3 Finalists for 2019 Sculpture at the River Market public monument competition; winner to be announced this afternoon

The winner of a $60,000 commission to place a sculpture at Little Rock City Hall in 2020 will be announced on Sunday, May 5, 2019, as the 11th Sculpture at the River Market Show and Sale concludes.

The three semifinalists for the 2019 Sculpture at the River Market Public Monument Competition were announced Friday night at the conclusion of Sculptacular, the preview party for the 2019 Sculpture at the River Market Show and Sale. The three finalists are, alphabetical order:

  • Theresa Dyer – LITTLE ROCK
  • Nnamdi Okonkwo – UNITY
  • Charles Strain – THE GATHERING

Sculpture at the River Market invited all artists participating in the 2019 Show & Sale to submit a proposal for its $60,000 Public Monument Competition. This is the ninth such competition.

The proposals of the seven semifinalists were displayed during Sculptacular, the event’s preview party on the evening of May 3, and Preview Party guests voted for their 1st, 2nd and 3rd choice.  All votes were tallied and the top three finalists were announced at the end of the evening.

The top three proposals will be juried on May 4 and 5, and the 2019 winner will be announced at 3PM on Sunday, May 5.  The winning sculpture will be installed at the northwest corner of Markham Street and Broadway Street adjacent to Little Rock City Hall in the spring of 2020.

The other semifinalists were: Clay Enoch, Joe Norman, Ryan T. Schmidt, and Basil Barrington Watson.

Previous Public Monument Competition winners have been:

  • 2011 – Chapel, THE CENTER installed in Riverfront Park near the Junction Bridge
  • 2012 – Bryan Massey, Sr.,  NAUTILUS installed in Riverfront Park next to the Arkansas River near the Margaret Clark Adventure Park.
  • 2013 – Ted Schaal, OPEN WINDOW installed in Riverfront Park between the First Security Amphitheatre and La Petite Roche Plaza.
  • 2014 – Lorri Acott, PEACE installed at 2nd Street and Main Street
  • 2015 – Michael Warrick, MOCKINGBIRD TREE installed at Chenal Parkway and Chenal Valley Drive
  • 2016 – Clay Enoch, UNITED installed at Central High School
  • 2017 – Stephen Shachtman, ARKANSAS “A” installed at the Southwest Community Center
  • 2018 – Carol Gold, INFINITE DANCE installed in Riverfront Park near the Broadway Bridge

More information is available on the web at http://sculptureattherivermarket.com/.

2019 Young Arkansas Artists exhibition now open at Arkansas Arts Center

Image result for 2019 young arkansas artistsThe 2019 edition of the Arkansas Arts Center’s Young Arkansas Artists exhibition is now open.

In 1961, the Arkansas Arts Center hosted the first statewide Young Arkansas Artists Exhibition to ensure learning, inspiration, and creative expression. Now in its 58th year, the annual Young Arkansas Artists Exhibition showcases artwork by Arkansas students to celebrate the artistic talent and achievement of Arkansas students.

An annual crowd-pleaser, Young Arkansas Artists Exhibition features works by Arkansas students – from kindergarten through 12th grade – in a wide range of mediums and techniques.

“The Young Arkansas Artists Exhibition fosters arts appreciation throughout the state,” said Rana Edgar, Arkansas Arts Center Director of Education and Programs. “By providing a platform to celebrate creative expression, the Arkansas Arts Center reinforces the important role art plays in every classroom and every community.”

This year, 500 works in a variety of media were entered by 145 public and private school educators, homeschool educators and private art instructors from all corners of the state. Following submission, a panel of art professionals selected the top works from each grade to be exhibited at the Arkansas Arts Center. The panel selected 79 works for the exhibition, representing 47 schools across the state. From those works, one Best in Class and two Honorable Mention awards will be chosen for each grade by a grand juror. The juror will also select recipients of the Mid-Southern Watercolorists Award for Achievement in Watercolor and Ray Smenner Award for Achievement in Painting. Members of the Arkansas Art Educators Association will also select one Teacher’s Choice award from each grade level.

The Return of the STAR WARS Day

Today, May the 4th, is Star Wars Day.

This year marks 42 years since the first (now subtitled Episode 4) movie opened!

The classic film first opened in fewer than 40 theatres nationwide on May 25, 1977.  It did not reach Little Rock until June 24, 1977.

Given its status as a sleeper hit, it is no surprise that it came into Little Rock largely unnoticed.  In that day, major films opening on a Friday would be heralded the previous Sunday with a substantial advertisement.  The first Star Wars ad ran on Thursday, June 23, 1977, the day before it opened.  By contrast, Herbie Goes to Monte Carlo, which would play at the same theatre, had a large ad on Sunday, June 19.

The day it opened, there was a fairly large ad which incorporated the familiar beefcake Luke, Leia in flowing gowns, and Darth Vader mask.  On the Sunday after it opened, there was a slightly smaller ad with the same artwork.  McCain Mall also ran a small add for both Star Wars and Herbie. It noted that Star Wars was a film that management “does not recommend for children.”

Three years later, The Empire Strikes Back opened nationwide on May 21, 1980. Opening a film on the same date was a newer phenomenon, due in part to the success of Star Wars.  For the opening weeks, The Empire Strikes Back played an exclusive showing at the UA Cinema 150.  It would eventually play at other theatres in Little Rock.

On the day The Empire Strikes Back opened, the Arkansas Gazette had four different stories about the movie in that day’s edition.  While the Arkansas Democrat did not have any stories that day (though they would in subsequent days), they did carry a story on David Letterman preparing to start his (what would turn out to be short-lived) morning TV show.

On May 25, 1983, The Return of the Jedi opened.  The cost to see The Return of the Jedi in Little Rock in 1983 was $5.00 for adults and $2.50 for children.  (That would be the equivalent of $12.37 today for an adult ticket.)

Mahler and Michael Fine mark Maestro Mann’s final MasterWorks for Arkansas Symphony Orchestra

Photo by Tatiana Roitman Mann

The Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, present the sixth and final concert of the 2018-2019 Stella Boyle Smith Masterworks season, Mahler: Symphony No. 5, on Saturday, April 13th and Sunday, April 14th at the Robinson Center.

Maestro Philip Mann, who has been named ASO’s Music Director Laureate, is celebrated in his hand-picked program for the occasion. The concert opens with a world premiere performance of GRAMMY-winning classical producer Michael Fine’s Concerto for Oboe Section. Mahler’s Symphony No. 5, which features a greatly expanded orchestra and is known for its emotional and timbral scope, closes the concert.

All concert ticket holders are also invited to Concert Conversations, a pre-concert talk one hour before each Masterworks concert in the Upper Tier Lobby of the Robinson Center. These talks feature insights from the Maestro and guest artists, and feature musical examples to enrich the concert experience.

Tickets are $16, $36, $57, and $68; active duty military and student tickets are $10 and can be purchased online at www.ArkansasSymphony.org; at the Robinson Center street-level box office beginning 90 minutes prior to a concert; or by phone at 501-666-1761, ext. 100. All Arkansas students grades K-12 are admitted to Sunday’s matinee free of charge with the purchase of an adult ticket using the Entergy Kids’ Ticket, downloadable at https://www.arkansassymphony.org/freekids.

 

Artists

Philip Mann, conductor

 

Program

FINE, Michael      Concerto for Oboe Section (WORLD PREMIERE)

Intermission

MAHLER              Symphony No. 5

On May 3, 1963, the first Arkansas Arts Center produced show took place in its theatre

The Arts Center Theatre view from the stage in 1963

On May 3, 1963, at 8:30 pm, the curtain rose as the Arkansas Arts Center produced its first show in its own theatre.  Though the building would not be officially dedicated until later in May (more about that later), programming had been taking place in the facility for several months.

In December 1962, a community theatre production was the first play in the Arkansas Arts Center theatre.  Over the ensuing months, it would play host to a variety of concerts and performances.  At the time, the Arkansas Arts Center planned to use the theatre as a house for its own productions (one series geared to adults, the other series geared to kids), other shows produced by Little Rock organizations, and touring shows which might be too small for Robinson Auditorium.

Friday, May 3, 1963, was a momentous evening, as the Arkansas Arts Center presented Rumpelstiltskin.  (Since the theatre space has been focused on children’s theatre since the late 1970s, it seems prescient that the first AAC produced play was a children’s production some fifteen years earlier.)

The production was overseen Joseph N. Carner, who was the theatre director.  It was his hope that the Arts Center plays geared toward children would also encourage other groups throughout the state to produce plays specifically for younger audiences.  Margaret Davies Carner, who taught speech at Little Rock University, directed the play.  She also taught drama classes at the Arts Center.

The cast included Garry White as the title character with Dell Blaine, Michael Hosman, Lesie Smith, Tom Abraham, Dickie Atchison, Butch Lashee, Henry Fletcher, Charles McRaven, Ann Thomson, Dannette Joe Baker, Sallie Penn, Paul Motes, Leslie Newell, and Robin Hosman.

In addition to a Friday night performance, there were 2:30 matinees on Saturday and Sunday that were geared toward children’s audiences.

SOMA AFTER DARK: BIG PIPH & TOMORROW MAYBE at South on Main

SOMA After Dark: Big Piph & Tomorrow MaybeOn Friday, May 3, South on Main is celebrating SOMA After Dark’s second neighborhood evening event with one of the best hip-hop ensembles in the state – Big Piph and Tomorrow Maybe.

Show begins at 9 pm. Purchase advance tickets for $10 or pay $15 at the door. Tickets do not guarantee a seat. To reserve a table, please call (501) 244-9660. You must purchase tickets in advance to confirm your table reservation.

“One of Arkansas’ best bands” and “great hip-hop ensemble” are phrases often used to describe the collective known as Big Piph & Tomorrow Maybe. However, although they are deserving of both titles, these descriptions have proven to be far too confining. The creativity, discipline, and showmanship that BPTM put into their jazz, soul, funk, and rock infused hip-hop experiences will soon have them recognized as one of the best bands… period.

While already enjoying a successful solo rap career, Epiphany looked to further separate himself from the pack of competitive emcees by joining forces with a stellar live band, and in 2012 he did just that. Each of the seven members approaches the apex of their field and is a “frontman” in their own right. However, when their paths finally overlapped, the collective of (l-to-r) Paul Campbell (percussion), Dre Franklin (keys), Bijoux Pighee (vocals), Epiphany “Big Piph” Morrow (MC/lead vocalist), Dee Dee Jones (vocals), “Cool Hand” Lucas Murray (guitar), and Corey Harris (bass) formed something special.

Although the band has mostly displayed its energetic, interactive performances at Arkansas’ finest venues and festivals including Juneteenth, The Rev Room, Maxine’s, George’s Majestic Lounge, South on Main, U of A, and Ron Robinson Theatre, and Riverfest, they recently went international by completing an early 2015 African tour of Morocco, Algeria, and Equatorial Guinea. Sponsored by the U.S. department of state and American Music Abroad, the band not only held concerts for enthusiastic audiences, but also engaged in cultural engaged in cultural exchange with artists, students, and creatives by conducting workshops, speaking engagements, and musical collaborations. Still, whether at home or abroad, the band’s aim is always to provide the people not just a show, but a musical experience to remember… and that’s what Big Piph & Tomorrow Maybe deliver every time.