Scenes from Elizabeth Eckford bench groundbreaking

On May 17, 2018, Elizabeth Eckford joined with representatives of the National Park Service, Little Rock School District, Bullock Temple CME, and many other organizations to break the ground for a commemorative bench.

This bench is a reproduction of the one on which Ms. Eckford sat so famously on the morning of September 4, 1957.

The bench will be built over the summer and installed in September 2018.

Here are some scenes from the ceremony.

Elizabeth Eckford visits with Central High School Principal Nancy Rousseau.

David Kilton of the National Park Service speaks at the ceremony.

Attendees spilled out of the tent and lined the street for the event.

Ms. Eckford speaks to the crowd.

Ms. Eckford is joined by Central High students in breaking ground.

 

Little Rock Look Back: Dedication of the Arkansas Arts Center on May 18, 1963

AAC Logo in 1963

On Saturday, May 18, 1963, amidst fanfare and fans of the arts, the Arkansas Arts Center officially opened its doors.  (This was thirty-five years and three days after the Fine Arts Club had opened the first permanent art gallery in Arkansas in the Pulaski County Courthouse).

The 11:00 am dedication ceremonies on took place in the Arts Center Theatre and featured U.S. Senator J. William Fulbright (who was in the midst of championing what would soon be known as the John F. Kennedy Center for the Performing Arts), Congressman Wilbur Mills, Governor Orval Faubus, Little Rock Mayor Byron Morse, Winthrop Rockefeller and Jeanette Rockefeller.

The dedication ceremony was chaired by Jane McGehee, now known as Jane McGehee Wilson.  Earlier this month she was honored at the Arkansas Arts Center with an outstanding patron award in recognition of her work supporting the Arkansas Arts Center for close to six decades.   More information on her work for the AAC can be found here.

The Arts Center lower level in 1963

Among the exhibits at the Arkansas Arts Center for the grand opening was a special exhibit from the Metropolitan Museum of Art in New York entitled Five Centuries of European Painting.  In Little Rock for six months, this exhibit featured works by El Greco, Titian, Claude Monet, Odilon Redon, Pierre Renoir, Paul Signac, Edgar Degas, and Paul Gauguin among many others and spanned from the fifteenth century Early Renaissance era to the nineteenth century.

Prior to the opening, a profile on the Arts Center in The Christian Science Monitor touted the building as one of the first regional arts centers in the country to be completed. Benefiting from national ties of the Rockefeller family, the events in May 1963, set a high standard for the institution, and for other regional art museums.

Little Rock Look Back: Media preview, Gordon MacRae concert prior to Arkansas Arts Center Opening

Photo of singer Gordon MacRae from the 1963 Arkansas Arts Center dedication booklet

On Friday, May 17, 1963, Little Rock’s media were treated to a preview of the new Arkansas Arts Center.  It was set to open to the public the next day.  The media were invited to attend between 6:30pm and 10:00pm.

One of the highlights was the chance to view the exhibit:  Five Centuries of European Painting.  The works were from the collection of the Metropolitan Museum of Arts.  The exhibition featured works by Titian, El Greco, van Dyck, Murillo, Gainsborough, Monet, Courbet, Renoir, Degas, Pissarro, and Gauguin.  Another artist featured was Paul Signac.  Today the Arts Center has one of the largest collections or works by Signac due to the generosity of collector James T. Dyke.

At 8pm that evening, there was a concert appearance by film and recording star Gordon MacRae.  This took place in the Arts Center’s theatre for Arts Center patrons. (Or at least the 389 who could get tickets to it.)  At 10pm, the press were treated to an encore performance by Mr. MacRae.

After it concluded around 11pm, it was time for the staff and volunteers to wind down for the evening and get ready for two major events on May 18, 1963.

Little Rock Look Back: US Supreme Court hands down BROWN v BOARD decision

On May 17, 1954, the U.S. Supreme Court issued its ruling in Brown vs. Board of Education of Topeka.  

This landmark United States Supreme Court case declared state laws establishing separate public schools for black and white students to be unconstitutional. The decision overturned 1896’s Plessy v. Ferguson decision, which allowed state-sponsored segregation in public education. In a unanimous 9-0 decision, the Warren Court stated “separate educational facilities are inherently unequal.”  The results of this decision would be tested on the streets of Little Rock in 1957.

The Court’s fourteen page decision did not spell out any sort of method for ending racial segregation in schools, and the Court’s second decision in Brown II, muddied the waters even further by only ordering states to desegregate with the oxymoronic “all deliberate speed.”

Brown v. Board grew out of a class action suit filed in Topeka, Kansas, by thirteen African American parents on behalf of their children.  Mr. Oliver Brown was the only male. He was chosen to be the lead plaintiff, because it was felt that the court would look more favorably on a male plaintiff.  The District Court ruled in favor of the Board of Education, citing Plessy v. Ferguson.  The court did note that segregation had a detrimental effect on African American students, but that since the Topeka schools were substantially equal, there was no relief to be granted.

When it was appealed to the Supreme Court, Brown v. Board was combined with four other cases from other jurisdictions.  All were NAACP sponsored cases.  Thurgood Marshall was the lead attorney for the plaintiffs.  In December 1952, the Justice Department filed a “friend of the court” brief and argued, in part, that racial segregation had a detrimental effect on US foreign policy. Communist countries were using racial separation in anti-US propaganda.

In the spring of 1953, the Supreme Court held the case.  Unable to decide the issue, they reheard it in the fall of 1953.  They then put special emphasis on the Fourteenth Amendment’s Equal Protection Clause.

During deliberations, Chief Justice Earl Warren insisted on a unanimous ruling to avoid massive Southern resistance.

Since the Topeka schools were found to be substantially equal, the Court’s ruling was important in noting that the harm came from the separation.  While there was no doubt that many (if not most) African American public schools were inferior in infrastructure and supplies to white schools – that in and of itself was not the issue.

School leaders in Little Rock started perusing the Brown decision and considering how the Little Rock School District would comply.

Groundbreaking today for Elizabeth Eckford commemorative bench project

Little Rock Central High School National Historic Site is collaborating with the Central High Memory Project students and additional partners for the groundbreaking ceremony of the Elizabeth Eckford Commemorative Bench on May 17, 2018.  It will take place at 4:30 this afternoon at the corner of Park and 16th Streets.

The date for this groundbreaking was chosen to be on the 64th anniversary of the US Supreme Court’s Brown v. Board decision.  It was that decision which paved the way for Little Rock Central High School to be a pivotal location in the Civil Rights struggle.

September 4, 1957, was supposed to be the first day of school for the African American students who were selected to integrate Little Rock Central High School.  Due to the mobs gathered outside of the school and interference from Governor Orval Faubus, the students would not get in the school that day.

The most famous images from that day are the photos of Elizabeth Eckford walking in front of the school, only to be rebuffed by soldiers and tormented by the crowds. Elizabeth’s decision to walk through the mob of protesting segregationists to enter school, only to be turned away became world news. The story of the desegregation of Central High School was thrust into a defining role within the Civil Rights Movement. Elizabeth’s efforts to overcome the fear and uncertainty that she faced that morning resulted in her seeking refuge at a lonely bus stop bench.

In order to highlight this aspect of the story and create more personal connections with this turning point in history for students and visitors, the National Park Service and the Central High Memory Project Student Team will work with community partners in a new public history project.  The Bench Project includes building a replica of the bus stop bench, creating a mobile app for the students’ audio walking tour of eyewitness accounts of that first day of desegregation, and developing a storycorps recording booth for interviews and student podcasts.

The partnership includes: Bullock Temple C.M.E., Central High School and their EAST LAB, the Little Rock School District, the City of Little Rock, Central Arkansas Library System’s Butler Center for Arkansas Studies, Good Earth Garden Center, Friends of Central High Museum Inc., Home Depot, Little Rock Club 99 and other Rotary International Clubs,  Pam Brown Courtney and Willis Courtney M. D., the Clinton School of Public Service, Unity in the Community, and others.

The groundbreaking ceremony will be held at the corner of Park and 16th Street starting at 4:30 p.m. The program will include remarks by the NPS Superintendent and the directors of some of the partnering organizations regarding the projects that will be completed in connection with this effort. The Central High Memory Project Student Team will be on hand to meet the public and share details about their work.

Little Rock Look Back: Members Preview of Arkansas Arts Center on May 16, 1963

Mrs. Rockefeller

Two days before the Grand Opening of the Arkansas Arts Center, the institution’s members were given a sneak preview. On May 16, 1963, at 8:00pm, members were given a preview of the opening exhibition: Five Centuries of European Painting.

Members were greeted with remarks by Jeannette Rockefeller, the Board of Trustees president. Following her were comments by Alan R. Symonds, who was the Arts Center’s executive director.  James Rorimer, the director of the Metropolitan Museum of Art, which had created the opening exhibition, also spoke.

The exhibition featured works by Titian, El Greco, van Dyck, Murillo, Gainsborough, Monet, Courbet, Renoir, Degas, Pissarro, and Gauguin.  Another artist featured was Paul Signac.  Today the Arts Center has one of the largest collections or works by Signac due to the generosity of collector James T. Dyke.

Mr. Symonds had been hired by the Rockefellers to lead the planned automobile museum on Petit Jean. He was loaned to the Arts Center to get the museum open.  A year after the AAC grand opening, he returned to the assignment on Petit Jean.

Little Rock Look Back: CROSS formed to Stop STOP

On May 16, 1959, a new organization emerged in an effort to keep Little Rock schools segregated.

The Committee to Retain Our Segregated Schools (CROSS) was launched by Rev. M. L. Moser, Jr., the pastor of Central Baptist Church.  The three leading segregationist organizations in Little Rock disavowed any connection to it.  Representatives from the Capitol Citizens Council, Central High Mother’s League and States Rights Council noted that he was not affiliated with them.

Approximately 300 people attended the CROSS kick off event at the Hotel Marion.   Joining Rev. Moser as a speaker at the rally was LRSD School Board President Ed McKinley.  It was announced that the CROSS office would be at 108 Scott Street.  Robert D. Lee was the campaign treasurer.

With STOP advocating for the removal of McKinley, Ben Rowland and Robert Laster from the school board, CROSS was now out to recall Everett Tucker, Ted Lamb and Russell Matson.

With the election on May 25, the final nine days were going to be intense.