The Ides of March

Today is the Ides of March Since that date is a crucial component of one of Shakespeare’s most-famous plays, it seems a good chance to preview the 2019 Arkansas Shakespeare Theatre season.

The lineup includes: The Comedy of Errors (the first Shakespeare play I ever read), The Scottish Play (sorry, but I don’t want to invoke the curse so I won’t write or say the title), as well as a streamlined version of Romeo and Juliet for families.  Also on tap, in the non-Shakespeare musical slot is Guys and Dolls.

Here is more about each show.
The Comedy of Errors
A tragic shipwreck, two sets of twins divided at birth, mistaken identities, and unrequited love provide the perfect recipe for fun in this Shakespearean farce. The fates bring the brothers and their long-lost father Aegeon together in the land of Ephesus with hilarious results.
Outside on the lawn at UCA

Guys and Dolls
A Musical Fable of Broadway
Based on a Story and Characters of Damon Runyon
Music and Lyrics by Frank Loesser
Book by Jo Swerling and Abe Burrows
High-rolling gambler Sky Masterson never took a bet he couldn’t win, until he met the no-nonsense Sarah Brown, a mission worker set on redeeming the sinners of Broadway. While fellow gambler Nathan Detroit has his own hands full with his fourteen year engagement to Miss Adelaide. It’s the audience who wins in this delightful musical of love and luck!
On-stage in Reynolds Performance Hall

[The Scottish Play]
Brave warrior The Thane of Cawdor emerges victorious from battle to be greeted by three witches who hail him as the future king of Scotland. What follows is a dizzying descent into political machinations, murder, and madness.
On-stage in Reynolds Performance Hall

Family Shakespeare: Romeo and Juliet
The fighting families of Montague and Capulet put their feud before their children’s happiness in Shakespeare’s classic tale of “star-crossed” young love, reimagined for audiences of all ages in this one-hour adaptation.
On-stage in Reynolds Performance Hall.  Also available to tour!

Performance dates will be announced in coming weeks.

Mary Ruth Marotte is the Executive Director and Rebekah Scallet is the Producing Artistic Director.

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Twelfth Night, or What you WILL

Today is Twelfth Night. Since it is also the title of one of Shakespeare’s most-produced plays, it seems a good chance to preview the 2019 Arkansas Shakespeare Theatre season.

While they HAVE produced Twelfth Night, it is not part of the 2019 season.

The lineup DOES include: The Comedy of Errors (the first Shakespeare play I ever read), The Scottish Play (sorry, but I don’t want to invoke the curse so I won’t write or say the title), as well as a streamlined version of Romeo and Juliet for families.  Also on tap, in the non-Shakespeare musical slot is Guys and Dolls.

Here is more about each show.
The Comedy of Errors
A tragic shipwreck, two sets of twins divided at birth, mistaken identities, and unrequited love provide the perfect recipe for fun in this Shakespearean farce. The fates bring the brothers and their long-lost father Aegeon together in the land of Ephesus with hilarious results.
Outside on the lawn at UCA

Guys and Dolls
A Musical Fable of Broadway
Based on a Story and Characters of Damon Runyon
Music and Lyrics by Frank Loesser
Book by Jo Swerling and Abe Burrows
High-rolling gambler Sky Masterson never took a bet he couldn’t win, until he met the no-nonsense Sarah Brown, a mission worker set on redeeming the sinners of Broadway. While fellow gambler Nathan Detroit has his own hands full with his fourteen year engagement to Miss Adelaide. It’s the audience who wins in this delightful musical of love and luck!
On-stage in Reynolds Performance Hall

[The Scottish Play]
Brave warrior The Thane of Cawdor emerges victorious from battle to be greeted by three witches who hail him as the future king of Scotland. What follows is a dizzying descent into political machinations, murder, and madness.
On-stage in Reynolds Performance Hall

Family Shakespeare: Romeo and Juliet
The fighting families of Montague and Capulet put their feud before their children’s happiness in Shakespeare’s classic tale of “star-crossed” young love, reimagined for audiences of all ages in this one-hour adaptation.
On-stage in Reynolds Performance Hall.  Also available to tour!

Performance dates will be announced in coming weeks.

Mary Ruth Marotte is the Executive Director and Rebekah Scallet is the Producing Artistic Director.

Creative Class 2016: Chad Bradford

cc16-bradfordActor and director Chad Bradford started appearing on Little Rock stages while he was still a student at Hall High School.  Since then, he has appeared Off Broadway, in national tours, and in numerous regional theatres throughout the U.S.  While often appearing in Shakespeare or other classical plays, he is equally at home in farce, musicals, and drawing room comedies.  In 2015, he played the title character in the Arkansas Arts Center Children’s Theatre production of Puss in Boots. In other words, he is a versatile actor.

Earlier this year, he directed Twelfth Night for Arkansas Shakespeare Theatre (while also appearing in their productions of West Side Story and A Midsummer Night’s Dream).  Twelfth Night was later remounted at Shake on the Lake Shakespeare in New York and returned to Conway for another appearance.  (This is not his first show to originate in Little Rock and be performed throughout the US. In 2013, he helmed David Sedaris’ The Santaland Diaries here before it played elsewhere.)  In 2015, National Arts Strategies named him a Creative Community Fellows recipient.

He is currently in rehearsals directing David Ives’s The Liar on the UCA Mainstage.  It plays October 20-22, and 27 & 28.

On Twelfth Night – Remember TWELFTH NIGHT is part of 2016 Arkansas Shakespeare Theatre lineup

AST 2016 TwelfthToday is Twelfth Night. (Or is it Tonight is Twelfth Night?)  It is a good time to remember that the 2016 the Arkansas Shakespeare Theatre season will feature Shakespeare’s play of that name, as the one-hour Family Shakespeare adaptation.

Twelfth Night takes us to the island of Illyria, where shipwrecked Viola must disguise herself as a boy—causing complications in her love life.

Actual performance dates and casting will be announced later.

The other three titles for 2016 are:

The 2016 outdoor Shakespeare: A MIDSUMMER NIGHT’S DREAM
Directed by Robert Quinlan
A comic romp of epic proportions, this magical comedy and its lovers, fairies, and oh-so-Rude Mechanicals are the perfect company for an Arkansas midsummer night.

The 2016 tragedy: ROMEO AND JULIET
Directed by AST Producing Artistic Director Rebekah Scallet
Romance, intrigue, and adventure abound in Shakespeare’s timeless tale of the original
star-crossed lovers caught between their
warring families.

The 2016 musical: WEST SIDE STORY
Book by Arthur Laurents, Music by Leonard Bernstein , Lyrics by Stephen Sondheim
Directed and Choreographed by Jeremy Williams
This beloved musical transplants the story of Romeo and Juliet to 1950s New York City, where the warring Jets and Sharks stand in the way of true love.

Creative Class of 2015: Rebekah Scallet

scalletRebekah Scallet is the producing artistic director of the Arkansas Shakespeare Theatre.  A graduate of Parkview High School and Brandeis University, she has an MFA from Illinois State University.  In addition to being active in theatre at Parkview while a student there, she served as stage manager for productions of the former Shakespeare Festival of Arkansas while she was in college.

After working in several Illinois-based theatres, she returned to Arkansas in 2011 and took her position with the Arkansas Shakespeare Theatre.  In addition to overseeing the artistic facets, she directs productions for AST.  In 2012, her first season, she directed Twelfth Night. The work on that garnered her an Arkansas Arts Council Fellowship in 2014.

In subsequent seasons, she has directed The Merchant of Venice, King Lear and Two Gentlemen of Verona for the Arkansas Shakespeare Theatre. She also directed The Caucasian Chalk Circle and A Lovely Sunday for Creve Coeur at UCA, where she also serves as a lecturer in theatre.

2016 season for Arkansas Shakespeare Theatre announced

AST 2016Last week, the Arkansas Shakespeare Theatre announced the four titles for the 2016 season, their 10th season of bringing the Bard and more to Central Arkansas.

Actual performance dates and casting will be announced later.

The 2016 outdoor Shakespeare: A MIDSUMMER NIGHT’S DREAM
Directed by Robert Quinlan
A comic romp of epic proportions, this magical comedy and its lovers, fairies, and oh-so-Rude Mechanicals are the perfect company for an Arkansas midsummer night.

The 2016 tragedy: ROMEO AND JULIET
Directed by AST Producing Artistic Director Rebekah Scallet
Romance, intrigue, and adventure abound in Shakespeare’s timeless tale of the original
star-crossed lovers caught between their
warring families.

The 2016 musical: WEST SIDE STORY
Book by Arthur Laurents, Music by Leonard Bernstein , Lyrics by Stephen Sondheim
Directed and Choreographed by Jeremy Williams
This beloved musical transplants the story of Romeo and Juliet to 1950s New York City, where the warring Jets and Sharks stand in the way of true love.

The 2016 Family Shakespeare: TWELFTH NIGHT
This one-hour Family Shakespeare adaptation takes us to the island of Illyria, where shipwrecked Viola must disguise herself as a boy—causing complications in her love life.

Ark Shakes’ TWELFTH NIGHT at Wildwood

The Arkansas Shakespeare Theatre production of Shakespeare’s Twelfth Night journeys not to Illyria but the Little Rock this weekend.

After being performed at Hendrix College the first two weeks of its run, the production is being performed at Wildwood Park for the Arts this weekend.  Performances continue tonight at 7:30pm and tomorrow at 7:30pm.

Twelfth Night is directed by Rebekah Scallet, the producing artistic director of Arkansas Shakespeare Theatre.   The cast includes Nisi Sturgis, Chad Bradford, Kevin Browne, Ron Thomas, Jordan Coughtry, Heather Dupree, Tim Sailer and Curtis Jackson. Miss Sturgis and Messrs. Browne and Coughtry appear courtesy of Actors Equity Association.

Arkansas Shakespeare Theatre summarizes Twelfth Night thusly:

After a tragic shipwreck, Viola washes up on shore on the unknown island of Illyria.  Believing her brother to be lost, she disguises herself as a boy in order to seek shelter as a servant to the Duke Orsino.  Her plans quickly go awry, however, when she falls in love with the Duke, who is already in love with the Countess Olivia, who falls in love with Viola, whom she thinks is a boy.   Mistaken identities, missed signals, and mischievous mayhem abound in one of the Bard’s most romantic and delightful comedies.