Single Tickets On Sale at Ark Rep on Monday

ScottishPlayThe 2015-2016 season is the 40th one for the Arkansas Repertory Theatre. The audience gets the gifts.  It is not too late to subscribe, but for those wanting single tickets, the wait is almost over.  Single tickets go on sale on Monday, August 17.

The season kicks off with William Shakespeare’s Scottish play about the Thane of Cawdor and his wife Lady M. The cauldron the witches stir is not the only toil and trouble on the heaths and moors of Scotland.  It will run September 11-27.

SpellingBeeNext up is the Tony winning musical The 25th Annual Putnam County Spelling Bee. This tuneful, witty musical with book by Rachel Sheinkin and songs by William Finn, will play from October 16 to November 8.

TheLittleMermaidDisney’s The Little Mermaid will be the holiday show running from December 4 to January 3.  It will be a regional premiere of this musical featuring a book by Pulitzer and Tony winner Doug Wright and a score by the Oscar winning team of Alan Menken and Howard Ashman, with additional lyrics by Glenn Slater.

Starcatcher2016 will start off with another regional premiere–Peter and the Starcatcher.  This prequel to the Peter Pan stories is by Rick Elice. Though a play, it does have some songs by Wayne Barker and Elice.  This winner of  five Tony Awards will be on stage from January 15 to February 7.

BridgesThe regional theatre premiere of The Bridges of Madison County will take place on the Arkansas Rep stage from April 8 to May 1.  This musical has a Tony winning score by Jason Robert Brown and a book by Pulitzer and Tony winner Marsha Norman.

Screen Shot 2015-07-02 at 11.49.51 AMThe main stage season will conclude with a world premiere play Windfall.  Directed by Tony winner Jason Alexander, this comedy by Scooter Pietsch looks at greed among a group of office workers.  It will run from June 10 to 26.

The artwork for the shows for the 40th anniversary season was created by Marty Baragiola of Baragiola Creative.

Have a Blast with Summer Oven presented by Red Octopus Theater

Members of the cast rehearse “Free Yoga” a sketch for Red Octopus Theater’s upcoming Summer Oven sketch comedy show.

Members of the cast rehearse “Free Yoga” a sketch for Red Octopus Theater’s upcoming Summer Oven sketch comedy show.

Summer Oven, the new original sketch comedy show by Red Octopus Theater, will run August 14, 15, 20, 21, 22 at The PUBLIC Theater, located at 616 Center Street, in downtown Little Rock, AR.  Doors will open at 7:30PM and the show will start at 8:00PM.  Tickets are $10 for adults and $8 for senior citizens, military and students and are available before the show. There are no online ticket sales or reservations. There will be refreshments available.  The show is recommended for mature audiences and child tickets are $567, plus a lock of hair.

August in Arkansas makes you want to kiss the person that invented air conditioning and drink your own weight in sweet tea.  Naturally, Summer Oven is about Arkansas’s oppressive summer heat and all the crazy it brings out in us.

Several new sketches planned for the stage include “Mr. Science”, the story of a local kids science show host who has reached his breaking point with baking soda volcanoes.  “An Apology for Hulk Hogan” where a wrestling fan tries to apologize to everyone Hulk Hogan has insulted.  “Free Yoga,” the sign says free, but what about your soul?  Also “Humid Hair, the newest beauty trend and “The Sweat Report”, Arkansas’s newest web weather forecast.

“We don’t want to remind you it’s hot, we want to make you laugh while you sweat,” said Jason Willey, Red Octopus Executive Producer.

The cast includes Sandy Baskin, Brian Chambers, Lesley Dancer, Drew Ellis, Michael Goodbar, Sam Grubb, Jeremiah Herman, Evan Tanner, and David Weatherly. Performances are open to all ages, but recommended for mature audiences because of adult language and situations, again, child tickets are $567 and a lock of hair.

Red Octopus Theater has been performing original, live sketch comedy in central Arkansas since 1991.

For more information please contact Red Octopus Theater at (501) 291-3896, or RedOctopusTheater@gmail.com. Red Octopus is also online at www.redoctopustheater.com.

The Studio Theatre offers six musicals in 2015-2016; one show still remains in current season

studioThe Studio Theatre has announced the shows for their second season.

Up first, however, is Dogfight which will close out the first season.  Adapted from the 1991 movie of the same name, Dogfight is a story of compassion, heartbreak and redemption. Winner of the Lucille Lortel Award for Best Musical in 2013, Dogfight runs August 20- August 23 at The Studio Theatre located at 320 West 7th Street in downtown.

The 2015-2016 season includes six musicals.  Four of them will be making their Little Rock premieres. One of the other musicals will have its first non-touring production in Little Rock.

The new season kicks off on October 22 with a show filled with scary tales about the evils of doing bad. It is the satire Reefer Madness based on the non-satirical but unintentionally hilarious 1936 movie of the same name.

This musical, written by Kevin Murphy and Dan Studney, premiered in Los Angeles in 1998 and Off Broadway in 2001.  The Studio Theatre production will be directed by Ryan Whitfield.  The show will run from October 22 until October 31.

The Studio Theatre had a hit in 2015 with Jason Robert Brown’s The Last Five Years.  In January 2016, they will present his first musical Songs for a New World.  This song cycle premiered Off Broadway in 1995 and has become a popular show throughout the US.  The musical style of the score varies broadly. The thing that unites the songs is the concept of making a choice or taking a stand.

The production will be directed by Monica Clark Robinson.  Songs for a New World will run January 21 to 24.

Once upon a time, Stephen Sondheim and James Lapine wrote a musical based on the Grimm Brothers’ folk tales.  Into the Woods will be the third show next season.  Opening on Broadway in 1987, it may have lost the Tony for Best Musical to The Phantom of the Opera, but it has not suffered as a popular musical.

This production of Into the Woods will run from March 10 to 26.  It will be directed by Rafael Castanera, who beautifully directed Nine earlier this year.

Based on the Alice Walker novel and the Steven Spielberg movie, The Color Purple will be the fourth musical of the season.  Running from May 12 to 22, it will be directed by Crystal Mercer.

After it premiered in Atlanta in 2004, it made it to Broadway the following year.  The show has a book by Pulitzer winner Marsha Norman. The songs are by Brenda Russell, Allee Willis and Stephen Bray.  The show was nominated for 11 Tonys and won one.

The 1980s hair bands will be honored by the 5th show as Rock of Ages takes the stage. Directed by Justin A. Pike, it will run from July 14 to 24. With a book by Chris D’Arienzo, the musical features songs from Styx, Journey, Bon Jovi, Pat Benatar, Twisted Sister, Steve Perry, Poison and Europe.

Rock of Ages first played Off Broadway before transferring to Broadway.  It closed in January 2015 after playing more than 2300 performances on Broadway.

The final musical of the 2015-2016 season is James and the Giant Peach. Based on the Roald Dahl book, this musical features a score by Benj Pasek and Justin Paul.  The pair were nominated for a Tony for their score of the musical version of A Christmas Story.

This show will run from August 11 to 21.  It will be directed by Mark Burbank.  He is also directing Dogfight which features a score by Pasek and Paul.

(This is not connected to the production offered by the Arkansas Arts Center a few seasons back.)

Little Rock Look Back: Judge Eisele rules HAIR must flow at Robinson Auditorium

Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Ad for the original production of HAIR in Little Rock. 

Forty-four years ago today, on August 11, 1971, Nixon appointee Federal Judge G. Thomas Eisele ruled that the musical Hair must be allowed to play in Little Rock in 1972 at Robinson Auditorium.

In February 1971, a young Little Rock attorney named Phil Kaplan petitioned the Little Rock Board of Censors to see if it would allow a production of Hair to play in the city. He was asking on behalf of a client who was interested in bringing a national tour to Arkansas’ capital city. The show, which had opened on Broadway to great acclaim in April 1968 after an Off Broadway run in 1967, was known for containing a nude scene as well for a script which was fairly liberally sprinkled with four-letter words. The Censors stated they could not offer an opinion without having seen a production.

By July 1971, Kaplan and his client (who by then had been identified as local promoter Jim Porter and his company Southwest Productions) were seeking permission for a January 1972 booking of Hair from the City’s Auditorium Commission which was charged with overseeing operations at Robinson Auditorium. At its July meeting, the Commissioners voted against allowing Hair because of its “brief nude scene” and “bawdy language.”

Kaplan decried the decision. He stated that the body couldn’t “sit in censorship of legitimate theatrical productions.” He noted courts had held that Hair could be produced and that the Auditorium Commission, as an agent for the State, “clearly can’t exercise prior censorship.” He proffered that if the production was obscene it would be a matter for law enforcement not the Auditorium Commission.

The Commission countered that they had an opinion from City Attorney Joseph Kemp stating they had the authority. One of the Commissioners, Mrs. Grady Miller (sister-in-law of the building’s eponym, the late Senator Robinson, she had served on the Commission since 1940), expressed her concern that allowing Hair would open the door to other productions such as Oh! Calcutta!

On July 26, 1971, Southwest Productions filed suit against the Auditorium Commission. Four days later there was a hearing before federal Judge G. Thomas Eisele. At that hearing, Auditorium Commission member Lee Rogers read aloud excerpts from the script he found objectionable. Under questioning from Kaplan, a recent touring production of Neil Simon’s Plaza Suite was discussed. That play has adultery as a central theme of one of its acts. Rogers admitted he found the play funny, and that since the adultery did not take place on stage, he did not object to it. Among those testifying in favor of it was Robert Reddington, who was director of performing arts at the Arkansas Arts Center.

Judge Eisele offered a ruling on August 11 which compelled the Auditorium Commission to allow Hair to be performed. Prior to the ruling, some of the Auditorium Commissioners had publicly stated that if they had to allow Hair, they would close it after the first performance on the grounds of obscenity. To combat this, Judge Eisele stated that the Commission had to allow Hair to perform the entire six day engagement it sought.

Upon hearing of the Judge’s ruling, Commissioner Miller offered a succinct, two word response. “Oh, Dear!”

On January 18, 1972, Hair played the first of its 8 performances over 6 days at Robinson Auditorium.  In his review the next day, the Arkansas Gazette’s Bill Lewis noted that Hair “threw out all it had to offer” and that Little Rock had survived.

Little Rock was by no means unique in trying to stop productions of Hair.  St. Louis, Birmingham, Los Angeles, Tallahassee, Boston, Atlanta, Charlotte NC, West Palm Beach, Oklahoma City, Mobile and Chattanooga all tried unsuccessfully to stop performances in their public auditoriums.  Despite Judge Eisele’s ruling against the City of Little Rock, members of the Fort Smith City Council also tried to stop a production later in 1972 in that city. This was despite warnings from City staff that there was not legal standing.

ONCE ON THIS ISLAND presented by Ark Rep SMTI junior students tonight and this weekend

Rep SMTI OOTIThe Tony nominated musical Once on This Island, by Lynn Ahrens and Stephen Flaherty, is being presented tonight, tomorrow and two times Saturday by the senior level students in the Arkansas Repertory Theatre’s Summer Musical Theatre Intensive (SMTI).

Performances are at 7pm tonight (Thursday the 6th), Friday and Saturday with a 1pm matinee on Saturday the 8th, as well.  Tickets are $10 and may be purchased by calling the Rep box office or stopping by in person. You can also order them online .

Once on This Island is based on the 1985 novel My Love, My Love; or, The Peasant Girl by Rosa Guy.  Set in the French Antilles, it mixes Caribbean mythology with elements of Romeo and Juliet as well as Hans Christian Andersen’s The Little Mermaid.  It was nominated for 8 Tony Awards in 1991.  Four years later, it won the Olivier Award for Best New Musical in London.

Summer Musical Theatre Intensive (SMTI) is The Rep’s annual training program for aspiring young artists in Arkansas.  Under the direction of Capri, SMTI is an intensive, audition-based theatre training program designed exclusively for motivated young artists who are serious about the arts and musical theatre.

The SMTI staff is comprised of professional directors, choreographers, musicians and designers. Daily rehearsals are structured similarly to a professional summer stock experience and include instruction in musical theatre techniques, multi-media, costume and stage make-up, dance and vocal coaching.

Each session – broken into Select (ages 10 – 12), Junior (ages 13-15) and Senior (ages 16-23) – involves intensive daily rehearsals culminating in a public workshop performance of a selected musical or musical revue.

Shakespeare at the Shelter this Friday and Saturday

shakeatshelterProving that all the world really is a stage and that each of us truly has a part to play, Our House presents Shakespeare at the Shelter this weekend!

Now in its 4th year, Shakespeare at the Shelter is a summer-long community building project in which Our House clients and alumni come together with staff, volunteer scholars and theater experts to study the work of William Shakespeare, culminating in two performances of some of the Bard’s most famous scenes and monologues.

This program invites Our House clients to challenge themselves intellectually and provides opportunities to hone skills necessary in the workforce (team work and confidence chief among them). It also invites the community to challenge their assumptions about homelessness. It is Our House’s great pleasure to invite the public to the 4th annual production of Shakespeare at the Shelter, Friday August 7th and Saturday August 8th from 7:30-8:30 p.m.

The participants have been working with Ganelle Blake and Crystal Mercer.  Each person has a fascinating story.  For instance, one is a blind piano tuner.  He has learned his lines by listening to a recording made on his phone.

Tickets are $20 each and can be purchased at the Our House website.  Tickets are going fast, don’t delay!

All money raised by Shakespeare at the Shelter goes to improve the quality of life for Our House clients. Proceeds from this year’s event will go to further improve the Shelter kitchen as well as to purchase laptops for the Learning Center. With the assistance of over 50 generous volunteer groups, we provide 220 meals each day at the Shelter. Laptops for the Learning Center will support our adult education and employment services programs which provide support to over 500 shelter residents and community members each year.

When
August 7th and 8th, 2015
7:30 – 8:30 p.m.
 
Where
Our House Shelter
302 E Roosevelt
Little Rock AR 72206

Little Rock Look Back: Ben Piazza – actor, author, Little Rock native

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Actor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Keeping the Tiger as his mascot, Piazza attended college at Princeton University.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.  Following his 1955 graduation, he moved to New York City and studied at the Actor’s Studio.

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Piazza was an understudy in the 1956 play, Too Late the Phalarope at the Belasco Theatre.  In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. Other cast members included Claudia McNeil (who originated the part of Lena in A Raisin in the Sun) and Sandra Church (who originated the part of Gypsy Rose Lee in Gypsy).

In April 1959, Piazza starred in Kataki at the Ambassador Theatre. This two actor play also featured Sessue Hayakawa, who played a Japanese soldier who spoke only his native language.  Therefore, Piazza’s part was largely a very lengthy monologue.  For his performance, Piazza received one of the 1959 Theatre World Awards.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second String with Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character in The American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

piazza

Also in 1961 Piazza starred in several plays during a South American tour sponsored by the American Repertory Company.  He played Christopher Isherwood in I Am a Cameraand Chance Wayne in Sweet Bird of Youth.  In 1962, he starred in a series of plays at the Cherry Lane Theatre.  Piazza returned to Broadway to star along with Jane Fonda and Dyan Cannon in The Fun Couple at the Lyceum Theatre. This play had a troubled rehearsal period, which was documented in a short film about Jane Fonda.

Ben Piazza stayed on Broadway and returned to Albee in February 1963.  He took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

This play was at the Billy Rose Theatre, which marked a return for Piazza. He had acted at this theatre when it was the National while appearing in Winesburg. Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

Exact and Very Strange cover

During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

Following Virginia Woolf, he starred in The Zoo Story at the Cherry Lane Theatre in 1965.  In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.

As Sunday Agreement was opening, Piazza was in rehearsal for his next Broadway opening. He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It was directed by future Tony nominee Peter Masterson and starred Louise Lasser, Robert Walden (who starred in the 2013 production of Death of a Salesman at Arkansas Repertory Theatre), Clinton Allmon and Dolores Dorn-Heft, to whom Piazza was married at the time.

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  During this time period he was in productions of Bus Stop, Who’s Afraid of Virginia Woolf?, You Know I Can’t Hear You when the Water’s Running  and Savages.  In 1970, he starred as Stanley Kowalski in a production of A Streetcar Named Desire in New Orleans.  As the 1970s progressed, he turned his focus to television and movies.

BDP early

Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.  Though he received positive reviews for his performances, Piazza chose to return to New York and perform in stage and TV productions.

Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life.

In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team inThe Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant (where he was reunited with Walden).

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In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.