Tag Archives: Robinson Center Performance Hall

Little Rock Look Back: City of LR approves 1935 municipal auditorium plan

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An August 25, 1935, rendering in the ARKANSAS GAZETTE of the proposed Little Rock auditorium at Capitol and Scott Streets.

On August 26, 1935, the City of Little Rock took its first significant step in a decade for the creation of a City auditorium..  Under the leadership of Mayor R. E. Overman, the City Council approved authorization for the City to apply for $1,000,000 from the Federal Emergency Administration of Public Works (PWA) for the construction of an auditorium.  The PWA had issued a September 16, 1935, deadline for applications to be received as it sought to spend $4.8 billion in construction projects.

The auditorium plan was announced on Saturday, August 24, 1935.  Much preparation had already been undertaken before the project was publicly unveiled.  Private presentations hhad taken place, a team of architects had been chosen (Eugene Stern and the firm of Wittenberg & Delony), and a location had been selected.

The auditorium complex was slated for a block bounded by Capitol, Scott, Fourth and Cumberland Streets.  The Women’s City Club building on that block would remain with the new structure being built to wrap around two sides of the existing structure. The site was chosen because it was one block east of the Main Street business corridor and near existing meeting locations such as the Boys Club, Albert Pike Hotel, Albert Pike Masonic Lodge and several churches.

As planned by the architects, this structure’s front façade would have run the length of the Capitol Avenue side of the block.  The building was proposed to be constructed of concrete, stone and steel.  It would have a large hall with a proscenium stage and seating capacity of 4,000 with overflow of an additional 500.  The adjoining exhibition hall could seat 3,500 people.  The plan called for 150 cars to be parked in the building, and an additional 100 cars to be parked on a surface lot on the site.

Following an August 26 closed door meeting to discuss the project from which members of the public and press were excluded, in open session the City Council voted to pursue the funding for the million dollar auditorium.  If approved by the PWA, the funds would be provided in grants and loans, to be paid by over a 35 year period.

The auditorium proposal was filed with the PWA in Washington in September 1935.  Throughout the next several months, Mayor Overman and the city were engaged in a series of conversations and negotiations with the PWA for the expansion of both the water system and the sewer system. This diverted attention from pursuing the auditorium immediately.  This specific auditorium project stalled.  But because the plan had been filed by the September 16 deadline, it allowed the City to make use of PWA funds a few years later which would lead to the construction of Robinson Auditorium.

Little Rock Look Back: Ben Piazza

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Actor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Keeping the Tiger as his mascot, Piazza attended college at Princeton University.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.  Following his 1955 graduation, he moved to New York City and studied at the Actor’s Studio.

piazza

Piazza was an understudy in the 1956 play, Too Late the Phalarope at the Belasco Theatre.  In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. Other cast members included Claudia McNeil (who originated the part of Lena in A Raisin in the Sun) and Sandra Church (who originated the part of Gypsy Rose Lee in Gypsy).

In April 1959, Piazza starred in Kataki at the Ambassador Theatre. This two actor play also featured Sessue Hayakawa, who played a Japanese soldier who spoke only his native l

anguage.  Therefore, Piazza’s part was largely a very lengthy monologue.  For his performance, Piazza received one of the 1959 Theatre World Awards.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second String with Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character in The American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

 

Also in 1961 Piazza starred in several plays during a South American tour sponsored by the American Repertory Company.  He played Christopher Isherwood in I Am a Cameraand Chance Wayne in Sweet Bird of Youth.  In 1962, he starred in a series of plays at the Cherry Lane Theatre.  Piazza returned to Broadway to star along with Jane Fonda and Dyan Cannon in The Fun Couple at the Lyceum Theatre. This play had a troubled rehearsal period, which was documented in a short film about Jane Fonda.

Ben Piazza stayed on Broadway and returned to Albee in February 1963.  He took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

This play was at the Billy Rose Theatre, which marked a return for Piazza. He had acted at this theatre when it was the National while appearing in Winesburg. Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

Exact and Very Strange cover

During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

Following Virginia Woolf, he starred in The Zoo Story at the Cherry Lane Theatre in 1965.  In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.

As Sunday Agreement was opening, Piazza was in rehearsal for his next Broadway opening. He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It was directed by future Tony nominee Peter Masterson and starred Louise Lasser, Robert Walden (who starred in the 2013 production of Death of a Salesman at Arkansas Repertory Theatre), Clinton Allmon and Dolores Dorn-Heft, to whom Piazza was married at the time.

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  During this time period he was in productions of Bus Stop, Who’s Afraid of Virginia Woolf?, You Know I Can’t Hear You when the Water’s Running  and Savages.  In 1970, he starred as Stanley Kowalski in a production of A Streetcar Named Desire in New Orleans.  As the 1970s progressed, he turned his focus to television and movies.

BDP early

Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.  Though he received positive reviews for his performances, Piazza chose to return to New York and perform in stage and TV productions.

Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life.

In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team inThe Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant (where he was reunited with Walden).

BDP final

In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.

In November 2016, a room at the Robinson Conference Center was dedicated to his memory.

Little Rock Look Back: Death of Joseph Taylor Robinson

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Eighty years ago today, on July 14, 1937, U.S. Senator Joseph Taylor Robinson died in his apartment in Washington D.C.

The Senator’s wife, Ewilda, was in Little Rock making preparations for a trip the couple was to take. (She was informed of her husband’s death when her sister-in-law called to express condolences. No one had yet notified her in Little Rock.) Following his demise, Mrs. Robinson went to Washington to accompany her husband’s body back to Arkansas.

As the Senate Majority Leader, Senator Robinson was usually President Franklin Roosevelt’s point person to shepherd legislation on Capitol Hill.  The Democrat’s 1928 Vice Presidential nominee, Senator Robinson was particularly close to FDR. He had successfully steered numerous pieces of New Deal legislation through Congress.  However, at the time of his death, the Senator was facing an uphill climb trying to build consensus on the President’s unpopular Court Packing scheme.

The Senator was honored with a memorial service in the Senate chambers on Friday, July 17.  President Roosevelt and the cabinet joined members of the senate on the floor in what was described as a state funeral without pomp.  Mrs. Robinson sat with her brothers and two nephews as well as Bernard Baruch and Arkansas Power & Light’s Harvey Couch, who were Senator Robinson’s closest friends.  Eleanor Roosevelt was one of the many crowded in the senate galleries observing the service.  Following the service his body remained in the chambers until it was transferred to a train to make the journey to Little Rock.

The funeral train bore his body, his family, 50 senators and over twenty congressmen. It reached Little Rock around 8am on Sunday the 19th.  From there, Senator Robinson’s body was taken to his house on Broadway Street until noon.  It subsequently lay in state at the Arkansas State Capitol until being escorted by military to First Methodist Church.

1,500 people packed the church a half hour before the service began. The sun shone through the windows onto the flag-draped coffin as Rev. H. Bascom Watts led the service. Among the pallbearers was former Vice President Charles G. Dawes. Governor Carl Bailey of Arkansas was joined by Governors Richard Leche of Louisiana and E.W. Marland of Oklahoma.

As the funeral procession reached Roselawn Cemetery, thunder echoed. The skies which had alternated between sun and rain that day, returned to rain. A deluge greeted the end of the service and sent visitors hurrying for shelter at the end.

Five months after her husband’s death, Mrs. Robinson participated in the groundbreaking of the Joseph Taylor Robinson Memorial Auditorium.  The groundbreaking ceremony was the first time it was announced that building would be named in his memory.   On a plaque inside that building today, a quote from President Roosevelt stands as a further testament of the importance of Senator Robinson to the US.  Taken from President Roosevelt’s remarks upon learning of the Senator’s death, the plaque reads, in part, “A pillar of strength is gone.”

Seventy-eight and a half years later, the church was the site of the funeral of longtime US Senator Dale Bumpers in January 2016.

Little Rock Look Back: Robinson Center closes for renovation

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On July 1, 2014, Robinson Center Music Hall closed so that renovations could commence.  Instead of having a groundbreaking ceremony, Gretchen Hall and LRCVB arranged for a “stage breaking.”  Slats from the stage flooring were pried up with crowbars.

Twenty-eight months later, Robinson Center reopened on-time and on-budget.

(As a side note:  the Culture Vulture announced the countdown before Governor Mike Beebe and various Little Rock leaders used their crowbars for the first breaking of the stage flooring.)

Here are some photos from that ceremony.

Little Rock Look Back: HST in LR

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HST in LR2On June 10 and 11, 1949, President Harry S. Truman visited Little Rock.  He was here to participate in activities connected to the reunion of the 35th Division Association.  He had served in that division during World War I.

While he was in Little Rock, President Truman spoke several times.  He generally was accompanied by Governor Sid McMath and Mayor Sam Wassell.

On June 10, he spoke at Robinson Auditorium as part of a welcome ceremony, at a reception at the Hotel Marion and at a ball held at Robinson Auditorium.  His first address was at 3:48 pm and his final one was at 10:15 pm.  The next day he spoke at a breakfast and at a luncheon at the Hotel Marion.  He took pains at these times to stress he was here as a member of the 35th Division.  He also participated in a parade.

In his Presidential role, he spoke at the dedication of War Memorial Park on June 11.  His address took place inside War Memorial Stadium, which had been opened a few months earlier.  It was not a brief dedicatory speech, but instead was a lengthy treatise on foreign affairs.  The address was carried on nationwide radio.  The text of his address can be found here.

President Truman would return to Little Rock in July 1952.  He was in the state to speak at the dedication of Bull Shoals Dam. He did not make any formal remarks in Little Rock while in the city for that visit.

Little Rock Look Back: Cornice installed at Robinson Auditorium

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On June 1, 1939, the cornice was installed on Robinson Auditorium.  This granite slab noted the name of the building as the Joseph Taylor Robinson Memorial Auditorium.  (It is interesting to note that it used the more modern “u” instead of the classical “v” which was often used in buildings during prior decades – as evidenced by the Pvlaski Covnty Covrt Hovse across the street.)

This was a milestone marking the completion of the front facade of the structure.  Much work would continue on the interior of the structure.  This step in the construction was considered major enough that the Arkansas Gazette mentioned it in a news article.

On this date in 2015 and 2016, the cornice was again surrounded by construction materials and braces. But the restoration of Robinson Center finished in November 2016. Once again, the cornice stands proudly atop the six columns with no impediments around it.

Little Rock Look Back: Elvis headlines Robinson

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Photo by Wayne Cranford

After two visits in 1955 where he was down on the bill, Elvis Presley made his third and final appearance at Robinson Auditorium on May 16, 1956.  This time he was the star and Robinson was packed. The tickets were $1.50 in advance at Walgreens and $2.00 at the box office.

The ads featured 8 great acts in “his” variety show which consisted of the Jordonaires; Rick and Emil Flaim and their orchestra; vocalists Frankie Conners and Jackie Little and comedian-magician Phil Maraquin. A second show was added at 9:30 p.m. to accommodate the ticket demand.

About 30 minutes late, due to a missed flight, Elvis appeared on stage in a purple blazer and started singing “Heartbreak Hotel.”  The crowd rushed the stage. Little Rock police officers were able to control them eventually and get the teenagers back to their seats.  While the crowd was impressed, the police officers were less so.  One of the patrolmen told the Arkansas Gazettereporter: “I wouldn’t know him if I saw him. And I wouldn’t be here unless I was being paid.”

Disc jockey Ray Green recorded the concert that night.  Copies of the concert on CD (which also includes an interview with Presley) are prized possessions of Presley collectors.

The Arkansas Democrat-Gazette has a special section on its website containing quotes from some of the concert attendees.