Tag Archives: Arkansas Democrat

Little Rock Look Back: Movie Stars Descend on Robinson Auditorium

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Autograph seekers crowd around the actors at the Movie Ball (photo from Arkansas Gazette)

Autograph seekers crowd around the actors at the Movie Ball (photo from Arkansas Gazette)

As final preparations were being made for the opening of the Joseph Taylor Robinson Municipal Auditorium in early 1940, a glamorous evening took place in Robinson’s lower level convention hall on February 1.

In conjunction with a meeting of film executives and movie theatre owners sponsored by Robb and Rowley Theaters (which later became the United Artists theatre chain), several Hollywood actors were in Little Rock and headlined a Movie Ball. While in Little Rock, Maureen O’Hara, Phyllis Brooks, Arleen Whelan, Tim Holt and Gene Autry had also made a variety of public appearances.

Mr. Autrey had to miss the ball because he had to return to Hollywood early to attend to business matters. Actress Ilona Massey had also been scheduled to attend the events but was unable due to illness.

The quartet who did appear at the Movie Ball caused quite a scene. Upon their entrance, so many of the attendees crowded around for autographs that the evening’s grand march could not take place (a newspaper headline in the Democrat innocently used the word “orgy” to describe the crowd). After two attempts, Little Rock Mayor J. V. Satterfield (who was escorting Miss O’Hara) and the other members of the Little Rock host delegation led the Hollywood foursome to their reserved table. For quite a while that evening, the table was besieged by autograph seekers.

Mayor J V Satterfield escorting actress Maureen O'Hara at the Movie Ball (photo from Arkansas Democrat)

Mayor J V Satterfield escorting actress Maureen O’Hara at the Movie Ball (photo from Arkansas Democrat)

Though it is unknown as to whether he sought an autograph, photos from the evening showed a very satisfied Mayor Satterfield with Miss O’Hara on his arm. Satterfield family lore joked that Mrs. Satterfield (who had stayed home that night to tend to a sick son) was not a fan of Miss O’Hara’s films after that evening.

The Movie Ball showed Little Rock citizens the value of Robinson Auditorium even before it had been officially dedicated. The film industry meetings had taken place at the Albert Pike Hotel which did not feature a ballroom large enough to host the ball. Without the auditorium’s availability for the gala, organizers might not have chosen Little Rock for the meeting.

With the auditorium’s convention hall not attached to any hotel, it opened up the chance for Little Rock to host more events. This had been one of the key arguments for an auditorium since Mayor W. E. Lenon’s first proposal back in 1904. Having a glamorous event this early in the auditorium’s life validated that contention. After having endured the challenges to open the building, it was a nice lagniappe for the auditorium’s proponents who were present.

The actor Tim Holt would again be connected to Little Rock. In September 1951, he tried to obtain a divorce in Arkansas and stated that he had been a resident of the state for at least six weeks. He also had someone else testify to that fact. In October 1951, the divorce was granted. Later Mr. Holt was charged with perjury and fined $200 for falsely representing his length of residence in Arkansas. Judicial sanctions for his legal team, which included a State Senator, were eventually reviewed by the Arkansas Supreme Court.

Little Rock Look Back: Voters Approve Municipal Auditorium

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muni aud elect ad editedOn January 26, 1937, Little Rock voters went to the polls to vote on three different municipal bond issues.  One of them was the construction of a municipal auditorium (what would become Joseph Taylor Robinson Memorial Auditorium, now Robinson Center Music Hall).

The bonds for the auditorium would be $468,000 in general obligation bonds which would be paid off between 1940 and 1971. This was toward a total cost of $760,000 for the entire project.

The official campaign for the auditorium was sponsored by the Little Rock Forward Committee which was led by W. H. Williams. In campaign advertisements it showed the value of conventions in New York City which was estimated at $100 per convention attendee. Little Rock organizers were estimating a $10 a day expenditure by visitors, which the committee stressed was very conservative. The campaign committee emphasized the importance of acting at that time due to the federal government money involved.

Various committees and organizations endorsed the auditorium project including the Little Rock Chamber of Commerce, Little Rock Federation of Women’s Clubs, and the Young Business Men’s Association.

The thrust of the campaign focused on the economic benefit to Little Rock as well as the fact that the auditorium would be for all citizens. This message was picked up in editorials by both the Democrat and Gazette. In editorials on January 23 and 25, the Democrat opined that the benefits of the auditorium would be distributed among all classes of the citizenry. The next day, both papers ran editorials which touted the economic boon an auditorium would bring through conventions and meetings.

The Democrat’s approach broke down the current value of conventions to Little Rock with, what it termed, the city’s “existing inadequate” facilities. The paper emphasized a conservative estimate of what the added value to Little Rock’s economy would be with the new auditorium.

In expressing support for the auditorium the Gazette stressed the values for local, statewide and national groups. “An auditorium would provide a more convenient and better adapted community center for all kinds of local gathering,” and continued that it would make Little Rock “the logical meeting place for state conventions of every sort.” In discussing the value of state, regional and national meetings the paper stressed that the outside money spent by convention attendees has an impact beyond stores, hotels and restaurants.

Both papers also echoed the importance of the federal government financing to make this possible. The Democrat noted that the Public Works Administration grant and federal low cost loan made this an ideal time.

On January 26, 1937, Little Rock voters approved the auditorium bond by a vote of 1,518 to 519. It passed in each of the city’s 23 precincts. Little Rock Mayor R. E. Overman expressed his pleasure at the outcome of the vote and extended his thanks to the voters.

After the election, a Gazette editorial commented on the low turnout for the special election by commenting that the weather had been nice and there were no other barriers to voting. The editorial writer opined that those not voting in the election must not have been opposed to the endeavor.

Fund set up to ensure sustained support of July 4th Arkansas Democrat-Gazette Pops on the River featuring ASO

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popsonriverAccording to an article in the Arkansas Democrat-Gazette, a fund has been set up to ensure long-term sustained support of the paper’s Pops on the River music and fireworks spectacle.  The Pops on the River Charitable Fund has been established at the Arkansas Community Foundation. The first gift was a donation of $100,000 by the Hussman Foundation.

The state’s largest Fourth of July celebration, Pops on the River is a day-long observance that draws around 30,0000 people to the River Market district and First Security Amphitheater in downtown Little Rock. Fireworks and a free concert by the Arkansas Symphony Orchestra highlight the celebration.  The celebration was started in 1983 by the then-Arkansas Democrat just as Riverfront Park was first developing.

“The idea is to try to set up an endowment fund over the years that will generate enough income so that it could pay for Pops on the River,” Democrat-Gazette Publisher Walter E. Hussman Jr. said in the article.  He envisions that the fund will build year by year toward a goal of $1 million.  The goal amount would generate $50,000 per year to cover the costs of Pops on the River.  Though the Hussman Foundation plans on annual donations of $100,000 as economically feasible, the fund is set up to take donations from other foundations as well as corporations and individuals.

Little Rock Look Back: Ground Broken for Robinson Auditorium

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ARKANSAS DEMOCRAT photo of Mayor Overman, Mrs. Robinson and Mr. Allaire at the groundbreaking. The Broadway Bridge balustrades are visible in the background.

ARKANSAS DEMOCRAT photo of Mayor Overman, Mrs. Robinson and Mr. Allaire at the groundbreaking. The Broadway Bridge balustrades are visible in the background.

On December 24, 1937, at 11:30 a.m., Little Rock Mayor R. E. Overman, Ewilda Gertrude Miller Robinson (the widow of Senator Joseph Taylor Robinson) and  Alexander Allaire of the PWA turned dirt to participate in the brief groundbreaking ceremony for Little Rock’s municipal auditorium.  That morning, the Arkansas Gazette ran a brief story on the upcoming groundbreaking.  The story mentioned that the building would be named in memory of the late beloved Arkansas politician.  This appears to be the first public pronouncement of the Robinson name for this civic structure.

Among others in attendance at the groundbreaking were Mrs. Charles Miller (sister-in-law of Mrs. Robinson), Mr. and Mrs. Grady Miller (brother and sister-in-law of Mrs. Robinson), the mayor’s wife, the three architects (George Wittenberg, Lawson Delony and Eugene John Stern), and D. H. Daugherty and Will Terry of the City’s Board of Public Affairs.

Construction had to start by January 1, 1938, in order to receive PWA funds.  By breaking ground on December 24, there was over a week to spare.  The site had been selected in late October 1937, and the purchase had not been finalized.  But the PWA did give permission for the City to let a contract for excavation, demolition and filling on the site.

The groundbreaking took place at the corner of Garland and Spring Streets which was on the northeast corner of the block set aside for the auditorium.  Today, Spring Street does not extend north of Markham; the street was closed to make way for the parking structure and what is now the Doubletree Hotel.  Garland Street is basically an alley that runs parallel to Markham north of City Hall, Robinson Auditorium and the Doubletree Hotel.

Approximate site of the 1937 groundbreaking. Once again it is a construction site as the Robinson renovation is underway.

Approximate site of the 1937 groundbreaking. Once again it is a construction site as the Robinson renovation is underway.

LR Cultural Touchstone: Peg Newton Smith

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peg_3While the Culture Vulture remains a huge fan of Peg Newton Smith, it is better for this entry to be taken from a tribute written by her longtime friend Bill Worthen.

Peg Newton Smith was a pioneer in the field of history and historic preservation.  A founder of both the Arkansas Museums Association and the Quapaw Quarter Association, Little Rock’s historic preservation organization, she served as a significant resource for many local history researchers and historians.

Born February 10, 1915, Peg Smith came from a family deeply engaged in Arkansas history. Two Arkansas counties – Newton and Hempstead – are named after ancestors.  She married George Rose Smith, himself from a prominent Arkansas family, in 1938. Peg Smith became his most vigorous supporter as George Rose Smith was elected and  reelected to the State Supreme Court, ultimately offering 38 years of service as Associate Justice.

She  enjoyed a sixty-two year career as a volunteer at the Historic Arkansas Museum, where she served as Commission Chair from 1978 to 1983. On the museum’s first day, she was dressed in period garb as a volunteer.  She was named Chair Emerita of the Commission in 2002. Her commitment to history has also included decades of service on the Mount Holly Cemetery Association Board of Directors, where she was famous with Mary Worthen for tours of the cemetery, often hot items at charity auctions.

Because of her instrumental work for the Arkansas Museums Association and the Quapaw Quarter Association, both organizations named significant annual awards after her. She was appointed to the inaugural Review Committee of the State Historic Preservation Program and with architect Edwin Cromwell was the first Arkansan named to the Board of Advisors of the National Trust for Historic Preservation. She was appointed to the Arkansas Bicentennial Commission, was elected president of the Junior League of Little Rock, was a founding member of the Board of the Historic Preservation
Alliance of Arkansas, and was active in the Pulaski County Historical Society.  She also was an early supporter of the MacArthur Museum of Arkansas Military History.

She was honored by many groups, being named 1967 Greater Little Rock Woman of the Year by the Arkansas Democrat, Shield of the Trojan Award winner from the UALR Alumni Association in 1979, Fellow of the Museum of Science and History in 1981, and Candlelight Gala Honoree of the Historic Arkansas Museum in 1994. She became the first recipient of the Lifetime Achievement Award from the Arkansas Museums Association in 2003.

Peg Newton Smith died on July 20, 2003.

Because of her love of Arkansas history and Arkansas art, the Historic Arkansas Museum commissioned the pARTy for Peg sculpture which dances near the north entrance to the museum.  pARTy for Peg is not a portrait of our dear friend—it is a sculpture inspired by her spirit. It had been her brainchild for the museum to have a separate gallery devoted to contemporary Arkansas artists. She also founded the Museum Store, filled with Arkansas crafts.

 

LR Cultural Touchstone: Phyllis D. Brandon

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phyllisbrandon_t180Phyllis D. Brandon has played a unique role in shaping and supporting Little Rock’s cultural life.  As the first and longtime editor of the Arkansas Democrat-Gazette‘s High Profile section, she promoted cultural institutions, supporters and practitioners.

Since it started in 1986, being featured in High Profile has been akin to the Good Housekeeping Seal of Approval.  It exposes cultural institutions and events to new and wider audiences.  There is no way to put a monetary measure on the support Brandon gave to Little Rock’s cultural life during her time leading High Profile from 1986 to 2009.  From 2009 to 2011, she served as editor of Arkansas Life magazine, again supporting and promoting cultural life.

With her unassuming manner, she coaxed stories out of interview subjects and captured photos which highlighted events.  A journalist since her junior high school days in Little Rock, Brandon has also been a witness to history.  As a recent graduate of the University of Arkansas, Brandon returned to her alma mater, Little Rock Central High, to cover the events in early September 1957 for the Arkansas Democrat.  Eleven years later, she was in Chicago for the contentious and violent 1968 Democratic National Convention as a delegate.

From 1957 until 1986, she alternated between careers in journalism and the business world, as well as being a stay-at-home mother.  Upon becoming founding editor of High Profile, she came into her own combining her nose for news and her life-long connections within the Little Rock community.  As a writer and photographer, she created art in her own right. A look through High Profile provides a rich historical snapshot of the changes in Little Rock and Arkansas in the latter part of the 20th Century and start of the 21st Century.

Since retiring in 2011, Brandon has kept a relatively low profile. She can be seen from time to time spending time with friends and family and enjoying attending events. Only this time she generally does not have her trusty camera or notepad.

LR Cultural Touchstone: Bernie Babcock

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BabcockBernie_fLittle Rock’s rich cultural history has been influenced by many outstanding men and women.  This October, during Arts & Humanities Month 2014, the Culture Vulture is looking at 31 outstanding women who have shaped cultural life in Little Rock…and beyond.

Julia Burnelle “Bernie” Smade Babcock was an author and museum founder.  Born in April 1868 in Ohio, she moved with her family to Arkansas as a child.  Marrying and starting a family, she also continued to write, which had been a passion since she was younger.  When her husband died, leaving her with five children, she starting writing for money. She published several temperance novels and later wrote for the Arkansas Democrat.  She also published a magazine and a poetry anthology.  She later became recognized as an expert on Abraham Lincoln and wrote several books about him, as well as other historical figures.

In 1927, after professional curmudgeon H. L. Mencken wrote derisively of Arkansas, she decided to start a museum. The Museum of Natural History and Antiquities was first located in a Main Street storefront.  In 1929, she “gave the City of Little Rock a Christmas present” by giving the museum to the city.  It was relocated to the unfinished third floor of City Hall, with her as its employee.  In 1933, as New Deal programs were ramping up, the space was needed for WPA offices, and the museum was shuttered. Many of the museum’s artifacts were lost during this time.    She became folklore editor for the Federal Writers’ Project in 1935.

In 1941, she and businessman Fred Allsopp convinced the City of Little Rock to reopen the museum (then known as the Museum of Natural History) by locating it in the old Arsenal Building in City Park.  She lived in the basement of the building.  She was involved in the efforts to rename City Park in honor of Douglas MacArthur (who had been born there) and welcomed him when he came to Little Rock in 1952.  Retiring from the museum in 1953, she donated some items and billed the City $800 for others. That money was her retirement pension at age 85.

Moving to Petit Jean Mountain, she wrote, painted and published poetry.  She died in June 1962 at age 94.  She is buried in Little Rock’s Oakland Cemetery.

After more name changes and a relocation, her museum is now known as the Museum of Discovery and is an anchor in the River Market district.