LR Cultural Touchstone: Charlotte Gadberry

charlotte-gadberryCharlotte Gadberry has long been a supporter of Little Rock’s various cultural institutions. She has both served on boards and consulted with boards in strategic planning.  She is a Cultural Touchstone, however, because of her vision to found ACANSA Arts Festival.

A trip to Charleston, South Carolina, amid it’s Spoleto USA arts festival inspired her to dream that Little Rock could play host to a similar endeavor.  Using her fundraising prowess and connections, she started to raise funds, friends and awareness for this idea.

In September 2013, the inaugural ACANSA Arts Festival was announced for September 2014.  Under her leadership, ACANSA (a name derived from an early Native American variation of what is now called Arkansas) incorporated both local cultural institutions as well as performers brought in for the event.

It kicked off on a Tuesday with a reception at the Governor’s Mansion and concluded the following Sunday with a reception at Wildwood Park for the Arts.  In between there was theatre, dance, mime, puppetry, instrumental music, choral music, opera, jazz, painting, photography, history, lectures, and gallery tours.

Under her leadership as founder, plans are already underway for the next edition.  ACANSA Arts Festival 2015 is scheduled for September 16-20. Tickets go on sale next spring.

LR Cultural Touchstone: Mimi Dortch

Mimi DortchMadalyn “Mimi” Breitzke Dortch, was known for getting worthwhile projects off the ground.

She was a founder along with dear friend Cliff Baker, of the Arkansas Repertory Theater; hosted the first Arkansas Opera Theatre outdoor perforomance at her home Marlsgate, was a founder along with Helen Walton of Arkansas Committee of National Museum of Women in the Arts, and was the Director of AIC Choir Camp at Subiaco for 22 years.

When Baker had the idea for the Rep, she made use of her personal connections and helped form the first Board of Directors.  She served as an ambassador for the Rep and theatre in general.   Throughout the rest of her life, she would be a stalwart supporter of the Rep.  Her interest in theatre had been nurtured while she was in college.  Her interest in founding community endeavors had been inherited from her father who founded the North Little Rock Boys Club.

The AIC Choir Camp was originally founded by Trinity Episcopal Cathedral.  She oversaw the transition to it being under the auspices of the Arkansas Interfaith Conference of Churches and Synagogues, which she led.

There were few art forms or art organizations in Little Rock and Arkansas that Mimi Dortch did not attend or support.

 

Little Shop of Horrors at UALR this weekend and next

The University of Arkansas at Little Rock Theatre Department is hosting several performances of the play, “Little Shop of Horrors,” about a hapless florist shop worker who raises a man-eating plant, in October.

Little Shop of HorrorsPerformances started on October 9 and continue tonight (October 11) and again on Oct. 16, 17, 18.

The first week’s showtimes on Thursday, Friday, and Saturday are all at 8 p.m. For the second week’s shows on Thursday and Friday, performances are at 8 p.m., and the last Saturday’s performance is a matinee at 2:30 p.m.

Performances will be at University Theatre in the Center for Performing Arts at UALR. Ticket prices are $10 for the general public and $5 for  senior citizens and UALR students, faculty, and staff.

For more information or tickets call 501.569.3456.

The cast includes Heidee Alsdorf, Hope Boyd, Marquis Bullock, Brian Chambers, Gabrielle Confer, Brianna East, Jeremy Grandison, Katie Greer, Ashley Mahan, William Wofford, and Jay Raphael.

Little Shop of Horrors is an award winning musical with music by Alan Menken, lyrics and book by Howard Ashman.

 

LR Cultural Touchstone: Lucy Lockett Cabe

lucy-cabeLucy Lockett Cabe grew up in Missouri and died in Texas, but made an enormous impact on the cultural life of Little Rock and Arkansas.

While best known as the major benefactor of Wildwood Park for the Performing Arts, she also supported many other cultural organizations including the Arkansas Arts Center, Ballet Arkansas, Arkansas Symphony Orchestra, Arkansas Repertory Theatre and many smaller organizations. For over 30 years, it was rare for there to be a musical performance in Little Rock without Lucy as either a performer or in the audience.

A lifelong musician, as she aged, her voice shifted from soprano to alto to tenor while singing. She also served as a church organist. She studied piano from the age of eight.  Meeting her future husband Harold Cabe while summering in Michigan, she moved to Arkansas in 1940. From that time until 1975, she lived in Gurdon but was actively involved in the arts scenes of Arkadelphia and Little Rock.  The couple moved to Little Rock in 1975.  Harold died in 1984.

In 1971 she was one of the original appointees to the state Arts and Humanities Council. For her work with musical and volunteer groups, she was honored as the Arkansas Democrat-Gazette Woman of the Year in 1986. In 1993 she received the Arkansas Arts Council’s Lifetime Achievement Award and the Little Rock Arts and Humanities Ed Hanlin Memorial Award for Outstanding Individual Contribution to the Arts.

Lucy was an honorary life member of the Arkansas Symphony, the Community Theatre of Little Rock and Wildwood Park for the Performing Arts. She was involved in every step of the formation of the Arkansas Opera Theatre, which subsequently evolved into the Wildwood Park. She supported and was honored by Wildwood with the 625-seat Lucy L. Cabe Festival Theatre on the grounds.

In the early 2000s she moved to Dallas to be closer to her family.  She died in 2005.

It is fitting that she be remembered in October, as Halloween was her favorite holiday.  Starting on October 1, the Halloween jewelry, socks and shirts would be donned.

LR Cultural Touchstone: Phyllis D. Brandon

phyllisbrandon_t180Phyllis D. Brandon has played a unique role in shaping and supporting Little Rock’s cultural life.  As the first and longtime editor of the Arkansas Democrat-Gazette‘s High Profile section, she promoted cultural institutions, supporters and practitioners.

Since it started in 1986, being featured in High Profile has been akin to the Good Housekeeping Seal of Approval.  It exposes cultural institutions and events to new and wider audiences.  There is no way to put a monetary measure on the support Brandon gave to Little Rock’s cultural life during her time leading High Profile from 1986 to 2009.  From 2009 to 2011, she served as editor of Arkansas Life magazine, again supporting and promoting cultural life.

With her unassuming manner, she coaxed stories out of interview subjects and captured photos which highlighted events.  A journalist since her junior high school days in Little Rock, Brandon has also been a witness to history.  As a recent graduate of the University of Arkansas, Brandon returned to her alma mater, Little Rock Central High, to cover the events in early September 1957 for the Arkansas Democrat.  Eleven years later, she was in Chicago for the contentious and violent 1968 Democratic National Convention as a delegate.

From 1957 until 1986, she alternated between careers in journalism and the business world, as well as being a stay-at-home mother.  Upon becoming founding editor of High Profile, she came into her own combining her nose for news and her life-long connections within the Little Rock community.  As a writer and photographer, she created art in her own right. A look through High Profile provides a rich historical snapshot of the changes in Little Rock and Arkansas in the latter part of the 20th Century and start of the 21st Century.

Since retiring in 2011, Brandon has kept a relatively low profile. She can be seen from time to time spending time with friends and family and enjoying attending events. Only this time she generally does not have her trusty camera or notepad.

LR Cultural Touchstone: Deborah Baldwin

9 Deborah BaldwinAs a historian, arts patron, and administrator, Deborah Baldwin has had a hand in shaping Little Rock’s cultural scene for nearly thirty years.   As Chair of the UALR History Department from 1986 to 1992, she lead the department as it created the History Institute which sponsors the “Evenings with History” lecture series.  At the time it was started, it was one of the few lecture series in Little Rock (if not the only one).

A member of the UALR faculty since 1980, Baldwin is a specialist in modern Mexican history with a Ph.D. from the University of Chicago. She has published a book on the Mexican Revolution of 1910 and a variety of articles, primarily on Mexican social history topic.

As a History Department faculty member, she has lead the Public History seminar. This program has documented the history of several Little Rock cultural institutions over the years including the Arkansas Arts Center, Arkansas Symphony Orchestra and Museum of Discovery.  The Public History program has trained many of the museum professionals working in Little Rock today.  The Central High Museum, a private forerunner of the National Park Service Central High National Historic Site Visitor Center, was lead in a large part by persons associated with the UALR Public History Program.

Starting in the mid-1990s, Baldwin led the College of Arts, Humanities and Social Sciences.  In that capacity, she oversaw the visual and performing arts programming at UALR.  Under her leadership, the Departments of Art, Music, and Theatre & Dance were all revitalized.  As a part of this, she ensured that cutting-edge technology was being integrated to arts curriculum.  She also led efforts to upgrade the performance facilities.  During her tenure as Dean, the College also played leading roles in the commemoration of the 40th and 50th anniversaries of the integration of Central High School, the centennial of the Mexican Revolution, and the “Life Interrupted” exhibit which highlighted the Japanese-American internment experience in Arkansas.  She also oversaw the creation of Finale!, an event each spring which celebrates the arts in Little Rock and honors arts patrons.

With the creation of the Arkansas Studies Institute (a collaboration between UALR and Central Arkansas Library System), Baldwin took on additional duties as UALR’s supervisor on the project.

In 2014, UALR underwent a campus-wide administrative and academic reorganization.  In conjunction with that, Baldwin became Associate Provost for UALR Collections and Archives.  In that capacity she oversees the campus library system, Center for Arkansas History and Culture and the Sequoyah National Research Center.  She continues to teach in the Department of History.

She is a past member of the board of the Arkansas Humanities Council and the MacArthur Military History Museum Commission.

 

Chairman of the National Endowment for the Arts to visit Little Rock

NEA LRDr. Jane Chu, a former resident of Arkadelphia, is the new chairman of the National Endowment for the Arts.  On Tuesday, October 7, she will be in Little Rock.

At 1:30, she will be part of a presentation at the Arkansas Repertory Theatre.  Steve Luoni of the University of Arkansas Community Design Center, will lead a discussion of the Creative Corridor.  Dr. Chu will also make remarks.  Mayor Mark Stodola will be the host of the event.  The public is invited to attend.

During her visit in Little Rock, Dr. Chu will also take part in a variety of meetings and tours.