Tag Archives: UAPB

Little Rock Look Back: MLK in LR

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Ernest Green, Dr. King and Daisy Bates share a relaxed moment — which was probably rare for the three in 1958

Today is the Martin Luther King Jr. Holiday.  It is an apt time to think about Dr. King and Little Rock.

A friend of L. C. and Daisy Bates, he attended the 1958 Central High School graduation to witness Ernest Green receiving a diploma. Each senior only received eight tickets to the ceremony at Quigley Stadium. Dr. King was in the state to address the Arkansas AM&N (now UAPB) graduation.

His attendance was briefly mentioned in the local press, but there was no media photo of him at the ceremony.  The Little Rock School District limited the press to one Democrat and one Gazette photographer. Other press were limited to the press box.

Ernest Green has a photo of him with Daisy Bates and Dr. King (pictured on this entry).

In 1968, when Dr. King was assassinated, Little Rock did not see the unrest that many cities did.  Part of that was probably due to quick action by Governor Winthrop Rockefeller. The Governor released a statement fairly quickly expressing his sorrow at the tragedy and calling for a day of mourning. He also made the State Capitol available for the NAACP to have a public memorial, as well as worked with a group of ministers to host an interdenominational service.

Little Rock Mayor Martin Borchert issued a statement as well:

We in Little Rock are disturbed about the incident in Memphis. We are disturbed regardless of where it had happened.  Killing is not the Christian solution to any of our problems today.

In Little Rock, we feel we have come a long way in 10 years toward solving some of our problems of living and working together regardless of race, creed or color.

The city Board of Directors in Little Rock has pledged itself toward continuing efforts to make Little Rock a better place in which to live and work for all our citizens.

We feel the efforts of all thus far have proved we can live in harmony in Little Rock and are confident such an incident as has happened will not occur in Little Rock.  We will continue our most earnest efforts toward the full needs of our citizens.

The day after Dr. King was assassinated, a group of Philander Smith College students undertook a spontaneous walk to the nearby State Capitol, sang “We Shall Overcome” and then walked back to the campus.  President Ernest T. Dixon, Jr., of the college then hosted a 90 minute prayer service in the Wesley Chapel on the campus.

On the Sunday following Dr. King’s assassination, some churches featured messages about Dr. King.  As it was part of Holy Week, the Catholic Bishop for the Diocese of Little Rock had instructed all priests to include messages about Dr. King in their homilies. Some protestant ministers did as well. The Arkansas Gazette noted that Dr. Dale Cowling of Second Baptist Church downtown (who had received many threats because of his pro-integration stance in 1957) had preached about Dr. King and his legacy that morning.

Later that day, Governor Rockefeller participated in a public memorial service on the front steps of the State Capitol. The crowd, which started at 1,000 and grew to 3,000 before it was over, was racially mixed. At the conclusion of the ceremony, Governor and Mrs. Rockefeller joined hands with African American ministers and sang “We Shall Overcome.”

That evening, Trinity Episcopal Cathedral was the site of an interdenominational service which featured Methodist Bishop Rev. Paul V. Galloway, Catholic Bishop Most Rev. Albert L. Fletcher, Episcopal Bishop Rt. Rev. Robert R. Brown, Rabbi E. E. Palnick of Temple B’Nai Israel, Gov. Rockefeller, Philander Smith President Dixon, and Rufus King Young of Bethel AME Church.

Earlier in the day, Mayor Borchert stated:

We are gathered this afternoon to memorialize and pay tribute to a great American….To achieve equality of opportunity for all will require men of compassion and understanding on the one hand and men of reason and desire on the other.

Mayor Borchert pledged City resources to strive for equality.

Another Little Rock Mayor, Sharon Priest, participated in a ceremony 24 years after Dr. King’s assassination to rename High Street for Dr. King in January 1992.  The name change had been approved in March 1991 to take effect in January 1992 in conjunction with activities celebrating Dr. King’s life.  At the ceremony, Daisy Bates and Annie Abrams joined with other civil rights leaders and city officials to commemorate the name change.

Little Rock Look Back: Ernest Green graduates from Little Rock Central High

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Perhaps the most famous graduation ceremony in the long-storied history of Little Rock Central High took place on May 27, 1958.  It was on that date that Ernest Green became the first African American to graduate from the formerly all-white school.

Among those in the audience to witness this historic event was an up and coming minister named Dr. Martin Luther King, Jr.  A friend of L. C. and Daisy Bates, he attended the 1958 Central High School graduation to witness Green receiving a diploma. Each senior only received eight tickets to the ceremony at Quigley Stadium.   Dr. King was in the state to address the Arkansas AM&N (now UAPB) graduation.  Because he was going to be nearby, Dr. King wanted to witness the history.  Green did not know that Dr. King was in the stands until after the conclusion of the ceremony.  Later that evening, Dr. King gave Green a graduation present of $15.

Because of fears about the event becoming a media circus, the Little Rock School District limited the press on the field to one Democrat and one Gazette photographer. Other press were limited to the press box normally filled with sportswriters covering the gridiron exploits of the champion Tigers.  There were photos taken of Green prior to the ceremony as well as during the ceremony.

During the graduation rehearsal, there had been concerns that some students or other people might try to disrupt the practice.  But it went off without a hitch.  Likewise, the ceremony itself went smoothly.  Local press reported that some members of the class briefly chatted with Green during the ceremony.  That the event took place without incident was a relief on many levels to City leaders.  Also in the class of 1958 were a son of Little Rock Mayor Woodrow Mann and a daughter of LRSD Superintendent Virgil Blossom.

Women’s History Month – Sue Cowan Williams

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Sue Cowan Williams was an educator who fought for fair treatment.

After being educated in Alabama and Illinois, she returned to Arkansas, and began her teaching career in 1935 at Dunbar High School in Little Rock.  In 1942, Williams became the plaintiff in a lawsuit aimed at equalizing the salaries of black and white teachers in the Little Rock School District. The NAACP’s Legal Defense Fund, including its director-counsel Thurgood Marshall, assisted in the case. The trial ended after a week with a verdict against Williams, and her teaching contract was not renewed for the 1942-43 school year. Other black educators left the school as a result of their involvement in the lawsuit.

In 1945, Williams successfully appealed the verdict to the Eighth Circuit Court of Appeal in St. Louis, which ordered equal pay for black and white teachers in Little Rock. Dr. Christophe, the new principal of Dunbar High School, demanded Williams’s reinstatement in the fall of the same year, but it was not granted until 1952. In the intervening years, she taught classes at what is now UAPB and Arkansas Baptist College as well as at the Ordnance Plant in Jacksonville.  Upon returning to the LRSD, Williams taught at Dunbar until 1974, when she retired. She died in 1994.

The Central Arkansas Library Branch located in the Dunbar neighborhood was named for her when it opened in 1997.  She is honored with inclusion in the Arkansas Civil Rights Heritage Trail.

Black History Month – Wiley Branton and Robinson Auditorium

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brantonMost of the people who are being featured this month have played at Robinson Center.  But today’s entry, Wiley A. Branton, Sr. worked to integrate Robinson Center.

In 1962, he filed a suit on behalf of several African American residents of Little Rock to integrate the City’s public facilities including Robinson Auditorium.  (The City Board and the Auditorium Commission were named in the lawsuit.)  In 1963, the decision came down and the facilities had to integrate.

This lawsuit was just one of many in which Branton paved the way for equal opportunities for all.  He helped desegregate the University of Arkansas School of Law and later filed suit against the Little Rock School Board in a case that went to the U.S. Supreme Court as Cooper v. Aaron.

A native of Pine Bluff, he graduated from what is now UAPB. After first being refused admission, he later became the fifth African American to attend the UA Law School and the third to graduate.  From 1953 to 1962, he had a law practice in Pine Bluff.  Between 1962 and 1965, Branton worked with representatives of the major African-American civil rights organizations to register almost 700,000 new black voters in eleven Southern states. Following that, he became executive director of the President’s Council on Equal Opportunity and help coordinate implementation of the Civil Rights Act of 1964. He spent 1965 to 1967 at the Justice Department, before becoming executive director of the United Planning Organization (UPO).  After working with a couple of other organizations, he returned to private practice in 1971.  In December 1977 it was announced that Branton would be the new dean of Howard University School of Law. After five years, he joined the law firm of Sidley and Austin in its Washington DC office.

Branton died of a heart attack in December 1988.  Eleven hundred mourners gathered at a memorial service at the Washington National Cathedral in Washington, D.C. Among those present was Supreme Court Justice Thurgood Marshall. The eulogy was delivered by Vernon E. Jordan, Jr..  Then-Gov. Bill Clinton spoke at the Pine Bluff memorial service for Branton.

Black History Month – Art Porter Sr. and Robinson Center

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bhm art srArthur Lee (Art) Porter Sr. was a pianist, composer, conductor, and music teacher. His musical interest spanned from jazz to classical and spirituals.  One of the new event spaces in the Robinson Conference Center is named in his memory.

Born on February 8, 1934 in Little Rock, he began his music education at home. He played in church at age eight; played his first recital at twelve; and, by fourteen, hosted a half-hour classical music radio program on KLRA-AM. He earned a bachelor’s degree in music from Arkansas AM&N College (now UAPB) in May 1954. The next year, he married Thelma Pauline Minton. Following his marriage, he pursued graduate study at the University of Illinois, University of Texas and Henderson State University.

He began his teaching career at Mississippi Valley State University in 1954.  When he was drafted into the Army, his musical talents were responsible for him being assigned as a chaplain’s assistant in New York.  In the late 1950s he returned to Little Rock and taught at Horace Mann High School, Parkview High School and Philander Smith College.

He also started playing piano jazz in the evenings. This led to the creation of the Art Porter Trio, which became THE music group for events.  Many musicians who came to Arkansas to perform in Little Rock or Hot Springs would often stop by and join in with Porter as he played.  From 1971 to 1981 he hosted The Minor Key musical showcase on AETN.  His Porterhouse Cuts program was shown in 13 states.

Often encouraged to tour, he instead chose to stay based in Arkansas.  He did, from time time, perform at jazz or music festivals.   He also performed classical piano with the Arkansas Symphony Orchestra, founded the Art Porter Singers, and created a music group featuring his four oldest children.  Though Porter received many honors and awards, he found particular satisfaction in the “Art Porter Bill” enacted by the state legislature, which allowed minors to perform in clubs while under adult supervision. Porter’s children thus were able to perform with him throughout the state. Governor Bill Clinton, at the time a huge fan and friend of Porter, often joined Porter’s group on his saxophone.

In January 1993, Porter and his son Art Porter, Jr., performed at festivities in Washington DC for the Presidential Inauguration of his friend Bill Clinton.  In July 1993, he died of lung cancer.  Today his legacy lives on in the Art Porter Music Education Fund as well as in the lives of the many musicians and fans he touched.  He was posthumously inducted into the Arkansas Black Hall of Fame in 1994.

RobinsoNovember: Art Porter Sr.

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bhm art srAs part of the new Robinson Center, nine Little Rockians (Little Rockers?) have been enshrined by having spaces in the building named after them.  One of those is Art Porter Sr.

Arthur Lee (Art) Porter Sr. was a pianist, composer, conductor, and music teacher. His musical interest spanned from jazz to classical and spirituals.

Born on February 8, 1934 in Little Rock, he began his music education at home. He played in church at age eight; played his first recital at twelve; and, by fourteen, hosted a half-hour classical music radio program on KLRA-AM. He earned a bachelor’s degree in music from Arkansas AM&N College (now UAPB) in May 1954. The next year, he married Thelma Pauline Minton. Following his marriage, he pursued graduate study at the University of Illinois, University of Texas and Henderson State University.

He began his teaching career at Mississippi Valley State University in 1954.  When he was drafted into the Army, his musical talents were responsible for him being assigned as a chaplain’s assistant in New York.  In the late 1950s he returned to Little Rock and taught at Horace Mann High School, Parkview High School and Philander Smith College.

He also started playing piano jazz in the evenings. This led to the creation of the Art Porter Trio, which became THE music group for events.  Many musicians who came to Arkansas to perform in Little Rock or Hot Springs would often stop by and join in with Porter as he played.  From 1971 to 1981 he hosted The Minor Key musical showcase on AETN.  His Porterhouse Cuts program was shown in 13 states.

Often encouraged to tour, he instead chose to stay based in Arkansas.  He did, from time time, perform at jazz or music festivals.   He also performed classical piano with the Arkansas Symphony Orchestra, founded the Art Porter Singers, and created a music group featuring his four oldest children.  Though Porter received many honors and awards, he found particular satisfaction in the “Art Porter Bill” enacted by the state legislature, which allowed minors to perform in clubs while under adult supervision. Porter’s children thus were able to perform with him throughout the state. Governor Bill Clinton, at the time a huge fan and friend of Porter, often joined Porter’s group on his saxophone.

In January 1993, Porter and his son Art Porter, Jr., performed at festivities in Washington DC for the Presidential Inauguration of his friend Bill Clinton.  In July 1993, he died of lung cancer.  Today his legacy lives on in the Art Porter Music Education Fund as well as in the lives of the many musicians and fans he touched.  He was posthumously inducted into the Arkansas Black Hall of Fame in 1994.

Bernstein and Brahms this weekend with the Arkansas Symphony Orchestra

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ASO B&BThe Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, presents the fifth concert of the 2015-2016 Masterworks series: Bernstein & Brahms, 7:30 p.m. Saturday, February 27 and 3:00 p.m. Sunday, February 28 at the Maumelle Performing Arts Center at Maumelle High School. Eight collegiate choruses join the ASO to perform Brahms’s German Requiem and Bernstein’s Chichester Psalms. Bernstein & Brahms is sponsored by CHI St. Vincent. The Masterworks Series is sponsored by the Stella Boyle Smith Trust.

Tickets are $19, $35, $49, and $58; active duty military and student tickets are $10 and can be purchased online at www.ArkansasSymphony.org; at the Maumelle Performing Arts Center box office beginning 90 minutes prior to a concert; or by phone at 501-666-1761, ext. 100. All Arkansas students grades K-12 are admitted to Sunday’s matinee free of charge with the purchase of an adult ticket using the Entergy Kids’ Ticket, downloadable at www.ArkansasSymphony.org/freekids

Choral Ensembles
The ASO will collaborate with choirs from around the state of Arkansas for Bernstein & Brahms. The University of Arkansas at Pine Bluff Vesper Choir is featured on Bernstein’s Chichester Psalms, and Brahms’s German Requiem features choirs from Arkansas State University, Harding University,  Lyon College, Southern Arkansas University at Magnolia, University of Arkansas at Little Rock, University of Central Arkansas, and the Arkansas Chamber Singers.

Concert Conversations
All concert ticket holders are invited to a pre-concert lecture an hour before each Masterworks concert. These talks feature insights from the Maestro and guest artists, and feature musical examples to enrich the concert experience.

Shuttle service is available
The ASO provides shuttle service from Second Presbyterian Church in Pleasant Valley to the Maumelle Performing Arts Center and back after the concert. For more information and to purchase fare at $10 per rider per concert, please visit https://www.arkansassymphony.org/concerts-tickets/shuttle-service

 

Program
Bernstein            Chichester Psalms
with the University of Arkansas at Pine Bluff Vesper Choir

Brahms                 Ein Deutsches Requiem
with mass collegiate choir and the Arkansas Chamber Singers

Program notes
Bernstein composed Chichester Psalms during a sabbatical from conducting in 1965. In his own words, “I wrote a lot of music, twelve-tone music and avant garde music of various kinds, and a lot of it was very good, and I threw it all away. And what I came out with at the end of the year was a piece called Chichester Psalms, which is simple and tonal and tuneful and as pure B-flat as any piece you can think of.” Ein Deutsches Requiem was not composed for the people of Germany, but in the German language and was intended to be addressed to all mankind. Breaking from the historic requiem form, in which there is a strong focus on Judgment and the seeking of forgiveness, Brahms instead concentrates on offering consolation to the living who are mourning their departed loved ones.