Category Archives: Design

Architect Kevin McClurkan in conversation tonight

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Kevin_McClurkanTonight at 6pm at the Arkansas Arts Center, award-winning architect and Arkansas native Kevin McClurkan, AIA, will make a presentation entitled THREADS: Ennead Architects’ Recent Works.  This is part of the monthly Architecture and Design Network lecture series.

A founding partner and management principal of  Ennead  Architects, New York-based architect Kevin McClurkan, has Arkansas roots and  continuing connections. An alumnus  of Pine Bluff High School, McClurkan earned his Bachelor of Architecture degree from the University of Arkansas, Fayetteville, where, in 1983, he received the Edward Durell Stone Award for Excellence in Design.

McClurkan has  continued to earn awards – a prestigious national American Institute of Architects Honor Awards among them. His  commitment  to design excellence, supported by  technical innovation,  is the hallmark of his work.  Little Rock’s William J.  Clinton Presidential Center; the Newseum/Freedom Forum Foundation World Headquarters, Washington D.C.; New York University’s Tisch School of the Arts  and  the Pennsylvania State University Dickinson School of Law are among the firm’s recent award-winning projects.

Ennead is the name of the firm formerly known as Polshek Partnership Architects. The firm’s  2010 renaming emphasizes  its identity as a group of architects rather than that of a single design leader.  The new name,  which means a group of nine,  reflects the democratic and collaborative culture of the partnership.

Currently working with Little Rock’s  Polk Stanley Wilcox on the redesign of the city’s  Robinson Auditorium, McClurkan  is a member of the  the University of Arkansas Fay Jones School of Architecture’s Professional Advisory Board.  Of interest to the whole community,  his April talk is  free and open to the public.

For additional information, contact ardenetwork@icloud.com.

HEART/HAND: an architectural lecture by Billie Tsien

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TseinThis month, the Architecture and Design Network features Billie Tsien, AIA, NCAARB, FAAR of Tod Williams Billie Tsien Architects of New York City.

Ms. Tsien’s lecture will take place tonight in the Arkansas Arts Center lecture hall.  Her remarks will begin at 6pm following a reception at 5:30.

Born in Ithaca New York, Billie Tsien received her undergraduate degree in Fine Arts from Yale and her Master in Architecture from UCLA. Currently, in addition to practicing, teaching and lecturing, she serves on the advisory council for the Yale School of Architecture. In 2007 Tsien was elected to the American Academy of Arts and Sciences and the American Academy of Arts and Letters.

Tsien and her husband Tod Williams have been working together since 1977. Their firm, which operates out of a small, unpretentious studio on Central Park South in New York City, has earned wide acclaim for its work. This past December, the American Institute of Architects awarded the firm its prestigious 2013 Architecture Firm Award in recognition of work that “reveals a contemporary sensibility and intelligence.” Given annually, the award is the highest honor the AIA bestows on a firm. It recognizes a practice that has consistently produced distinguished architecture for at least ten years.

Their recently completed, 93,000 square foot museum in Philadelphia, designed for the Barnes Foundation, has drawn critical acclaim from many sources. In January, the AIA gave it a 2013 Institute Honor Award for Architecture. The new facility replaces the original one in Merion, Pennsylvania, established by Dr. Albert C. Barnes in 1922. A challenge to its designers was to replicate the original 12,000 square foot main gallery, replete with art as arranged by the late Dr. Barnes himself. And they did.

Supporters of the Architecture and Design Network, a non-profit organization, include the Arkansas Arts Center, the University of Arkansas Fay Jones School of Architecture and the Central Arkansas Chapter of the American Institute of Architects.

The lecture is free and open to the public.

Artist Kevin Kresse at “Tales from the South” Tuesday, March 5

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kevinselfportrait

Kevin Kresse in a self-portrait

Tuesday, March 5 , the Starving Artist Cafe will come alive with Tales from the South’s monthly “Tin Roof Project” which features a Southerner in conversation. This month the featured guest is artist Kevin Kresse.

Artist Kevin Kresse, a native Arkansan, supports his family as a painter and sculptor in Little Rock. He has exhibited his work around Arkansas and in New York, NY, Washington D.C., Memphis, TN, and Atlanta, GA.

Kresse has been awarded painting fellowships from the National Endowment for the Arts-Mid America Arts Alliance and the Arkansas Arts Council. He has also won several awards in the Arkansas Arts Center annual Delta competition.

He has been featured in the Arkansas Times, Arkansas Democrat-Gazette, the North Little Rock Times, the Little Rock Free Press, Active Years Magazine, and Soiree Magazine.

Kresse has also been featured in pieces produced by the local affiliates of ABC, CBS, and PBS television, as well as a film short by Garret Lakin. Kevin lives in Little Rock with his wife Bridget and their three children.

Brad Williams and blues guitarist Mark Simpson will provide musical entertainment.

Dinner 5pm-6:30pm
Show starts at 7pm
Admission is $7.50.  You MUST purchase your ticket before the show.

Tales From the South is a radio show created and produced by Paula Martin Morell, who is also the show’s host. The show is taped live on Tuesday. The night is a cross between a house concert and a reading/show, with incredible food and great company. Tickets must be purchased before the show, as shows are usually standing-room only.

“Tales from the South” is a showcase of writers reading their own true stories. While the show itself is unrehearsed, the literary memoirs have been worked on for weeks leading up to the readings. Stories range from funny to touching, from everyday occurrences to life-altering tragedies.

Tales from the South airs on KUAR Public Radio on Thursdays at 7pm.

Arkansas Arts Center features Wendy Maruyama’s Executive Order 9066

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Watchtower

Wendy Maruyama
Watchtower, 2008

Exhibits look at Japanese-American internment camps during WWII

This exhibition combines two projects of Wendy Maruyama, a studio furniture maker and head of the studio furniture program at San Diego State University. These projects, the Tag Project and Executive Order 9066, together tell the story of the Japanese-American internment camps during World War II.

In the Tag Project, Maruyama replicated 120,000 individual identification tags worn by the internees in the ten relocation camps, including two in Arkansas. Maruyama assembled the re-created paper tags in ten groups, each group representing all the internees at a specific camp. Each of these groupings hangs from the gallery ceiling and is about 11 feet tall. Maruyama has folded the Tag Project into a parallel project of hers titled Executive Order 9066 to show them together in this exhibition.

Executive Order 9066 was the directive signed by President Franklin D. Roosevelt ordering the incarceration of all people of Japanese ancestry then resident in the United States. For the parallel project, Maruyama created work that explores ethnicity and identity through suitcases, footlockers and steamer trunks, artifacts from their owners’ forced relocation journey in 1942.

The exhibits were organized by The Society of Arts and Crafts in Boston.

The Arts Center has collaborated with the Butler Center for Arkansas Studies and the Arkansas Center for History and Culture to organize Relics of Rohwer: Gaman and the Art of Perseverance, a related exhibition documenting the experiences and artwork of Japanese Americans at Rohwer, one of two internment camps located in Arkansas.The artwork is on loan from the Mabel Rose Jamison Vogel/Rosalie Santine Gould Collection, Butler Center for Arkansas Studies, Central Arkansas Library System.

Reed Kroloff: CHANGING THE WORLD: ONE INSTALLATION AT A TIME

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kroloffTonight at 6pm, architect Reed Kroloff will give a presentation entitled “Changing the World: One Installation at a Time.” This is part of the ongoing lecture series by the Architecture and Design Network.

Since 2007, architect Reed Kroloff has been the director of Cranbrook Academy of Art and Museum, a graduate school of arts and design which prides itself on being a community. Cranbrook has been home to such luminaries as Eero Saarinen, Charles Eames, Daniel Libeskind. Florence Knoll, Tod Williams and Toshiko Takiezu – to name a few.

This past year Kroloff served as a member and chair of the jury that selected the prize winners of the 2012 design competition sponsored by the Arkansas Chapter of the American Institute of Architects

Supporters of the lecture series include the Central Arkansas Chapter of the American Institute of Architects, The Fay Jones School of Architecture and the Arkansas Arts Center.

The lecture is free and open to the public. For more information e-mail Projects4pi@mac.com.
Date: Tuesday, Feb. 12, 2013
Time: 6 p.m., preceded by a reception at 5:30 p.m.
Place: Arkansas Arts Center lecture hall

Friday Faces of February: Native Knowledge

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In the month of February the LR Culture Vulture will highlight four different faces found in sculpture and architecture in Central Arkansas.

Native American Face

To start things off is one of the faces from the new sculpture Native Knowledge which is located in Riverfront Park.  The installation was created by Denny Haskew.  Native Knowledge is a tribute to the Caddo, Osage, and Quapaw Native American Cultures of Arkansas.

It is sited near the Quapaw Line and La Petite Roche.  The location is important because the Quapaw Line was used as demarcation to separate the Quapaw Tribe from land available for white settlers.  It ran from La Petite Roche due south.  In addition, La Petite Roche was a stop along the “Trail of Tears” as Native American tribes were resettled from their original homes in the American Southeast to points west.

 

Sandwiching in History at Capital Hotel today

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Capital Hotel frontThe Arkansas Historic Preservation Program’s “Sandwiching in History” program pays a visit this month to a location which is accustomed to receiving visitors — The Capital Hotel.

Built in 1872-1873 by businessman William P. Denckla, the Denckla Block, as it was then called, housed various shops on the first floor with offices and gentlemen’s apartments on the upper floors. The building featured a distinctive cast-iron façade with a projecting cornice, arched window openings, and engaged columns with Corinthian capitals. In 1877 the Denckla Block was converted into an hotel and quickly became the center of political and social activity in Little Rock. Over the years the building has been expanded upward and southward.

By the late 1960s, it fell into disrepair.  But through two extensive renovations, the Capital Hotel has been restored to its original beauty and continues to provide luxury accommodations in the capital city.

The “Sandwiching In History” program is a series of tours that seeks to familiarize people who live and work in central Arkansas with the historic structures and sites around us. The tours take place on Fridays at noon, last less than an hour, and participants are encouraged to bring their lunches so that they can eat while listening to a brief lecture about the property and its history before proceeding on a short tour.

The Arkansas Historic Preservation Program is an agency of the Department of Arkansas Heritage.