Tag Archives: Natalie Canerday

31 Days of Arkansas Rep: AUGUST: OSAGE COUNTY in 2015

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Tracy Letts’ August: Osage County closed out the Arkansas Rep’s 2014-2015 season.

Rep founder Cliff Baker, who starred in the Rep’s first production of The Threepenny Opera returned to the stage as an actor to portray the mysterious patriarch of the Weston clan.

Joining him were Susanne Marley as matriarch Violet and LeeAnne Hutchison, Kathy McCafferty and Brenny Rabine as their three daughters.  Marc Carver, Michael McKenzie,  and Mary Katelin Ward are family members of the three daughters.

Natalie Canerday, Richard Waddingham and Michael Patrick Kane played another branch of the family. Grant Neale and Cassandra Seidenfeld were two other residents of Osage County who are drawn into the family drama.

The design team includes Mike Nichols (set), Marianne Custer (costumes), Yael Lubetzky (lighting), Allan Branson (sound) and Lynda J. Kwallek (props).  Other members of the creative team include fight director D. C. Wright (and there is plenty of physical sparring in addition to the verbal sparring) and dialect coach Stacy Pendergraft.

August Osage Casto

31 Days of Arkansas Rep: Charles Portis’ DELRAY’S NEW MOON in 1996

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When you’ve written one of the great American novels of the second half of the 20th Century and seen it turned into an Oscar winning movie, what do you do next?  You continue writing.

And if you are Charles Portis, you decide in the 1990s to try your hand at a play.  So in 1996, the Arkansas Rep offered a staged reading of Portis’ play Delray’s New Moon. 

Directed by Rep Artistic Director Cliff Baker, it was set in a honky tonk hotel halfway between Little Rock and Texarkana. Most of the people there are senior citizens awaiting their next location whether it be a nursing home or a relative’s house.

The cast featured Scott Edmonds played a father being shuffled each month between his daughters played by Judy Trice and Natalie Canerday.  Others in the cast included Danielle Rosenthal, Jean Lind, John Stiritz, Michael Davis, Graham Gordy, Stacy Breeding, Angel Bailey, Rhonda Atwood and Tom Kagy.

The production ran from April 18 to 28.  The normally reclusive Portis participated in talkback sessions following performances.

31 Days of Arkansas Rep: The 1986 production of THE FOREIGNER

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Blasny Blasny.  Larry Shue’s 1984 farce THE FOREIGNER made its first of four appearances on the Arkansas Rep stage in January 1986.

Directed by Cliff Fannin Baker, it featured Terry Sneed as the title character, a mild-mannered man who pretends to be a non-English speaking foreigner to avoid interactions with locals at a small-town hunting resort.

Others in the cast were Steve Wilkerson, Mark Johnson, Ron Aulgur, Scott Edmonds, Natalie Canderday and Jean Lind.

The production ran from January 16 through February 9 of 1986. It was so popular that it sold out its run. Standing room only ticket holders filled all available spaces.  Gov. Bill Clinton called for tickets and could not be accommodated.

It has subsequently been mounted at the Rep three times more: during the 1987/88, 1995/96 and 2008/09 seasons. It is the only play to have been staged that many times in the Rep’s history.

The 1988 staging featured Wilkerson, Sneed, and Johnson reprising their roles.

 

 

Pulitzers Play Little Rock: AUGUST: OSAGE COUNTY

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August Osage CastoTracy Letts won the Pulitzer for his sprawling family tale August: Osage County.  It was brought to life in Little Rock on the Arkansas Repertory Theatre stage.

Rep founder Cliff Baker, who starred in the Rep’s first production of The Threepenny Opera returned to the stage as an actor to portray the mysterious patriarch of the Weston clan.  Joining him were Susanne Marley as matriarch Violet and LeeAnne Hutchison, Kathy McCafferty and Brenny Rabine as their three daughters.  Marc Carver, Michael McKenzie,  and Mary Katelin Ward are family members of the three daughters.  Natalie Canerday, Richard Waddingham and Michael Patrick Kane played another branch of the family. Grant Neale and Cassandra Seidenfeld were two other residents of Osage County who are drawn into the family drama.

The design team includes Mike Nichols (set), Marianne Custer (costumes), Yael Lubetzky (lighting), Allan Branson (sound) and Lynda J. Kwallek (props).  Other members of the creative team include fight director D. C. Wright (and there is plenty of physical sparring in addition to the verbal sparring) and dialect coach Stacy Pendergraft.

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

Last Chance in Osage County this weekend

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THEREP_AUGUST (no credits)-page-001Before it was a movie, Tracy Letts’ August: Osage County was a Pulitzer and Tony winning play.  Running for over 600 performances on Broadway, it first enraptured audiences in Chicago.  Now, Little Rock audiences have the chance to laugh, cringe, be surprised and nod knowingly as the Weston family gathers to comfort and confront each other.

Directed by Rep Producing Artistic Director Bob Hupp, August: Osage County runs through June 21.

When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed, dramatizing three generations of unfulfilled dreams and leaving each family member changed forever.

Rep founder Cliff Baker, who starred in the Rep’s first production of The Threepenny Opera returns to the stage as an actor to portray the mysterious patriarch of the Weston clan.  Joining him are Susanne Marley as matriarch Violet and LeeAnne Hutchison, Kathy McCafferty and Brenny Rabine as their three daughters.  Marc Carver, Michael McKenzie,  Mary Katelin Ward, Natalie Canerday, Richard Waddingham, Michael Patrick Kane, Grant Neale and Cassandra Seidenfeld play others who are drawn into the family drama.

The design team includes Mike Nichols (set), Marianne Custer (costumes), Yael Lubetzky (lighting), Allan Branson (sound) and Lynda J. Kwallek (props).  Other members of the creative team include fight director D. C. Wright (and there is plenty of physical sparring in addition to the verbal sparring) and dialect coach Stacy Pendergraft.

Prize winning AUGUST: OSAGE COUNTY now on stage at Arkansas Rep

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August Osage CastoBefore it was a movie, Tracy Letts’ August: Osage County was a Pulitzer and Tony winning play.  Running for over 600 performances on Broadway, it first enraptured audiences in Chicago.  Now, Little Rock audiences have the chance to laugh, cringe, be surprised and nod knowingly as the Weston family gathers to comfort and confront each other.

Directed by Rep Producing Artistic Director Bob Hupp, August: Osage County opens tonight and runs through June 21.

When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed, dramatizing three generations of unfulfilled dreams and leaving each family member changed forever.

Rep founder Cliff Baker, who starred in the Rep’s first production of The Threepenny Opera returns to the stage as an actor to portray the mysterious patriarch of the Weston clan.  Joining him are Susanne Marley as matriarch Violet and LeeAnne Hutchison, Kathy McCafferty and Brenny Rabine as their three daughters.  Marc Carver, Michael McKenzie,  and Mary Katelin Ward are family members of the three daughters.  Natalie Canerday, Richard Waddingham and Michael Patrick Kane play another branch of the family. Grant Neale and Cassandra Seidenfeld play two other residents of Osage County who are drawn into the family drama.

The design team includes Mike Nichols (set), Marianne Custer (costumes), Yael Lubetzky (lighting), Allan Branson (sound) and Lynda J. Kwallek (props).  Other members of the creative team include fight director D. C. Wright (and there is plenty of physical sparring in addition to the verbal sparring) and dialect coach Stacy Pendergraft.

Go see the show and decide for yourself “who’s in charge” of this family.