Ballet Arkansas, the state’s professional ballet company, is working in partnership with the creative team at Cranford Co. and the Historic Arkansas Museum to breathe new life into Sleepy Hollow. The first production of Ballet Arkansas’ 2019/20 Season, Sleepy Hollow takes the stage on the weekend of October 18-20, 2019 at UA – Pulaski Tech CHARTS Theater for four public performances and one student matinee (school) show.
A world-premiere multimedia ballet designed in collaboration with the creative team at Cranford Co, Sleepy Hollow is a bold retelling of a classic Halloween tale, just in time for the Holiday.
Featuring 360 sound and captivating video and photo projections filmed by Cranford Co. at the Historic Arkansas Museum, this unique take on Washington Irving’s classic tale combines the beauty of visual art with breathtaking original choreography by Executive and Artistic Director, Michael Fothergill.
Ballet Arkansas’ Sleepy Hollow is not your stereotypical story ballet. “We’ve combined dramatic world premiere choreography with stunning multimedia content that features the professional dancers of Ballet Arkansas. Our visionary portrayal is unlike any other and is a bold new take on the classic narrative,” says Fothergill.
“I’ve taken a rather ambiguous storyline and infused it with narrative that dives much deeper into the relationships of those present in the town.” Narratives like these are what stretches the company, and make it a competitor on the national scale. “Not only do we tell stories at Ballet Arkansas, but we tell them well and in unique ways,” says Fothergill.
“A story of love, drama, and mystery, Sleepy Hollow starts off the season with a spooky tone, similar to last season’s wildly popular production of Dracula,” says Associate Artistic Director, Catherine Fothergill. From the musical selections by composers such as Dimitri Shostakovitch, Francis Poulenc, Alfred Schnittke, and Benjamin Britten, to newly created sets and costumes, the production “is a true blending of classic and modern, and eerie, through and through,” says Michael Fothergill.
A part of Ballet Arkansas’ mission as a nonprofit organization is creative collaboration and partnering with both Cranford Co. and the Historic Arkansas Museum makes the ballet a true Arkansas world premiere, which will provide a rich audience and community experience.
Ballet Arkansas will present four public performances, Friday, October 18, 7:30 pm, Saturday, October 19, 2:30 pm and 7:30 pm, and Sunday, October 20, 2:30pm.
Audience members are encouraged to enjoy the holiday spirit and wear a Halloween costume to the Saturday, October 19, 7:30 pm performance. Tickets range from $25-35. Students with a valid college ID may purchase $10 student rush tickets 45 minutes prior to the performance. Tickets are on sale now.
Ballet Arkansas’ performance of Sleepy Hollow will run approximately 1 hour and 15 minutes, including intermission.

Volunteers are needed to assist with Arkansas’s largest Halloween festival – Boo at the Zoo!
With today being Independence Day, it seems appropriate to feature Eagle of the Rockin the Sculpture Vulture.
This was one of the original six sculptures placed in the River Market, back in November 2004. Sculpted by Sandy Scott, it depicts an eagle taking flight from atop a craggy rock. The eagle and rock are cast in bronze which is then set upon a limestone base. It is situated on President Clinton Avenue to the west of the entrance to Clinton Presidential Park.
In Riverfront Park, Jane DeDecker’s THE TIES THAT BIND shows a father helping his son tie his shoes. It was installed in tribute to longtime Little Rock KATV executive Dale Nicholson. He had been an active supporter of Sculpture at the River Market. It is placed near another sculpture by Jane DeDecker, which Nicholson had selected as a memorial to his wife.
Not far from THE TIES THAT BIND is Kevin Kresse’s BREAKING THE CYCLE. Installed in 2013, it shows a son pushing his father in a wheelbarrow. At the time of the dedication, Kresse commented the piece is meant to show a father and son who have decided to “switch things up” for a new perspective on life. Kresse and his son were the models for the piece.
One of the first sculptures placed in Riverfront Park in 2004 was DeDecker’s ANGLERS. It shows a grandfather and granddaughter going off to fish. This sculpture is located near the Witt Stephens Jr. Central Arkansas Nature Center.
Near the Marriott Hotel, in the Vogel Schwartz Sculpture Garden, is C. T. Whitehouse’s HUDSON’S VOYAGE. This sculpture is a tribute to his father.
