Tag Archives: J. N. Heiskell

Site Finally(!) selected for Robinson Auditorium on Oct. 29, 1937

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Potential rendering of new auditorium which appeared in October 30, 1937 ARKANSAS GAZETTE

On October 29, 1937, the Little Rock City Council finally selected the site for the Municipal Auditorium.  It had been approved by voters in January of that year, but no site had been identified during the campaign.

During the early autumn, the City had engaged a consultant to evaluate several downtown locations as potential sites for the municipal auditorium.  One stipulation was that it had to be an entire city block.

The six sites were:

  • Broadway, Markham, Spring and Garland Streets;
  • Center, Markham, Spring and Second Streets;
  • Center, Eighth, Louisiana and Ninth Streets;
  • Scott, Fourth, Cumberland and Capitol Streets;
  • Scott, Tenth, Cumberland and Ninth Streets; and
  • Third, State, Second and Gaines Streets

The top choice was the site bounded by Center, Markham, Spring and Second Streets. It was felt that location’s proximity to public buildings made it ideal for a civic auditorium. It was across the street from the former state capitol (then known as the Arkansas War Memorial) which was, at the time, housing state and federal offices.  The site was also adjacent to the county courthouse structures.

Half of the desired property was owned by the federal government.  Because it was being used for federal offices, it was uncertain as to the site’s availability.  Therefore a city committee recommended the site bounded by Center, Eighth, Louisiana and Ninth Streets be utilized as the auditorium location.

The City Council met on October 20 to make a decision. But were at a stalemate. They met again a few days later with still no resolution.

At an October 25 City Council meeting, Arkansas Gazette publisher (and chairman of the Planning Commission) J. N. Heiskell, advocated the site on Markham and Broadway Streets. The Council convened on October 29 to meet again.  The clock was ticking, a site had to be selected because ground had to be broken prior to January 1, 1938.

At the October 29th meeting, the discussion from previous meetings among the aldermen picked up where it had left off.  Again J. N. Heiskell spoke about the importance of employing city planning concepts in selecting the site.

“In the past, selection of a site for a public building has been merely a matter of who could sell the city some property.  I had hoped we were starting a new effort in starting selection of an auditorium site with the advice of Mr. Bartholomew.  Starting with the auditorium, we should be guided by competent advice and locate future buildings following a city plan.  Your vote today will determine the future of Little Rock so far as city building goes.”

After having engaged in discussions with various federal government agencies, Mayor Overman reported that the city could not obtain the recommended site.  It would not be possible for the federal government to relocate those agencies currently occupying half of that block within the time allowed.  The mayor also stated that he had been warned that if construction did not start by January 1, 1938, (which was just a few weeks away) then the money could be taken back and allocated to other projects.

Ultimately the City Council voted 16 to 1 with 1 absent to locate it at the corner of Markham and Broadway.  At last, Little Rock had a location for the new municipal auditorium!

Though it had not been anyone’s first choice (except Mr. Heiskell, who did not have a vote), in retrospect, the auditorium site finally chosen offered many advantages which were not identified during the marathon selection discussions.  The grade of the land sloped toward the Arkansas River from Markham Street down to Garland Street which allowed for a street level entrance to both the planned exhibition hall on a lower level and the music hall on an upper level.

Given the topography of the other sites under consideration, this was only possible at the chosen location.  By stacking the two major components the project did not take up an entire block, which had been the forecasted footprint.  Not using the entire block allowed for subsequent expansion of the complex’s footprint in the coming decades.  This would not have been possible at any of the other sites under consideration if the original structure had taken up the entire block.  In addition, both Markham and Broadway Streets are wider than normal city streets which allowed for better traffic flow and for easier access to a loading dock.

Interestingly, the Convention & Visitors Bureau, which oversees Robinson Center Music Hall, now has offices in the Cromwell Building. This building is located on the site which had been the first choice for the auditorium in 1937.

1906 verdict halts plans for new LR City Hall, Jail and Auditorium

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The 1906 plans for City Hall with the Municipal Auditorium on the left portion.

Little Rock Mayor Warren E. Lenon had been advocating for a new City Hall a municipal auditorium since shortly after taking office in April 1903. After plans were approved in July 1906, a group of citizens, led by Arkansas Gazette publisher J. N. Heiskell, filed suit to stop the City.

The closing arguments in the trial against plans for a new City Hall and auditorium complex had been heard on Monday, July 30.  The case was heard by Chancery Judge J. C. Hart.  Serving as an advisor to Chancellor Hart throughout the trial (though with no official legal standing) was Pulaski County Circuit Court Judge Robert J. Lea.  To accommodate the expected large attendance, the trial had been moved into his courtroom which was larger than Chancellor Hart’s.

On Friday, August 3, Pulaski County Chancery Judge J. C. Hart issued an injunction to keep the City from signing a contract for the construction of a city hall, jail and auditorium.  Chancellor Hart concurred with the plaintiffs that Arkansas’ constitution and laws dictated all taxation must be for public purposes.  He found there was nothing in Arkansas case law which defined an auditorium to be used for conventions as a public purpose.

As had been the case throughout the trial, the tone of the coverage of the decision differed greatly in the city’s two daily papers.  The subheading in the Democrat noted that the plaintiffs would be liable for any losses to the municipal government’s coffers due to a delay in commencing the construction if Little Rock eventually prevailed.  That fact is not mentioned by the Gazette.  Both papers did make note that Judge Lea agreed with the Chancellor’s decision.

For now, it looked as if the City of Little Rock would be stuck in the 1867 City Hall on Markham between Main and Louisiana.  Mr. Heiskell and his compatriots waited to see if the City would appeal the decision.

While August would be a quiet month publicly, work would go on behind the scenes.  More on that, in the future.

Memorial Day – Remember the Fallen

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Today is Memorial Day – a time to pay tribute to the men and women in uniform who died in service to their country.

As a way to give this recognition, today would be a good day to visit a cemetery. One of Little Rock’s most storied cemeteries is Mount Holly Cemetery. There are numerous persons buried there who died while in service to their country.

One of them is 2Lt Carrick W. Heiskell, son of Arkansas Gazette editor J. N. Heiskell.  2Lt Heiskell died while flying for the Air Transport Command in the Himalayas during World War II.  He was posthumously the recipient of the Distinguished Unit Emblem, Purple Heart, and the Air Medal.

Founded in 1843, Mount Holly has been called “The Westminster Abbey of Arkansas.” Thousands of visitors come each year. Those interested in history come to see the resting places of the territorial citizens of the state, including governors, senators, generals, black artisans, and even a Cherokee princess. For others the cemetery is an open air museum of artistic eras: Classical, Victorian, Art Deco, Modern––expressed in gravestone styles from simple to elaborate. Some come to read the epitaphs that range from heartbreaking to humorous to mysterious.

Though a City of Little Rock facility, the cemetery is maintained by the Mount Holly Cemetery Association, a non-profit organization with a volunteer Board of Directors. The cemetery is located at 1200 South Broadway in Little Rock. Gates are open from 8 a.m. until 5 p.m. in the summer and from 8 a.m. until 4 p.m. in the winter.

You cannot spell Pulitzer without LIT

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The 2019 Pulitzer Prizes are announced later today.  Over the years, there have been several Pulitzer winners with connections to Little Rock.

In 1939,  Little Rock native John Gould Fletcher, a scion of a politically prominent family, won the Pulitzer Prize in Poetry for his work Selected Poems.  He appears to be the first Pulitzer Prize winner with Little Rock connections.

The 1950 Pulitzer Prize for Drama went to South Pacific. With a leading lady who is from Little Rock, this Richard Rodgers, Oscar Hammerstein II, and Joshua Logan musical explores race against the backdrop of World War II.  It is based on James Michener’s Tales of the South Pacific, which won the 1948 Pulitzer for Fiction. (Because it was a collection of interrelated short stories, the category was changed from Novel to Fiction from that year onward.)  But in the Michener book, Forbush is not from Little Rock.

The Arkansas Gazette made Pulitzer history in 1958 by winning both the Public Service and Editorial prizes in the same year. This was the first time that one organization had received both awards in the same year.  These were for the coverage of and response to the 1957 integration of Central High School by the Little Rock Nine.  J. N. Heiskell was the paper’s owner and editor, while Harry Ashmore led the editorial page.  Relman Morin of the Associated Press received the Pulitzer for National Reporting for his coverage of the events at Central.  Apparently Will Counts of the Arkansas Democrat was the jurors’ choice to receive the Pulitzer for Photography. But the Board opted to give the prize to another photographer.  Some speculate that the Pulitzer Board did not want to give four prizes in the same year for the same story.

Current Little Rock resident Paul Greenberg won the 1969 Pulitzer for Editorial Writing.  at the time, he worked for the Pine Bluff Commercial.   In 1986, he was a finalist in the same category.  Greenberg moved to Little Rock to join the staff of the Arkansas Democrat-Gazette in 1992.  While no longer the Editorial Page Editor, Greenberg continues to write columns for the newspaper.

Former Little Rock resident Richard Ford received the 1996 Pulitzer for Fiction for his novel Independence Day.  As a young boy of eight, and for several years after, Ford spent much time at Little Rock’s Marion Hotel with his grandparents.  In making the presentation, the Pulitzer Board noted it was, “A visionary account of American life, Independence Day reveals a man and country with unflinching comedy and the specter of hope and even permanence…”

The Pulitzer Prize for Drama in 2001 went to David Auburn.  A 1987 graduate of Hall High School, Auburn was recognized for his play Proof.  The Pulitzer Board described Proof thus: “This poignant drama about love and reconciliation unfolds on the back porch of a house settled in a suburban university town, that is, like David Auburn’s writing, both simple and elegant.”  Auburn also served as a 2014 juror for the Pulitzer Prize for Drama.  While a student in Little Rock, Auburn participated in theatre at the Arkansas Arts Center.