104 years ago today, Sister Rosetta Tharpe was born. Celebrate her at special Arkansas Sounds screening

Image result for sister rosetta tharpeTonight (March 20) at 7pm at the Ron Robinson Theater. Celebrate the life, legacy and love of Sister Rosetta Tharpe.

Learn about the woman who Cleveland County native Johnny Cash called his favorite singer.

Arkansas Sounds presents American Masters Sister Rosetta Tharpe: The Godmother of Rock & Roll”

The director’s cut of the American Masters documentary profiles the newly inducted Rock & Roll Hall of Fame member Sister Rosetta Tharpe, paying tribute to the Arkansas musical legend on what would be her 104th birthday. This longer version features more performance footage and a special introduction by filmmaker Mick Csaky.

This event is FREE and open to the public. Doors open at 7:00pm with general admission seating on a first come, first served basis.

Presented by Arkansas Sounds and AETN/PBS.

Sponsored by Friends of the Central Arkansas Library System (FOCAL), Acansa Arts Festival, FM 89.1 KUAR, Dr. Elizabeth Fletcher Dishongh Charitable Trust and David Austin at The Charlotte John Company.

Johnny Cash’s Birthday

Cleveland County, Arkansas, native Johnny Cash was the subject of the Oscar winning film Walk the Line.  Although he never lived in Little Rock, he was a frequent visitor throughout his career.

Born on February 26, 1932, in Kingsland, Arkansas, as a young boy he moved with his family to Dyess.  After service in the military (in which he also had his first band), Cash moved to Memphis. It was there he broke into the music scene.

Among the venues Cash played in Little Rock were Barton Coliseum and Wildwood Park for the Arts.  On more than one occasion, he shared the stage with his friend and fellow Arkansan Glen Campbell.   The largest crowd for which Cash performed in Little Rock was in 1989, when he appeared at a Billy Graham crusade at War Memorial Stadium.

He is a character in the musical Million Dollar Quartet which the Arkansas Rep is producing later in 2019.

Little Rock Look Back: John Herndon Hollis

On February 5, 1870, future Little Rock alderman and acting mayor John Herndon Hollis was born shortly before his family moved to what is now Cleveland County. His parents were originally from Georgia and came from prosperous and longtime families there.

The Hollis family came to Arkansas after the Civil War and settled in Union County. A portion of that county was carved off and became Dorsey County (named after a Republican US Senator from Arkansas) but was renamed Cleveland County after Grover Cleveland was elected President. Cleveland was the first Democrat to be elected President in over 20 years. This name change also reflected the political shift in Arkansas from the Reconstruction-led Republican politics to the Democratic Party politics which would dominate for the next century.

John Herndon Hollis was one of six children, and the only one with a middle name. Herndon had been his mother’s maiden name. As one of his brothers described their childhood in Cleveland County, “they all went to country schools in their home neighborhood, worked hard on the farm in the summertime, and were inside their little Methodist Church every time the doors were open.”

Around 1900, Hollis and his new wife Malinda M. “Linda” Taliaferro Hollis (formerly of Rison) moved to Little Rock.  Together the couple had six children. In Little Rock, Hollis worked in the banking industry. For years he worked for People’s Building and Loan Association.

Hollis was first elected to the Little Rock City Council in April 1904. He would serve as one of the Aldermen from the city’s Fourth Ward until April 1918.  This was on the western border of Little Rock at the time. The family lived at 1510 S. Schiller, which is one block east of Central High, though at the time neither the school nor its predecessor (West End Park) existed.  From 1907 until 1913 he also served on the Little Rock School Board.

In April 1908, at the first City Council meeting in the new City Hall, Mayor W. E. Lenon announced his resignation. Because the resignation was effective immediately, there was a vacancy in the office of mayor.  Hollis was selected by his colleagues to serve as acting mayor until a successor could be elected. So from April 1908 through June 1908, Hollis was the City’s chief political and executive leader.

Though he was never formally mayor (and did not resign his position as alderman), since 1908, Hollis’ name has appeared on the list of mayors of Little Rock. The reason seems to be as a sign of respect since there was a vacancy.

There previously had been acting mayors when the mayor would be absent on business or due to illness. But in those instances, the mayor had not resigned. This is the only instance in Little Rock history when a mayor resigned immediately with no successor in place. So John Herndon Hollis holds a unique role in Little Rock history.

After leaving the City Council, Hollis remained active in civic affairs.  He co-chaired a successful campaign in 1929, to raise a tax for a variety of civic issues.

Hollis’ wife died in 1920.  He later married Ann Jewell of Little Rock (who was a cousin of his first wife). They were married until his death on October 23, 1941.  Ann Hollis lived in Little Rock until her death in 1980.  The Hollis family is entombed in the mausoleum at Mount Holly Cemetery.

Both of John Herndon Hollis’ wives are distant cousins of the Culture Vulture, so he is particularly fond of John Herndon Hollis.

Rock the Oscars: Johnny Cash

Cleveland County, Arkansas, native Johnny Cash was the subject of the Oscar winning film Walk the Line.  Although he never lived in Little Rock, he was a frequent visitor throughout his career.

Born on February 26, 1932, in Kingsland, Arkansas, as a young boy he moved with his family to Dyess.  After service in the military (in which he also had his first band), Cash moved to Memphis. It was there he broke into the music scene.

Among the venues Cash played in Little Rock were Barton Coliseum and Wildwood Park for the Arts.  In one performance, he shared the stage with his friend and fellow Arkansan Glen Campbell.   The largest crowd for which Cash performed in Little Rock was in 1989, when he appeared at a Billy Graham crusade at War Memorial Stadium.

 

Little Rock Look Back: Civic Leader John Herndon Hollis

On February 5, 1870, future Little Rock alderman and acting mayor John Herndon Hollis was born shortly before his family moved to what is now Cleveland County. His parents were originally from Georgia and came from prosperous and longtime families there.

The Hollis family came to Arkansas after the Civil War and settled in Union County. A portion of that county was carved off and became Dorsey County (named after a Republican US Senator from Arkansas) but was renamed Cleveland County after Grover Cleveland was elected President. Cleveland was the first Democrat to be elected President in over 20 years. This name change also reflected the political shift in Arkansas from the Reconstruction-led Republican politics to the Democratic Party politics which would dominate for the next century.

John Herndon Hollis was one of six children, and the only one with a middle name. Herndon had been his mother’s maiden name. As one of his brothers described their childhood in Cleveland County, “they all went to country schools in their home neighborhood, worked hard on the farm in the summertime, and were inside their little Methodist Church every time the doors were open.”

Around 1900, Hollis and his new wife Malinda M. “Linda” Taliaferro Hollis (formerly of Rison) moved to Little Rock.  Together the couple had six children. In Little Rock, Hollis worked in the banking industry. For years he worked for People’s Building and Loan Association.

Hollis was first elected to the Little Rock City Council in April 1904. He would serve as one of the Aldermen from the city’s Fourth Ward until April 1918.  This was on the western border of Little Rock at the time. The family lived at 1510 S. Schiller, which is one block east of Central High, though at the time neither the school nor its predecessor (West End Park) existed.  From 1907 until 1913 he also served on the Little Rock School Board.

In April 1908, at the first City Council meeting in the new City Hall, Mayor W. E. Lenon announced his resignation. Because the resignation was effective immediately, there was a vacancy in the office of mayor.  Hollis was selected by his colleagues to serve as acting mayor until a successor could be elected. So from April 1908 through June 1908, Hollis was the City’s chief political and executive leader.

Though he was never formally mayor (and did not resign his position as alderman), since 1908, Hollis’ name has appeared on the list of mayors of Little Rock. The reason seems to be as a sign of respect since there was a vacancy.

There previously had been acting mayors when the mayor would be absent on business or due to illness. But in those instances, the mayor had not resigned. This is the only instance in Little Rock history when a mayor resigned immediately with no successor in place. So John Herndon Hollis holds a unique role in Little Rock history.

After leaving the City Council, Hollis remained active in civic affairs.  He co-chaired a successful campaign in 1929, to raise a tax for a variety of civic issues.

Hollis’ wife died in 1920.  He later married Ann Jewell of Little Rock (who was a cousin of his first wife). They were married until his death on October 23, 1941.  Ann Hollis lived in Little Rock until her death in 1980.  The Hollis family is entombed in the mausoleum at Mount Holly Cemetery.

Both of John Herndon Hollis’ wives are distant cousins of the Culture Vulture, so he is particularly fond of John Herndon Hollis.

Little Rock Look Back: John Herndon Hollis

John Herndon HollisOn February 5, 1870, future Little Rock alderman and acting mayor John Herndon Hollis was born shortly before his family moved to what is now Cleveland County. His parents were originally from Georgia and came from prosperous and longtime families there.

The Hollis family came to Arkansas after the Civil War and settled in Union County. A portion of that county was carved off and became Dorsey County (named after a Republican US Senator from Arkansas) but was renamed Cleveland County after Grover Cleveland was elected President. Cleveland was the first Democrat to be elected President in over 20 years. This name change also reflected the political shift in Arkansas from the Reconstruction-led Republican politics to the Democratic Party politics which would dominate for the next century.

John Herndon Hollis was one of six children, and the only one with a middle name. Herndon had been his mother’s maiden name. As one of his brothers described their childhood in Cleveland County, “they all went to country schools in their home neighborhood, worked hard on the farm in the summertime, and were inside their little Methodist Church every time the doors were open.”

Around 1900, Hollis and his new wife Malinda M. “Linda” Taliaferro Hollis (formerly of Rison) moved to Little Rock.  Together the couple had six children. In Little Rock, Hollis worked in the banking industry. For years he worked for People’s Building and Loan Association.

Hollis was first elected to the Little Rock City Council in April 1904. He would serve as one of the Aldermen from the city’s Fourth Ward until April 1918.  This was on the western border of Little Rock at the time. The family lived at 1510 S. Schiller, which is one block east of Central High, though at the time neither the school nor its predecessor (West End Park) existed.  From 1907 until 1913 he also served on the Little Rock School Board.

In April 1908, at the first City Council meeting in the new City Hall, Mayor W. E. Lenon announced his resignation. Because the resignation was effective immediately, there was a vacancy in the office of mayor.  Hollis was selected by his colleagues to serve as acting mayor until a successor could be elected. So from April 1908 through June 1908, Hollis was the City’s chief political and executive leader.

Though he was never formally mayor (and did not resign his position as alderman), since 1908, Hollis’ name has appeared on the list of mayors of Little Rock. The reason seems to be as a sign of respect since there was a vacancy.

There previously had been acting mayors when the mayor would be absent on business or due to illness. But in those instances, the mayor had not resigned. This is the only instance in Little Rock history when a mayor resigned immediately with no successor in place. So John Herndon Hollis holds a unique role in Little Rock history.

Hollis’ wife died in 1920.  He later married Ann Jewell of Little Rock (who was a distant cousin of his first wife). They were married until his death on October 23, 1941.  Ann Hollis lived in Little Rock until her death in 1980.  The Hollis family is entombed in the mausoleum at Mount Holly Cemetery.

Both of John Herndon Hollis’ wives are distant cousins of the Culture Vulture, so he is particularly fond of John Herndon Hollis.

Under the Lights raises the barre for Ballet Arkansas

UndertheLights_ProgramCover_27july2015a-183x300Ballet Arkansas’ 2015-16 season concludes with the concert Under the Lights, currently on stage at the Arkansas Repertory Theatre through Sunday, May 22. In what has become a hallmark of Artistic Director Michael Bearden’s leadership, it offers an eclectic mix of styles of dance and music which not only highlight the strengths of the dancers, but also allow the dancers to push themselves in new directions.

The concert takes its name from Chris Stuart’s Under the Lights, which is set to the music of Johnny Cash. Created for Nashville Ballet, this piece receives its Arkansas premiere just one hour north of Cash’s birthplace in Kingsland. Being the scion of a longtime Cleveland County family, I grew up listening to Cash’s music. I approached this piece with a great deal of excitement, but also wondering exactly how ballet would meld with Cash. The answer is, they fuse very well.

Ballet is, at its heart, about expression. So are Cash’s songs. At Ballet Arkansas’ performances, the songs are performed live by Sugar + the Hi-Lows, which played them in the premiere. The central dancer, in black of course, is Toby Lewellen. He does not try to mimic Cash in any way, but instead combines lyricism and athleticism as he leads the company in “Walk the Line.” He and Amanda Sewell partner nicely on the piece’s penultimate song, “I’ve Got You Covered.

Deanna Karlheim and Paul Tillman perform a pas de deux to “Ring of Fire” which captures the raw longing of that song. Megan Hustel leads the company in a poignant “Hurt.”

After all the emotions of the piece, it ends in the joyous “Jackson” which allows each of the dancers a moment to showcase their talents. This is no balletic hoedown with forced folksiness; it is a true “let down your hair” moment of release for the dancers at the end of the piece and of the concert.

The concert starts with George Balanchine’s Glinka Pas de Trois which featured Justin Rustle, Megan Hustel and Lauren Bodenheimer at Friday evening’s performance. This 1955 piece requires the dancers to show not only classical ballet training, but also speed and subtle movements which are more inspired by modern dance. The three dancers perform alone and in various combinations. Intricate and challenging, the three dancers were up to the task.

Harrison McEldowney’s Group Therapy was an audience favorite. The four couples portrayed different sets of phobias, neuroses, or other problems. Set to pop standards of the 1930s and 1940s, each couple got a chance to display not only dancing prowess, but also a flair for comedy. In “Treat Me Rough” thankfully Toby Lewellen and Lynsie Ogden were not called upon to actually abuse each other that in this enlightened day would not be funny. But they aptly captured the on-again, off-again status of some couples with a comic edge. Justin Rustle’s uptight “Mr. Clean” was paired with Meredith Loy in a pas de deux set to Gershwin’s “Embraceable You” which was both witty but also filled with longing as Loy tried to break through Rustle’s veneer. His expert lift work was on display throughout the piece.

Megan Hustel dances not only with Tony Sewer but also with a peripatetic cigarette.   She constantly hides it from Sewer in a movement that never stops throughout the number. Sewer gets his chance to shine in a response to her, which is infused with equal parts jazz and ballet. Narcolepsy has never been so funny as when danced by Paul Tillman and Amanda Sewell in “Narcoleptic.”   Sewell goes limp in a variety of poses while Tillman tries to keep her up. This creates opportunities to show the gracefulness and strength of both dancers as Sewell sweeps and Tillman juggles her throughout the number.

The evening also contained two world premieres. The first, (e)motions by Ilya Kozadayev, was the winner of the 2015 Visions choreography contest. Featuring three couples, it was abstract and athletic. Yet each couple created a connection as they partnered. Deanna Karlheim and Paul Tillman, Meredith Loy and Toby Lewellen, and Lynsie Ogden and Tony Sewer, were definitely put through the paces on this piece.

Kiyon Gaines’ Memoryhaus was at its best when it created stark pictures whether it was Amanda Sewell alone in a spotlight, Paul Tillman approaching Deanna Karlheim, or the entire company dancing in unison. Its style is a blend of classical and modern, which is matched by the music of Max Richter.

Ballet Arkansas continues to be a company on the move. Less than a decade ago, the company was on life support existing to produce The Nutcracker in December. Now it is firmly establishing itself as an innovative member of Arkansas’ arts scene with a resident company which tours throughout the state. Not content to be a mediocre provincial dance troupe, Artistic Director Michael Bearden has programmed work that explores the depth and breadth of the ballet world and brings it to Arkansas.

The fact that the company has been granted permission to perform Balanchine selections two years in a row is no accident. It is a testament to the vision and hard work of Bearden and the dancers. Ballet Mistress Laura Hood Babcock and Production & Company Manager Erin Anson-Ellis aid Bearden in this effort. It is exciting to have seen dancers return over several seasons and have the opportunity to dance a variety of styles. Under the Lights is the culmination of a great deal of hard work, not only for the rehearsal process this season, but also for the company over several years.