Arkansas Heritage Month – Townsend Wolfe of the Arkansas Arts Center

wolfe

Continuing with a focus on Little Rock recipients of the Governor’s Arts Awards, today’s focus is Townsend Wolfe, who led the Arkansas Arts Center for 34 years.

Though not the founding director of the Arkansas Arts Center, Townsend Wolfe was the director for well over half of the institution’s 53 year history. Hired in 1968 at the age of 32 (making him one of the youngest art museum directors in the US at the time), he retired in 2002.  That year he was honored with the Governor’s Arts Award for Lifetime Achievement by the Arkansas Arts Council.

A native of South Carolina, Wolfe holds a bachelor’s degree from the Atlanta Art Institute and a master’s degree from the Cranbrook Academy of Art. He also received a certificate from the Harvard Institute of Arts Administration, and honorary doctoral degrees from two other institutions.  He was recruited to the Arkansas Arts Center by Governor and Mrs. Winthrop Rockefeller.

During his tenure at the Arts Center, he first was responsible for creating financial stability. After drastic cost-cutting measures, he refocused programming which led to the creation of the current Museum School, a focus of works on paper for the collection, cultivating a thriving collectors group, establishment of a children’s theatre, expansion of statewide services, and several additions to the physical plant.

In addition to serving on the National Council of the Arts, Wolfe was a member of the National Museum Services Board and the board of the Elizabeth Foundation for the Arts in New York. He was curator for an exhibition in the First Ladies’ Sculpture Garden at the White House in 1995, and was the recipient of the 1997 Distinguished Service Award (outside the profession) by the National Art Educators Association.

Over the years, Wolfe has served in a variety of capacities for the Association of American Museums, the National Endowment for the Arts, and the Institute of Museum and Library Services.

Arkansas Heritage Month – Dr. Dean Kumpuris

Arts Community Development recipient Dean Kumpuris

Arts Community Development recipient Dean Kumpuris

This week as part of Arkansas Heritage Month’s focus on the arts, we will be looking at seven recipients of the Governor’s Arts Awards from Little Rock.

2016 honoree in Arts Community Development, Dr. Dean Kumpuris has spent the last three decades working to improve the cultural and civic life of Little Rock. In particular, he has focused much of his work on the revitalization of downtown, the development of the River Market, and expansion of Riverfront Park.

Through his vision and efforts to place public art downtown, in less than 10 years, nearly 100 sculptures have been installed in the Vogel Schwartz Sculpture Garden, as well as in parks along the Arkansas River and throughout Little Rock. He created the annual fundraiser, Sculpture at the River Market Show and Sale, which attracts thousands of visitors to Little Rock each year and features hundreds of sculptures from internationally recognized artists.

He is a gastroenterologist and has served on the Little Rock City Board of Directors since 1995.

Arkansas Heritage Month – Jeane Hamilton

Photo taken for SOIREE

Photo taken for SOIREE

Happy Mother’s Day.  Today as part of Arkansas Heritage Month, we salute Jeane Hamilton — the “mother” of the Arkansas Arts Center.  In 2007, she was awarded the Arkansas Arts Council’s Lifetime Achievement Governor’s Arts Award.

Arriving in Little Rock a young wife in 1952, she immediately set about to become involved in her new community as she and her husband James set up a household.  In the mid-1950s, the Junior League of Little Rock tapped her to chair the initiative to create a new art museum for Little Rock.  The two decades old Museum of Fine Arts was threadbare through years of neglect and unfocused programming and collecting.

Hamilton, along with Junior League President Carrie Remmel Dickinson and Vice President Martha McHaney, approached Winthrop Rockefeller (then a relatively new resident) to lead the fundraising effort for the new museum.  He agreed on a few conditions: one was that a base amount had to be raised in Little Rock first, and second that the museum would be for the entire State of Arkansas and not just Little Rock.

Hamilton and her colleagues set about to raise the funds. They raised $645,000 at the same time Little Rock’s business climate was stymied by the aftereffects of the Central High crisis.

Now a lifetime honorary member of the Arkansas Arts Center Board, Hamilton has spent much of her life working on Arkansas Arts Center projects since that visit in 1959.  She has served on the Board, chaired committees, chaired special events, served hot dogs, helped kids paint and danced the night away at countless fundraisers.  She was on the committee which hired Townsend Wolfe as executive director and chief curator.  Jeane has led art tours for the Arts Center to a number of countries over the years.

When she is not at the Arts Center, she is often seen at the Rep, the Symphony or any number of other cultural institutions.  While she enjoys seeing old friends at these events, she also loves to see a room full of strangers – because that means that new people have become engaged in the cultural life of Little Rock.

Arkansas Heritage Month – Cinco de Mayo with Diego Rivera

portrait-of-two-womenToday is Cinco de Mayo. This Mexican holiday seems a good day to return again to the art of Diego Rivera.  He is one of the Culture Vulture favorite artists, so any excuse to discuss him and his relationship with the Rockefeller family is greatly appreciated.

One of Rivera’s masterpieces is 1914’s Portrait of Two Women which is part of the permanent collection of the Arkansas Arts Center. The official name is Dos Mujeres.  It is a portrait of Angelina Beloff and Maria Dolores Bastian.  The former was Rivera’s first wife.

This oil on canvas stands six and a half feet tall and five and a half feet wide.

Influenced by cubists such as Picasso, Rivera adopted fracturing of form, use of multiple perspective points, and flattening of the picture plane.  Yet his take on this style of painting is distinctive.  He uses brighter colors and a larger scale than many early cubist pictures. Rivera also features highly textured surfaces executed in a variety of techniques.

The painting was a gift to the Arkansas Arts Center by Abby Rockefeller Mauzé, sister of Arkansas Governor Winthrop Rockefeller.  At the 1963 opening of the Arkansas Arts Center, James Rorimer, the director of the Metropolitan Museum of Art, remarked several times to Arts Center trustee Jeane Hamilton that the Met should have that piece. Jeane politely smiled as she remarked, “But we have it.”

Of all her brothers, Abby was closest to Winthrop. The other brothers, at best ignored, and at worst, antagonized the two.  Given the complicated relationship of Rivera with members of the Rockefeller family, it is not surprising that if Abby were to have purchased this piece, she would donate it to a facility with close ties to Winthrop.  (Though the Rockefeller brothers had Rivera’s mural at Rockefeller Center destroyed, he maintained a cordial relationship with Abby Aldrich Rockefeller — well as cordial as an anti-social Communist could be with the doyenne of capitalist NYC Society.)

The Arkansas Arts Center has several other works of art in their collection with ties to Mexico. Some are by Mexican artists. Others are inspired by Mexico. They have several by Elsie Fruend depicting scenes in Mexico.

Arkansas Heritage Month – Public Art comes to Little Rock with Henry Moore’s LARGE STANDING FIGURE: KNIFE EDGE

HenryMooreIt was 1978, Bill Clinton was making his first run for Governor, Dallas and Robin Williams both made their TV debuts, disco was dominating the music scene, and Little Rock received its first major piece of public art.

Arguably Little Rock’s most famous piece of public art is Henry Moore’s 1961 creation Large Standing Figure: Knife Edge, which is known locally as “The Henry Moore Sculpture.”

The original model was created in 1961; this sculpture was cast in 1976 and purchased in June 1978 by the Little Rock Metrocentre Improvement District.

The purchase price was $185,000 — a princely sum at the time but now a bargain for a Henry Moore sculpture. (Adjusted for inflation, that amount would be the equivalent of $705,000 today.)

A committee consisting of Townsend Wolfe (then the director and chief curator of the Arkansas Arts Center), James Dyke and Dr. Virginia Rembert traveled to England to meet with Moore about the sculpture.

It was originally placed on Main Street when the street had been bricked over as part of the Metrocentre Mall pedestrian mall plan. As portions of the street became unbricked and reopened to vehicular traffic, it was moved to the intersection of Capitol and Main. Finally, when the last segment was reopened to vehicular traffic, it was put at its current location of the southeast corner of Capitol and Louisiana. Because it was purchased by the Improvement District, it must stay within the boundaries of the district.

There is currently discussion about the Metrocentre Improvement District disbanding and the sculpture being relocated elsewhere in the City.

A replica of the sculpture is featured in the 1980s classic The Breakfast Club.

International Jazz Day – Bryan Massey’s JAZZ PLAYER

Massey JazzApril 30 is International Jazz Day.

In commemoration of that, here is Bryan Massey, Sr.’s Jazz Player.  It is located in the Vogel Schwartz Sculpture Garden in Riverfront Park.

Massey, who is an artist and art professor at the University of Central Arkansas, created this piece in honor of Bill Clinton and his love of jazz.  It was sculpted in 2009 in honor of the fifth anniversary of the opening of the Clinton Presidential Center.

The sculpture is placed next to another piece of Massey’s called Uptown Saturday Night which depicts a couple dancing to music.  Together they present a celebration of music, dance, and having fun.

Sculpture at the River Market Show and Sale this weekend

Wayne Salge Photo: Mel Shockner Benito & Amelia 35x16x16” Bronze

Wayne Salge
Photo: Mel Shockner
Benito & Amelia
35x16x16” Bronze

Little Rock residents and visitors alike will have the opportunity to see and purchase works by leading sculptors when the ninth Sculpture at the River Market Invitational Show and Sale takes place from April 22 to 24.

Over 800 sculptures will be on display in the River Market pavilions and in the adjacent area of Riverfront Park on those three days in April. The works featured will include all types of media, style, subject matter, and size.

Sculpture at the River Market will feature the works of over 50 sculptors.

The 2016 sculptors include: Lorri Acott, Lori Arnold, Terry & Maritza Bean, Hunter Brown, Craig Campbell, Kathleen Caricof, Tim Cherry, Leslie Daly, Darrell Davis, Jane DeDecker, John Deering, Clay Enoch, Kimber Fiebiger, Peter Grimord, Guilloume, Denny Haskew, Bob Heintzelman, Mark Hyde, Greg Johnson, James Keller, Kevin Kresse, Mark Leichliter, Harold Linke, Allison Luedtke, and Bryan Winfred Massey, Sr.

Tod Switch Language is Key 24"H x 46"W x 24"D Powder Coated Steel

Tod Switch
Language is Key
24″H x 46″W x 24″D
Powder Coated Steel

Other participating sculptors are: James G. Moore, Nnamdi Okonkwo, Steven Olszewski, Richard Pankratz, Nathan Pierce, Merle Randolph, Dale Roark, Kevin Robb, Timothy Roundy, Emelene Russell, Wayne Salge, Valerie Jean Schafer, Adam Schultz, Stephen Shachtman, Kim Shaklee, Stephanie & Scott Shangraw, Gene Sparling, Lawrence Starck, Charles Strain, Tod Switch, Michael Warrick, C.T. Whitehouse, Longhua XU, and Michelle Zorich & Katherine Martin.

Sculpture at the River Market will be open in the River Market pavilions from 9 a.m. until 5 p.m. Saturday, April 23, and from 10 a.m. until 4 p.m. Sunday, April 24.  In addition to the opportunity to view the sculptures and meet with the sculptors, there are a variety of activities planned throughout the two days.

Stephen Shachtman Helix 20x18x3” Glass/Steel

Stephen Shachtman
Helix
20x18x3” Glass/Steel

Docent led tours of the Vogel Schwartz Sculpture Garden will be available at 2 p.m. Saturday, April 23 and Sunday, April 24.  Andina’s Café & Coffee Roastery will be set up at the sculpture show on Sunday beginning at 9:30 a.m.  From 11 a.m. until 2 p.m. Sunday, Southern Salt and Southern Gourmasian food trucks will be set up at the River Market.

On Friday, April 22, at 6:30 p.m., a Preview Party will kick off the weekend.  With food provided by Copper Grill, beverages provided by Glazer’s and Stella Artois, frozen treats by Le Pops, and live jazz music, it will be a festive atmosphere offering guests the first chance to purchase sculptures as well as visit with the sculptors.  Also that night, guests to the Preview Party will be able to vote for their favorite sculpture in the 2016 Public Monument Competition.