Little Rock Look Back: Mayor John E. Knight

Jno E Knight sigOn September 20, 1816, future Little Rock Mayor John Elliott Knight was born in Newburyport, Massachusetts. In 1843 he married Hannah Donnell in New York, and came to Little Rock that same year.

Knight was editor of the Arkansas Democrat from 1846 to 1850. He was also associated with the Arkansas Gazette and published the short-lived Chronicle. In 1851, Knight served as Mayor of Little Rock. In 1855, he served as a member of the City Council.

In 1858 a song was published entitled “I Am Near to Thee” which featured music by Arkansan Benjamin Scull and lyrics by Knight.  The song was dedicated to Mary Woodruff.

During the Civil War, he served as a Colonel.  During the 1850, 1860 and 1880 census, he was listed as an attorney.

He had one daughter, Elizabeth Knight, who married James S. Pollock, a banker in Little Rock. Knight died in Little Rock, Arkansas, on October 28, 1901, and was buried in Mount Holly Cemetery. Elizabeth Knight Pollock died in 1910.

As an attorney and newspaper editor, John E. Knight collected documents about the settlement of Little Rock. Those papers are now part of a collection at the Arkansas History Commission.  The majority of these papers are from William Russell to Chester Ashley, pertaining to pre-emption claims in and around Little Rock. Other material concerns the 1819-1822 dispute related to the the New Madrid Certificate and pre-emption claims of James Bryant, Stephen F. Austin, and William M. O’Hara.

Little Rock Look Back: Plans for a new City Hall finally move forward

City Hall circa 1908

City Hall circa 1908

After a judge ruled in August 1906 that the City of Little Rock could not build a new City Hall and Auditorium complex, it looked like Little Rock would be stuck with its existing inadequate building.

However on September 10 it became obvious that much work had been taking place behind the scenes after that ruling.  On that day, the Board of Public Affairs (a City body charged with overseeing municipal government construction projects and comprised of the mayor and two citizens approved by the City Council) voted to ask the aldermen to cancel plans and rescind legislation for the city hall, jail and auditorium complex.  The Board of Public Affairs then offered up a new plan for a city hall and jail building.  Because no auditorium was involved, these plans would not be in violation of the Chancery Court.

That same evening the City Council followed suit and revoked the plans for the original project.  The aldermen then voted to proceed with building a new city hall and jail without the auditorium.  There was only one dissenting vote; Alderman Jonathan Tuohey voted no.  He explained his negative vote was not a lack of support for the project, but he was not comfortable with the way it was rushed through.

Mayor Warren E. Lenon told the Gazette, “The Chancery Court has enjoined us from erecting an auditorium and the Board of Public Affairs has consequently rescinded all resolutions and orders pertaining to that structure.” He noted that there would “be no appeal from the injunction granted by Chancellor Hart, because there is nothing to appeal.”

The coverage of the actions of the City Council that night was in keeping with the manner in which the two daily newspapers had covered the lawsuit and the trial.  The Gazette headline cried “City Hall Ordinance Railroaded Through” while the staid Democrat merely stated “New $175,000 City Hall Provided by City Council.”  The tone of theGazette’s article matched the headline while the Democrat’s story was more straightforward.

Architect Charles Thompson adjusted his plan for the new City Hall by removing the auditorium wing.  With the revised Th0mpson plan and the approval of the City Council, Little Rock was at last on its way to a new City Hall.  This was over two years after Mayor Lenon had first broached the subject.

Originally slated to open in 1907, the building officially opened in April 1908.

Little Rock Look Back: City Council approves 1935 auditorium plan

An August 25, 1935, rendering in the ARKANSAS GAZETTE of the proposed Little Rock auditorium at Capitol and Scott Streets.

An August 25, 1935, rendering in the ARKANSAS GAZETTE of the proposed Little Rock auditorium at Capitol and Scott Streets.

On August 26, 1935, the City of Little Rock took its first significant step in a decade for the creation of a City auditorium..  Under the leadership of Mayor R. E. Overman, the City Council approved authorization for the City to apply for $1,000,000 from the Federal Emergency Administration of Public Works (PWA) for the construction of an auditorium.  The PWA had issued a September 16, 1935, deadline for applications to be received as it sought to spend $4.8 billion in construction projects.

The auditorium plan was announced on Saturday, August 24, 1935.  Much preparation had already been undertaken before the project was publicly unveiled.  Private presentations hhad taken place, a team of architects had been chosen (Eugene Stern and the firm of Wittenberg & Delony), and a location had been selected.

The auditorium complex was slated for a block bounded by Capitol, Scott, Fourth and Cumberland Streets.  The Women’s City Club building on that block would remain with the new structure being built to wrap around two sides of the existing structure. The site was chosen because it was one block east of the Main Street business corridor and near existing meeting locations such as the Boys Club, Albert Pike Hotel, Albert Pike Masonic Lodge and several churches.

As planned by the architects, this structure’s front façade would have run the length of the Capitol Avenue side of the block.  The building was proposed to be constructed of concrete, stone and steel.  It would have a large hall with a proscenium stage and seating capacity of 4,000 with overflow of an additional 500.  The adjoining exhibition hall could seat 3,500 people.  The plan called for 150 cars to be parked in the building, and an additional 100 cars to be parked on a surface lot on the site.

Following an August 26 closed door meeting to discuss the project from which members of the public and press were excluded, in open session the City Council voted to pursue the funding for the million dollar auditorium.  If approved by the PWA, the funds would be provided in grants and loans, to be paid by over a 35 year period.

The auditorium proposal was filed with the PWA in Washington in September 1935.  Throughout the next several months, Mayor Overman and the city were engaged in a series of conversations and negotiations with the PWA for the expansion of both the water system and the sewer system. This diverted attention from pursuing the auditorium immediately.  This specific auditorium project stalled.  But because the plan had been filed by the September 16 deadline, it allowed the City to make use of PWA funds a few years later which would lead to the construction of Robinson Auditorium.

 

Little Rock Look Back: First City Auditorium Approved

1906 auditoriumOn August 20, 1906, the Little Rock City Council approved plans for the City’s first municipal auditorium.

A week earlier, businessman A. C. Read petitioned the City for the right to construct a skating rink.  The matter was referred to the Street & Fire Committee, the Superintendent of Public Works and Aldermen Louis Volmer and Benjamin S. Thalheimer, who represented the Sixth Ward, in which the structure would be located.

Neither the Gazette nor the Democrat carried a mention of this petition in their coverage of that meeting.  By the next Council meeting a week later, the committee had reported back with a recommendation for approval.  Resolution 288 was adopted giving Mr. Read the right to build the skating rink.  Interestingly, the resolution did not contain the words “skating rink” though the original petition had.  Instead it permitted Mr. Read to construct a building “suitable for purposes as defined” by the City.  The resolution also stated that within three years the building would become property of the City.

Based on photos and postcards, the exterior of the building appears to have been covered in stucco.  It was said to be modeled after San Antonio’s Alamo, but what that really meant was that it was in the Spanish Revival style.  It was shorter and had more entrances than the Texas building did.  The Markham Street façade featured faux windows and a front portico which extended the length of the building only interrupted by three entrance archways. The center one was taller and wider than the eastern and western entrances.  All three, which projected southward from the building, mimicked the outline of the auditorium building.

The building was located on the western half of the City Hall property (and was constructed before City Hall).  In 1912, the new Little Rock Central Fire Station (now the City Hall West Wing) was built between the auditorium and Markham Street.  The auditorium stood until 1920.  During that time it was used as a roller rink, opera house, rifle range, National Guard armory, convention hall, and gymnasium.

Happy Birthday Maureen O’Hara – In 1940 she set off a stampede of fans at Robinson Center

Mayor J V Satterfield escorting actress Maureen O'Hara at the Movie Ball (photo from Arkansas Democrat)

Mayor J V Satterfield escorting actress Maureen O’Hara at the Movie Ball (photo from Arkansas Democrat)

Oscar winner Maureen O’Hara turns 95 today.  With her elegance and beauty, she still turns heads. Seventy-five years ago, in February 1940, a nineteen year old Miss O’Hara turned many heads and set off a frenzy of autograph seekers when she came to Little Rock to attend a series of events.

In conjunction with a meeting of film executives and movie theatre owners sponsored by Robb and Rowley Theaters (which later became the United Artists theatre chain), several Hollywood actors were in Little Rock and headlined a Movie Ball. While in Little Rock, Maureen O’Hara, Phyllis Brooks, Arleen Whelan, Tim Holt and Gene Autry had also made a variety of public appearances.

On the evening of February 1, 1940, Robb and Rowley hosted the Movie Ball in the lower level of Robinson Auditorium. So many of the attendees crowded around for autographs that the evening’s grand march could not take place (a newspaper headline in the Democrat innocently used the word “orgy” to describe the crowd). After two attempts, Little Rock Mayor J. V. Satterfield (who was escorting Miss O’Hara) and the other members of the Little Rock host delegation led the Hollywood stars to their reserved table. For quite a while that evening, the table was besieged by autograph seekers.

Though it is unknown as to whether he sought an autograph, photos from the evening showed a very satisfied Mayor Satterfield with Miss O’Hara on his arm. Satterfield family lore joked that Mrs. Satterfield (who had stayed home that night to tend to a sick son) was not a fan of Miss O’Hara’s films after that evening.

The Movie Ball showed Little Rock citizens the value of Robinson Auditorium even before it had been officially dedicated. The film industry meetings had taken place at the Albert Pike Hotel which did not feature a ballroom large enough to host the ball. Without the auditorium’s availability for the gala, organizers might not have chosen Little Rock for the meeting.

Little Rock Look Back: President Truman returns to LR

trumansmallOn July 1, 1952, President Harry S. Truman returned to Little Rock for the last time in his presidency.  He landed at Adams Field. After a short ride to the Missouri Pacific train station, he boarded a train for Newport where he made remarks.  Later that evening, the presidential train arrived at Norfork where Mr. Truman spent the night on the train.

The next morning, he went by car to the Norfork Dam before heading to Bull Shoals Dam where he gave an address.  An outdoor luncheon followed the Bull Shoals address.  After lunch, he got back on the train.  Truman made a whistle stop visit in Batesville before arriving back in Newport.  He boarded a plane in Newport and returned to Washington DC.

Congressmen James W. Trimble and Wilbur D. Mills accompanied the President on the entire trip from and to Washington.  Governor McMath joined the party once they were in Little Rock.  The press corps on the trip included the New York Times, Washington Star, Baltimore Sun, New York Herald-Tribune, Chicago Tribune, Associated Press, CBS Radio, NBC Radio, ABC Radio and NBC Television.  The local press included reporters and photographers from both the Arkansas Gazette and the Arkansas Democrat as well as KLRA Radio and the Memphis Commercial-Appeal.

Black History Month Spotlight: Deborah Mathis

bhm deborahDeborah Mathis has deep Arkansas roots.  She grew up in Little Rock the daughter of Rev. Lloyd Myers, a Baptist minister, and Rachel A. Myers Jones, a teacher.

Her journalistic pursuits began as early as junior high school, when she became the first black editor of West Side Junior High’s school newspaper. In 1970 she became the first black and first female editor of Central High School’s Tiger student newspaper. From the early 70′s through the early 90′s, Mathis was busy establishing herself as a journalist and broadcaster. She served in various positions ” reporter, editor, columnist and anchor ” at statewide media outlets including the Arkansas Democrat, Arkansas Gazette, KARK-Channel 4, KTH V-Channel 11, and KATV-Channel 7 From Arkansas, Mathis career took her to briefly to Jackson, Mississippi before she landed in Washington, D.C., where she was a White House Correspondent for Gannett News Service from 1993-2000.

Since 1992, Mathis has been a syndicated columnist, appearing in more than 100 U.S. publications and periodicals. She is also a contributor to such outlets as USA Today and BlackAmericaWeb.com and a frequent commentator on political and public affairs talk shows such as PBS’s Frontline, CNNs Inside Politics NPR’s All Things Considered America’s Black Forum and Oprah, to name a few. She also field-produced, wrote and narrated two nationally aired documentaries: “Edukashun: The Cost of Failure” (1982) and “Return of the Little Rock Nine” (1987).

Mathis is the author of Yet A Stranger Why Black Americans Still Don’t Feel at Home, Sole Sisters: The Joy and Pains of Single Black Women and What God Can Do: How Faith Changes Lives for the Better.  She has also been an assistant professor at Northwestern University’s Medill School of Journalism (Washington office).  In 2003, she was inducted into the Arkansas Black Hall of Fame.

For more on Deborah Mathis and other inductees into the Arkansas Black Hall of Fame, visit the permanent exhibit at the Mosaic Templars Cultural Center. That museum is an agency of the Department of Arkansas Heritage.