Category Archives: Arts & Humanities Month

Little Rock Look Back: LR Mayor Donald Mehlburger

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Mayor D L MehlburgerOn October 19, 1937, future Little Rock Mayor Donald Lee Mehlburger was born in Little Rock.  His parents were Max A. Mehlburger and Mary Lou Covey Mehlburger who also had another son Max C. Mehlburger.

Mehlburger’s first run for the City Board of Directors was in November 1968 when there was an open seat.  At the time he was 30, the youngest one could be and be elected to the City Board.  He lost that race, but eight years later ran again.  This time Mehlburger won the race.  At his first meeting on the City Board, Mehlburger was selected as Mayor of Little Rock by his colleagues.

Prior to running for the City Board the second time, Mehlburger had been appointed to the Planning Commission.  Planning and growth were two important emphases for Mayor Mehlburger, in addition to public safety.  He stressed the importance of quality growth in the edges of the city and a push for a revitalized downtown.  Mayor Mehlburger was also an advocate for public mass transit.

Due to business interests taking up too much of his time, he resigned from the City Board a few months before his term was up.  But he remained engaged in civic affairs.  Historic preservation was important to Mehlburger.  In addition to owning historic properties, he was a founding board member of the Historic Preservation Alliance of Arkansas.  He had graduated from the University of Arkansas and was a member of Trinity Episcopal Cathedral.  He had also been active with the Junior Chamber of Commerce (Jaycees) and Rotary Club 99.

Mehlburger died on May 25, 1992 and was buried at Mount Holly Cemetery.  His grave marker features an engraved sextant which pays tribute to his career as an engineer.  It also notes that he was Mayor of Little Rock.  Mayor Mehlburger was survived by his wife Susan and his three children – Donald Lee Jr., Harry and Katherine.

Challenges of Democracy & Leadership in South topic of Clinton School noontime talk

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Today at noon, the Clinton School Speaker Series will feature a program on democracy and leadership in the South.

In “Uniting Mississippi,” Eric Thomas Weber, associate professor of public policy leadership at the University of Mississippi and executive director of the Society of Philosophers in America, applies a new, philosophically informed theory of democratic leadership to Mississippi’s challenges.  These challenges could also be applied to Arkansas and most Southern states.

the book begins with an examination of Mississippi’s apparent Catch-22, namely the difficulty of addressing problems of poverty without fixing issues in education first, and vice versa. These difficulties can be overcome if we look at their common roots, argues Eric Thomas Weber, and if we practice virtuous democratic leadership. Since the approach to addressing poverty has for so long been unsuccessful, Weber reframes the problem.

The challenges of educational failure reveal the extent to which there is a caste system of schooling. Certain groups of people are trapped in schools that are underfunded and failing. The ideals of democracy reject hierarchies of citizenship, and thus, the author contends, these ideals are truly tested in Mississippi. Weber offers theories of effective leadership in general and of democratic leadership in particular to show how Mississippi’s challenges could be addressed with the guidance of common values.

The book draws on insights from classical and contemporary philosophical outlooks on leadership, which highlight four key social virtues: wisdom, courage, moderation, and justice. Weber brings to bear each of the virtues of democratic leadership on particular problems, with some overarching lessons and values to advance.

 

Creative Class of 2015: Matt McLeod

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McLeodMuralMatt McLeod is a painter, sculp­tor and mural­ist, spe­cial­iz­ing in fine art for res­i­den­tial, com­mer­cial and pub­lic art projects. His art hangs in many homes and businesses throughout Central Arkansas and beyond. Arguably his most visible work is the new mural at the corner of 6th and Main in the Creative Corridor.

After grad­u­at­ing from South­ern Methodist Uni­ver­sity in 1987, Matt spent a fifteen-year career in adver­tis­ing, before becom­ing a full-time artist. Matt spent the last eleven years in fine art, devel­op­ing paint­ings into his bold, vibrant style — what he calls Ener­getic Color.

Matt’s Ener­getic Color is included in sev­eral pri­vate and cor­po­rate col­lec­tions across the US and has brought sig­nif­i­cant recog­ni­tion, includ­ing pieces in the Delta Exhi­bi­tion at The Arkansas Arts Cen­ter and a paint­ing on the front cover of the first Arkansas Artists Cal­en­dar, cre­ated by The Arkansas Governor’s Man­sion Asso­ci­a­tion.

In 2011, Matt was the fea­tured artist for River­fest music fes­ti­val. Matt was the fea­tured artist for MusicFest El Dorado, in 2012. In 2013, Matt was the fea­tured artist for The Thea Foundation’s Annual Spring Fine Arts Fes­ti­val. This month, Matt opened a gallery in down­town Lit­tle Rock, spe­cial­iz­ing in highly col­lectible regional artists and res­i­den­tial and com­mer­cial commissions.

Little Rock Look Back: Little Rock becomes the Capital of Arkansas

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Arkansas TerritoryOn October 18, 1820, Territorial Governor James Miller signed legislation designating Little Rock as the new capital for Arkansas.  This was a mere 10 months after the first permanent settlement was established in Little Rock.

While Little Rock became the Capital, technically it was not the Capital City, since it would not be incorporated as a City until 1835. It wasn’t even incorporated as a town until 1831.

The Act provided that after June 1, 1821, the sessions of the Legislature and the Superior Court would be held at Little Rock.  This caused Arkansas Post, the first territorial capital, to fade from prominence.

The move was made based on the lobbying of Amos Wheeler, Chester Ashley and William Russell.  These men all owned land in the Little Rock area and would benefit from the move of the Capital to Little Rock. The official reason given was Little Rock’s geographical center to the Arkansas Territory and that it was elevated land less prone to flooding.

But as important, Messrs. Wheeler, Ashley and Russell promised to donate land for a capitol building and a guarantee of $20,000 for construction of a suitable building. (That would be the equivalent of $408,000 today.)

Around the time the legislation was approved, several members of the Territorial legislature purchased land around Little Rock.  When a subsequent effort to relocate the Capital upstream was launched, it failed due to the financial ties of these legislators to land in Little Rock.

Creative Class of 2015: Warren McCullough

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warren mcActor,  acting teacher and photographer, Warren McCullough spent his early career in Los Angeles where he starred in national TV commercials such as Jaguar, Bud Light, Natural Light, Zicam and GoodYear. He has worked alongside stars such as Jennifer Lopez, Molly Sims and Steve Carell.

He has acted in over twenty films, dozens of plays and has appeared on The Chelsea Handler Show and on the pages of Glamour, Blender and People magazines. He worked on television sets such as E.R., Entourage, Crossing Jordan, and The Young & The Restless and also movie sets such as He’s Just Not That Into You and Yes, Man.

Warren was recently nominated for Best Actor for his leading role in the film “The God Particle” which was one of only twenty films to be selected to the prestigious Louisiana Film Prize Film Festival.

Warren grew up in Thayer, MO, and Salem, AR, and graduated with a Bachelor of Arts degree in theater from Lyon College in Batesville, AR .

THE LOOK OF SILENCE tonight at the CALS Ron Robinson Theater

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RRT Look SilenceTonight at 8pm at the CALS Ron Robinson Theatre, The Look of Silence will be shown.  The film is Joshua Oppenheimer’s powerful companion piece to the Oscar®-nominated The Act Of Killing.

Through Oppenheimer’s footage of perpetrators of the 1965 Indonesian genocide, a family of survivors discovers how their son was murdered, as well as the identities of the killers. The documentary focuses on the youngest son, an optometrist named Adi, who decides to break the suffocating spell of submission and terror by doing something unimaginable in a society where the murderers remain in power: he confronts the men who killed his brother and, while testing their eyesight, asks them to accept responsibility for their actions. This unprecedented film initiates and bears witness to the collapse of fifty years of silence.

The film is rated PG-13. Admission is $5.

Zoo & Aristotle Launch Interactive Lit Trees & Map for BOO

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2015 BooThe Little Rock Zoo and Aristotle bring interactive fun to Boo at the Zoo this Halloween with a special Smartphone app and beacon technology that lets guests control lighted trees and provides an interactive online map of the event.

Interactive Tree Display      

Sponsored by Aristotle, the interactive tree display is located in front of the Diamond Express Train and features eight differently colored lit trees that can be controlled by a smartphone.  A part of the Internet of Things, a beacon is a small device that continually emits a specific webpage URL. When a phone is within range of the trees, the app will notify the user that a beacon is near. When visitors can select the beacon on their smart phones, a webpage with a keyboard graphic appears on the phone’s screen.  When guests press a color-coded key on the keyboard, a corresponding colored tree lights up and plays a musical note.  Up to ten (10) people within range of the trees can play at once and are allowed access for a limited amount of time.

Interactive Map

Guests who download the BeaconSage app will also be able to see an online Boo at the Zoo map on any smartphone device and can use the map to tell what rides and attractions are in a particular area. The map displays the number of tickets needed for rides and attractions as well as the age ranges for the rides and attractions.

Beacons have been strategically placed inside the Zoo so that smartphone devices will receive data transmissions from the beacons when the device is within range. Guests can participate in the interactive fun by downloading the BeaconSage app at the Apple App Store or through Google Play.

About Boo at the Zoo

Boo at the Zoo runs Oct. 17 & 18 and 23-31. Boo will feature all the fun that Arkansas families have come to expect, with trick-or-treat stations full of toys and candy to choose from, carnival rides and games, bounce house inflatables, Frankenstein’s Dance Party and the Thriller Dance performance, a nightly costume contest, live music every night, free s’mores with every ticket, free milk from Hiland Dairy, the Haunted Carousel ride, Haunted Train ride, a hay maze, face painting, glitter tattoos, kid’s area games, Haunted Bingo, and food trucks with food available for purchase each night.

Admission to Boo at the Zoo is $20 per person for wristband admission and includes all rides, attractions and six tickets for trick-or-treat stations and s’mores. Wristband admission does not include food or retail purchases or Haunted Bingo. General Admission is $10 and includes six tickets that may be used for trick-or-treat stations, s’mores, or for rides and attractions. Rides and attractions take between two and 10 tickets. Individual tickets for rides, attractions, treat stations and s’mores are also sold inside the Zoo for $.50 each and guests purchasing General Admission tickets also have the option to upgrade to a wristband if they chose. Admission passes can be purchased online starting now at www.LittleRockZoo.com/boo or at the Zoo’s front gate entrance.

Boo at the Zoo is sponsored by the Little Rock Convention and Visitors Bureau; Blue and You Arkansas Blue Cross Blue Shield Foundation; Acxiom; Ambetter of Arkansas; Coca-Cola Cumulus Broadcasting with B98.5, Alice 107.7 and KOKY 102.1; Arkansas Federal Credit Union; Aristotle; Discount Trophy; New Age Distributing; The Wonder Place; TruService Credit Union; Kroger; Target; Wal-Mart; Home Depot; and Premium Refreshment Services.

 

Teen Night Oct. 22

For the first time, Boo at the Zoo will offer a Teen Night for those in grades 7th through 12th. Students are asked to present their student IDs for entry or to present a document verifying their grade level. Chaperone tickets are also available at a discounted price for this event, and the Zoo has added extra security on this night to ensure that teens have a safe and fun experience. Tickets for Teen Night are $20 per person and chaperone tickets are $10 per person.

Dia de los Muertos Oct. 30

In honor of the traditional Hispanic holiday, Dia de los Muertos, the Little Rock Zoo has partnered with Hola! Arkansas to host a special Boo at the Zoo on Oct. 30. The rich culture of Dia de los Muertos will be showcased by members of Hola! Arkansas, who will set up a special altar in honor of deceased relatives – a tradition of many Hispanic families celebrating this holiday that normally falls on Nov. 1. This special night of Boo at the Zoo will also feature Hispanic dancers and performers. All regular Boo at the Zoo activities and events will also be available, and the event is open to the public.

Boo at the Zoo Background

Boo at the Zoo is Arkansas’s largest Halloween festival featuring trick-or-treating in a safe environment along with dozens of Halloween themed activities for the entire family. Now is its 24th year, Boo at the Zoo has become a staple for central Arkansas families. Boo at the Zoo is a nighttime event where the Little Rock Zoo reopens after normal operating hours to host ghosts and ghouls and everything that goes “bump” in the night in all corners of the Zoo. Costumes are not required to attend Boo at the Zoo but are encouraged. The event is known for popular attractions such as the Haunted Train where the Zoo’s miniature train is turned into a haunted nighttime attraction as well as the Haunted Carousel that is free to the public. To learn more visit www.LittleRockZoo.com/boo