Little Rock Look Back: Creation of Pulaski County

On December 15, 1818, the Territory of Missouri created Pulaski County.  The same day, Clark and Hempstead Counties were also created.

The original Pulaski County includes both the present day entity bearing that name as well as all or part of Crawford County and Conway County (both created in 1820), Jefferson County (created in 1829), Scott County (created in 1833), White County (created in 1835), Saline County (created in 1835), Prairie County (created in 1846), Faulkner County (created in 1873), and Lonoke County (created in 1873).  Today, Pulaski County comprises 771 square miles.

The first County government met on May 24, 1819. It met at the home of Samuel McHenry, the first Pulaski County Judge.

Fourteen years after creating a Pulaski County in what is now Arkansas, the State of Missouri created its own Pulaski County.

Little Rock Look Back: Gordon Neill Peay

Mayor PeayOn December 12, 1819, future Little Rock Mayor Gordon Neill Peay was born.  The Peay family arrived in Arkansas from Kentucky in 1825.  They quickly became one of Little Rock’s leading families.

Mayor Peay’s father, Nicholas Peay served on the Little Rock Board of Trustees (which existed before the town was incorporated) and later served on the City Council and was acting mayor. It is Nicholas Peay’s Egg Nog recipe which inspired the Historic Arkansas Museum Nog Off!

Godon N. Peay served as mayor of Little Rock from 1859 to 1861.  During the Civil War, Peay served as Captain and later Colonel of the Capital Guard.  He later received a pardon from the federal government.  In the days leading up to the Civil War and during it, Mayor Peay was one of a select group of civic leaders who corresponded with President Lincoln and other Union leaders. It has been said that this conciliatory tone is a reason that Little Rock fared better during Federal occupation and Reconstruction than did many other Confederate cities.

The Peay family owned the Peay Hotel, Little Rock’s first hotel, and were also co-founders of what became Worthen Bank.  They were also a founding family of Christ Episcopal Church. Mayor Peay later served as Pulaski County Chancery Clerk.

He died on December 14, 1876, and is buried at Mount Holly Cemetery along with many members of his family.  A nephew of his, Ashley Peay, served on the City Council in the 1920s.  Mayor Peay’s great-grandson Joseph Barber Hurst, Sr. served on the Little Rock City Board of Directors from 1967-1971. One of Mr. Hurst’s sons, Howard, was born on Mayor Peay’s birthday.

Little Rock Look Back: Mayoral Primary of 1944

Following his second stint as mayor, Charles Moyer decided to not seek a fifth term leading Little Rock.  It set the stage for the December 1944 Democratic primary.  Alderman Sam Wassell and former Alderman Dan Sprick faced off in a particularly nasty race.  As World War II was drawing to a close, there were charges leveled which questioned patriotism. With both men having service on the Little Rock City Council, there were also plenty of past votes on both sides which could become fodder for campaigns.

The election was on December 5, 1944. Sprick received 3,923 votes and Wassell 3,805. A few days later, Wassell filed suit claiming that there were people who voted who were not on the poll tax rolls and another group of voters who did not live in the ward in which they voted. Sprick countersued making the same charges against Wassell.

The case was heard in Pulaski County Circuit Court in February 1945.  It eventually ended up at the Arkansas Supreme Court, which remanded it back to the lower court. On March 26, 1945, Wassell dropped his case. This was only eight (8) days before the municipal general election.

Two years later, Wassell would challenge Sprick in the primary and be triumphant. Wassell would serve from 1947 until 1951.  Sprick would later return to politics and serve a decade in the Arkansas State Senate.

Little Rock Look Back: First Ballet Arkansas production of THE NUTCRACKER

Burton and Tuzer

One of the sure signs of the Christmas season is the return of The Nutcracker to ballet companies across America.  Though the Little Rock Civic Ballet had first presented this ballet in 1968, by the mid-1970s, it was no longer performing the complete ballet.

In 1978, the Little Rock Civic Ballet was reorganized and re-christened Ballet Arkansas.  That first year, it did not perform The Nutcracker.  But on December 11, 1979, the tradition returned as Ballet Arkansas presented its first production of The Nutcracker.  It was once again at Robinson Center Music Hall.

The production was directed and choreographed by Lorraine Cranford, Ballet Arkansas’ Artistic Director.  The music was provided by musicians from the Arkansas Symphony Orchestra under the baton of guest conductor David Schimmell.  This was the first time in several years that the ballet had been accompanied by the ASO.

The guest artists were Anne Burton and Tanju Tuzer, both from Dallas.  The local dancers including David Twillie, Mirana, Peggy Howard, Carol Campbell, Jeffrey Stuart, Haven Cooper, Buddy Harris, Chris Clarke and Jeff Johns.

Tickets were $3.00 for the matinee. Evening performances ranged from $5 to $10 a person.

Little Rock Look Back: LR voters overwhelming support bid to Restore Robinson in 2013

On Tuesday, Dec. 10, 2013, voters of Little Rock overwhelmingly chose to renovate the historic Joseph Taylor Robinson Memorial Auditorium.

By a vote of 5,183 For and 1,800 Against, Little Rock citizens approved a plan to use a portion of the city’s existing 2 percent restaurant and hotel tax to repay bonds for a renovation of Robinson Center.  The campaign was chaired by businessman Charles Stewart, restaurateur Capi Peck and former LR Mayor Jim Dailey.

Robinson has long been a landmark in central Arkansas. Construction of the Joseph T. Robinson Memorial Auditorium began in 1938 (after a December 1937 groundbreaking under a deadline) and officially opened February 1940. The structure was a PWA (Public Works Administration) project, and is an excellent example of the Art Deco style architecture of the time. The building was added to the National Register of Historic Places in 2007.

The facility is owned by the City of Little Rock and managed by the Little Rock Convention & Visitors Bureau.

The 1940 structure suffered from a wide array of deficiencies, including stage loading and unloading, stage size, acoustical insufficiency, dressing room access and inadequate wing space within the performance hall. Also, structural, mechanical and electrical issues, public circulation and outdated conference center spaces existed within the facility.

Knowing the center is in need of major upgrades if the facility is to continue to serve central Arkansas into the future, the Little Rock Advertising and Promotion Commission (LRA&P) empanelled a Robinson Center Concept Team in October 2011. The group was tasked with evaluating all aspects of the existing facility, researching user needs, proposing conceptual solutions and estimating the cost and construction schedule of the proposed additions and renovations. The concept team was led by Mike Steelman of SCM Architects, PLLC, and included representatives from WD&D Architects, Shuler Shook Theatre Planners, Jaffe-Holden Acoustical Consultants, TME Inc. Mechanical and Electrical Engineers, ECI Inc. Structural Engineers, McClelland Consulting Engineers Inc. Civil Engineers, East Harding Construction, HVS Consulting and Hunt Construction Group.

Additionally, stakeholder and tenant organizations representing the Arkansas Symphony Orchestra, Celebrity Attractions of Tulsa, Oklahoma and the Double Tree Hotel participated in the planning. The concept team findings were presented publicly on June 5, 2012.

On January 17, 2013 the LRA&P announced the selection of Polk Stanley Wilcox Architects, partnered with Ennead Architects, as the architectural and design team for the future renovations. On March 28, 2013 CDI Contractors LLC, partnered with Hunt Construction Group, were selected by LRA&P as the general contractors and construction managers.

On September 23, 2013 the final schematic renderings and cost estimates were presented publicly. The schematic plans depict major interior upgrades within the performance hall including additional volume to create a two-balcony setup, increased lobby space, acoustical improvements, theatrical upgrades, loading dock expansion, a larger stage area, and new dressing room facilities. Additionally, an enhanced modern ballroom and small conference center was unveiled. New technology, mechanical systems, and outdoor plaza spaces were included in the presentation.

Construction would begin on July 1, 2014.  It reopened on schedule and on budget on November 10, 2016.

Little Rock Look Back: Robinson Auditorium achieves a construction milestone

Many months behind schedule, it was 79 years ago today (December 8, 1939) that the construction of the Joseph Taylor Robinson Memorial Auditorium was declared “substantially finished.”

On December 8, 1939, the work of the general contractor was complete. The building’s utilities were all fully connected as the steam line and electric transformer were hooked up. While the work of the general contractor was through, there was still much work to be done.

Though there were still unfinished portions of the structure, the exterior was complete and finished surfaces had been installed on the interior. Until the building was officially turned over to the City, the federal Public Works Administration still had to give approval for any uses of the building.Mayor J. V. Satterfield, Jr. told the press that he wasn’t sure when the City would formally accept the building. The connection of the utilities had used up the remaining funds, so there was uncertainty as to when the final tasks would be completed.

When it was built, Robinson Auditorium was the first municipal auditorium in the south central United States to be air conditioned. However, the air conditioning unit was not sufficient to cool both the music hall and the convention hall at the same time. In warm weather months concurrent events would not be able to take place on the two levels.

Little Rock Look Back: Studio Gang announced as lead architect for re-envisioning of Arkansas Arts Center

On December 6, 2016, the Arkansas Arts Center (AAC) announced the selection of Studio Gang as design architect for its upcoming building project.

The five firms selected as finalists were Allied Works (Portland, Ore./New York), Shigeru Ban (New York/Paris/Tokyo, Japan), Studio Gang (Chicago/New York), Thomas Phifer (New York) and Snohetta (Oslo, Norway/New York/San Francisco).

Studio Gang was deemed the best fit for the project due to the firm’s elegant and smart approach to architecture, their understanding of the issues posed by the AAC’s current facility, their vision for the center as a cultural beacon for Central Arkansas and their commitment to sustainability and strength as urban planners.

Founded by MacArthur Fellow Jeanne Gang, Studio Gang is an award-winning architecture and urbanism practice based out of Chicago and New York. A recipient of the 2013 National Design Award, Jeanne Gang was also named the 2016 Archiitect of the Year by the Architectural Review and the firm was awarded the 2016 Architizer A+ award for Firm of the Year.

Studio Gang is recognized internationally for a design process that foregrounds the relationships between individuals, communities and environments. The firm has extensive knowledge in museum, theatre and artist studio spaces, with projects ranging from the Writers Theatre in Glencoe, Ill. to the Aqua Tower in Chicago to the expansion of the American Museum of Natural History in New York.

Since their selection, Studio Gang has brought on a variety of other members of the consultant team including:

In February 2018, Studio Gang released their first designs for the project.