Little Rock Look Back: Birth of a General

On January 26, 1880, Douglas MacArthur was born in the Arsenal Building while his father was stationed at the Little Rock Barracks.  Though he left Arkansas a few weeks later when his father was transferred, he returned to his birthplace on March 23, 1952. On that day he was greeted by crowds welcoming one of the USA’s most famous military figures.

Though Gen. MacArthur spent only a few weeks in Little Rock, he was baptized at Christ Episcopal Church.  The location of the baptism remains a mystery today because the church was meeting in temporary locations due to the first structure having been lost to a fire.

When the General returned to Little Rock in 1952, he did pay a brief visit to Christ Church.  He also spoke at the Foster Bandshell in the park which bore his name.  He was one of three presidential candidates to speak at the Foster Bandshell in 1952, the others were the eventual Democratic and Republican nominees Adlai Stevenson and Dwight Eisenhower.

When General MacArthur died, he was granted a state funeral.  He was one of the few non-Presidents to have been given this honor.

Today, the MacArthur Museum of Arkansas Military History is located in the Arsenal building.  It was created to interpret our state’s military heritage from its territorial period to the present.

Located in the historic Tower Building of the Little Rock Arsenal–the birthplace of General Douglas MacArthur–the museum preserves the contributions of Arkansas men and women who served in the armed forces.

Exhibits feature artifacts, photographs, weapons, documents, uniforms and other military items that vividly portray Arkansas’s military history at home and abroad.

Little Rock Look Back: LR Votes FOR a Municipal Auditorium

On January 26, 1937, Little Rock voters went to the polls to vote on three different municipal bond issues.  One of them was the construction of a municipal auditorium.

The bonds for the auditorium would be $468,000 in general obligation bonds which would be paid off between 1940 and 1971. This was toward a total cost of $760,000 for the entire project.

The official campaign for the auditorium was sponsored by the Little Rock Forward Committee which was led by W. H. Williams. In campaign advertisements it showed the value of conventions in New York City which was estimated at $100 per convention attendee. Little Rock organizers were estimating a $10 a day expenditure by visitors, which the committee stressed was very conservative. The campaign committee emphasized the importance of acting at that time due to the federal government money involved.

Various committees and organizations endorsed the auditorium project including the Little Rock Chamber of Commerce, Little Rock Federation of Women’s Clubs, and the Young Business Men’s Association.

The thrust of the campaign focused on the economic benefit to Little Rock as well as the fact that the auditorium would be for all citizens. This message was picked up in editorials by both the Democrat and Gazette. In editorials on January 23 and 25, the Democratopined that the benefits of the auditorium would be distributed among all classes of the citizenry. The next day, both papers ran editorials which touted the economic boon an auditorium would bring through conventions and meetings.

The Democrat’s approach broke down the current value of conventions to Little Rock with, what it termed, the city’s “existing inadequate” facilities. The paper emphasized a conservative estimate of what the added value to Little Rock’s economy would be with the new auditorium.

In expressing support for the auditorium the Gazette stressed the values for local, statewide and national groups. “An auditorium would provide a more convenient and better adapted community center for all kinds of local gathering,” and continued that it would make Little Rock “the logical meeting place for state conventions of every sort.” In discussing the value of state, regional and national meetings the paper stressed that the outside money spent by convention attendees has an impact beyond stores, hotels and restaurants.

Both papers also echoed the importance of the federal government financing to make this possible. The Democrat noted that the Public Works Administration grant and federal low cost loan made this an ideal time.

On January 26, 1937, Little Rock voters approved the auditorium bond by a vote of 1,518 to 519. It passed in each of the city’s 23 precincts. Little Rock Mayor R. E. Overman expressed his pleasure at the outcome of the vote and extended his thanks to the voters.

After the election, a Gazette editorial commented on the low turnout for the special election by commenting that the weather had been nice and there were no other barriers to voting. The editorial writer opined that those not voting in the election must not have been opposed to the endeavor.

Little Rock Look Back: LR FINALLY takes possession of Robinson Auditorium

Robinson Auditorium

On January 25, 1940, the City of Little Rock officially took complete possession of the Joseph Taylor Robinson Memorial Auditorium. By assuming custody of the structure from the contractor and the PWA, the City accepted responsibility for any of the remaining work to be completed.  This event happened one day shy of the third anniversary of the election which approved plans to issue bonds for an auditorium.  The act took place only about five months behind schedule.

E. E. Beaumont, the Auditorium Commission chairman, stated that an opening date could not be set until more work was completed. A major unfinished task was the laying of the front sidewalk which had been delayed due to cold weather.

The night before Little Rock took possession, Robinson Auditorium had been a topic of discussion at the Little Rock Chamber of Commerce annual meeting. The new Chamber president Reeves E. Ritchie (who as an Arkansas Power & Light executive had been engaged in the lengthy discussions about the installation of the steam line and transformers of the building) pledged that the Chamber would work to bring more and larger conventions to Little Rock at the Joseph Taylor Robinson Memorial Auditorium.

Rock the Oscars: Leo Robin and Jule Styne

Lyricist Leo Robin with composer Jule Styne working together on the score of Gentlemen Prefer Blondes at the time of the original production in 1949.

Perhaps the most famous song about Little Rock is “(I’m Just a) Little Girl from Little Rock.”  Written by Leo Robin and Jule Styne, it first appeared on Broadway in Gentlemen Prefer Blondes where it was sung by Carol Channing.  When the title was made into a movie, it was sung by Marilyn Monroe and Jane Russell.

Because it was not written for the screen, the song was not eligible for an Oscar.  However, the duo who wrote it had their fair share of Oscar nominations and wins.

Robin, earned ten nominations between 1934 and 1953.  As a lyricist, he collaborated with seven different composers in earning these nominations. His one Oscar came for “Thanks for the Memory” from The Big Broadcast of 1938.  In the film it was sung by Bob Hope and Shirley Ross.  It would be associated with Hope the rest of his life.

Styne also earned ten nominations; his were between 1940 and 1968.  Seven of the nominations were for collaborations with Sammy Cahn.  (There were three other partners with whom he shared nominations, too.)  His win came for “Three Coins in the Fountain” from the film of the same name.  In the movie it was sung by an uncredited Frank Sinatra during the opening title sequence. During the closing credits, an unnamed chorus repeated the song.

Gentlemen Prefer Blondes received no Oscar nominations, though Charles Lederer did receive a Writers Guild of America nomination for screenplay of an American Musical.  Though Jane Russell introduced an Oscar winning Best Song in Paleface (“Buttons and Bows”) and Oscar nominated Best Song in Son of Paleface (“Am I in Love”) she never received an Oscar nomination.  Monroe never received one either.  Only co-star Charles Coburn had any luck with Oscar.  He received three nominations, winning once.

Rock the Oscars: Broncho Billy Anderson

At the 1958 Oscars, GilbertM. “Broncho Billy” Anderson received an Honorary Oscar as a motion picture pioneer.  The citation praised  his contributions to the development of motion pictures as entertainment.

Born in Little Rock in March 1880, he was the son of Esther and Henry Aronson. Both were originally from New York.  Her parents were German-Jewish immigrants and his parents were Russian-Jewish immigrants.

After working as a photographer’s assistant and model, Anderson eventually found his way to vaudeville as a performer and writer.  In 1903, he appeared in the early seminal film The Great Train Robbery in several roles.  He created the western persona of Broncho Billy in front of the cameras.  Behind the scenes, he was a studio owner and director.  Over his career, he directed over 400 films.  By the early 1920s, he retired as an actor and director and devoted himself to owning a Broadway theatre and producing stage shows.

He made occasional film appearances beginning in the 1940s.  In 1958, he appeared in a documentary about Westerns for the TV show “Wide, Wide World.”  Also featured in that special were Little Rock actors Ben Piazza and Gail Davis.  His final screen appearance was in 1965’s The Bounty Killer.  He died in 1971 at the age of 90. He had been married to his wife for sixty years at the time of his death.

 

CALS renames Ark Studies Institute for former Director Bobby Roberts

The Central Arkansas Library System (CALS) has renamed the Arkansas Studies Institute (ASI) the Bobby L. Roberts Library of Arkansas History and Art in honor of the former CALS executive director who served in the position for more than twenty years before retiring in 2016. CALS Board of Trustees approved the motion in December.

“Bobby established a new normal at CALS by creating new concepts of what the public library could offer the community and by constructing unique spaces to make the library more appealing and accessible to all sorts of groups with varied interests in learning, enrichment, and entertainment,” said Nate Coulter, CALS executive director. “The library’s primary purpose has always been to provide access to information, but Bobby transformed and expanded what it means to be a library by placing a particular emphasis on Arkansas history and culture.”

Since the early 1990s, CALS has undergone several changes and expansions, now consisting of fourteen library locations in Little Rock, Perryville, and throughout Pulaski County. The Main Library moved from its original location at 7th and Louisiana to its current home in the River Market District, which helped trigger the revitalization of downtown Little Rock. That Main Library is now the centerpiece of a campus that includes the Ron Robinson Theater, the Cox Creative Center, and the Bobby L. Roberts Library of Arkansas History and Art (formerly ASI). Former CALS Board members spoke of Roberts’s leadership and his vision for the library system. Susan Fleming and Sheila Wright, former board vice-president and president, respectively, said Roberts’s vision and commitment to excellence are reflected in the building that will be displaying his name. Former CALS board member Frederick Ursery expanded on their thoughts:

“Our library system has been fortunate throughout its history to have strong leadership from numerous members of our community,” said Ursery. “However, I am not aware of any single person who has done more than Bobby Roberts to make CALS the dynamic asset that it is today. He deserves to be recognized for his achievement.”

Roberts’s efforts in building striking library structures, in ecologically sustainable construction, and in adaptive reuse have been recognized by local, state, national, and international organizations. That includes the newly named Roberts Library. Opened in 2009, as the Arkansas Studies Institute, the structure houses the Butler Center for Arkansas Studies, CALS’s Arkansas history department, and five galleries that feature art depicting the state or created by artists living in or from Arkansas.

“This complex of buildings certainly wouldn’t be here if it hadn’t been for Bobby Roberts. It is truly fitting for this edifice to be named in his honor,” said David Stricklin, director of the Butler Center.

Roberts’s special interests in Arkansas history and art and CALS’s long-held practice of collecting materials for the benefit of patrons interested in those topics helped inspire the conception of the ASI, which also houses the UA Little Rock Center for Arkansas History and Culture. The university’s Arkansas-related documents and photographs were moved to the facility and are available for public use under an arrangement Roberts developed with former UA Little Rock Chancellor Joel Anderson. The building is also home to the Arkansas Humanities Council’s headquarters and classrooms and offices for the Clinton School of Public Service.

Little Rock Look Back: 27 students attempt to integrate LR schools in 1956

Arkansas Democrat photo by staff photographer Mr. Bisgood.

On Monday, January 23, 1956, twenty-seven African American students attempted to integrate four Little Rock schools.  By the end of the day, all four school principals had refused entry and some of the students had met with LRSD Superintendent Virgil Blossom.

Eight girls who were students at Horace Mann High School arrived at Central High at 9:30 am accompanied by Daisy Bates and Frank W. Smith both of the NAACP.  One male student attempted to integrate Little Rock Technical High School.  Four students arrived at Forest Heights Junior High (accompanied by three adults) and fourteen students attempted to integrate Forest Park Elementary (accompanied by four adults).  Neither the Arkansas Gazette nor the Arkansas Democrat broke down the age or gender of the junior high and elementary students.

Though all were referred to meet with Mr. Blossom, only the young women from Horace Mann visited with him.  After the conversation both he and Mrs. Bates declared the conversation had been friendly.   Mr. Blossom, in denying the request, noted that the Little Rock School District had a plan for integration. To allow them to integrate immediately would have been going against the plan.  The integration plan was connected to the completion of the new high school.  If it were ready to open in the fall of 1957, then integration at the high schools would start then.  The newspapers noted that there was no timeline for when it would extend down to the junior high and elementary levels.

That evening, Rev. J. C. Crenchaw, the president of the Little Rock NAACP, issued a statement.  In it he expressed frustration that the LRSD was vague on its timeline for integration.  He noted that the students lived near the schools which they tried to integrate and were therefore forced to travel several extra miles each day to attend school.  He also commented that the young man who attempted to enroll at Tech was not afforded the training available there at his current school.

The Arkansas Democrat ran a photo of the meeting with Mr. Blossom.  It identified the seven students who were pictured.  No mention was made as to whether the eighth student was present but not photographed, or if she did not attend the meeting.  As was the practice at the time, the addresses of the students were listed by their names.  Based on those addresses, the students lived between 0.4 and 0.9 miles from Central High School and were between 2.1 and 3.2 miles away from Horace Mann High School.  Of the seven students in the photo, two were seniors, three were juniors, and three were sophomores.  None of the students named became part of the Little Rock Nine who did integrate Central High twenty-one months later.

On January 24, the Gazette editorial writer opined they were glad for the amicable nature of the conversations. They hoped it did not affect the good race relations in Little Rock.  The writer concluded by saying they did not want it to incite extremists (but did not specify if they viewed the extremists as being for or against integration.)