Hitchcocktoberfest at the CALS Ron Robinson Theater closes out with PSYCHO. Stay out of the shower……

Image result for psycho movie posterTonight is the last chance in 2019 to join the CALS Ron Robinson Theater for HITCHCOCKTOBERFEST! They have been screening FIVE classic Hitchcock films throughout October, and finish the series off tonight (October 29) with Psycho

The screening starts at 7pm.

Phoenix secretary Marion Crane, on the run after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis, is overcome by exhaustion during a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the ramshackle Bates Motel and meets the polite but highly strung proprietor Norman Bates, a young man with an interest in taxidermy and a difficult relationship with his mother.

The film stars Janet Leigh (whose daughter would star in her own iconic horror movie), Vera Miles, John Gavin, Martin Balsam, and, of course, Anthony Perkins. It was nominated for four Oscars – Supporting Actress (Leigh), Director (Hitchcock), Black and White Cinematography and Black and White Art Direction.  Interestingly, Bernard Herrmann’s iconic score was not nominated.

Site Finally(!) selected for Robinson Auditorium on Oct. 29, 1937

Potential rendering of new auditorium which appeared in October 30, 1937 ARKANSAS GAZETTE

On October 29, 1937, the Little Rock City Council finally selected the site for the Municipal Auditorium.  It had been approved by voters in January of that year, but no site had been identified during the campaign.

During the early autumn, the City had engaged a consultant to evaluate several downtown locations as potential sites for the municipal auditorium.  One stipulation was that it had to be an entire city block.

The six sites were:

  • Broadway, Markham, Spring and Garland Streets;
  • Center, Markham, Spring and Second Streets;
  • Center, Eighth, Louisiana and Ninth Streets;
  • Scott, Fourth, Cumberland and Capitol Streets;
  • Scott, Tenth, Cumberland and Ninth Streets; and
  • Third, State, Second and Gaines Streets

The top choice was the site bounded by Center, Markham, Spring and Second Streets. It was felt that location’s proximity to public buildings made it ideal for a civic auditorium. It was across the street from the former state capitol (then known as the Arkansas War Memorial) which was, at the time, housing state and federal offices.  The site was also adjacent to the county courthouse structures.

Half of the desired property was owned by the federal government.  Because it was being used for federal offices, it was uncertain as to the site’s availability.  Therefore a city committee recommended the site bounded by Center, Eighth, Louisiana and Ninth Streets be utilized as the auditorium location.

The City Council met on October 20 to make a decision. But were at a stalemate. They met again a few days later with still no resolution.

At an October 25 City Council meeting, Arkansas Gazette publisher (and chairman of the Planning Commission) J. N. Heiskell, advocated the site on Markham and Broadway Streets. The Council convened on October 29 to meet again.  The clock was ticking, a site had to be selected because ground had to be broken prior to January 1, 1938.

At the October 29th meeting, the discussion from previous meetings among the aldermen picked up where it had left off.  Again J. N. Heiskell spoke about the importance of employing city planning concepts in selecting the site.

“In the past, selection of a site for a public building has been merely a matter of who could sell the city some property.  I had hoped we were starting a new effort in starting selection of an auditorium site with the advice of Mr. Bartholomew.  Starting with the auditorium, we should be guided by competent advice and locate future buildings following a city plan.  Your vote today will determine the future of Little Rock so far as city building goes.”

After having engaged in discussions with various federal government agencies, Mayor Overman reported that the city could not obtain the recommended site.  It would not be possible for the federal government to relocate those agencies currently occupying half of that block within the time allowed.  The mayor also stated that he had been warned that if construction did not start by January 1, 1938, (which was just a few weeks away) then the money could be taken back and allocated to other projects.

Ultimately the City Council voted 16 to 1 with 1 absent to locate it at the corner of Markham and Broadway.  At last, Little Rock had a location for the new municipal auditorium!

Though it had not been anyone’s first choice (except Mr. Heiskell, who did not have a vote), in retrospect, the auditorium site finally chosen offered many advantages which were not identified during the marathon selection discussions.  The grade of the land sloped toward the Arkansas River from Markham Street down to Garland Street which allowed for a street level entrance to both the planned exhibition hall on a lower level and the music hall on an upper level.

Given the topography of the other sites under consideration, this was only possible at the chosen location.  By stacking the two major components the project did not take up an entire block, which had been the forecasted footprint.  Not using the entire block allowed for subsequent expansion of the complex’s footprint in the coming decades.  This would not have been possible at any of the other sites under consideration if the original structure had taken up the entire block.  In addition, both Markham and Broadway Streets are wider than normal city streets which allowed for better traffic flow and for easier access to a loading dock.

Interestingly, the Convention & Visitors Bureau, which oversees Robinson Center Music Hall, now has offices in the Cromwell Building. This building is located on the site which had been the first choice for the auditorium in 1937.

ARmusica to play ‘Devilish Delights’ for Festival of the Senses on October 29

Image result for irvin cheek little rockThe instrumental duo ARmusica—pianist Julie Cheek and violinist Andrew Irvin—will perform a program of spooktacular music in celebration of All Hallows’ Eve at 7:00 p.m. on Tuesday, October 29, at St. Luke’s Episcopal Church, 4106 JFK Boulevard. The event is part of the church’s free Festival of the Senses performing arts series featuring outstanding Arkansas artists. The concert will be followed by a reception in the parish hall. All Festival of the Senses events are free and open to the public.
The program will include the “Devil’s Trill Sonata” by Italian Baroque composer and music theorist Giuseppe Tartini (1692-1770), who claimed he was inspired by a dream in which the devil appeared at the foot of his bed playing the violin. The piece, a solo violin sonata in G Minor (1713)—also known as “Tartini’s Dream”—is his most famous work and is noted for its difficulty of execution.
“The Devil’s Dance,” the theme from film composer John Williams’s score for “The Witches of Eastwick,” written in 1987, is one of the renowned composer’s lightest and most comedic works. It is also known as “The Dance of the Witches.”
Two pieces by French composer Camille Sant Saens (1835-1921) round out the program. “Danse Macabre” (1872-74) began as an art song for voice and piano and was later reworked with a solo violin part. ARmusica will also perform his “Caprice Brilliant” (Opus 52, No. 6) for violin and piano, an etude in the form of a waltz known as the Ysaye Caprice.
Little Rock native Julie Cheek is well known to Arkansas audiences as a versatile keyboard artist who made her debut at age 14 as a soloist with the Arkansas Symphony Chamber Orchestra and has been featured often with the Arkansas Symphony Orchestra (ASO) and other ensembles across the U.S. She has taught at UALR, the University of Colorado, Interlochen, and Vienna’s Hochschule, and continues to teach privately. For many years has sailed around the globe as a favorite performer aboard several popular cruise lines. Her many media appearances include National Public Radio, BBC Radio, PBS, and A&E.
Violinist Andrew Irvin, ASO concertmaster, has played his1765 Gagliano violin in concerts throughout North America and Europe. He studied at the University of North Carolina School of the Arts, the Eastman School of Music, and Arizona State University before moving to Arkansas. In 2012 he and Julie Cheek formed the duo ARmusica, which appears regularly for Festival of the Senses. He is also a member of the Irvin/Christopher Duo and the Camino Trio and has recorded on the Potenza and Naxos labels. Highlights of his chamber music career include performances with the Ying Quartet and the Audubon Quartet.

Artober – Spotted. In two senses of the word, Ballet Arkansas dancers during ACANSA 2019

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October is Arts and Humanities Month nationally and in Little Rock. Americans for the Arts has identified a different arts topic to be posted for each day in the month.  Today’s feature is “Spotted.”

Americans for the Arts does not define if that is the adjective or the past-tense verb.  But these photos of Ballet Arkansas dancers at the kick off of ACANSA 2019 fulfills both.

They were spotted (seen) performing in two alleys of the CALS Library Square campus.  And the dancers’ bodies became spotted as they used them to apply paint to four large canvases.

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20 years of indoor mural at Little Rock City Hall

On October 28, 1999, a mural was dedicated inside Little Rock City Hall.  Painted by artists Donald Gensler and Charlotte Allison, it was created to honor the City for its assistance in saving the Kramer School building.  As calendars everywhere were poised to turn from 1999 to 2000, it looked back to a time when the 20th Century was on the horizon.

Gensler and Allison drew inspiration for the mural from images they saw in old photographs. They were surprised to see photos of white and African American men working together at the original port of Little Rock which existed at La Petite Roche in what is now Riverfront Park. The photo was from the late 1800s before Jim Crow laws were fully enforced in Little Rock which separated the races more fully.

The only image in the mural that was not taken from an old photo is the mother holding the young baby. A fellow Kramer School resident and her young child posed for that photo. (Given that it was 20 years ago, that child is soon to be 21.)

At the dedication ceremony, held in Little Rock City Hall’s rotunda, Gensler and Allison as well as Mayor Jim Dailey spoke.   Joe Terry, a local actor and dancer who was also a Kramer School resident, sang “Old Man River” from Show Boat.

Gensler and Allison worked on the painting inside City Hall for a couple of weeks. They would often stop what they were doing to talk to City Hall employees and visitors to the building about the process of painting a mural.

While neither of the two artists currently live in Little Rock, a piece of them remains in this lasting tribute.

At the time, the Kramer School was serving as an artists cooperative.  While the building is no longer fulfilling that purpose, the efforts to make it thus saved it from a wrecking ball.  (The burgeoning effort of Artspace to create a live/work space in Little Rock would not repeat the Kramer School scenario because Artspace will maintain ownership of their facility guaranteeing its mission remains arts-based.)

Artober – Behind the Scenes. An Arkansas Symphony Orchestra rehearsal in 2017

Image may contain: 2 people, people sittingOctober is Arts and Humanities Month nationally and in Little Rock. Americans for the Arts has identified a different arts topic to be posted for each day in the month. Today’s focus is “Behind the Scenes.”

In 2017, I had the rare privilege of sitting on the stage during an Arkansas Symphony Orchestra rehearsal. These are some of the photos I took from that time.  It was exciting to not only hear the music up close but the see the musicians interact with each other on breaks. My appreciation for the ASO musicians (which was already high) grew even more so that evening.

As I was seated next to the violins, most of the photos are of the strings section.  I tried to be as subtle as possible in taking the photos.

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