’s of maximum importance that they continue to be offered while the center is under construction. Our commitment to the success of this transformational project in MacArthur Park is unwavering, as is our commitment to the organization as a whole.”

The Cantrell Road location will offer convenient, secure parking and new amenities for AAC program participants. With 15,200 square feet of studio space, the Museum School will offer nearly all its current program of classes and workshops, including drawing, painting, ceramics, jewelry, glass, small metals, woodworking and printmaking for its nearly 3,000 students per year. Fall Quarter classes will begin in the Riverdale location in September.

“We’ve been working diligently for more than a year to ensure that our students have a creative space, with the equipment needed to continue to engage in our classes in a temporary location,” said Rana Edgar, Director of Education and Programs. “Over the next three years, we plan to welcome our students into well-appointed studios, with all our core classes currently being offered, in addition to offering expanded opportunities to build their talents.”

In the Children’s Theatre’s 14,200 square-foot workshop, theatre staff will create sets, sew costumes, and build props for the AAC’s productions, including touring programs. Children’s Theatre on Tour, part of the AAC’s Statewide ArtsReach program, serves more than 35,000 students and families in communities across Arkansas every year with traveling professional theatre productions.

“The work of the Children’s Theatre team doesn’t stop when the stage lights go down in MacArthur Park,” said Bradley Anderson, Artistic Director in the Children’s Theatre. “We create theatre productions each season that travel the state, in addition to our local summer theatre academies, theatre classes and performances at the AAC. This move will allow those programs to continue – and possibly even expand.”

The AAC Museum Shop will also move its retail storefront into 1,500 square feet of space, joining many other local restaurants and businesses in the area. Administrative, facilities, equipment storage and flexible educational spaces will round out a total of 65,000 square feet of space at the temporary facility.

The move is one piece of the AAC’s commitment to remaining accessible to the community while its MacArthur Park facility is under construction, and to working with arts partners across the region to expand programming reach.

“The AAC is more than any one space or one building. Our programs will continue to span across communities and extend across the state over the next two and a half years,” said Laine Harber, Interim Executive Director and Chief Financial Officer. “This would not be possible without the commitment and dedication of our board leadership in continuing to fulfill our mission and vision while we undergo these much-needed renovations.”

AAC exhibition programs will also pop up in locations across Central Arkansas and beyond, including the continuation of the popular Delta and Young Arkansas Artists exhibitions. Works from the collection will also travel to other institutions across the country and across Arkansas, in addition to select objects from the contemporary craft collection remaining on view at 15 Central Arkansas Library System locations.

More details about additional programs and partnerships locally and across the state will continue to be announced throughout 2019.