Tag Archives: Robinson Center Performance Hall

Little Rock Look Back: Voters Approve Municipal Auditorium

Posted on by

muni aud elect ad editedOn January 26, 1937, Little Rock voters went to the polls to vote on three different municipal bond issues.  One of them was the construction of a municipal auditorium (what would become Joseph Taylor Robinson Memorial Auditorium, now Robinson Center Music Hall).

The bonds for the auditorium would be $468,000 in general obligation bonds which would be paid off between 1940 and 1971. This was toward a total cost of $760,000 for the entire project.

The official campaign for the auditorium was sponsored by the Little Rock Forward Committee which was led by W. H. Williams. In campaign advertisements it showed the value of conventions in New York City which was estimated at $100 per convention attendee. Little Rock organizers were estimating a $10 a day expenditure by visitors, which the committee stressed was very conservative. The campaign committee emphasized the importance of acting at that time due to the federal government money involved.

Various committees and organizations endorsed the auditorium project including the Little Rock Chamber of Commerce, Little Rock Federation of Women’s Clubs, and the Young Business Men’s Association.

The thrust of the campaign focused on the economic benefit to Little Rock as well as the fact that the auditorium would be for all citizens. This message was picked up in editorials by both the Democrat and Gazette. In editorials on January 23 and 25, the Democrat opined that the benefits of the auditorium would be distributed among all classes of the citizenry. The next day, both papers ran editorials which touted the economic boon an auditorium would bring through conventions and meetings.

The Democrat’s approach broke down the current value of conventions to Little Rock with, what it termed, the city’s “existing inadequate” facilities. The paper emphasized a conservative estimate of what the added value to Little Rock’s economy would be with the new auditorium.

In expressing support for the auditorium the Gazette stressed the values for local, statewide and national groups. “An auditorium would provide a more convenient and better adapted community center for all kinds of local gathering,” and continued that it would make Little Rock “the logical meeting place for state conventions of every sort.” In discussing the value of state, regional and national meetings the paper stressed that the outside money spent by convention attendees has an impact beyond stores, hotels and restaurants.

Both papers also echoed the importance of the federal government financing to make this possible. The Democrat noted that the Public Works Administration grant and federal low cost loan made this an ideal time.

On January 26, 1937, Little Rock voters approved the auditorium bond by a vote of 1,518 to 519. It passed in each of the city’s 23 precincts. Little Rock Mayor R. E. Overman expressed his pleasure at the outcome of the vote and extended his thanks to the voters.

After the election, a Gazette editorial commented on the low turnout for the special election by commenting that the weather had been nice and there were no other barriers to voting. The editorial writer opined that those not voting in the election must not have been opposed to the endeavor.

Little Rock Look Back: City Takes Possession of Robinson Auditorium

Posted on by

10.+citylittlerock-2On January 25, 1940, the City of Little Rock officially took complete possession of the Joseph Taylor Robinson Memorial Auditorium. By assuming custody of the structure from the contractor and the PWA, the City accepted responsibility for any of the remaining work to be completed.  This event happened one day shy of the third anniversary of the election which approved plans to issue bonds for an auditorium.

E. E. Beaumont, the Auditorium Commission chairman, stated that an opening date could not be set until more work was completed. A major unfinished task was the laying of the front sidewalk which had been delayed due to cold weather.

The night before Little Rock took possession, Robinson Auditorium had been a topic of discussion at the Little Rock Chamber of Commerce annual meeting. The new Chamber president Reeves E. Ritchie (who as an Arkansas Power & Light executive had been engaged in the lengthy discussions about the installation of the steam line and transformers of the building) pledged that the Chamber would work to bring more and larger conventions to Little Rock at the Joseph Taylor Robinson Memorial Auditorium.

Today, the building is once again a construction site as it is being renovated and repurposed to become a performing arts and event space for the 21st Century.

LR Look Back: HAIR flows at Robinson Auditorium

Posted on by
Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Forty-three years ago today, on January 18, 1972, the musical Hair settled in for a week-long run at Robinson Auditorium.  The saga to bring the national tour to Little Rock had actually begun eleven months earlier.

In February 1971, a young Little Rock attorney named Phil Kaplan petitioned the Little Rock Board of Censors to see if it would allow a production of Hair to play in the city. He was asking on behalf of a client who was interested in bringing a national tour to Arkansas’ capital city. The show, which had opened on Broadway to great acclaim in April 1968 after an Off Broadway run in 1967, was known for containing a nude scene as well for a script which was fairly liberally sprinkled with four-letter words. The Censors stated they could not offer an opinion without having seen a production.

By July 1971, Kaplan and his client (who by then had been identified as local promoter Jim Porter and his company Southwest Productions) were seeking permission for a January 1972 booking of Hair from the City’s Auditorium Commission which was charged with overseeing operations at Robinson Auditorium. At its July meeting, the Commissioners voted against allowing Hair because of its “brief nude scene” and “bawdy language.”

Kaplan decried the decision. He stated that the body couldn’t “sit in censorship of legitimate theatrical productions.” He noted courts had held that Hair could be produced and that the Auditorium Commission, as an agent for the State, “clearly can’t exercise prior censorship.” He proffered that if the production was obscene it would be a matter for law enforcement not the Auditorium Commission.

The Commission countered that they had an opinion from City Attorney Joseph Kemp stating they had the authority. One of the Commissioners, Mrs. Grady Miller (sister-in-law of the building’s namesake the late Senator Robinson, she had served on the Commission since 1940), expressed her concern that allowing Hair would open the door to other productions such as Oh! Calcutta!

On July 26, 1971, Southwest Productions filed suit against the Auditorium Commission. Four days later there was a hearing before federal Judge G. Thomas Eisele. At that hearing, Auditorium Commission member Lee Rogers read aloud excerpts from the script he found objectionable. Under questioning from Kaplan, a recent touring production of Neil Simon’s Plaza Suite was discussed. That play has adultery as a central theme of one of its acts. Rogers admitted he found the play funny, and that since the adultery did not take place on stage, he did not object to it. Among those testifying in favor of it was Robert Reddington, who was director of performing arts at the Arkansas Arts Center.

Judge Eisele offered a ruling on August 11 which compelled the Auditorium Commission to allow Hair to be performed. Prior to the ruling, some of the Auditorium Commissioners had publicly stated that if they had to allow Hair, they would close it after the first performance on the grounds of obscenity. To combat this, Judge Eisele stated that the Commission had to allow Hair to perform the entire six day engagement it sought.

Upon hearing of the Judge’s ruling, Commissioner Miller offered a succinct, two word response. “Oh, Dear!”

In the end, the production of Hair at Robinson would not be the first performance in the state.  The tour came through Fayetteville for two performances in October 1971 at Barnhill Arena.

On January 18, 1972, Hair played the first of its 8 performances over 6 days at Robinson Auditorium.  In his review the next day, the Arkansas Gazette’s Bill Lewis noted that Hair “threw out all it had to offer” and that Little Rock had survived.

The ads promoting the production carried the tagline “Arkansas will never be the same.”  Tickets (from $2 all the way up to $8.50) could be purchased at Moses Melody Shops both downtown and in “The Mall” (meaning Park Plaza). That business is gone from downtown, but the scion of that family, Jimmy Moses, is actively involved in building downtown through countless projects. His sons are carrying on the family tradition too.

Little Rock was by no means unique in trying to stop productions of Hair.  St. Louis, Birmingham, Los Angeles, Tallahassee, Boston, Atlanta, Charlotte NC, West Palm Beach, Oklahoma City, Mobile and Chattanooga all tried unsuccessfully to stop performances in their public auditoriums.  Despite Judge Eisele’s ruling against the City of Little Rock, members of the Fort Smith City Council also tried to stop a production later in 1972 in that city. This was despite warnings from City staff that there was not legal standing.

Within a few years, the Board of Censors of the City of Little Rock would be dissolved (as similar bodies also were disappearing across the US). Likewise, the Auditorium Commission was discontinued before Hair even opened with its duties being taken over by the Advertising and Promotion Commission and the Convention & Visitors Bureau staff.  This was not connected to the Hair decision; it was, instead, related to expanding convention facilities in Robinson and the new adjacent hotel.  Regardless of the reasons for their demise, both bygone bodies were vestiges of earlier, simpler and differently focused days in Little Rock.

Best Song Oscar nomination for Arkansan Glen Campbell

Posted on by

Glen_Campbell_I'll_Be_Me_PosterLost in the shuffle of Oscar nominations was the fact that Arkansan Glen Campbell received his first Oscar nomination. It was for co-writing the song “I’m Not Gonna Miss You” from the documentary Glen Campbell…I’ll Be Me.  Unfortunately, due to the ravages of Alzheimer’s this plaudit comes too late in his career for him to relish it.

In 2014, the documentary was screened at the CALS Ron Robinson Theater with members of Campbell’s family and the filmmakers present. It later opened the 2014 Hot Springs Documentary Film Festival before it was commercially released.

Though not featured in the film footage, Campbell’s last performance in Arkansas was at Robinson Center Music Hall to a sold out, lovingly appreciative and emotional audience.

Campbell’s previous closest brush with Oscar was as a co-star to John Wayne in the original True Grit, for which the Duke took home the trophy.

 

Robinson Center Redux- January

Posted on by

WAVW LR Jan65Since Robinson Center Music Hall is closed for renovations and restoration, this year the Culture Vulture will take a monthly look back at some of the featured attractions which have played there.  This month looks at January of years ending in “0” and “5.”

As noted earlier on the blog, even before the February 1940 opening of the music hall, the lover level exhibition hall was playing host to events including basketball games.

By 1945, things were well underway on both levels. Buddy Johnson & his Orchestra were playing a dance for African Americans in the lower level on January 10. Upstairs events ranged from a lecture on Christian Science (January 7), a play Good Night Ladies (January 17), a lecture by Dr. Emil Ludwig on Germany after World War II, and Paul Draper & Larry Adler in concert (January 23).

In 1950, Tallulah Bankhead starred in a revival of Private Lives (January 13), a Passion Play booked it for over a week (January 21 – 28) and a double-header of Shakespeare plays held court on January 30. Margaret Webster’s Shakespeare Company played The Taming of the Shrew in the afternoon and Julius Caesar in the evening. Also that month the Arkansas State Symphony (a forerunner to today’s Arkansas Symphony Orchestra) gave a concert on the 17th.

A highlight of 1955 was a women’s wrestling match on January 4 in the lower level.

In 1960, two theatrical productions were presented. On January 8 & 9, Odd Man In was presented “pre-Broadway” (it didn’t make it). Much more successful was the national tour of My Fair Lady from January 18 through 23.

Though Little Rock native Ben Piazza had helped develop the play, he wasn’t in the cast when the national tour of Who’s Afraid of Virginia Woolf? played Robinson on Januayr 25, 1965.

By the late 1960s and early 1970s, Robinson was at a crossroads.  Many performers wanted to play at larger spaces (such as Barton Coliseum) or smaller venues (such as churches or the UALR recital hall).  In 1970, the Happy Goodman Family gave a concert on January 21.  Five years later they returned on January 10, 1975 in a concert with Vestel Goodman. The next night, Johnny Paycheck was in concert.  On January 21, 1975, Robert Alda headlined a tour of The Sunshine Boys.

Orchestra concerts dominated most January offerings from 1980 onward.  On January 27, 1980, the Pittsburgh Symphony Orchestra gave a concert at Robinson. In 1985, the Arkansas Symphony Orchestra presented concerts (January 19 & 20) with Misha Dichter, pianist.  January 1990 saw the ASO with Stephen Burns, trumpet on January 20 & 21.

In 1995, the ASO performed Rimsky-Korskaov’s Scheherazade on January 13 & 14.  Composer, pianist and conductor Marvin Hamlisch highlighted a concert with the ASO on January 22 in 2000. Earlier in the month the ASO performed Der Freischatz on the 15 & 16th.  The day before Hamlisch, the Martins were in concert.

2005 highlights included the ASO with Elmer Oliveira, violinist (Jan 15 & 16), the ASO Side by Side concert (where Arkansas Symphony Youth Orchestra musicians and ASO musicians perform together) on January 29 and the ASO Family Series: Secrets of the Orchestra on January 30.  The Irish dance spectacular Riverdance played Robinson from January 17 through 19.

Five years ago, Ron “Tater Salad” White performed his stand-up at Robinson on January 8, 2010. Later that month the ASO offered Edvard Grieg’s Piano Concerto on January 16 & 17. The 2010 ASO Side by Side concert was on January 30.  On January 20 the Shen Yun Chinese cultural performance took place in Robinson.

Little Rock Look Back: Basketball at Robinson Auditorium

Posted on by
Former entrance to Robinson off Garland Street. Used to attend basketball games.

Former entrance to Robinson off Garland Street. Used to attend basketball games.

While Joseph Taylor Robinson Memorial Auditorium is known today as a performance and meeting venue, in its early days it was also the home to sports. Seventy-five years ago tonight the first basketball game was played at Robinson.

One of the first regular activities which took place in the lower level exhibition hall was a series of boxing and wrestling matches.  Building on the success of this, basketball came to the convention hall in January 1940.

A series of games featuring Little Rock High School and North Little Rock High School were announced by Coach Earl Quigley to take place from January 11 through February 16, the official opening day for the facility.

At that time, neither high school had a gymnasium; therefore both schools played their basketball games on their school auditorium stages with fans seated in the audience. The convention hall offered a regulation size floor (made of pecan block parquet) with seating for over 1,300 people along the sidelines and in the balcony.  The first men’s basketball game in Robinson Auditorium took place between the Little Rock High School Tigers and the North Little Rock High School Wildcats on January 11, 1940.

The Tigers lost the game before a crowd estimated to be 1,300.  Earlier in the evening there had been an exhibition between two women’s basketball teams.  The cost for admission to the games was 35 cents for the reserved seating and 25 cents for general admission.

80 Years of Elvis Presley

Posted on by
Photo by Wayne Cranford

Photo by Wayne Cranford

Eighty years ago today, Elvis Presley was born in Tupelo, Mississippi.  He would, of course, grow up to become a cultural phenomenon.

Elvis performed in Little Rock throughout his career.  In April 1972, he played at Barton Coliseum (with tickets on the arena floor going for a whopping $10!).  In the 1950s, he played three at Robinson Auditorium. His first appearance was as his career was just starting to take off. The final, a mere 15 months later, was when he had become a national icon.

His first appearance at Robinson was on February 20, 1955.  Billed as the “WSM Grand Ole Opry” show, Elvis Presley was third on the bill behind the Duke of Paducah and Mother Maybelle and the Carter Sisters as he began week long tour of Arkansas and Louisiana.  On this date there were a pair of shows, at 3:00 and 8:15 p.m., at Robinson Auditorium. Tickets were 75-cents in advance, $1.00 at the box office and 50-cents for kids. It is believed that Gladys and Vernon Presley attended this performance, invited by Elvis who wanted to introduce them to the Colonel. Gladys was a big fan of the Duke of Paducah. Elvis Presley, Scotty Moore, and Bill Black receive $350 for these two shows instead of their usual $200 per day.  In August 1955, he returned and played Robinson as part of the All-Star Jamboree.

His third and final appearance at Robinson Auditorium was on May 16, 1956.  This time, the Auditorium was packed. The tickets were $1.50 in advance at Walgreens and $2.00 at the box office.  The ads featured 8 great acts in “his” variety show which consisted of the Jordonaires; Rick and Emil Flaim and their orchestra; vocalists Frankie Conners and Jackie Little and comedian-magician Phil Maraquin. A second show was added to accommodate the ticket demand.  

About 30 minutes late, due to a missed flight, Elvis appeared on stage in a purple blazer and started singing “Heartbreak Hotel.”  The crowd rushed the stage. Little Rock police officers were able to control them eventually and get the teenagers back to their seats.  While the crowd was impressed, the police officers were less so.  One of the patrolmen told the Arkansas Gazette reporter: “I wouldn’t know him if I saw him. And I wouldn’t be here unless I was being paid.”