5×5 ArtWorks event tonight at Arkansas Rep

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ArtWorks presents a one-night exhibit featuring the work of 120 local artists.

Experience Second Friday Art Night in a new way by attending Little Rock’s first 5×5 Event! 120 local artists have produced 120 unique, 5-inch square canvases priced at $55 each.

The Rep’s lobby bar will be open, featuring Little Rock’s own DJ Mario Luna. Plus, the delicious Katmandu Momo Food Truck will be outside. The event is free (but a $5 donation would be appreciated) so be sure to get here early and secure your favorite piece to purchase!

Doors open at 5pm with art sales beginning at 5:55 p.m.

One final chance to see SOUVENIR with Christine Donahue and Timothy Smith presented by Opera in the Rock

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Opera in the Rock presents the Tony-nominated play Souvenir: a Fantasia on the Life of Florence Foster Jenkins as a one-night only benefit encore performance of their smash hit!

The performance starts at 7:30pm on the Arkansas Repertory Theatre stage.

1964: Greenwich Village. Cosmé McMoon flashes back to the musical career of Florence Foster Jenkins, a wealthy New York socialite with an infamous prestige for singing out of tune. In 1932, she met McMoon and the two teamed up to foster Jenkins’ love for singing in the hopes of achieving success. Over the next dozen years, their bizarre partnership yielded hilariously off-key recitals that became the talk of the town and earned them cultish fame.

Christine Donahue and Timothy Smith take on these two spectacular characters for the last time one night only as a benefit performance for Opera In The Rock at The Rep.

Christine Donahue, soprano, has performed with numerous opera companies throughout the United States, Canada and abroad including New York City Opera, Cleveland Opera and Houston Grand Opera. She is presently Assistant Professor of Voice at University of Central Arkansas.

Mr. Smith is a professor of piano and music theory at Arkansas Tech University and has performed in numerous community musicals throughout the country. As an accomplished pianist, he has also played in orchestras for shows including Anything Goes, West Side Story, The King and I, and South Pacific.

Artober – Theatre. Arkansas Repertory Theatre experiences a reprise.

October is Arts and Humanities Month nationally and in Little Rock. Americans for the Arts has identified a different arts topic to be posted for each day in the month. The penultimate feature is Theatre.

At the age of four, my parents took me to the theatre. It was a production of Oliver! A year or two after that, I went to a play produced by the Arkansas Philharmonic Theatre in Hillcrest. (Neither of my parents can remember the title of that production.)

It was this theatre that gave rise, in 1976, to the Arkansas Repertory Theatre.  Cliff Fannin Baker was the founder.  He had first come to Arkansas in the 1960s to work with the theatre program of Arkansas Arts Center School of Art and Theatre. Once that disbanded in 1968, Baker continued to direct theatrical productions for a variety of community and education theatres throughout the state.

Opening on November 11, 1976, the Arkansas Repertory Theatre was Arkansas’ first non-profit professional theatre. It was housed in an old Methodist church building next to MacArthur Park.  Occasionally it would present performances in other spaces including the UA Little Rock theatre or the Arkansas Arts Center theatre.  By the mid 1980s, the Rep was outgrowing its original location.

In 1988, Arkansas Rep moved to Main Street and served as an anchor for a downtown redevelopment project.  While that project may not have taken hold, the Rep did.  Cliff continued to lead it for over a decade on Main Street until his retirement in 1999.  He was succeeded by Bob Hupp, who came to the Rep from Off Broadway’s Jean Cocteau Theatre.

Hupp led the theatre until 2016.  During that time, he also oversaw a refurbishment and renovation of the Rep’s facility on Main Street.  When he left to take over Syracuse Stage in 2016, Baker returned to the Rep to be the Interim Artistic Director.  A few months later, John Miller-Stephany from the Guthrie Theatre came to Arkansas Rep.

By 2018, Arkansas Rep was facing a mounting financial crisis brought on by lagging donations, weakened ticket sales, increasing production costs, and debt related to real estate the theatre owned.  In April 2018, the Rep suspended operations and most of the staff were laid off.

Baker returned again to be an artistic advisor during this period. He worked with two long-time Rep board members who were serving as volunteer staff: Bill Rector and Ruth Shepherd. The community rallied to “Save the Rep” and responded to some challenge matching gifts offered by the Windgate Foundation. In addition, the Rep was able to restructure the debt.

As Baker was starting to consider shows for a rejuvenated Rep, he died while in New York in September 2018.  The Rep pushed forward and announced four shows for the Rep’s “REPrise” season during calendar year 2019.  In January 2019, it was announced that former Rep actor and Tony winning producer Will Trice was coming back to his hometown to assume the role of Executive Artistic Director.

As the Rep is winding down the season of the four shows announced in November 2018, Trice has announced three new shows for the spring and summer of 2020. In September 2020, the Rep will return to the traditional autumn through summer season schedule.

While F. Scott Fitzgerald once observed that “there are no second acts in American lives,” thankfully that does not apply to the Arkansas Repertory Theatre. It is currently in Scene 1 of the Second Act.  Let us hope this act has many many more scenes.

Site Finally(!) selected for Robinson Auditorium on Oct. 29, 1937

Potential rendering of new auditorium which appeared in October 30, 1937 ARKANSAS GAZETTE

On October 29, 1937, the Little Rock City Council finally selected the site for the Municipal Auditorium.  It had been approved by voters in January of that year, but no site had been identified during the campaign.

During the early autumn, the City had engaged a consultant to evaluate several downtown locations as potential sites for the municipal auditorium.  One stipulation was that it had to be an entire city block.

The six sites were:

  • Broadway, Markham, Spring and Garland Streets;
  • Center, Markham, Spring and Second Streets;
  • Center, Eighth, Louisiana and Ninth Streets;
  • Scott, Fourth, Cumberland and Capitol Streets;
  • Scott, Tenth, Cumberland and Ninth Streets; and
  • Third, State, Second and Gaines Streets

The top choice was the site bounded by Center, Markham, Spring and Second Streets. It was felt that location’s proximity to public buildings made it ideal for a civic auditorium. It was across the street from the former state capitol (then known as the Arkansas War Memorial) which was, at the time, housing state and federal offices.  The site was also adjacent to the county courthouse structures.

Half of the desired property was owned by the federal government.  Because it was being used for federal offices, it was uncertain as to the site’s availability.  Therefore a city committee recommended the site bounded by Center, Eighth, Louisiana and Ninth Streets be utilized as the auditorium location.

The City Council met on October 20 to make a decision. But were at a stalemate. They met again a few days later with still no resolution.

At an October 25 City Council meeting, Arkansas Gazette publisher (and chairman of the Planning Commission) J. N. Heiskell, advocated the site on Markham and Broadway Streets. The Council convened on October 29 to meet again.  The clock was ticking, a site had to be selected because ground had to be broken prior to January 1, 1938.

At the October 29th meeting, the discussion from previous meetings among the aldermen picked up where it had left off.  Again J. N. Heiskell spoke about the importance of employing city planning concepts in selecting the site.

“In the past, selection of a site for a public building has been merely a matter of who could sell the city some property.  I had hoped we were starting a new effort in starting selection of an auditorium site with the advice of Mr. Bartholomew.  Starting with the auditorium, we should be guided by competent advice and locate future buildings following a city plan.  Your vote today will determine the future of Little Rock so far as city building goes.”

After having engaged in discussions with various federal government agencies, Mayor Overman reported that the city could not obtain the recommended site.  It would not be possible for the federal government to relocate those agencies currently occupying half of that block within the time allowed.  The mayor also stated that he had been warned that if construction did not start by January 1, 1938, (which was just a few weeks away) then the money could be taken back and allocated to other projects.

Ultimately the City Council voted 16 to 1 with 1 absent to locate it at the corner of Markham and Broadway.  At last, Little Rock had a location for the new municipal auditorium!

Though it had not been anyone’s first choice (except Mr. Heiskell, who did not have a vote), in retrospect, the auditorium site finally chosen offered many advantages which were not identified during the marathon selection discussions.  The grade of the land sloped toward the Arkansas River from Markham Street down to Garland Street which allowed for a street level entrance to both the planned exhibition hall on a lower level and the music hall on an upper level.

Given the topography of the other sites under consideration, this was only possible at the chosen location.  By stacking the two major components the project did not take up an entire block, which had been the forecasted footprint.  Not using the entire block allowed for subsequent expansion of the complex’s footprint in the coming decades.  This would not have been possible at any of the other sites under consideration if the original structure had taken up the entire block.  In addition, both Markham and Broadway Streets are wider than normal city streets which allowed for better traffic flow and for easier access to a loading dock.

Interestingly, the Convention & Visitors Bureau, which oversees Robinson Center Music Hall, now has offices in the Cromwell Building. This building is located on the site which had been the first choice for the auditorium in 1937.

Tonight’s the Night! Tony winner Victoria Clark headlines Ovation! at Arkansas Rep

Image may contain: 1 person, smiling, closeupThe Arkansas Repertory Theatre is hosting “Ovation, An Encore Event” on Friday, Oct. 25. The evening celebrates the theatre’s supporters with dinner and a special performance by Tony Award-winner, Victoria Clark.

Ovation gives guests a behind-the-scenes look at the Rep, including props and costumes from previous shows and a seated dinner in one of the rehearsal spaces. Ruth Shepherd and Bill Rector, co-chairs of the event, bring their excitement from decades of volunteering with the theatre and are thrilled to share the space with attendees.

“Because we are hosting Ovation here at the Rep, it will have all the intimacy of a private party with all the pizzazz of a night on the town,” said Shepherd. “Suggested attire is ‘what makes you feel good,’ so put on some feathers or sequins and come on down.”

Victoria Clark earned a Tony Award for Leading Actress in a Musical (The Light in the Piazza) and three additional Tony Award nominations. She has performed in 12 Broadway plays and musicals, several off-Broadway productions, and many well-known films and television shows.

“I can’t wait for this night to get here,” said Will Trice, Executive Artistic Director of the Rep. “It will be a true celebration of what The Rep is all about, with incredible music from one of the most renown performers in the country.”

Tickets range from $200 to $1000, giving guests the option to pick their price point and perks. To purchase tickets, contact Kimberly Miller at kmiller@therep.org or call (501) 378-0445 x 203