Happy 2017 from the Sculpture Vulture

Several of the sculptures in the Vogel Schwartz Sculpture Garden and Riverfront Park have figures which mimic a “1” and a “7.”

To celebrate the start of 2017, here is a look at Seventeen of them.  And stay tuned for the 10th Sculpture at the River Market Show and Sale on April 21-23, 2017!  Who knows, there could be some sculptures in that show that also have the “1” and “7” features.

Jane DeDecker's THE TIES THAT BIND

Jane DeDecker’s THE TIES THAT BIND

Kevin Box's DANCING PONY

Kevin Box’s DANCING PONY

Dale Rogers' RETRO TREES

Dale Rogers’ RETRO TREES

Kevin Kresse's BREAKING THE CYCLE

Kevin Kresse’s BREAKING THE CYCLE

Bryan Massey's THE JAZZ PLAYER

Bryan Massey’s THE JAZZ PLAYER

Casey Horn's TRANQUILITY

Casey Horn’s TRANQUILITY

Denny Haskew's FIRST GLANCE

Denny Haskew’s FIRST GLANCE

Kathleen Caricof's LET THE MUSIC PLAY

Kathleen Caricof’s LET THE MUSIC PLAY

Bryan Massey's UPTOWN SATURDAY NIGHT

Bryan Massey’s UPTOWN SATURDAY NIGHT

ROTARY PLAZA

ROTARY PLAZA

Michael Warrick's GROWN

Michael Warrick’s GROWN

Mark Leichliter's MEME

Mark Leichliter’s MEME

2017-talking

Lorri Acott’s TALKING TO MYSELF

Wayne Salge's SIZZLING SISTERS

Wayne Salge’s SIZZLING SISTERS

Laurel Peterson Gregory's BUNNY BUMP

Laurel Peterson Gregory’s BUNNY BUMP

Merle Randolph's SPACE RACE

Merle Randolph’s SPACE RACE

Jane DeDecker & Alyson Kinkade's IN THE WINGS

Jane DeDecker & Alyson Kinkade’s IN THE WINGS

Merry Christmas from the Sculpture Vulture

Some of the sculptures in the Vogel Schwartz Sculpture Garden have donned their Santa hats to wish you and yours a very Merry Christmas!

santa-boris

santa-wise

santa-forever

santa-owl

santa-patty

The Arkansas Arts Center chooses Studio Gang as design architect

The Arkansas Arts Center (AAC) announced on Tuesday the selection of Studio Gang as design architect for its upcoming building project.
“We had a number of highly qualified firms respond to our RFQ, and narrowing this impressive group down to the five finalists was extremely difficult,” said Todd Herman, executive director for the Arkansas Arts Center. “All five finalists were incredibly talented with international reputations and credentials. The Arts Center would have been well served by any one of them. We were in a great position to choose from such an impressive pool of talent.”

The five firms selected as finalists were Allied Works (Portland, Ore./New York), Shigeru Ban (New York/Paris/Tokyo, Japan), Studio Gang (Chicago/New York), Thomas Phifer (New York) and Snohetta (Oslo, Norway/New York/San Francisco).

Herman said the selection committee felt Studio Gang was the best fit for the project, due to the firm’s elegant and smart approach to architecture, their understanding of the issues posed by the AAC’s current facility, their vision for the center as a cultural beacon for Central Arkansas and their commitment to sustainability and strength as urban planners.

Founded by MacArthur Fellow Jeanne Gang, Studio Gang is an award-winning architecture and urbanism practice based out of Chicago and New York. A recipient of the 2013 National Design Award, Jeanne Gang was also named the 2016 Archiitect of the Year by the Architectural Review and the firm was awarded the 2016 Architizer A+ award for Firm of the Year.

Studio Gang is recognized internationally for a design process that foregrounds the relationships between individuals, communities and environments. The firm has extensive knowledge in museum, theatre and artist studio spaces, with projects ranging from the Writers Theatre in Glencoe, Ill. to the Aqua Tower in Chicago to the expansion of the American Museum of Natural History in New York.

“Designing a re-envisioned Arkansas Arts Center is a truly exciting commission,” Gang said. “Its extraordinary collection, historic MacArthur Park setting, and rich mix of programs present a unique opportunity to redefine how the arts can strengthen local communities and surrounding regions. We look forward to working closely with the AAC to discover how architecture can enhance the Center’s important civic and cultural mission by creating new connections between people and the arts in Little Rock and beyond.”

An RFQ for a local architect to collaborate on the project will be issued later this month.

“When the Arkansas Arts Center project is completed, it will not just be a renovated facility, it will be a re-envisioned experience,” Little Rock Mayor Mark Stodola said. “The enhanced building will offer opportunities for an even higher level of exhibits, classes, children’s theatre productions and special events, making the Arkansas Arts Center not only a signature tourist attraction, but an even more important cultural anchor for the arts community in Little Rock.”

“It is well known that businesses looking to locate or expand look at a city’s quality of life offerings,” Stodola said. “An enhanced Arkansas Arts Center will be a showcase which will enable us to attract and retain quality job creators in a variety of sectors.”

Herman said he is looking at the project holistically, including Historic MacArthur Park, and reevaluating how the Arts Center meets the needs of its community.

“This project is about more than just addressing the physical issues of the current building. It requires rethinking how the AAC fits into the downtown fabric,” said Herman. “How can we best serve the community, and how do the AAC and MacArthur Park connect to other social and cultural nodes in downtown Little Rock? We want to do more than build; we want to transform the cultural experience.”

The five finalists presented their firm’s general project approach and design philosophies to the selection committee on November 1, 2016. The presentations took place in the AAC lower lobby lecture hall and were open for public viewing. More than 100 people were in attendance at the presentations, including students, community members and media.

The committee determined their selection at a public meeting on December 6, 2016. The selection committee included: AAC Executive Director Todd Herman; City Director Dean Kumpuris; Director of Little Rock Parks and Recreation Truman Tolefree; AAC Board Chair Mary Ellen Irons; AAC Board members Isabel Anthony, Van Tilbury and Chucki Bradbury; AAC Foundation Chair Bobby Tucker; Little Rock Small Business Development official Chauncey Holloman; and past Director of the Central Arkansas Library System Bobby Roberts.

A technical review panel was responsible for reviewing all proposals and recommending a slate of finalists to the selection committee, based on specialized criteria outlined in an RFQ that reflected the specific needs and goals of the AAC.  The technical review panel included: AAC Executive Director Todd Herman, AAC Chief Curator Brian Lang, Architect Ken Sims, Dean of the Fay Jones School of Architecture Peter MacKeith, Chair of the AAC Buildings and Grounds Committee Kaki Hockersmith and international museum consultant Deborah Frieden.

The leadership phase of a capital campaign to maximize the impact of public dollars dedicated to the project is currently underway.

“Anyone and everyone can participate in the creation of a new Arkansas Arts Center,” Herman said. “The Arts Center is a symbol of the importance that this community ­– and state – places on culture, arts education and quality of life, and all Arkansans will have the opportunity to share in that civic pride.”

Creative Class 2016: Tod Switch

cc16-switchTod Switch  has worked as an architectural photographer since 1991.  In that capacity, he has had many artistic experiences while traveling throughout the US and eighteen countries around the world.

Making the transition to the fine arts in 2010, he started by using what came naturally to him, visualization. He saw intrinsic beauty in found objects and transformed them into his own vision with the addition of metal, wood, and stone. Composition, form, and perspective, concepts he utilized daily with photography, are now put to use in his sculptural work.

His sculptures often combine different materials and fabrication processes. Many works are one of a kind or unique in a series.  He currently is working on a series of keyholes as well as a series of city blocks, which are a variety of wood blocks, laser etched with architectural images that I have taken from around the world. They will be capped with copper, bronze, brass, or nickel.

Tod has shown at Sculpture at the River Market.  In 2015, he won the Best of Show Award and in 2016 received an Award of Merit.  His temporary installation was chosen for the Arkansas Arts Center’s Fountain Fest in 2015, as well.  He has also taught seminars for the Arkansas Arts Council.

His goals in public art are to appeal to the largest audience and have them say, “I wish I would have thought of that,” and to produce site – specific works of art that will stand the test of time.

Creative Class 2016: Phillip Rex Huddleston

cc16-huddlestonRenaissance Man is probably the best way to describe Phillip Rex Huddleston.  He is a writer, a musician, a composer, an artist, a teacher, an arts promoter, and so many other things.

By day, he is the Visual Art Specialist for eStem Middle School.  There, he teaches his students a variety of styles of art.  His own visual art style varies from realistic sketches, to caricatures, to comic strips and witty distillations of epic literature into a few frames.

As a guitarist and pianist he can often be found performing with his many talented friends throughout Little Rock’s live music scene in formal settings and on front porches.  As a composer, he has contributed compositions and performances to a variety of films made in Arkansas. His most recent effort was in Mark Thiedeman’s White Nights, which premiered in August.

A graduate of the University of Central Arkansas with a BA in Philosophy and an MA in English Literature, he was an Adjunct Instructor at UCA in the English Department before beginning his stint at eStem.  While at UCA, he also worked with the Arkansas Shakespeare Theatre.

For several years, he and friends and roommates would host regular Garland House Shows, named for the street on which their house was located. These combined visual art exhibits with live music in celebrations of the art they created and the friends who created and appreciated it.

Mark Leichliter’s OVERCOME to be installed today

Staff from the City of Little Rock Department of Parks and Recreation, in partnership with Deltic Timber and Sculpture at the River Market, will install Mark Leichtliter’s Overcome, a 16-foot-tall stainless steel sculpture on a four foot base in the median of Chenal Parkway near St. Vincent Way.

The piece was purchased by Sculpture at the River Market with assistance from Deltic Timber to be enjoyed by the public as they travel through the area.  Iconic public art can serve as a landmark for residents, employees, and visitors.

Overcome depicts nine forms held together by lattice. They rise up and out of this bond to soar free. Each form is an arrow pointing skyward in continued aspiration for the greater good.

The installation is expected to take most of the day.  Each of the nine forms will be bolted into place and then pivoted into position, then the lattice will be installed around the bottom enshrouding the lower sections of the nine forms.

Leichliter has several other pieces located in Little Rock.

 

Creative Class 2016: Hunter Brown

cc16-brownHunter Brown was born and raised in Little Rock. His mother was always painting and his father was always working with his hands building and creating. While he did not originally envision himself as an artist, he discovered sculpture as a student of the University of Central Arkansas. After graduating Hunter gradually built a design and sculpture studio, where he would continue to explore with sculptural forms. Today Hunter is the owner and operator of Innovative Sculpture Design Studio where he creates fine art full time, traveling throughout the country to fine art shows and festivals.

His work moves between the figurative and the abstract, modern and contemporary styles. While many sculptors fabricate their forms with flawless craftsmanship and machine-like precision, he chooses to exploit the natural characteristics of materials and the fabrication process. By experimenting with finishes, grind patterns, tool markings, welding techniques, and even slag from the torch, Hunter has developed a style that captures his process and leaves his imprint in the work.

Having installations throughout the U.S., Hunter was one of the artists in the 2016 Sculpture at the River Market show.  Year round his work can be found at the Matt McLeod Gallery.