Little Rock Look Back: OKLAHOMA! first comes to LR

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Program cover from OKLAHOMA!’s February 1948 visit to Little Rock. From the collection of Mary and Booker Worthen.

On March 31, 1943, Alfred Drake sauntered on the stage of Broadway’s St. James Theatre and sang “Oh, what a beautiful mornin'” to launch OKLAHOMA! into not only theatrical history but popular culture as well.

In February 1948, as the original Broadway run was about to mark five years on Broadway, the national tour of Oklahoma! made its way to Little Rock for eight performances. The week-long stay it had in Little Rock at Robinson Center was a record for that building that would last until Wicked came in 2010.  (Hello, Dolly! in 1966 and Beauty and the Beast in 2002 had both equalled the record.)

By the time Richard Rodgers and Oscar Hammerstein II’s first show made it to Little Rock, they were working on their fourth stage show, South Pacific, which had a leading character from Little Rock.

To get Robinson Auditorium ready for Oklahoma!, the Auditorium Commission had to spend $2,000 on upgrades.  That would be the equivalent of just under $21,000 today.

Oklahoma! opened at Robinson on Monday, February 9, 1948.  With eight performances, approximately 24,000 tickets were on sale during the run of the show.  There was a cast of 67 actors and 28 musicians.  The cast was led by Ridge Bond, Carolyn Adair, Alfred Cibelli Jr., Patricia Englund, and David Morris.  Mr. Bond had relatives who lived in Little Rock.  He was a native of Claremore, Oklahoma, which was the town in which the story took place.

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Ad in ARKANSAS GAZETTE on February 8, 1948.

While they were in Little Rock, the stars of the show made an appearance at Reed Music on February 10.  The music store (located at 112 and 114 East 7th Street–across the street from the Donaghey Building) was promoting the sale of the Oklahoma! cast albums, sheet music, and recordings of songs from Oklahoma! by other singers.

Both the Arkansas Gazette and Arkansas Democrat carried reviews of the show.  Another item, which appeared in the paper that week was a syndicated column which noted that the film rights for the show had been sold. It was speculated that the star would be Bing Crosby.  It would actually be 1955 before the film was made, and Mr. Crosby had no connection to that movie.  By the time it was made, the stars were Gordon MacRae and Shirley Jones.  Mr. MacRae would appear in Little Rock for the 1963 opening of the Arkansas Arts Center.  Ms. Jones has made several concert appearances in Little Rock over the years.

Little Rock had seen its fair share of top Broadway shows on tour.  Prior to Robinson’s opening and since then, many well-known actors and popular shows had played Little Rock.  But just as it had been on Broadway, Oklahoma! in Little Rock was more than a show — it was an event!

Over the years, Oklahoma! has been performed by schools, churches, community theatres, dinner theatres, and colleges.  National tours have come through Arkansas again.  People have become jaded or dismissive of it, because they have seen it performed so often — and sometimes badly.  So it is hard to understand the excitement that was felt by Little Rock audiences in 1948 when they first saw it on the stage of Robinson Center.

But 75 years later (and 25 years after it was commemorated by the US Postal Service with its own stamp), Oklahoma! is still doing fine.  Countless new generations sing the songs and say the lines.

Two upcoming cultural events in Little Rock are a testament to the genius that helped create Oklahoma!  In May, Ballet Arkansas will present a dance piece which was the final dance created by Agnes de Mille.  Before choreographing Oklahoma!, Miss de Mille was already making her mark in the world of ballet.  She alternated between the two for decades.  At the 1993 Tony Awards, Miss de Mille accepted a special Tony upon the show’s 50th anniversary milestone.

The second connection to Oklahoma! will take place in February 2019.  The Arkansas Symphony Orchestra is bringing Oscar “Andy” Hammerstein III, grandson of the beloved librettist and lyricist Oscar Hammerstein II, to host a celebration of some of America’s most cherished music from the stage.

LR Women Making History – Mimi Dortch

Madalyn “Mimi” Breitzke Dortch, was known for getting worthwhile projects off the ground.

She was a founder along with dear friend Cliff Baker, of the Arkansas Repertory Theater; hosted the first Arkansas Opera Theatre outdoor perforomance at her home Marlsgate, was a founder along with Helen Walton of Arkansas Committee of National Museum of Women in the Arts, and was the Director of AIC Choir Camp at Subiaco for 22 years.

When Baker had the idea for the Rep, she made use of her personal connections and helped form the first Board of Directors.  She served as an ambassador for the Rep and theatre in general.   Throughout the rest of her life, she would be a stalwart supporter of the Rep.  Her interest in theatre had been nurtured while she was in college.  Her interest in founding community endeavors had been inherited from her father who founded the North Little Rock Boys Club.

The AIC Choir Camp was originally founded by Trinity Episcopal Cathedral.  She oversaw the transition to it being under the auspices of the Arkansas Interfaith Conference of Churches and Synagogues, which she led.

There were few art forms or art organizations in Little Rock and Arkansas that Mimi Dortch did not attend or support.

Rock the Oscars: Mercedes McCambridge

Mercedes McCambridge won the Oscar for Best Supporting Actress for her film debut.  The film was All the King’s Men.  She played political operative Sadie Burke.  Seven years later, she received an additional Oscar nomination for her role in Giant with Elizabeth Taylor, James Dean, and Rock Hudson.

By the 1960s, she was spending most of her time on television.  In the early 1970s, she alternated between film, TV and stage.  She provided the voice of the demon in the multiple Oscar nominated film The Exorcist.

In the 1980s, she moved to Little Rock. Her son and granddaughters lived here.  While in Little Rock, she appeared at the Arkansas Repertory Theatre in ‘Night, Mother.  Following her son’s death in 1987 (in a grisly murder suicide following financial improprieties on the job and his forger her signature on documents), she moved away from Little Rock.

Rock the Oscars: SOUTH PACIFIC

Written for the stage by Oscar winners Richard Rodgers and Oscar Hammerstein II, along with Oscar nominee Joshua Logan, in 1958 South Pacific was the fourth Rodgers and Hammerstein stage musical to make it to the Silver Screen.  With the female leading character, Nellie Forbush, hailing from Little Rock, there are references to Arkansas and its capital city throughout the film.

Mitzi Gaynor, played the Little Rock native, opposite Rossano Brazzi (with singing help from Giorgio Tozzi). Others in the cast were John Kerr, France Nuyen, Ray Walston, Juanita Hall, and Russ Brown.  Only Hall had been in the Broadway cast.

Though the film was financially successful, it was criticized at the time for its plodding direction (by Logan) and its use of tinted washes to reflect the moods of the characters and the movie.  (If the film was in a bright moment, the screen would take a yellowish hue; during tense times, it might get a blueish tint.)

Ironically, given the criticism of the film’s look, it did receive an Oscar nomination for Cinematography-Color.  It also received a nomination for Scoring of a Musical Picture.  South Pacific won the Oscar for Best Sound, which went to Fred Hynes.  He had previously won an Oscar for work on Oklahoma! and would also win one for The Sound of Music.

2018-19 Arkansas Rep Season includes MENAGERIE, Alcott, Shakespeare, and Rock & Roll History

ark repEarlier this evening (2/19) the Arkansas Repertory Theatre announced its 2018-19 Season. Beginning in September, the new season exemplifies The Rep’s mission of producing diversified work of the highest artistic standards. “Variety is, once again, the watchword at The Rep,” said Producing Artistic Director John Miller-Stephany.

The Rep’s 2018-19 Season opens with one of the most beloved American plays of the 20th Century. Tennessee Williams’ The Glass Menagerie is a delicate memory play about family life set in a Depression-era St. Louis tenement. While rebellious Tom Wingfield dreams of running away from his tedious existence, his stubborn mother Amanda elegizes romantically about her Southern debutante past. And in the midst of their disputes, Tom’s timid sister Laura escapes from the cruelty of the world by retracting into an imaginary realm populated by her collection of fragile glass animals.  Directed by John Miller-Stephany, it runs September 5 to 23 with opening night on September 7.

Next is the stage adaptation of the classic film Guess Who’s Coming to Dinner?  When Joanna decides to surprise her parents with an impromptu introduction to her new fiancé John, she overlooks one small detail – he’s Black. Despite their self-professed liberal political leanings, Mr. and Mrs. Drayton find themselves scrambling when their beliefs are put to the test. But Joanna has yet another bombshell in store – she has invited John’s parents over for the evening as well. The script is by Todd Kreidler, adapted from the screenplay by William Rose. Directed by Arkansas Rep founder Cliff Fannin Baker, it runs from October 24 to November 11 with an opening night of October 26.

Louisa May Alcott’s Little Women has been a beloved novel since it was first published.  Every generation it seems to inspire a classic movie, and in the mid 2000s, it became a Tony-nominated musical on Broadway.  While the Civil War rages far away from their humble New England home, tomboy Jo refuses to conform to the demands made upon her by “polite society.” As her mother and sisters patiently await the return of their father from the battlefield, Jo’s contagious optimism endures in the face of romantic confusion and personal tragedy.  With the opening scene set at Christmas, it is fitting that Little Women is the Rep’s holiday musical.  The book is by Allan Knee with a score by Mindi Dickstein and Jason Howland.  Directed by John Miller-Stephany, it runs from December 5 to 30, with opening night of December 7.

Containing some of Shakespeare’s most famous speeches, As You Like It is a comedy about love, exile, wit, and disguises all set in the Forest of Arden.  Orlando loves Rosalind. Rosalind loves Orlando. But Rosalind is disguised as Ganymede – who’s a boy! And Phebe loves Ganymede – who’s really Rosalind. Yet Silvius loves Phebe. And Rosalind’s best friend Celia loves Orlando’s brother Oliver. But Oliver hates Orlando. And Touchstone lusts after Audrey. Unfortunately, no one much cares for Jacques. Celebrate romance as Shakespeare’s timeless comedy takes center stage at The Rep!  Directed by Giovanna Sardelli, it runs from February 6 to 24, 2019, with an opening night of February 8, 2019.

 

On December 4, 1956, in the studios of Sun Records in Memphis, Elvis Presley, Johnny Cash, Carl Perkins, and Jerry Lee Lewis gathered to meet with legendary producer Sam Phillips. What happened next was pure rock and roll magic. Million Dollar Quartet shows what happens when a casual introduction of Lewis to Perkins unexpectedly evolved into an epic jam session of country, gospel and rock classics, captured on tape but not released until 1981. The show has a collection of hit songs that includes “Blue Suede Shoes,” “Folsom Prison Blues,” “Great Balls of Fire,” and “Hound Dog.”  The show is written by Colin Escott and Floyd Mutrux from an original idea by Mutrux.  Directed by original cast member Hunter Foster (a Tony-nominated actor), the musical runs from March 27 to April 21, 2019 with opening night on March 29, 2019.

The season ends with the comedy Women in Jeopardy! Wendy MacLeod’s play tells the story of Liz who starts seeing a new man and throws caution (and her book club selections) to the wind. However, her friends can’t get over the fact that Liz’s latest beau is just plain creepy. What else are they supposed to think about a dentist with a Hannibal Lecter obsession and a bizarre collection of “antique” orthodontic contraptions in his basement? And then there’s the recent disappearance of his dental hygienist…  Directed by John Miller-Stephany, it runs from June 5 to 23, 2019. Opening night will be June 7, 2019.

Season Subscriptions are on sale now and start at $132. . For more information about Season Subscriptions, call The Rep’s Box Office at (501) 378-0405, Monday – Friday, 9 a.m. – 5 p.m., or visit www.TheRep.org.

Founded in 1976, the Arkansas Repertory Theatre is the state’s largest nonprofit professional theatre company. A member of the League of Resident Theatres, The Rep has produced more than 350 productions including 40 world premieres in its 377-seat theatre located in its historic building in downtown Little Rock.

Rock the Oscars: Julie Andrews at the Arkansas Rep

Photo by Peter Kramer/ Getty Images Entertainment

In April 2002, Oscar winning actress Julie Andrews appeared at the Arkansas Repertory Theatre.  The purpose was a fundraiser for a program the Rep had at the time.

The evening consisted of reminiscences from her as well as a conversation with Anne Jansen.  It included discussions of her Oscar winning role in Mary Poppins as well as her Oscar nominated turns in The Sound of Music and Victor/Victoria.

Following the performance, there was a dinner on the Rep’s Second Stage.  Though she no longer sings due to vocal chord damage following a late 1990s surgery, she did sing a childhood Cockney song about Henry VIII after Rollie Remmel sang to her a childhood song about Charles Lindbergh.

While in Little Rock, she toured the Clinton Materials Project which was processing the papers and items from the Clinton White House in advance of the 2004 opening of the Clinton Presidential Center.  She also toured Heifer International.

Rock the Oscars: Oscar nominated actor and past Clinton School speaker John Lithgow

On February 18, 2008, two time Oscar nominee John Lithgow appeared in Little Rock before a packed house at the Statehouse Convention Center.  Sponsored by the Clinton School for Public Service speaker series, he spoke about the importance of the arts.  He also read from his children’s stories to the kids in attendance who he brought up to the front.

Actor, author and singer John Lithgow has appeared in more than 30 films, been nominated for two Oscars and had roles in numerous television shows. Perhaps his most celebrated work came as the loopy character of the alien High Commander, Dick Solomon, on the hit NBC comedy series “3rd Rock from the Sun.” As an author, Lithgow has written seven New York Times best-selling children’s picture books, including “The Remarkable Farkle McBride,” “Marsupial Sue,” “Micawber,” and “I’m a Manatee.” A graduate of Harvard University, Lithgow helped to establish “Arts First,” a weeklong festival on campus dedicated to the arts, and the “Arts Medal,” given annually to a Harvard graduate for outstanding achievement in the arts.

As a New York Times best-selling author of children’s, Lithgow says he writes in order to educate children “without them knowing it” and labels himself “the perfect man for the job.” Lithgow calls for successful people who achieve their ambitious goals to ask, “What else can I do here?” and “How can I use my success to make things happen?”

His 2008 appearance can be viewed here.