Sculptors announced for 2016 Sculpture at the River Market

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Sculpture at the River MarketSculpture at the River Market is pleased to announce the artists who have been juried in to our 2016 Sculpture Show & Sale to be held April 22-24.

Each artist was invited to submit a proposal for the 6th Public Art Monument Sculpture Commission Competition – a $60,000 to $80,000 commission.

Guests attending the Preview Party on April 22nd will view and vote on the six semi-finalist proposals to help select the top three finalists; the top three will be announced at the end of the evening. These three finalists’ proposals will be juried on April 23-24 and the winning proposal will be announced on Sunday afternoon, April 24th.

2016 Artists

  • Lorri Acott
  • Lori Arnold
  • Terry & Maritza Bean
  • Hunter Brown
  • Craig Campbell
  • Kathleen Caricof, NSG
  • Leslie Daly
  • Darrell Davis, NSG
  • Jane DeDecker, NSG
  • John Deering
  • Clay Enoch, NSG
  • Kimber Fiebiger
  • Peter Grimord
  • Guilloume
  • Jeff Hall
  • Denny Haskew, NSG
  • Bob Heintzelman
  • Mark Hyde
  • Greg Johnson
  • James Keller
  • Kevin Kresse
  • Mark Leichliter, NSG
  • Harold Linke, NSG
  • Allison Luedtke
  • Bryan Winfred Massey, Sr.
  • James G. Moore
  • Nnamdi Okonkwo
  • Steven Olszewski
  • Richard Pankratz
  • James Paulsen
  • Nathan Pierce
  • Merle Randolph
  • Dale Roark
  • Kevin Robb
  • Timothy Roundy
  • Emelene Russell
  • Wayne Salge, NSG
  • Valerie Jean Schafer
  • Adam Schultz
  • Stephen Shachtman, NSG
  • Kim Shaklee
  • Stephanie & Scott Shangraw
  • Gene Sparling
  • Lawrence Starck
  • Charles Strain
  • Tod Switch
  • Michael Warrick, NSG
  • C.T. Whitehouse, NSG
  • Longhua XU
  • Michelle Zorich & Katherine Martin

NSG indicates membership in the National Sculptors’ Guild

Riverfest announces the 2016 Lineup

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Riverfest 2016The 2016 Riverfest lineup was announced today.

The festival, this year on June 3 through June 5, will include CHRIS STAPLETON, THE FLAMING LIPS, GOO GOO DOLLS, COLE SWINDELL, GRACE POTTER, KELSEA BALLERINI, X AMBASSADORS, JUICY J, GEORGE CLINTON, ST. PAUL AND THE BROKEN BONES, BROTHERS OSBORNE, BARRETT BABER, JUDAH & THE LION and ZZ WARD. Also on tap will be Givers, The Sheepdogs, Andy Frasco and the U.N., New Breed Brass Band and Knox Hamilton.

Riverfest 2016 will be held on the first weekend in June (no longer on the Memorial Day holiday). The weekend will kick-off Friday, June 3rd from 6:00 p.m. – 9:00 p.m. with “Flowing on the River,” a party featuring tastings of hundreds of wines & local craft beers, great food & live music. Flowing on the River is a separately ticked event.

Riverfest Music Festival takes place Saturday and Sunday June 4th & 5th with all your festival favorites from great food, arts & crafts, special attractions and the best live music on the banks of the Arkansas River.

It wouldn’t be Riverfest without the largest fireworks display in the state to conclude a full weekend of fun and activity.

 

Little Rock Look Back: St. Patrick’s Day with Mayor Pat L. Robinson

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IMG_4517On this date in 1900, future Little Rock Mayor Pat L. Robinson was born.  While I cannot verify that he was indeed named after St. Patrick, it would be fairly reasonable to assume there might be a connection.

Robinson was a rising star of Little Rock Democratic politics.  In April 1929, just weeks after his 29th birthday, he was elected Mayor.  He had twice been elected as City Attorney (1926 and 1928) and was one of the youngest to serve in that position.

During Mayor Robinson’s tenure, he announced plans to construct a new airport.  That project led to the creation of what is now the Bill and Hillary Clinton National Airport.  Mayor Robinson was also involved in helping Philander Smith College secure the property where it is now located.  In addition, during his tenure, what is now the Museum of Discovery was folded into the City of Little Rock.  Shortly after taking office, he championed several projects for approval by Little Rock voters. The projects he supported were approved; the ones he did not support did not pass.

Single at the time he was in office and generally considered good looking, Mayor Robinson was sometimes referred to as the “Jimmy Walker of the Southwest.” Walker was the handsome and charming Mayor of New York City at the time.

Mayor Robinson ran afoul of some of the Democratic party leaders. Records don’t seem to indicate exactly what actions he took or did not take.  One thing that is brought up is that the City went into financial distress during his tenure.  Considering the Wall Street crash happened shortly after he took office, that financial state was not unique to Little Rock.

IMG_4532During this era in Little Rock, it was customary for an incumbent mayor to be given a second term. But City Clerk Horace Knowlton challenged Robinson in the primary.  It was a bitter campaign with Robinson linking Knowlton to disreputable denizens and Knowlton charging Robinson with “an orgy of spending.”  Robinson initially came out 17 votes ahead. But after a review and a lawsuit, it was found that Knowlton ended up with 10 more votes and became the nominee.  At the time, being the Democratic nominee was tantamount to election.

After he left office, Robinson practiced law for a few years in Little Rock and then left the city.  Records do not indicate where he went but he no longer appeared in the City of Little Rock directory by the early 1940s.  In the 1940 census he is listed as divorced and a lodger living with a couple.

The HAM Nog-Off a finalist for Bootstrap Award

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thnogoff_tstHistoric Arkansas Museum’s popular annual Nog-off event was a finalist for the Bootstrap Award at this year’s Arkansas Governor’s Conference on Tourism!

This free annual event has become a success on a bootstrap budget thanks to the hard work, passion and dedication of the museum staff, amazing volunteers, incredible competitors and expert judges both past and present!

HAM will host the 12th Ever Nog-off on December 9, 2016, and they hope to see you there!

Have you ever wondered why they include “Ever” in the title of this annual event? It’s because they began as the First Ever Nog-off almost 12 years ago! Staff thinks it’s been fun to see several knock-off nog-offs appear across the country (after all, imitation is the highest form of flattery); they are proud that Arkansas was the first and it all started at Historic Arkansas Museum!

This event is an ideal example of how HAM pairs Arkansas history and heritage with fun and engaging experiences. They are proud each year to showcase historic eggnog recipes with connections to our historic grounds and early Arkansas as well as innovative recipes from our contemporary culinary masterminds in Arkansas. ‪#‎ArkansasMade‬ ‪#‎AuthenticArkansas‬ ‪#‎HeritageFood‬

Little Rock Women’s History Month – Lucy D. Dixon

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Lucy DixonKnown professionally as Mrs. Edgar F. Dixon (in an era when married women were listed publicly by their husband’s names), Lucy D. Dixon was elected to the Little Rock City Board of Directors in November 1957.  Though not noted at the time, her election was historic.  She was the first woman elected to a municipal office in Little Rock who had not first succeeded her husband.  Prior to her service on the City Board, Mrs. Dixon had served on the Little Rock School Board.  She was secretary of that body during the 1957 desegregation crisis.

Lucy Ann Dulin was born in Hensley in 1904.  She moved to Little Rock and graduated from Little Rock High School (then located on Scott Street) and attended the University of Arkansas.  From 1927 until 1935, she worked for her family’s business – Dulin Bauxite Company.  She returned to the company in 1941 and worked there until 1950.  She later served on the company’s board of directors.

Beginning in 1935, she became involved with the PTA and rose to the position of National Secretary in 1949, serving for three years in that position. As a PTA officer, she visited thirty-six of the then forty-eight states.

Among her other leadership positions were executive vice chair of the Governor’s Advisory Committee on Education, trustee of Little Rock Junior College (now UALR), delegate to the White House Conference on Children and Youth, delegate to White House Conference on Education, Pulaski County Welfare Board, and Little Rock Planning Commission.  She was also active in many Methodist organizations.  In 1953, she was the Arkansas Democrat Woman of the Year.

Married to Edgar F. Dixon, she had three children: Philip Edgar, Barbara and Mimi.  She died in January 1996 at age of 91.

Hillcrest Historic District to be site of 52nd Quapaw Quarter Spring Tour

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qqa tourThe Quapaw Quarter Association (QQA) will host its 52nd Spring Tour on Mother’s Day Weekend, May 7-8 in the Hillcrest Historic District.
The Spring Tour of Homes has been held since 1963 with the purpose of fostering appreciation of historic buildings and neighborhoods and the need for their preservation.  The Tour was last year’s recipient of the Grand Old Classic Special Event Award at the Arkansas Department of Parks and Tourism’s Henry Awards.  The 52nd Spring Tour will feature interior access to five historic homes, four of which have never before been on tour.
“The Spring Tour is our best tool to build pride in historic neighborhoods and encourage continued investment in our city’s architectural heritage” said QQA President Jarrod Johnson.  “The Tour is a great way to celebrate Mother’s Day and experience one of Little Rock’s unique neighborhoods.”
The 52nd Spring Tour will feature the homes at 516 Ridgeway, 478 Ridgeway, the Canby House at 420 Midland, the Ashcroft House at 444 Fairfax Avenue, and the Foster-Cochran House at 3724 Hill Road.  Pulaski Heights Elementary and Middle Schools will also be open with student-led tours.  The Candlelight Tour on Saturday evening will include the special additions of the house at 319 Midland, a champagne stop at the Storthz House at 450 Midland, and the chapel at Pulaski Heights Presbyterian Church, followed by a party in the church’s fellowship hall.
In a new addition to the tour this year, the students in the Gifted and Talented Programs at Pulaski Heights Elementary and Middle Schools are doing research on the history of about 100 structures in Hillcrest, many of them the student’s own home.  Signs will be mounted in the yards or windows of these buildings that explain the history of the structure.  The signs will be temporarily posted, creating a walking tour throughout the neighborhood during the weekend of the Spring Tour.  In the process, the students will learn about the history of the community that they live in or utilize every day and how to use primary and historic resources when doing research.  The QQA hopes that residents of Hillcrest and Spring Tour-goers will take advantage of the walking tour to learn more about and appreciate the history of this historic community.
The tour will be open Saturday and Sunday afternoons; tickets may be purchased in advance for $20, or on site for $30.  Kids 10 and under are free.  The Candlelight Tour and Party tickets start at $125 per person and include afternoon tours.  Other activities will be a Sunday Brunch at Curran Hall and specials at neighborhood businesses.
Find more information and tickets at www.quapaw.com or at the Little Rock Visitor Information Center at Historic Curran Hall at 615 E. Capitol Avenue. You may also call 501-371-0075. Proceeds benefit the historic preservation programs of the QQA.
For social media, the QQA encourages attendees to use #QQASpringTour as the official event hashtag.

“Industrial Beauty: Charles Burchfield’s Black Iron” exhibit at Arkansas Arts Center through May 8

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The massive counterweights of a railroad drawbridge over Buffalo Creek fascinated watercolorist Charles Burchfield as he traveled to the Port of Buffalo in 1933. The artist promised himself he would one day depict the bridge. In 1935, he said, “I made one trip in to look over the subject, and received a new thrill. . . What a delight! What a joy it was! The subject ‘over-powered me’” He recalled, “It was difficult working, that first day, but I rejoiced in all the handicaps . . . the ground had not settled yet from the spring thaw, and where I stood it was all sand; engrossed in my work I did not know how treacherous it was until I went to step backward and could not move my feet . . .” A bridge worker had to rescue the artist, who was captivated, indeed.

Charles Burchfield, American (Ashtabula Harbor, Ohio, 1893 – 1967, West Seneca, New York), Black Iron, 1935, watercolor, 28 1/8 x 40 in. Arkansas Arts Center Foundation Collection: Gift of Hope Aldrich, in memory of her father, John D. Rockefeller, 3rd. 2013.006.001.

Burchfield’s devoted labor resulted in one of his greatest watercolors, Black Iron. This exhibition celebrates the arrival of this masterpiece in Arkansas as a gift from Hope Aldrich in honor of her father, John D. Rockefeller, 3rd. This generous donation also includes seven sketches and a sheet of notes from which the artist’s commentary above is quoted. The exhibition Industrial Beauty sets this material in a wider context.

Burchfield is best known as a visual poet of nature who was one of America’s outstanding modern watercolorists. Early and late in his career he made graceful images of trees, flowers, clouds, and abstract lines suggesting such natural sounds as the chirping of crickets. But in the 1930s, the artist was riveted by the technology used to move and store the grain, iron ore, and other products of the Great Lakes region where he lived. His style became more realistic as he depicted the beautiful geometry of railroads, bridges, grain elevators, and factories.

This exhibition gathers such images from the 1930s, including a 1933 watercolor of Buffalo Harbor, Three Boats in Winter (Rhode Island School of Design Museum of Art, Providence, Rhode Island), which he was making when he first spotted the drawbridge over Buffalo Creek. The exhibition gathers drawings, watercolors, and a rare oil painting from distinguished collections around the country. These images show us Burchfield’s vision of industry. The artist concentrated on massive iron structures and industrial scenes in the 1930s, but he had been depicting bridges and trains since his youth in the 1910s.