Black History Month Spotlight – L.C. and Daisy Bates House

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Bates HouseThe new Arkansas Civil Rights History Audio Tour was launched in November 2015. Produced by the City of Little Rock and the University of Arkansas at Little Rock allows the many places and stories of the City’s Civil Rights history to come to life an interactive tour.  This month, during Black History Month, the Culture Vulture looks at some of the stops on this tour which focus on African American history.

L.C. and Daisy Bates were civil rights activists and co-owners and publishers of the Arkansas State Press newspaper. During the 1957 school desegregation crisis of Central High School, their home functioned as headquarters for the “Little Rock Nine,” the first black students to attend the school. The Bateses’ home provided a safe-haven for “the Nine.” It was a refuge, a place to study and receive counseling to contend with frequent harassment by white students and other staunch segregationists who demonstrated outside the school.

“The Nine” also visited with the NAACP legal team of Thurgood Marshall and Wiley Branton, who worked on the school desegregation case of Aaron v. Cooper. Daisy Bates, a mentor to the Nine, was president of the Arkansas State Conference of the National Association for the Advancement of Colored People (NAACP.) For taking a stand against segregated schools, L.C. and Daisy Bates had numerous missiles hurled at their home during the school crisis and had several fiery crosses—an emblem of the white terror organization the Ku Klux Klan— burned on their lawn. Segregationists mounted a boycott of the Arkansas State Press newspaper, putting it out of business in 1959.

In 2001, it was declared a National Historic Landmark.  The house is now being restored and turned into a museum.

The app, funded by a generous grant from the Arkansas Humanities Council, was a collaboration among UALR’s Institute on Race and Ethnicity, the City of Little Rock, the Mayor’s Tourism Commission, and KUAR, UALR’s public radio station, with assistance from the Little Rock Convention and Visitors Bureau.

Free admission at Clinton Center today

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Clinton Library 3The Clinton Presidential Center is free today in honor of the George Washington Birthday Federal Holiday.  Also free are audio tours narrated by President Clinton.

This is a wonderful opportunity to see the final day of the temporary Coca-Cola exhibits.

Illustrations of an American Original is located in the Garden View Room and focuses the now-iconic images and advertising campaigns that have helped define the Coca-Cola brand.  An American Original at 100 is housed in the Temporary Gallery, bringing together historic bottle “firsts.” It features a 13-bottle chronology, including an original glass bottle produced in 1902, a replica of the prototype contour bottle created by the Root Glass Company in 1915, and a prototype of the aluminum bottle that debuted in 2008.
In addition to Illustrations of an American Original and An American Original at 100, the Center is also displaying a full-size antique Coca-Cola delivery truck produced in 1949 by the White Motor Company and a spectacular hanging installation comprised of more than 750 3D-printed, ribbon-shaped interpretations of the bottle’s classic shape.

Little Rock Look Back: Mayor John Wassell

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JWassellFuture Little Rock Mayor John Wassell was born on February 15, 1813 in Kidderminster, England.

In 1829, he came to the United States.  He learned carpentry and construction in Ohio and ended up in Little Rock.  One of his jobs was as the finishing contractor on the State Capitol building, now known as the Old State House.

He later gave up carpentry and became an attorney.  (It is said that he did so after becoming embroiled in a legal dispute arising from one of his construction jobs.) Wassell also served as a judge.

In 1868, he was appointed Mayor of Little Rock by President Andrew Johnson.  He is Little Rock’s only Mayor to have served through a military appointment.  Mayor Wassell died in January 1881 and is buried at Mount Holly Cemetery along with his wife and other family members.  One of his grandsons, Samuel M. Wassell also served as Mayor of Little Rock.

Final 2 Days of Coca Cola exhibit at Clinton Center

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Coca-Cola-Bottle-History-v2-hiThe Clinton Presidential Center celebrates the art and history of the Coca-Cola Bottle’s 100-year anniversary during its upcoming temporary exhibit, Coca-Cola: An American Original. The exhibit closes on Monday, February 15.
The exhibit is divided into two sections and occupies both the Garden View room, located on the first floor, and the Temporary Gallery, located on the third floor.
Illustrations of an American Original will be located in the Garden View Room and will have as its focus the now-iconic images and advertising campaigns that have helped define the Coca-Cola brand. Illustrations will include three original paintings by Norman Rockwell, an American artist who created a total of six paintings that were ultimately used in finished Coca-Cola ads. The three others, known as the “Missing Rockwells,” have yet to be located. Additionally, Illustrations feature several images of Santa Claus, including the first Coca-Cola Santa painted by Fred Mizen that appeared in The Saturday Evening Post in December of 1930, as well as nine original Haddon Sundblom illustrations.
An American Original at 100 is housed in the Temporary Gallery, bringing together historic bottle “firsts.” It features a 13-bottle chronology, including an original glass bottle produced in 1902, a replica of the prototype contour bottle created by the Root Glass Company in 1915, and a prototype of the aluminum bottle that debuted in 2008.
Also, the exhibit showcases pop art by Andy Warhol—including videos, photographs, prints, and other original works—and folk art by Howard Finster, who incorporated the Coca-Cola bottle into dozens of his pieces over his prolific career. Another portion of this exhibit is dedicated to American presidents and their connection to the global brand. An American Original at 100 was recently on display at the High Museum of Art Atlanta.

 

In addition to Illustrations of an American Original and An American Original at 100, the Center is also displaying a full-size antique Coca-Cola delivery truck produced in 1949 by the White Motor Company and a spectacular hanging installation comprised of more than 750 3D-printed, ribbon-shaped interpretations of the bottle’s classic shape.
Coca-Cola: An American Original is the Center’s 42nd temporary exhibit. It will close on February 15, 2016.  Admission to temporary exhibits is included in the price of Library admission.

Black History Month Spotlight – Sue Cowan Williams Library

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sue_cowan_williamsThe new Arkansas Civil Rights History Audio Tour was launched in November 2015. Produced by the City of Little Rock and the University of Arkansas at Little Rock allows the many places and stories of the City’s Civil Rights history to come to life an interactive tour.  This month, during Black History Month, the Culture Vulture looks at some of the stops on this tour which focus on African American history.

In 1945, Sue Cowan Williams successfully sued the Little Rock School District for equal pay for black and white teachers. The existing inequality in pay clearly did not meet the stipulation of “separate but equal” treatment of African Americans required by the law.

Williams was chair of the English Department at Dunbar High School. She had attended Spelman College in Atlanta, Talladega College in Alabama, and the University of Chicago. These impressive credentials made her an ideal standard bearer for the suit. Local lawyers, along with the NAACP’s Thurgood Marshall, successfully appealed Williams’ case to the Eighth Circuit Court of Appeals in St. Louis. In the meantime, however, Williams’ contract was not renewed at Dunbar.

After working several other jobs, she was eventually rehired in 1952. She remained at Dunbar until her retirement in 1974. Williams died in 1994. In 1997, the tenth library in the Central Arkansas Library System was dedicated as the Sue Cowan Williams Library in her honor.

The app, funded by a generous grant from the Arkansas Humanities Council, was a collaboration among UALR’s Institute on Race and Ethnicity, the City of Little Rock, the Mayor’s Tourism Commission, and KUAR, UALR’s public radio station, with assistance from the Little Rock Convention and Visitors Bureau.

LOVE JONES on screen tonight as part of MTCC After Dark

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MTCC Love JonesJoin MTCC “After Dark” for a Valentine’s Day affair with a special screening of the 1997 New Line Cinema film Love Jones starring Larenz Tate and Nia Long.

Darius Lovehall (Tate) is a young black poet in Chicago who starts dating Nina Mosely (Long), a beautiful and talented photographer. While trying to figure out if they’ve got a “love thing” or are just “kicking it,” Nina attempts to test the strength of Darius’ feelings and sets a chain of romantic complications into motion.

Refreshments will be served. Admission is $10. Seating is limited and tickets must be purchased at Mosaic Templars Cultural Center.

MTCC is an agency of the Department of Arkansas Heritage.

Heeeere’s THE SHINING – tonight at the CALS Ron Robinson Theater

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RRT shiningStanley Kubrick’s 1980 thriller The Shining will be chilling the big screen tonight at the Ron Robinson Theatre at 7pm.

Based on the Stephen King novel, The Shining was directed by Kubrick from a screenplay he wrote with Diane Johnson.

Jack Nicholson is appropriately cerebral and scary as he alternates between wrestling with writer’s block and wielding an ax.  Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Anne Jackson and Joe Turkel are also in the cast.  Set largely in a desolate hotel, the movie was a chore for the actors due to the incredibly long hours of shooting each day.  As a director, Kubrick was overly exacting.  But the result of the hard work comes through on the screen.

Though he was excruciatingly demanding on Duvall, Kubrick took cares to make it a pleasant filming experience for six-year-old Lloyd.  It was not until a decade later that Lloyd realized it had been a horror film, because Kubrick and others kept him out of the way during the more violent scenes.

See it all on the big screen tonight.