Category Archives: LR Look Back

Tony Awards Week – SOUTH PACIFIC – “How Far Away from Little Rock A-r-k”

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southpacific_obcSeveral Tony Awards have been won by a show with a main character from Little Rock.

South Pacific opened at the Majestic Theatre on April 7, 1949 and settled in for a run of 1925 performances. Based on the James Michener Pulitzer Prize winning novel Tales of the South Pacific, it featured a book by Oscar Hammerstein II and Joshua Logan, songs by Richard Rodgers and Hammerstein and direction by Logan. It was produced by Rodgers, Hammerstein, Logan and Leland Hayward. Set in the titular islands, it concerned the relationships of sailors, nurses, island natives and other island inhabitants.

The musical starred recent Tony winner Mary Martin as Little Rock native Nellie Forbush, opera star Ezio Pinza, stage veterans Myron McCormick and Juanita Hall, and stage newcomers William Tabbert and Betta St. John. Cloris Leachman was Martin’s understudy and would later succeed her in the part of Little Rock native Nellie Forbush.

Like other Rodgers and Hammerstein musicals, this show tackled tough themes – this one being prejudice. That did not set well with some theatergoers. Indeed, some potential investors did not put money into the show because of its stance. But Rodgers, Hammerstein, Logan and Hayward persisted. Their diligence paid off when the musical received the 1950 Pulitzer Prize in Drama, only the second musical to receive this designation. It is also the only Pulitzer Prize for Drama winner to be based on Pulitzer Prize winning source material. This was the first Rodgers & Hammerstein musical to not feature big dance numbers. In fact, there was no choreographer. The dance steps which existed were created by Martin, who had taught dance in her native Texas as a young mother.

Opening late in the season, South Pacific was named the 1949 New York Drama Critics Circle Best Musical, but was not part of the Tony Awards until 1950. (Though Jo Mielziner, who designed the set for South Pacific received a Tony for his set designs of shows during the 1948-49 season and South Pacific was one of the titles listed.) At the 1950 Tonys, it received six Tony Awards: Best Musical, Actor in a Musical (Pinza), Actress in a Musical (Martin), Featured Actor in a Musical (McCormick), Featured Actress in a Musical (Hall), and Director (Logan).

This is the only time that all four acting awards in the musical category went to performers in the same production. In fact, the other two acting trophies that year were incorrectly engraved as being from South Pacific out of habit. Logan’s win was also the first time that the Director Tony went for a musical, since at the time that award was not separated out among plays and musicals. Hall was the first African American to win a Tony Award for Acting.

In 1999 for the 50th anniversary and in 2008 for the opening of the first Broadway revival remaining cast members from the original production had reunions in New York City. At the 50th anniversary ceremony, a proclamation from Little Rock Mayor Jim Dailey was read declaring it South Pacific day in Little Rock and honoring the show. It is interesting to note that in 1949, there were two heroines on the Broadway stage from Little Rock: Nellie Forbush from South Pacific and Lorelei Lee from Gentlemen Prefer Blondes.

In 2008, Lincoln Center Theatre produced the first revival of South Pacific on Broadway. It opened on April 3, just four days shy of the musical’s 59th anniversary.  The cast was led by Paulo Szot, Kelli O’Hara (as Little Rock girl Nellie Forbush), Matthew Morrison (before “Glee”), Danny Burstein and Loretta Ables Sayre.  The production restored a song which had been written for the original Broadway production that had been dropped. “My Girl Back Home” was featured in the movie version and in this Broadway revival. In it O’Hara and Morrison sang of their hometowns of Little Rock and Philadelphia.  The production was nominated for 11 Tony Awards and won 7: Best Musical Revival, Actor in a Musical (Szot), Director of a Musical (Bartlett Sher), Scenic Design (Michael Yeargan), Costume Design (Catherine Zuber), Lighting Design (Donald Holder) and Sound Design (Scott Lehrer).

Sher, Yeargan, Zuber, Holder and Lehrer are all reuniting again next season to work on a revival of Fiddler on the Roof.  One of the producers of that is Little Rock native (and three time Tony winner) Will Trice.

While Trice has not starred in a production of South Pacific, his mother Judy Trice starred in a statewide tour in the 1970s. A few years later, his sister Kathryn Pryor, starred in the Central High production.

Tony Awards Week – Trouble with a capital T and that rhymes with…. HAIR?

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Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

The Tony winning musical The Music Man may have featured a song about “Trouble in River City” but the Tony nominated musical Hair brought trouble to this “river city” in 1971 and 1972.

In February 1971, a young Little Rock attorney named Phil Kaplan petitioned the Little Rock Board of Censors to see if it would allow a production of Hair to play in the city. He was asking on behalf of a client who was interested in bringing a national tour to Arkansas’ capital city. The show, which had opened on Broadway to great acclaim in April 1968 after an Off Broadway run in 1967, was known for containing a nude scene as well for a script which was fairly liberally sprinkled with four-letter words. The Censors stated they could not offer an opinion without having seen a production.

By July 1971, Kaplan and his client (who by then had been identified as local promoter Jim Porter and his company Southwest Productions) were seeking permission for a January 1972 booking of Hair from the City’s Auditorium Commission which was charged with overseeing operations at Robinson Auditorium. At its July meeting, the Commissioners voted against allowing Hair because of its “brief nude scene” and “bawdy language.”

Kaplan decried the decision. He stated that the body couldn’t “sit in censorship of legitimate theatrical productions.” He noted courts had held that Hair could be produced and that the Auditorium Commission, as an agent for the State, “clearly can’t exercise prior censorship.” He proffered that if the production was obscene it would be a matter for law enforcement not the Auditorium Commission.

The Commission countered that they had an opinion from City Attorney Joseph Kemp stating they had the authority. One of the Commissioners, Mrs. Grady Miller (sister-in-law of the building’s namesake the late Senator Robinson who had served on the Commission since 1939), expressed her concern that allowing Hair would open the door to other productions such as Oh! Calcutta!

On July 26, 1971, Southwest Productions filed suit against the Auditorium Commission. Four days later there was a hearing before Judge G. Thomas Eisele. At that hearing, Auditorium Commission member Lee Rogers read aloud excerpts from the script he found objectionable. Under questioning from Kaplan, a recent touring production of Neil Simon’s Tony winning play Plaza Suite was discussed. That play has adultery as a central theme of one of its acts. Rogers admitted he found the play funny, and that since the adultery did not take place on stage, he did not object to it.

Judge Eisele offered a ruling on August 11 which compelled the Auditorium Commission to allow Hair to be performed. Prior to the ruling, some of the Auditorium Commissioners had publicly stated that if they had to allow Hair they would close it after the first performance on the grounds of obscenity. To combat this, Judge Eisele stated that the Commission had to allow Hair to perform the entire six day engagement it sought.

Upon hearing of the Judge’s ruling, Commissioner Miller offered a succinct, two word response. “Oh, Dear!”

In the end, the production of Hair at Robinson would not be the first performance in the state.  The tour came through Fayetteville for two performances in October 1971. It played Barnhill Arena.

On January 18, 1972, Hair played the first of its 8 performances over 6 days at Robinson Auditorium.  In his review the next day, the Arkansas Gazette’s Bill Lewis noted that Hair “threw out all it had to offer” and that Little Rock had survived.

The ads promoting the production carried the tagline “Arkansas will never be the same.”  Tickets (from $2 all the way up to $8.50) could be purchased at Moses Melody Shops both downtown and in “The Mall” (meaning Park Plaza). That business is gone from downtown, but the scion of that family, Jimmy Moses, is actively involved in building downtown through countless projects. His sons are carrying on the family tradition too.

Little Rock was by no means unique in trying to stop productions of Hair.  St. Louis, Birmingham, Los Angeles, Tallahassee, Boston, Atlanta, Charlotte NC, West Palm Beach, Oklahoma City, Mobile and Chattanooga all tried unsuccessfully to stop performances in their public auditoriums.  Despite Judge Eisele’s ruling against the City of Little Rock, members of the Fort Smith City Council also tried to stop a production later in 1972 in that city. This was despite warnings from City staff that there was not legal standing.

Within a few years, the Board of Censors of the City of Little Rock would be dissolved (as similar bodies also were disappearing across the US). Likewise, the Auditorium Commission was discontinued before Hair even opened with its duties being taken over by the Advertising and Promotion Commission and the Convention & Visitors Bureau staff.  This was not connected to the Hair decision; it was, instead, related to expanding convention facilities in Robinson and the new adjacent hotel.  Regardless of the reasons for their demise, both bygone bodies were vestiges of earlier, simpler and differently focused days in Little Rock.

Over the years, Hair has returned to the Little Rock stage. It has been produced two more times at Robinson Center,  UALR has produced it twice, and the Weekend Theater has also mounted a production.   The most recent visit to Little Rock at Robinson Center, which was the final Broadway show before the building closed for renovations, was based on the 2009 Broadway revival.  That production, was nominated for eight Tony Awards, and captured the Tony for Revival of a Musical.  Several members of the production and creative team are frequent collaborators of Little Rock native Will Trice.

Little Rock Look Back: Cornice placed on Robinson Auditorium

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JTR CorniceOn June 1, 1939, the cornice was installed on Robinson Auditorium.  This granite slab noted the name of the building as the Joseph Taylor Robinson Memorial Auditorium.  (It is interesting to note that it used the more modern “u” instead of the classical “v” which was often used in buildings during prior decades – as evidenced by the Pvlaski Covnty Covrt Hovse across the street.)

This was a milestone marking the completion of the front facade of the structure.  Much work would continue on the interior of the structure.  This step in the construction was considered major enough that the Arkansas Gazette mentioned it in a news article.

Today the cornice is again surrounded by construction materials and braces. The front lobby, the cornice and columns are pretty much the only parts of the building not currently under construction as Robinson Center is readied for its second act.  It is scheduled to open in November 2016.

Little Rock Look Back: Mayor Thomas D. Merrick

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IMG_5546Thomas D. Merrick was born on 23 May, 1814, in Hampden County, Massachusetts. He later moved to Indianapolis IN and Louisville KY before ending up in Little Rock.

On January 17, 1841, he married Anna M. Adams of Kentucky at Christ Episcopal Church in Little Rock. They had seven children: George, Annie, Ellie, Mollie, Lillian, Dwight, and Thomas. Thomas died at age ten.

Merrick became a prominent member of the Little Rock business community, as a merchant and cotton broker. He was involved in Freemasonry, holding the position of Grand Secretary of the Grand Lodge of Arkansas in 1845.

In 1855 Merrick entered into a business partnership with future LR Mayor John Wassell. Merrick was also involved in city politics, serving on the city council and also as mayor from January 1854 to January 1855.

He saw active service during the Civil War. On February 6, 1861, Merrick delivered an ultimatum to Captain James Totten of the United States Arsenal at Little Rock, demanding the surrender of the federal troops.  This was more than two months before Fort Sumter was attached,.

Merrick also raised a regiment of Confederate Arkansas Militia, holding the rank of Colonel of Infantry at Camp Conway, near Springfield, Arkansas.  Following the Battle of Shiloh (April 1862), Merrick resigned his commission and returned to Little Rock.

Merrick died in his home in Little Rock on March 18, 1866.  He is buried in Mount Holly Cemetery.

Little Rock Look Back: Dan T. Sprick

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SprickFuture Little Rock Mayor Dan T. Sprick was born on May 19, 1902.  He served three terms on the Little Rock City Council (from 1935 to 1941).  In 1945, he was elected Mayor of Little Rock and served one term. During his tenure on the City Council, he was the sole vote against locating Robinson Auditorium at Markham and Broadway.  He had favored another location.

He was not alone, however, in being held in contempt of court and spending part of the day in jail.  On Monday, December 4, a dozen of Little Rock’s aldermen (which included Sprick) reported to the county jail to serve sentences for contempt of court. The previous Monday, the twelve council members had voted against an ordinance which had been ordered by the judge in an improvement district matter. The other aldermen had either voted in the affirmative or had been absent. Because the twelve had refused to change their votes since that meeting, the judge ordered them jailed.

Mrs. C. C. Conner, the only female, was not jailed but was fined $50. The eleven men were held at the jail, though not in cells. In order to get out of jail, the judge gave the aldermen the chance to change their votes. The mayor asked the judge to let them leave the jail to attend the meeting at City Hall, which was nearby. He requested that the city be allowed to maintain “what little dignity remained” by not having the meeting at the jail. The judge relented, and the aldermen were escorted by deputies to the council chambers. After the aldermen changed their votes, the judge suspended the remainder of their sentences.

His tenure as Mayor was relatively quiet. He took office the same month that World War II ended. While in office, the Sprick administration was marked by growth in the city budget and in city positions. As a part of that growth, there were many more new purchases taking place which had prompted extra scrutiny of the City’s purchasing procedures. A thorough investigation toward the end of his tenure found no malfeasance or misfeasance, it did note that the city needed to do a better job of anticipating cash flow. Much of the City’s focus during the Sprick tenure was on growth and keeping up infrastructure needs.

Sprick later served for ten years in the Arkansas State Senate (from 1961 to 1970).  During his tenure in the Senate, Sprick was closely aligned with Gov. Orval Faubus.  When the Little Rock high schools had been closed a year to ensure segregation, Sprick had served on the board of a private school set up by some of the leaders of the segregation movement.

His time in the Senate was also marked by controversy.  He was one of three Senators to opposed Muhammad Ali’s speaking at the University of Arkansas at Fayetteville.  After an Arkansas Gazette editorial lambasted him, Sprick sued the paper for libel. The Gazette settled with him out of court because his health was poor.

Sprick died in January 1972.

Happy Birthday Mayor Stodola

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colr_mayor_mark_stodolaToday, May 18, is the birthday of current Little Rock Mayor Mark Stodola.

Mark Stodola was elected as Mayor for the City of Little Rock, beginning his term in January 2007 and re-elected in 2010 and 2014.  Mayor Stodola has been key in promoting the revitalization of Little Rock’s Main Street, resulting in the City having been awarded a “Greening of America’s Capitals Grant” from the Environmental Protection Agency and an “Our Town Grant” from the National Endowment for the Arts for the creation of an Arts District in the heart of the downtown core.  The UA’s Community Design Center, which includes faculty and staff members from the school, won a 2014 Honor Award from the American Institute of Architects for its work on the Creative Corridor, on which it collaborated with Marlon Blackwell Architect of Fayetteville.

Prior to becoming Mayor, he served as a senior partner in the Little Rock Law Firm Catlett & Stodola, PLC.  While at that firm, he served as General Counsel to the Little Rock Airport Commission.   Having previously served the City of Little Rock as its City Attorney for six (6) years, he was elected as Prosecuting Attorney for the 6th District in 1990 and was re-elected again in 1992 and 1994.   Mayor Stodola is Past President of the Arkansas Prosecuting Attorneys Association and the Arkansas City Attorneys Association, as well as Past Chair of the Municipal Operations Section of the International Municipal Lawyers Association.  In addition, he is a member of various State, regional and national legal and professional associations.

Mayor Stodola is a graduate of Leadership Greater Little Rock, and served as Chair of Class 16 for that program. In addition, he is a member of the Heights Neighborhood Association and serves as Co-Chair of the Downtown Partnership’s Main Street Task Force.  Mayor Stodola has served on the Board of the Arkansas Repertory Theatre (for which he was the attorney who incorporated the Rep) and is Past-President of the Quapaw Quarter Association and the Historic Preservation Alliance of Arkansas.  He has worked with the Big Brothers/Big Sisters Program and is currently a member of the Rotary Club of Little Rock.

Mayor Stodola graduated from the University of Iowa with a double major in Political Science and Journalism, and received his law degree from the University of Arkansas School of Law in Fayetteville.  Mayor Stodola is married to Jo Ellen and has three (3) children:  a daughter, Allison; and twin sons, Robert and John Mark.

Little Rock Look Back: Mayor J. V. Satterfield

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SatterfieldOn May 14, 1902, future Little Rock Mayor John Vines Satterfield, Jr. was born in Marion.   He grew up in Little Rock and Earle. J.V. was a star quarterback for the Earle football team and is featured in a painting of that team by respected painter Carroll Cloar.

Following high school, J.V. taught (including, much to his family’s amusement, a course in penmanship) and coached and sold Fords.  He then moved to Little Rock and sold insurance and later securities.  In 1931 he opened his own business; that same year he built a house at 40 Beverly Place in Little Rock, which would serve as his home until his death.

J. V. Satterfield was elected to serve as Mayor of Little Rock in 1939 and served one term, until 1941.  He was credited with saving the City from bankruptcy because of his fiscal policies. Among his efficiencies were the creation of a central purchasing office and using grass moved from the airport to feed the Zoo animals.  Though as a private citizen he had voted against the creation of a municipal auditorium in 1937, Mayor Satterfield fought valiantly to ensure that Robinson Auditorium opened to the public once he took office.  Shortly after he became Mayor, it was discovered that there were not sufficient funds to finish the construction. After the federal government refused to put in more money, he was able to negotiate with some of the contractors to arrange for the building to be completed. He also oversaw a successful special election to raise the money to finish the project.

Satterfield was a staunch supporter of the airport and worked to expand it.  He would serve as the chair of the first Municipal Airport Commission.  He also established the Little Rock Housing Authority (on which he would later serve on the board).  Mayor Satterfield also served as President of the Arkansas Municipal League in 1941.

Following the outbreak of World War II, Satterfield enlisted in the Army and was given the rank of a Major. He later was promoted to a Colonel and worked in the Pentagon during its early days.

In the late 1940s Satterfield became president of a small Little Rock bank called People’s Bank.  The bank changed its named to First National Bank when it moved into new offices at 3rd and Louisiana in 1953.  By focusing on smaller customers and courting corporate customers, Satterfield grew the bank into one of the state’s largest banks.  He maintained his desk in the lobby of the bank so he could interact with the customers and ensure they were having a positive experience.

Due to chronic health issues, Satterfield retired from the bank in 1964. He died in March 1966.