
Nickolas Muray, American (Szeged, Hungary, 1892 – 1965, New York, New York), Frida Kahlo on White Bench, New York (2nd Edition), 1939, color carbon print, 19 x 14 ½ inches. Courtesy of Throckmorton Fine Art, New York, New York.
DePaul Art Museum Director Julie Rodrigues Widholm will examine Kahlo’s continued relevance to international artists who address the performance of gender, issues of national identity, the political body, among other themes. Frida Kahlo is one of the most famous artists in the world.
The program begins at 6pm tonight (March 14) in the Lecture Hall at the Arkansas Arts Center.
Her reputation and persona have grown immensely since her death in 1954, yet posthumously she has been turned into a stereotype of Latin American art. This predicament, along with her celebrity status, often overshadows the confrontational and boldly transgressive nature of her paintings, and ultimately undermines the revolutionary intent of her work.
At the time it was made, Kahlo’s unabashedly intimate portrayal of her physical and psychological experiences and her appropriation of Mexican folk art aesthetics challenged the bourgeois European mainstream. Her work subverted accepted notions of gender, sexuality, social class, and ethnicity, and was prophetic in anticipating the broader cultural concerns—postcolonialism, feminism, civil rights, multiculturalism, and globalization—that reached a crescendo in the 1960s and continue to be relevant today.
Following the lecture, guests are invited to view the galleries, shop in the Museum Shop or enjoy dinner at Watercolor in the Park.
Seating is limited. Tickets are required. Call 501-372-4000 for tickets.
Dr. Ida Joe Brooks was the first woman to practice medicine in Arkansas. In 1920, she became the first woman to be a party nominee for a statewide office.
In celebration of Women’s History Month, the Clinton Foundation and University of Arkansas Clinton School of Public Service will host Remembering Betty Ford, a conversation about the woman who made a positive and lasting impact on our country.
In 1976, Anne Bartley was sworn in as the first director of what was then known as the Department of Arkansas Natural and Cultural Heritage. In that capacity, she was the first woman to serve in an Arkansas Governor’s cabinet. She had encouraged Governor David Pryor to propose establishing the department and then had lobbied the Arkansas General Assembly to create it. (Her oath of office was administered by the first woman on the Arkansas Supreme Court, Justice Elsijane Trimble Roy.)
Vada Webb Sheid was the first woman to be elected to both the Arkansas House and the Arkansas Senate. She was also the first woman in the Arkansas Senate who did not first succeed a husband.
Elsijane Trimble Roy was born the daughter of a judge. At an early age, she knew she wanted to be an attorney. She would eventually become not only the third female to graduate from the University of Arkansas Law School, but the first female circuit court judge in Arkansas, the first female on the Arkansas Supreme Court, and the first female Federal judge from Arkansas.
Irma Hunter Brown served in the Arkansas House of Representatives from January 1981 until January 2003. She was the first African American woman to be elected to the Arkansas General Assembly in either house.