See the BEE

Rep Spelling BeeF-U-N is all the spelling you need to know to go see The 25th Annual Putnam County Spelling Bee. This musical comedy with heart and smarts is running now through November 8 at Arkansas Repertory Theatre.

A 2005 Tony winner for Best Book of a Musical, Spelling Bee (as it shall hereafter be abbreviated) explores the twists and turns of both the eponymous academic competition and the struggle known as adolescence. While William Finn’s score may not be as strong as some of his other shows, it is a mixture of peppy and heart-felt songs that illuminate the chaos and character of each competitor.

There are six main competitors in the Bee. Each of the adult actors playing these juvenile spellers does a masterful job of balancing the demands of the roles. They must portray youngsters, without it becoming a parody. Ethan Paulini creates yet another endearingly offbeat character at the Rep as Leaf Coneybear. Tessa Faye’s Logainne Schwartzandgrubenierre shifts seamlessly between exuberance and frustration. Laura Dadap aptly showcases her many talents as overachiever Marcy Park.

As Chip Tolentino, Tommy Martinez is so clean-cut and charming that his character’s unfortunate physical condition is endearing and not creepy. Conly Basham brings warmth, pathos, and heart to the role of Olive Ostrovsky, which keeps the character from straying into the realm of the pitiful or maudlin. As William Barfee (pronounced Bar-fay, except by everyone else on stage), Patrick Halley embraces the profound oddities and quirks in the character without making him grotesque.

Playing the adults are the warm Andi Watson as a former spelling bee champion intent on reliving her glory days, the officiously hilarious Scott McLean Harrison as a frustrated and frustrating Assistant Principal, and Correy West as a community service grief counselor. Watson and Harrison are kept on their toes throughout the show as they must interact with the guest spellers from the audience.

This is no cookie-cutter production of Spelling Bee. Director Nicole Capri has crafted a production that plays to the unique strengths of each of the actors. She keeps the show moving at a good pace, while allowing it to slow down enough for the audience and actors to enjoy the moments of bliss and melancholy. Capri obviously created a rehearsal environment encouraging the actors to take risks and to have fun.

Musical Director Mark Binns again excels in serving the score, singers and the audience. Mike Nichols’ set recreates a school gymnasium down to the ropes dangling from a ceiling. Shelly Hall’s costumes capture the personalities of each character in a fresh way. Dan Kimble’s lighting and Allan Branson’s sound design are vital to reflecting the different moods and moments as the story sometimes shifts to different planes of consciousness. Lynda J. Kwallek’s props ensure the show has a lived-in look.

While the show may have a message about the value of every person, it is not a “MESSAGE” show. It is intended to be fun. The Arkansas Rep production of The 25th Annual Putnam County Spelling Bee gets the gold cup for providing an enjoyable, entertaining, and enlightening outing at the theatre.

Ron Robinson Theater showing The Tale of the Princess Kaguya this afternoon

RRT Tale PrincessThe Tale of the Princess Kaguya was nominated for Best Animated Feature earlier this year at the Oscars.

Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady. The mysterious young princess enthralls all who encounter her – but ultimately she must confront her fate, the punishment for her crime

An international cast of actors voice the characters in this film including James Caan, Darren Criss, Lucy Liu, Beau Bridges, Dean Cain, Oliver Platt, James Marsden and Oscar winner Mary Steenburgen.

It screens this afternoon at 2pm at the Ron Robinson Theater.  Admission is $5 with concessions available for purchase.

This is part of the Kid Flix series.

Dvorak Symphony No. 8 featured at this weekend’s ASO concerts

aso parnasThe Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, presents the second concert of the Stella Boyle Smith Masterworks Series: Dvořák’s Symphony No. 8, 7:30 PM Saturday, October 17 and 3:00 PM Sunday, October 18, 2015. Under the baton of guest conductor Imre Palló, the Arkansas Symphony Orchestra will perform Kodály’s Dances of Galánta  , Haydn’s Concerto for Cello in C Major – featuring up-and-comer Cicely Parnas – and Dvořák’s Symphony No. 8 in G Minor. The Masterworks Series is sponsored by the Stella Boyle Smith Trust.

Concert Conversations – All concert ticket holders are invited to a pre-concert lecture an hour before each Masterworks concert. These talks feature insights from the Maestro and guest artists, and feature musical examples to enrich the concert experience.

Tickets are $19, $35, $49, and $58; active duty military and student tickets are $10 and can be purchased online at www.ArkansasSymphony.org; at the Maumelle Performing Arts Center box office beginning 90 minutes prior to a concert; or by phone at 501-666-1761, ext. 100. All Arkansas students grades K-12 are admitted to Sunday’s matinee free of charge with the purchase of an adult ticket using the Entergy Kids’ Ticket, downloadable at the ASO website.

 Artists

Imre Palló, conductor

Cicely Parnas, cello

Program

Kodály                  Dances of Galánta

Haydn                   Cello Concerto No. 1 in C Major

Dvořák                  Symphony No. 8 in G Major, Op. 88

Program Notes:

Guest conductor Imre Palló brings a personal connection to this program: composer Zoltan Kodály was his godfather was involved in his early music education. As a mentor of ASO Music Director Philip Mann, Palló continues a long musical tradition of generational knowledge. Dvořák’s Symphony No. 8 appears on this program at the personal request of Maestro Palló, and is built on the folk-flavored Romantic compositional foundations established by Smetana. Of particular interest is the theme and variations of the finale, a musical form not often found in symphonic finales – though notably featured in the matching section of Beethoven’s ‘Eroica.’

 

About Arkansas Symphony Orchestra

The Arkansas Symphony Orchestra celebrates its 50th season in 2015-2016, under the leadership of Music Director Philip Mann. ASO is the resident orchestra of Robinson Center Music Hall, and performs more than sixty concerts each year for more than 165,000 people through its Stella Boyle Smith Masterworks Series, ACXIOM Pops LIVE! Series, River Rhapsodies Chamber Music Series, and numerous concerts performed around the state of Arkansas, in addition to serving central Arkansas through numerous community outreach programs and bringing live symphonic music education to over 26,000 school children and over 200 schools.

Creative Class of 2015: Erin Martinez

erin54Moving with ease from a portraying a frustrated actress to an earthy Italian strumpet, Erin Martinez has had a memorable 2015 on Little Rock stages. Along the way, this singer/musician, actor, and music teacher has performed cabaret at various Little Rock night spots as well.

​During her childhood she spent many hours singing, composing, or teaching herself to play various instruments. She has been actively involved in performing in orchestra, band, jazz band, and theatre arts well into her adulthood.

In addition to appearing earlier this year in The Studio Theatre productions of The Last 5 Years and Nine, ​Erin has acted in theatrical productions (sometimes even in shows without numbers in the title) with several Central Arkansas companies such as The Weekend Theater, The Royal Players, The Community Theater of Little Rock. She made her NYC debut in November 2013 at 54 Below with Broadway composer Jason Robert Brown.

​Erin received a Bachelor of Music Performance, Bachelor of Music Education, and a Bachelor of Arts in Spanish from The University of Central Arkansas. She enjoys a career teaching elementary music to children ages 4-12 and is very passionate about the importance of fine arts education.

Brian Jones & Bruce Adami present recital tonight for Central Ark. Chapter of American Guild of Organists

Tonight, the Central Arkansas Chapter of the American Guild of Organists presents a benefit concert for Out of the Woods Animal Rescue of Arkansas.  

The organists are Brian Jones & Bruce Adami.  The concert is free and open to the public. Donations will be accepted for Out of the Woods Animal Rescue.
It starts at 8pm at First Presbyterian Church.

Brian Jones, one of America’s most highly regarded church musicians, is Emeritus Director of Music and Organist at Trinity Church, Copley Square, Boston, where he directed a widely acclaimed program from 1984 to 2004. He has since served in three interim positions: Director of Cathedral Music at the Cathedral of St John, Albuquerque, New Mexico; Director of Music at Old South Church in Boston; and Associate Organist of Memorial Church, Harvard University, Cambridge, Massachusetts. He is active as an organ solo concert artist, and is in demand as guest conductor and accompanist.
In June, 2009, he was Organist in Residence at Grace Cathedral, San Francisco while the cathedral choir was on tour in Europe. He is Director of the Copley Singers, a Boston-based choir he founded in 2006, and with which he has appeared in the New England area as well as on Bermuda, where the singers collaborated with the Ensemble Singers of Bermuda in a concert in May, 2009 celebrating the 400th anniversary of the founding of the island. From January through May, 2010, Brian was Visiting Artist at Christ Church Cathedral, Lexington, Kentucky, where he collaborated with Erich Balling, Director of Music, in the outstanding program which features a choir of girls, boys, and men.

Bruce Adami is organist at Christ Episcopal Church, Exeter, New Hampshire. He has given solo organ recitals throughout New England. For more than thirty years, he has taught organists of all ages. From 1984 through 2004, he was director of music and organist at Brookside Congregational Church, UCC, in Manchester. He holds a Bachelor of Music in organ performance from the Oberlin College Conservatory of Music, where he studied with Haskell Thomson.

He is active in the New Hampshire chapter of the American Guild of Organists (AGO), for which he has served as treasurer and dean. In 2009, he was the faculty coordinator for the AGO Pipe Organ Encounter in Manchester. Since 2008, he has taught students through the Young Organist Collaborative, and currently serves on the Young Organist Collaborative Committee.

Our America exhibit at Arkansas Arts Center celebrates Latino presence in American Art

The Arkansas Arts Center welcomes the exhibition Our America: The Latino Presence in American Art, a major collection of modern and contemporary Latino art from the Smithsonian American Art Museum,  through January 17, 2016.

The exhibition Our America includes 93 works in all media by 72 artists who participated in various artistic styles and movements, including abstract expressionism; activist, conceptual and performance art and classic American genres such as landscape, portraiture and scenes of everyday life.

Our America presents the rich and varied contributions of Latino artists in the United States since the mid-20th century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum’s pioneering collection of Latino art.

To enhance the “Our America” exhibition, the AAC is incorporating several digital components including an exhibition preview video on YouTube, a six-part documentary film series and podcasts to accompany several works. The video can be viewed at tiny.cc/YouTubeOurAmerica.

In collaboration with the University of Arkansas at Little Rock, the AAC is hosting a free film series in six parts. Latino Americans: 500 Years of History is a landmark documentary produced by the National Endowment for the Humanities (NEH) and the American Library Association (ALA), featuring interviews with nearly 100 Latinos and exploring more than 500 years of history. Each episode will be shown Sundays at 2 p.m. in the Lower Level Lecture Hall beginning October 18 with a special community discussion led by Dr. Kristin Dutcher Mann, UALR associate professor of history and social studies education coordinator.

The film schedule is as follows:

October 18, 2015 | 2:00 p.m.
Latino Americans “Episode 1: Foreigners in their Own Land (1565-1880)”
Following the screening, Dr. Kristin Dutcher Mann, UALR associate professor of history and social studies education coordinator, will lead a community discussion about the continuing relevance of the colonial and early national periods in the U.S.-Mexico borderlands

October 25, 2015 | 2:00 p.m.
Latino Americans 
“Episode 2: Empire of Dreams (1880-1942)”

November 1, 2015 | 2:00 p.m.
Latino Americans 
“Episode 3: War and Peace (1942-1954)”

November 8, 2015 | 2:00 p.m.
Latino Americans 
“Episode 4: The New Latinos (1946-1965)”

November 15, 2015 | 2:00 p.m.
Latino Americans “Episode 5:  Prejudice and Pride (1965-1980)”
Following the screening, Edma Delgado-Solórzano, UALR doctoral candidate and visiting assistant professor will lead a community discussion about the episode which focuses on the development of the “Chicano” identity.

November 22, 2015 | 2:00 p.m.

Latino Americans “Episode 6: Peril and Promise (1980-2000)”

Additionally, the Arkansas Arts Center will offer several programs and events to complement the exhibition and enhance the impact on both English- and Spanish-speaking visitors.

Our America will feature bilingual labels for each work and a Spanish-language website created by the Smithsonian American Art Museum. Select works also feature podcasts with the artist’s commentary. Museum goers can simply call a number, scan a QR code or visit a website for more background on the artist and background on each piece—in English and Spanish.

Artists featured in the exhibition reflect the rich diversity of Latino communities in the United States. Our America showcases artists of Mexican, Puerto Rican, Cuban and Dominican descent, as well as other Latin American groups with deep roots in the United States. By presenting works by artists of different generations and regions, the exhibition reveals recurring themes among artists working across the country.

The 72 artists featured in the exhibition are ADÁL, Manuel Acevedo, Elia Alba, Olga Albizu, Carlos Almaraz, Jesse Amado, Asco (Harry Gamboa Jr., Gronk, Willie Herrón and Patssi Valdez), Luis Cruz Azaceta, Myrna Báez, Guillermo Bejarano, Charles “Chaz” Bojórquez, María Brito, Margarita Cabrera, María Magdalena Campos-Pons, Melesio “Mel” Casas, Leonard Castellanos, Oscar R. Castillo, José Cervantes, Enrique Chagoya, Roberto Chavez, Carlos A. Cortéz, Marcos Dimas, Ricardo Favela, Christina Fernandez, Teresita Fernández, iliana emilia garcía, Rupert García, Scherezade García, Carmen Lomas Garza, Ignacio Gomez, Ken Gonzales-Day, Hector González, Luis C. “Louie the Foot” González, Muriel Hasbun, Ester Hernandez, Judithe Hernández, Carmen Herrera, Carlos Irizarry, Luis Jiménez, Miguel Luciano, Emanuel Martinez, María Martínez-Cañas, Antonio Martorell, Ana Mendieta, Amalia Mesa-Bains, Franco Mondini-Ruiz, Delilah Montoya, Malaquias Montoya, Abelardo Morell, Jesús Moroles, Raphael Montañez Ortiz, Pepón Osorio, Amado M. Peña Jr., Chuck Ramirez, Paul Henry Ramirez, Sophie Rivera, Arturo Rodríguez, Freddy Rodríguez, Joseph Rodríguez, Frank Romero, Emilio Sánchez, Juan Sánchez, Jorge Soto Sánchez, Rafael Soriano, Ruben Trejo, Jesse Treviño, John M. Valadez, Alberto Valdés and Xavier Viramontes.

The exhibition is organized by E. Carmen Ramos, curator of Latino art at the Smithsonian American Art Museum.

Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez, Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for “Treasures to Go,” the museum’s traveling exhibition program, comes from The C.F. Foundation, Atlanta.

Our America is sponsored in Arkansas by Donna and Mack McLarty, The Brown Foundation, Inc., of Houston, Consulate of Mexico in Little Rock and Alan DuBois Contemporary Craft Fund. Media sponsors include ¡Hola! Arkansas and Telemundo Arkansas.

Musical Legacy of Sister Rosetta Tharpe celebrated tonight by Arkansas Sounds, AETN at CALS Ron Robinson Theater

sister_rosettaTonight at 7pm at the CALS Ron Robinson Theater, Arkansas Sounds presents a detailed look at the life of Sister Rosetta Tharpe with a screening of The Godmother of Rock and Roll and a tribute mini-concert of her songs.

Arkansas native Rosetta Nubin Tharpe (Sister Rosetta Tharpe) was one of gospel music’s first superstars, the first gospel performer to record for a major record label (Decca), and one of the first artists to cross over from gospel to secular music. Tharpe has been cited as an influence by numerous musicians, including Bob Dylan, Little Richard, Elvis Presley, and Arkansan Johnny Cash.

In partnership with AETN, Arkansas Sounds will celebrate the 100th anniversary of her birth with a screening of the PBS American Masters documentary The Godmother of Rock and Roll, followed by a musical tribute performance of her songs.