Elvis at 85

Photo by Wayne Cranford

Eighty-five years ago today, Elvis Presley was born in Tupelo, Mississippi. He would, of course, grow up to become a cultural phenomenon.

Elvis performed in Little Rock throughout his career. In April 1972, he played at Barton Coliseum (with tickets on the arena floor going for a whopping $10!). In the 1950s, he played three at Robinson Auditorium. His first appearance was as his career was just starting to take off. The final appearance on that stage, a mere 15 months later, was when he had become a national icon.

His first appearance at Robinson was on February 20, 1955. Billed as the “WSM Grand Ole Opry” show, Elvis Presley was third on the bill behind the Duke of Paducah and Mother Maybelle and the Carter Sisters as he began week long tour of Arkansas and Louisiana. On this date there were a pair of shows, at 3:00 and 8:15 p.m., at Robinson Auditorium. Tickets were 75-cents in advance, $1.00 at the box office and 50-cents for kids. It is believed that Gladys and Vernon Presley attended this performance, invited by Elvis who wanted to introduce them to the Colonel. Gladys was a big fan of the Duke of Paducah. Elvis Presley, Scotty Moore, and Bill Black receive $350 for these two shows instead of their usual $200 per day. In August 1955, he returned and played Robinson as part of the All-Star Jamboree.

His third and final appearance at Robinson Auditorium was on May 16, 1956. This time, the Auditorium was packed. The tickets were $1.50 in advance at Walgreens and $2.00 at the box office. The ads featured 8 great acts in “his” variety show which consisted of the Jordonaires; Rick and Emil Flaim and their orchestra; vocalists Frankie Conners and Jackie Little and comedian-magician Phil Maraquin. A second show was added to accommodate the ticket demand.

About 30 minutes late, due to a missed flight, Elvis appeared on stage in a purple blazer and started singing “Heartbreak Hotel.” The crowd rushed the stage. Little Rock police officers were able to control them eventually and get the teenagers back to their seats. While the crowd was impressed, the police officers were less so. One of the patrolmen told the Arkansas Gazette reporter: “I wouldn’t know him if I saw him. And I wouldn’t be here unless I was being paid.”

First documented theatrical performance in Little Rock on January 8, 1835

On January 8, 1835, the Little Rock Town Council passed an ordinance granting the Society of Thalians a one year franchise to conduct performances in Little Rock.

That same day, the Thalians performed She Stoops to Conquer, Oliver Goldsmith’s 1773 comedy.

The following week, on January 17, they performed the comedy Ways and Means (by George Colman, Jr.) and David Garrick’s farce The Lying Valet.

The cost of the license to perform was $10 for the year. That would be the equivalent of $287 today. The ordinance also instructed the Town Constable to attend, by himself or a deputy, all theatrical performances to keep and preserve order.

There may well have been theatrical troupes come through Little Rock prior to January 1835, but records do not exist to any performances they may have given.  The performances by the Thalians are the first documented theatrical productions in Little Rock.

Resumption of City of Little Rock government in post-Civil War era

One hundred and fifty four years ago today (on January 8, 1866), Little Rock City Hall resumed functioning after the Civil War.  The City government had disbanded in September 1863 after the Battle of Little Rock.  From September 1863 through the end of the war (on on through part of Reconstruction), Little Rock was under control of Union forces.

Following the April 1865 conclusion of the Civil War, plans were made to restart local government in Little Rock.  Even though Arkansas would not have Congressional representation in Washington until June 1868 (becoming the second Confederate state after Tennessee), the establishment of local government took place in January 1866.  (It was supposed to have started earlier, but the local elections set for November 1865 were cancelled on the day they were originally set to take place.)

The first City Council meeting took place on Monday, January 8, 1866. The council met again on Tuesday, January 9 and Monday, January 15 as they were trying to establish committees and rules for the new government.

The first post-Civil War mayor was Dr. J. J. McAlmont, who was a physician and pharmacist. Following his service as the city’s chief executive, he would later be a co-founder of what is now UAMS.  The initial aldermen were I.A. Henry (who had been on the City Council when it ceased in 1863), Henry Ashley, M. H. Eastman, Rick Bragg, Dr. P. O. Hooper, G. S. Morrison, John Collins and Alexander George.

Their first action was to approve the bond of Thomas C. Scott as Constable and City Collector.  Vouching for him were S. H. Tucker and future LR mayor John Gould Fletcher.  The Recorder was asked to present his bond and the next meeting.

The Mayor then established several committees of the City Council and named his appointments. Among the committees were Finances, Streets, Ordinances, Mount Holly Cemetery, Fire Department and Police.

That meeting and the following two meetings, the City continued to approve motions, resolutions and ordinances to set up the duties and responsibilities of a government.

Ordinance Number 1 established the rates of Licenses for 1866.  Among those were:

  • $100 for the privilege of selling goods at auction
  • $20 for a one-horse wagon, paid quarterly
  • $35 for a two-horse wagon, paid quarterly
  • $50 for a four-horse wagon, paid quarterly
  • $25 to run a cab or bus (which would have been in some horse drawn conveyance), paid quarterly
  • $40 a month to sell liquor, wine, ale, beer, etc., by the glass or bottle to be consumed in a store, tavern, shop or store
  • $25 each quarter for each billiard table
  • $50 each quarter for each ten pin alley

Off the Grid: Nature, Black Power, & Freedom on the AR Frontier is topic of today’s CALS Legacies & Lunch

Image may contain: tree, outdoor and waterLegacies & Lunch kicks off 2020 with a program today at 12 noon, entitled “Off the Grid: Nature, Black Power, & Freedom on the AR Frontier.”

Through images, stories, and botanical specimens from the field, historian Story Matkin-Rawn and ecologist Theo Witsell will share their research on the challenges of frontier life and use of wild resources among newly freed African Americans in the Natural State following the Civil War.

Story Matkin-Rawn serves as vice-president of the Arkansas Historical Association and is an associate professor of history at the University of Central Arkansas, where she teaches courses on Arkansas, Southern, and Civil Rights history. She received her PhD in history from the University of Wisconsin in 2009. Her article “The Great Negro State of the Country: Arkansas’s Reconstruction and the Other Great Migration,” which appeared in the Arkansas Historical Quarterly in 2013, won the Violet B. Gingles Prize. This presentation on African American life on the Arkansas frontier is part of her current project, a book manuscript titled “A New Country: An African American History of the South’s Last Frontier, 1865–1940.”

Theo Witsell is the ecologist and chief of research for the Arkansas Natural Heritage Commission, a division of the Department of Arkansas Heritage. Prior to that, he served as a botanist for the agency for nineteen years, researching and protecting rare species and habitats across the state. His research interests include the historical ecology of Arkansas and the intersections of human history and our natural heritage.

Legacies & Lunch is a free monthly program of CALS Butler Center for Arkansas Studies about Arkansas related topics. For more information, please contact 320-5744.

Relive the 1990s in new Clinton Center exhibit

“As if” anyone could forget the prosperous, golden hopeful years of the 1990s! The Clinton Presidential Center is bringing back the decade that brought us blockbuster movies, must-see television shows, genre-changing music, iconic fashion, collectible toys, and the rise of PCs and the World Wide Web.

This exhibit features an exciting and diverse display – from props and scripts to fashion and tech – that, together, will tell the story of popular culture in the United States at the end of the 20th century. You won’t want to miss Rose’s dress and Jack’s drawing portfolio from Titanic, scripts from The West Wing, one of Garth Brooks’ Stetson Cowboys hats, and, of course, a collection of Beanie Babies that were sent to the Clinton family during the White House years. you’ll definitely want to bring all your “Friends” for a special “perk”-y photo op!

Throughout the exhibit, you’ll have the opportunity to play a variety of interactive games that focus on the era, including ’90s trivia, Pogs, a giant crossword puzzle with ’90s clues, and a ’90s-style video game!

At the Clinton Center, we’ll “never let go” of the 1990s, and we invite you to join us in taking a trip down memory lane with …Like It’s 1999: American Popular Culture in the 1990s, on display to May 25, 2020.