Little Rock Look Back: Mayor J.G. Botsford

Botsford GraveOn December 30, 1838, future Little Rock Mayor Jefferson George Botsford was born in Port Huron, Michigan.  He married Charlotte Adelia Henry on June 13, 1867.  She had been born in Massachusetts, but moved to Little Rock with her parents and grandparents.

The couple had seven children: Nellie, Charlotte, Harriett, James, Edward, George and Charles. Nellie, James and Charles died in childhood.

Botsford had served in the Union Army and fought in frontier battles against Indians.  Among his commercial involvements in Little Rock were serving as mail contractor between Little Rock and Baton Rouge, proprietor of Anthony House, organizer of Merchants National Bank and president of the White River Valley & Texas Railroad.

In 1868, Botsford was elected to the Little Rock City Council.  The City Council suspended Mayor A. K. Hartman in February 1870.  Elected in 1869, he was disliked by the aldermen, the press and a portion of the public.  A court order overturned the suspension in June 1870.  In January 1871, Mayor Hartman was again suspended by the Council.  This time, Botsford was declared Mayor.  However Hartman also still claimed the title of Mayor through the remainder of his term in November 1871.

After stepping down as Mayor with the election of Robert Catterson in November 1871, Botsford returned to private life.  He died on October 29, 1915 and is buried at Mount Holly Cemetery.

2015 In Memoriam – Ozell Sutton

1515 Sutton

In these final days of 2015, we pause to look back at 15 who influenced Little Rock’s cultural scene who left us in 2015.

Ozell Sutton was a writer and eyewitness to history, while making some of his own too.

Born in Gould, he moved with his family to Little Rock and graduate from Dunbar High School and Philander Smith College. In 1950, he became the Arkansas Democrat‘s first African American reporter.

He was at Central High when the Little a Rock Nine integrated, marched with Dr Martin Luther King Jr. in Washington in 1963 and was with Dr King when he was assassinated in 1968.

He served as an aide to Gov. Winthrop Rockefeller from 1968 to 1970. From 1972 to 2003 he work for the U.S. Department of Justice Community Relations Service in Atlanta. In that capacity he was often on the forefront in efforts to diffuse racially tense situations.

In 1962, he received an honorary doctorate from Philander Smith in recognition of his political activism in the civil rights movement. He was awarded the Distinguished Service Award by the Department of Justice in 1994.  He also was awarded the Medallion of Freedom by the National Association for the Advancement of Colored People (NAACP).

In 2012, he was presented with the Congressional Gold Medal in recognition for his being one of the first African Americans to serve in the Marine Corps. His book “From Yonder to Here:” A Memoir of Dr. Ozell Sutton was published in 2009.  In 2013, he was honored by inclusion on the Arkansas Civil Rights Heritage This designation came for his work in 1963 to desegregate downtown Little Rock’s businesses.

Ozell Sutton was inducted into the Arkansas Black Hall of Fame in 2001.

Little Rock Look Back: Mayor Frederick Kramer

Mayor KramerOn December 29, 1829, future Little Rock Mayor Frederick G. Kramer was born in Halle, Prussia.  In 1848, he immigrated to the United States.  Kramer enlisted in the United States Army and served in the Seventh Infantry until his discharge at Fort Gibson, Indian Territory, in July 1857. After his discharge, Kramer settled in Little Rock, and became a citizen in 1859. He married Adaline Margaret Reichardt, an emigrant from Germany, in 1857. They had six children Louisa, Mattie, Emma, Charles, Fred, and Henry.

From 1869 to 1894, Kramer served on the Little Rock School Board.  He was the first School Board president.  Among his other civic activities were serving as president of the Masonic Mutual Relief Association, a founder of the Mount Holly Cemetery Commission, and a founder of Temple B’nai Israel.  In 1875 he and F. A. Sarasin opened a mercantile business. Kramer later became the president of the Bank of Commerce.

Frederick Kramer was elected Mayor of Little Rock in November 1873.  He served until April 1875, when a new Arkansas Constitution took effect.

From November 1869 through March 1875, the City Council President presided over City Council meetings and signed ordinances, performing many of the duties formerly ascribed to the Mayor.  As such, during his Mayoral tenure from 1873 to 1875, Kramer was the Chief Executive of the City but did not preside over Council Meeting.  When he had served on the City Council, however, Kramer had been elected President of the Council and had presided over Council meetings from October 1871 to May 1872

Kramer was returned to the Mayoralty in April 1881 and served three more terms leaving office in April 1887.  His tenure as an Alderman and as Mayor overlapped with his service on the school board.

A new Little Rock elementary school which opened in 1895 on Sherman Street was named the Fred Kramer Elementary School in his honor.  Though the building’s bell tower was removed in the 1950s, the structure still stands today.  It now houses loft apartments.

Frederick G. Kramer died on September 8, 1896, in Colorado Springs, Colorado.  A few months earlier, he had traveled there with his wife and daughter Emma to recuperate from an illness. He is buried in Oakland Cemetery.

2015 In Memoriam – Mary Fletcher Worthen

In these final days of 2015, we pause to look back at 15 who influenced Little Rock’s cultural scene who left us in 2015.

1515 WorthenMary Fletcher Worthen cultivated history and music with the same grace and skill as she cultivated gardens.

Born outside of Scott, she attended Vassar and Little Rock Junior College. After marrying banker Booker Worthen, she devoted her life to improving Little Rock. Together with Stella Boyle and George Smith, she and Booker helped found the precursor to the Arkansas Symphony Orchestra.  Through its many iterations, she was a steadfast supporter and later was named a life member of the ASO Board.  She was also a supporter of many other music organizations in Little Rock including the Chamber Music Society of Little Rock, of which she was a founder.

Another hallmark of her involvement was Mount Holly Cemetery Association.  For over 50 years she served on the board of this body.  Without notes, she could recite the history of practically every resident buried there.  The tours she led with the late Peg Newton Smith were hot commodities when auctioned at fundraisers.  These two loving and lifelong friends would sometimes remember things differently. They playfully prodded and needled each other as they wended and winded their way through the headstones and history regaling rapt audiences with yarns of yore, quips and quotes, plus an anecdote or two.

She also served on the Old State House Museum Board and the Pulaski County Historical Society Board.  As a historian, she literally wrote the book on Trinity Episcopal Cathedral.  She combined her interest in herb gardening and history with the creation of the Medicinal Garden at Historic Arkansas Museum, which is now named in her honor.

Born in 1917, up until her final days Mary Worthen continued to learn new facts, share her love of history and music, and work to cultivate the next generations of cultural enthusiasts.

15 Highlights of 2015 – Arkansas Arts Center exhibits “Our America” and “30 Americans”

Since the 1960s, the Arkansas Arts Center has worked to showcase artists from a variety of backgrounds.  This year, Dr. Todd Herman and his staff brought two outstanding exhibits to Little Rock.

From April to June, the Arkansas Arts Center was home to 30 Americans.

30americans30 Americans showcased works by many of the most important African American artists of the last three decades. This provocative exhibition focused on issues of racial, sexual, and historical identity in contemporary culture while exploring the powerful influence of artistic legacy and community across generations.

“This exhibition presents a sweeping survey of artwork by many of the most influential African-American artists of the last four decades,” said Arkansas Arts Center executive director Todd Herman. “For years, I’ve searched for an exhibition of this kind but couldn’t quite find what I was looking for – an exhibition with powerful interpretations of cultural identity and artistic legacy. When I came across 30 Americans, I knew this was exactly what I wanted patrons and visitors of the Arts Center to experience. These themes are universal in nature and speak to the larger human experience.”

30 Americans features work by such early and influential artists as Barkley L. Hendricks, Robert Colescott and Jean-Michel Basquiat, and those of younger and emerging artists, such as Kehinde Wiley, Wangechi Mutu and Shinique Smith. Often provocative and challenging, 30 Americans explores what it means to be a contemporary artist through an African-American point of view – whether addressing issues of race, gender, sexuality, politics or history.

Drawn from the collection of Mera and Don Rubell, 30 Americans contains 41 works in a variety of media – paintings, drawings, sculptures, installations, digital videos and photographs – by 30 of the leading contemporary African American artists. The Rubells began acquiring contemporary art in the late 1960s, often forging close friendships with living artists, particularly young artists.

On display since October and there until January 17, 2016 is Our America: The Latino Presence in American Art.

A major collection of modern and contemporary Latino art from the Smithsonian American Art Museum, the exhibition Our America includes 93 works in all media by 72 artists who participated in various artistic styles and movements, including abstract expressionism; activist, conceptual and performance art and classic American genres such as landscape, portraiture and scenes of everyday life.

Our America presents the rich and varied contributions of Latino artists in the United States since the mid-20th century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum’s pioneering collection of Latino art.

Artists featured in the exhibition reflect the rich diversity of Latino communities in the United States. Our Americashowcases artists of Mexican, Puerto Rican, Cuban and Dominican descent, as well as other Latin American groups with deep roots in the United States. By presenting works by artists of different generations and regions, the exhibition reveals recurring themes among artists working across the country.

The 72 artists featured in the exhibition are ADÁL, Manuel Acevedo, Elia Alba, Olga Albizu, Carlos Almaraz, Jesse Amado, Asco (Harry Gamboa Jr., Gronk, Willie Herrón and Patssi Valdez), Luis Cruz Azaceta, Myrna Báez, Guillermo Bejarano, Charles “Chaz” Bojórquez, María Brito, Margarita Cabrera, María Magdalena Campos-Pons, Melesio “Mel” Casas, Leonard Castellanos, Oscar R. Castillo, José Cervantes, Enrique Chagoya, Roberto Chavez, Carlos A. Cortéz, Marcos Dimas, Ricardo Favela, Christina Fernandez, Teresita Fernández, iliana emilia garcía, Rupert García, Scherezade García, Carmen Lomas Garza, Ignacio Gomez, Ken Gonzales-Day, Hector González, Luis C. “Louie the Foot” González, Muriel Hasbun, Ester Hernandez, Judithe Hernández, Carmen Herrera, Carlos Irizarry, Luis Jiménez, Miguel Luciano, Emanuel Martinez, María Martínez-Cañas, Antonio Martorell, Ana Mendieta, Amalia Mesa-Bains, Franco Mondini-Ruiz, Delilah Montoya, Malaquias Montoya, Abelardo Morell, Jesús Moroles, Raphael Montañez Ortiz, Pepón Osorio, Amado M. Peña Jr., Chuck Ramirez, Paul Henry Ramirez, Sophie Rivera, Arturo Rodríguez, Freddy Rodríguez, Joseph Rodríguez, Frank Romero, Emilio Sánchez, Juan Sánchez, Jorge Soto Sánchez, Rafael Soriano, Ruben Trejo, Jesse Treviño, John M. Valadez, Alberto Valdés and Xavier Viramontes.

The exhibition is organized by E. Carmen Ramos, curator of Latino art at the Smithsonian American Art Museum.

Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez, Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for “Treasures to Go,” the museum’s traveling exhibition program, comes from The C.F. Foundation, Atlanta.

Little Rock Look Back: Boxing Day look at Robinson Auditorium boxing

Boxer Al Globe lays in the ring after being knocked down by Bob Sikes in this GAZETTE staff photo

Boxer Al Globe lays in the ring after being knocked down by Bob Sikes in this GAZETTE staff photo

Though the origins of the name Boxing Day have nothing to do with pugilism, today’s entry looks at early boxing matches at Robinson Auditorium.

Though the building did not open until February 1940, there were a few preview events in the lower level exhibition hall beginning in October 1939.  (The construction upstairs would not be completed until January 1940.)

Wrestling was a more common sport on the lower level. But from time to time there was boxing.  It appears that the first boxing matches took place on November 9, 1939.

Pine Bluff’s heavyweight Bob Sikes was the star attraction on the main card as he faced off against Chicago’s Al Globe.  The two were fairly evenly matched through the first three rounds. In the fourth round, Globe sent Sikes to the mat, before the latter arose on the seventh count. (He was a bit groggy and could not name the city in which he was boxing.)  Ninety seconds into the fifth round, however, Sikes delivered a knockout punch to Globe.

The warm-up bout featured Carolinian Maxie Doyle against Jimmy Merritt of Oklahoma. After the ref called the match on a TKO in favor of Doyle, the two continued to fight in the ring. It took their seconds to leave the corner and help the ref break it up.  The boxers were threatened with suspension if they continued it any further.

Prior to the Doyle-Merritt bout, Bauxite’s Woody Bell edged out Young Leonard in six rounds. Charley Regan and Bobbie Lee came to a draw after their six.  The first match of the evening featured two African American boxers: Little Rock’s Bill Walker, who earned a decision over North Little Rock’s Herbert Taylor.

Since the heating system was not yet operational at Robinson Auditorium, promoters for the early wrestling and boxing matches touted the fact that a temporary heating system was in place as temperatures started to drop.

Sikes was back at Robinson in another marquee match on February 9, 1940, one week before the official opening of the upstairs Music Hall.  By this time permanent heating and lighting had been connected.

Boxer Bob Sikes, GAZETTE staffer Lou MacDuff and boxer Joe Regan in a GAZETTE staff photo

Boxer Bob Sikes, GAZETTE staffer Lou MacDuff and boxer Joe Regan in a GAZETTE staff photo

The headline bout was Sikes against Joe Regan of Ames, Iowa.  They were scheduled for ten rounds.

Earlier fights on the card were the six-round middleweight match of Gould Nix of Willow meeting Buck Buchanan of Rogers; welterweight Doyle Venable of Dierks vs. Little Rock’s Freddie Richardson; Johnny Allen of Saint Louis meeting Woody Bell of Bauxite; and, in the first match, Kid Tobey of Hot Springs vs. Bill Walker of Little Rock. The latter was a four round bout featuring two African American boxers.

The marquee fight did not go anywhere near as long as ten rounds.  Fifty-four seconds into the second round, Sikes pummeled Regan with a right to the chin, a right to the cheek and a left hook to the head. After that Regan was down for the count. Though at the eight count he did manage to turn over from his back to his stomach and remained in that position until being helped to his corner following the bell.

Earlier in the evening, Nix, Venable, and Bell all won their bouts by decisions of the judges. Walker won the curtain raiser by a knock out in the second round.

It was a capacity crowd for the boxing event at Robinson Auditorium.  Tickets, which were available for purchase at Rube & Scott, Inc. men’s clothing store, ranged from 55 cents for general admission, to $1.10 for reserved seating and ringside seats of $1.65 or @2.20.

15 Highlights of 2015 – Robinson Center Renovation Tops Out

LRCV 1The Little Rock Convention & Visitors Bureau (LRCVB), members of the Little Rock Advertising and Promotion Commission (LRA&P), local officials, and members of the design and construction teams hosted a topping out ceremony July 1, 2015 at 10:00 AM for the Robinson Center’s new conference facility, signifying a one–‐year milestone in the 28–‐month, $70 million renovation and expansion project.

Following a press conference and ceremonial beam signing held on the western side of the Robinson Center, local media and special guests were given tours of the magnificent ballroom platform and conference center located on Robinson’s north side. This new addition not only provides some of the most dramatic enhancements of the project, but will also provide groups with spectacular views of the Arkansas River and the city’s illuminated bridges.

Along with additional meeting and pre–‐function space situated above its ballroom, the new conference center will also provide a new connection to the DoubleTree Hotel, with an adjoining lobby and additional pre–‐function space.

Robinson Center will reopen in November 2016.  The Arkansas Symphony Orchestra will return its Masterworks and Pops series to Robinson. Ballet Arkansas will perform The Nutcracker there in December 2016.  Celebrity Attractions will bring Broadway back to Robinson (on Broadway, no less) next season as well.  They have already announced The Phantom of the Opera for March 2017.

LRCV 5For more information on the Robinson Center Second Act renovation and expansion project, visit http://www.RobinsonCenterSecondAct.com.

Robinson Construction Facts to Date:

  • Nearly 10,000 tons of material have been recycled, representing 91% of the waste material diverted 1,216 tons of steel has been erected
  • 2,300 cubic yards of concrete has been placed
  • 470 individuals have gone through CDI/Hunt Safety Orientation
  • 73% of the project subcontractors are local