Today at Clinton School – Ark Rep production of Shakespeare’s “Scottish Play”

ScottishPlayThe Arkansas Repertory Theatre works in partnership with the Clinton School of Public Service to participate in the UACS’s Distinguished Speaker Series, hosting educational panel discussions on various Rep productions.

The latest in these takes place today, Thursday, September 10 at 12 noon at Sturgis Hall in Clinton Presidential Park.  It focuses on the Rep’s upcoming production of William Shakespeare’s Scottish Play.

Arkansas Repertory Theatre producing artistic director, Bob Hupp, will host a panel discussion on the upcoming production of Shakespeare’s tragedy set in the moors of Scotland. Telling the tale of the Thane of Cawdor, his wife, and Duncan, Banquo, Malcolm, Fleance and others, it explores the meaning of valor, honor, treachery and destiny.

“The original House of Cards. It’s fitting to start off a milestone season with the English language’s greatest author,” said Bob Hupp, Producing Artistic Director at Arkansas Repertory Theatre. “Shakespeare keeps us honest, and tests our mettle when we seek to tell great stories that demand to live on a stage

The play opens officially on Friday evening and runs through Sunday, September 27.

Today at noon – The Rep offers “Macbeth 101”

ScottishPlayMACBETH 101

Dramaturg and Assistant Director Paige Reynolds leads a brown bag lunch that will enrich your play-going experience. Paige will explore the real Macbeth and his influence on William Shakespeare’s production.

Paige Martin Reynolds also worked on The Rep’s production of Henry V. She holds a Ph.D. in British Renaissance Drama and is an Assistant Professor of English at the University of Central Arkansas, where she specializes in Shakespeare Studies. Paige supervises the dramaturgy program for the Arkansas Shakespeare Theatre, where she has also performed such roles as Olivia (Twelfth Night), Prospera (The Tempest), Desdemona (Othello), Luciana (The Comedy of Errors), and Lady Capulet (Romeo and Juliet).

ACANSA preview – Theatre

The second annual ACANSA Arts Festival runs from September 16 to 20.  It will feature a variety of art forms at a variety of venues downtown.  This week, we will preview some of the acts.  Up first – theatrical offerings.

ACANSA Late Night - The Dork Knight
Thursday, September 17 and Friday, September 18, Jason O’Connell returns to Little Rock and brings his one man show The Dork Knight.
O’Connell brings an iconic interpretation of his relationship with Batman through the years. His impersonations are so lifelike that if you close your eyes, you would swear you were in the room with Christian Bale or Jack Nicholson. O’Connell keeps audiences in rapt attention, at times laughing hysterically or mesmerized in complete silence and he takes you with him on this journey with Batman.
Little Rock audiences have seen O’Connell on stage at Arkansas Rep in All My Sons, Sherlock Holmes: The Final Adventure, and Frost/Nixon. He was most recently here in Clybourne Park.
Both performances begin at 9:00 pm and will take place in the Rep’s Black Box space in the new Creative Corridor location in the 500 block of Main Street.
Blood at the Root

Based on a true story of the Jena Six, Blood at the Root, written by Dominique Morriseau, is a play that touches on many social issues. Directed by Steve Broadnax, head of the Pennsylvania State theatre program, this play has received international acclaim on its tours through South Africa, Scotland and Australia.

It is an exciting piece of work that breaks traditional convention. The show speaks to where America is right now racially, economically, and socially. It is also a fun show with musicality, and an emphasis on movement. The inclusion of many different perspectives makes for an exciting, thought provoking performance. Please note: This performance contains strong language.

Show time is 8:00 pm for all performances. They will take place at the Argenta Community Theatre.

Tickets to both events, as well as festival passes, can be purchased at the ACANSA website.
For more information, 501-663-2287 or email admin@ACANSAartsfestival.org

Go “Behind the Theme” of Ark Rep’s production of The Scottish Play tonight at 7

11217159_10152962291451105_7983945027521499908_nTonight, the Arkansas Rep launches a our new speaker series for their 40th anniversary season, Behind the Theme.

The programs are designed to enhance audience understanding of the themes present in each of our MainStage productions. For the production of The Scottish Play (‪#‎MacbethatArkRep‬), UALR Professor Michael Heil will discuss the nature of kingship and power in medieval Europe at the time of the historical Thane of Cawdor.

The discussion will begin at 7 p.m. in Foster’s at The Rep. To attend, please RSVP to agattin@therep.org.

The production opens on Friday, September 11 and runs through Sunday, September 27.  There will also be opportunities to learn more about the production at a September 9 brown bag, September 10 Clinton School Speaker Series program, and pre-show director talks on September 9 & 10 prior to the preview performances.

Through these, audience members can “Brush Up Their Shakespeare.”

See 5 Choreographers’ VISIONS tonight with Ballet Arkansas

visions posterFive new ballet pieces will be premiered tonight in Little Rock as part of Ballet Arkansas’ second VISIONS choreographic competition.

VISIONS began as the vision of Ballet Arkansas’ Artistic Director, Michael Bearden, who wanted to create a event that would give choreographers an opportunity to have their works seen and appreciated by audiences and the dance community, as well as have the opportunity to receive a contract to have their choreography fully produced.

This season, Ballet Arkansas will present Visions Choreographic Competition at the UALR Center for Performing Arts on August 22, 2015 at 7:00 pm.

Thirty-one emerging choreographers from around the country competed for five spots in this year’s competition of which the winner will receive a commission to expand their new work for Ballet Arkansas’ company dancers for our spring mixed repertory show.

This year’s selected choreographers include Boston Ballet’s Boyko Dossev, former Houston Ballet’s Ilya Kozadayev, former Ballet West and Visceral Dance Chicago’s Tom Mattingly, former Pacific Northwest Ballet’s Barry Kerollis and Post: Ballet’s Aidan DeYoung.

A week before the VISIONS Competition, the choreographers drafted their cast of dancers and have a total of 11 rehearsal hours over 5 days to set their choreography on their cast. The night of the competition, the resulting works of choreography are performed for 4 judges, 3 of those judges are professionals in the local and national dance community, with the audience counting as the 4th judge.

The big finale of the competition is the announcement of the VISIONS Winner, who receives a contract with Ballet Arkansas to expand their choreography to have it fully produced for performance in Ballet Arkansas’ spring mixed repertory show, “Under the Lights”, to be held May 20-22 at the Arkansas Repertory Theatre.

ONCE ON THIS ISLAND presented by Ark Rep SMTI junior students tonight and this weekend

Rep SMTI OOTIThe Tony nominated musical Once on This Island, by Lynn Ahrens and Stephen Flaherty, is being presented tonight, tomorrow and two times Saturday by the senior level students in the Arkansas Repertory Theatre’s Summer Musical Theatre Intensive (SMTI).

Performances are at 7pm tonight (Thursday the 6th), Friday and Saturday with a 1pm matinee on Saturday the 8th, as well.  Tickets are $10 and may be purchased by calling the Rep box office or stopping by in person. You can also order them online .

Once on This Island is based on the 1985 novel My Love, My Love; or, The Peasant Girl by Rosa Guy.  Set in the French Antilles, it mixes Caribbean mythology with elements of Romeo and Juliet as well as Hans Christian Andersen’s The Little Mermaid.  It was nominated for 8 Tony Awards in 1991.  Four years later, it won the Olivier Award for Best New Musical in London.

Summer Musical Theatre Intensive (SMTI) is The Rep’s annual training program for aspiring young artists in Arkansas.  Under the direction of Capri, SMTI is an intensive, audition-based theatre training program designed exclusively for motivated young artists who are serious about the arts and musical theatre.

The SMTI staff is comprised of professional directors, choreographers, musicians and designers. Daily rehearsals are structured similarly to a professional summer stock experience and include instruction in musical theatre techniques, multi-media, costume and stage make-up, dance and vocal coaching.

Each session – broken into Select (ages 10 – 12), Junior (ages 13-15) and Senior (ages 16-23) – involves intensive daily rehearsals culminating in a public workshop performance of a selected musical or musical revue.

Little Rock Look Back: Ben Piazza – actor, author, Little Rock native

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Actor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Keeping the Tiger as his mascot, Piazza attended college at Princeton University.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.  Following his 1955 graduation, he moved to New York City and studied at the Actor’s Studio.

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Piazza was an understudy in the 1956 play, Too Late the Phalarope at the Belasco Theatre.  In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. Other cast members included Claudia McNeil (who originated the part of Lena in A Raisin in the Sun) and Sandra Church (who originated the part of Gypsy Rose Lee in Gypsy).

In April 1959, Piazza starred in Kataki at the Ambassador Theatre. This two actor play also featured Sessue Hayakawa, who played a Japanese soldier who spoke only his native language.  Therefore, Piazza’s part was largely a very lengthy monologue.  For his performance, Piazza received one of the 1959 Theatre World Awards.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second String with Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character in The American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

piazza

Also in 1961 Piazza starred in several plays during a South American tour sponsored by the American Repertory Company.  He played Christopher Isherwood in I Am a Cameraand Chance Wayne in Sweet Bird of Youth.  In 1962, he starred in a series of plays at the Cherry Lane Theatre.  Piazza returned to Broadway to star along with Jane Fonda and Dyan Cannon in The Fun Couple at the Lyceum Theatre. This play had a troubled rehearsal period, which was documented in a short film about Jane Fonda.

Ben Piazza stayed on Broadway and returned to Albee in February 1963.  He took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

This play was at the Billy Rose Theatre, which marked a return for Piazza. He had acted at this theatre when it was the National while appearing in Winesburg. Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

Exact and Very Strange cover

During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

Following Virginia Woolf, he starred in The Zoo Story at the Cherry Lane Theatre in 1965.  In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.

As Sunday Agreement was opening, Piazza was in rehearsal for his next Broadway opening. He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It was directed by future Tony nominee Peter Masterson and starred Louise Lasser, Robert Walden (who starred in the 2013 production of Death of a Salesman at Arkansas Repertory Theatre), Clinton Allmon and Dolores Dorn-Heft, to whom Piazza was married at the time.

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  During this time period he was in productions of Bus Stop, Who’s Afraid of Virginia Woolf?, You Know I Can’t Hear You when the Water’s Running  and Savages.  In 1970, he starred as Stanley Kowalski in a production of A Streetcar Named Desire in New Orleans.  As the 1970s progressed, he turned his focus to television and movies.

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Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.  Though he received positive reviews for his performances, Piazza chose to return to New York and perform in stage and TV productions.

Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life.

In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team inThe Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant (where he was reunited with Walden).

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In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.