Category Archives: Visual Art

Architect Eric Höweler to Present Lecture on November 12th in Little Rock

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Howeler_November_12thc713d7Eric Höweler will present a lecture titled FAIL FAST on Tuesday, November 12th at the Arkansas Arts Center at 6 p.m., in the Center’s lecture hall, following a 5:30 p.m. reception. His talk is free and open to the public. Asked about the title he chose for his lecture, Höweler said FAIL FAST was part of a longer phrase, “Launch early, fail fast, iterate”, which, he believes, could easily serve as his firm’s motto.

Born in Cali, Colombia, Höweler (AIA, LEED AP) received a Bachelor of Architecture and a Masters of Architecture from Cornell University. He is currently an assistant professor at the Harvard Graduate School of Design and principal at Höweler + Yoon Architecture/MY Studio in Boston.

Prior to forming Höweler + Yoon Architecture, a multidisciplinary practice, operating in the space between architecture, art, and landscape, he was a senior designer at Diller + Scofidio and an associate principal at Kohn Pedersen Fox Associates. He is the co-author of Expanded Practice, Höweler + Yoon Architecture/MY Studio (Princeton Architectural Press 2009) and author of Skyscraper: Vertical Now (Rizzoli/Universe Publishers in 2003).

Awarded the Audi Urban Future Award in 2012, the Architecture League’s Emerging Voices award and Architectural Record’s Design Vanguard in 2007 for its efforts, the firm has participated in numerous exhibitions. Among their venues are the Museum of Modern Art (New York), the Los Angeles Museum of Contemporary Art, the Institute of Contemporary Art (Boston), the Institut Valencia d’Art Modern, the Museum of Arts and Design (New York), and the National Art Center (Tokyo). Höweler has lectured both nationally and internationally.

The Art of Architecture lecture series is sponsored by the Architecture and Design Network, a nonprofit organization. Supporters include the Central Arkansas Chapter of the American Institute of Architects, the Arkansas Arts Center and the Fay Jones School of Architecture. For additional information, contact ardenetwork@icloud.com.

Sculpture Vulture: Kathleen Caricof’s Stars and Stripes

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2nd Friday Art Night Tonight

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http://www.littlerock.com/!UserFiles/calendar/Events/2ndFriday.jpgThe monthly 2nd Friday Art Night is tonight at various locations in downtown Little Rock.

Among the participating sites are Historic Arkansas Museum, the Old State House Museum, Christ Episcopal Church, studioMain, Hearne Fine Art, and the Butler Center for Arkansas Studies.

Art, music, food, drinks and its all free from 5pm to 8pm.  Transportation from the various sites is provided by a free shuttle as well.

Sculpture Vulture: Patronus

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Today’s sculpture is passed by tens of thousands of persons each day – and they have no idea.  It is Greer Farris’ 1983 sculpture Patronus which sits on the grounds of the John L. McClellan Memorial Veteran’s Hospital.  Though it faces I-630, it is hidden by highway berm, chain link fencing and the fact that cars on I-630 are driving at high speeds.

Patronus consists of five identical forms which are placed aside each other equidistantly in a slight curve.  It was fabricated at the Arkansas Valley Steel Company and each section was trucked down separately on the back of a flatbed truck.

The simplicity of the design and the clean lines make this a powerful piece of abstract art.  Its design was inspired by battlements used in World War I, very appropriate for a veteran’s hospital.

It was installed in 1984. Since then, there has rarely been a time when the VA and/or UAMS or some other nearby entity has not been in construction mode.  The sculpture was never on a huge plot of land (which would have been more appropriate given its scale) but is now reduced to a small peninsula next to a few picnic tables in the parking lot.

It has been featured on this website before, but in keeping with Veteran’s Day later this month (and the fact that it is a personal favorite), it is being revisited.  Luckily the construction fencing that once surrounded it has been removed so it is easier to see.

Ted Schaal Receives 2013 Sculpture at the River Market Public Art Monument Commission

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Ted-Schaal-RenderingAt the recent “A Night in the Garden” party, guests chose the recipient of the third annual public art monument design competition.  The three finalists were Lorri Acott’s On the Shoulders of Giants, Mark Leichliter’s Through the Looking Glass and Ted Schaal’s Open Window.  At stake was a $60,000 commission and placement of the sculpture in Riverfront Park.

The winner was Schaal.

Ted Schaal graduated from Colorado State University, class of 1992, with a BFA concentrating on fiber arts and sculpture. He has been working as an artist and craftsman in Loveland since 1993. Ted chooses to produce his work in bronze and stainless steel so that his pieces will withstand the harshest of natural elements and should last for many generations.

Between 1993 and 2005 Ted’s work focused on functional designs in the form of boxes, treasuries and reliquaries. You will find mountain scenes, native flowers and Art Deco inspired designs embellishing the intricately carved exterior. Some special pieces have hand-woven tapestries adorning the interior walls. “I sculpt functional forms that are designed to enhance the everyday experiences of the user by creating a special and sometimes sacred interaction with the personalized contents of each piece.”

In 2004, he began using his corrugated texture to create strong geometric vessel forms. They are non-functional purely decorative objects for the home. The final compositions are reminiscent of artifacts from antiquity, designed to raise questions about their origins as well as their implied functions.

Recently, Ted has been exploring strong geometric forms in combination with a primitive corrugated texture, smooth and polished surfaces. The goal is an interesting juxtaposition of materials and surface textures. Moving away from the utilitarian boxes and non-functional vessels of his past, Ted’s new work is purely sculptural emphasizing strong horizontal balance, tension, and negative space. Larger forms frame and direct the viewer toward a focal point or focal space. “Functional objects have size limitations whereas sculpture does not.”

Ted publicly exhibits his work in galleries and juried exhibitions in Colorado, Arkansas, Kentucky, Kansas and Texas. He has established a collector base that stretches from New Hampshire to California and across the Oceans to Hawaii, Spain and Japan. His public placements include: The Compass Rose with Solstice Markers (2004) Washington University, St. Louis, MO. The Mirage Monument (2008) Cerritos Sculpture Garden, Cerritos, CA. The Mirage (2007) Sculpture Garden at Riverfront Park, Little Rock, AR.

A list of award winning exhibitions includes: “2005 Bacchus 4th Annual Juried Art Exhibition and Auction,” Denver CO. – Best of Show, 3D. “2005 Conifer Arts Festival,” Conifer CO. – Best of Show, Sculpture. “34th Annual CHUN Capitol Hill Peoples Fair,” Denver CO. – Best of Show, Sculpture. “7th Annual Colorado Arts Festival,” Denver CO. – Best in Show. “2005, 2006, 2007 Englewood Arts National Juried Art Show,” Englewood CO. “The 1993 Wood, Glass, Fiber, Metal and Clay Art Show,” Steamboat Springs CO. – First Place Hope Chest, Second Place Circle.

The 2011 recipient was Chapel for The Center.  Last year, Arkansan Bryan Massey won with Nautilus.

RED at Rep

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John Logan’s Tony winning play Red opens at the Arkansas Rep tonight for a run that goes through November 10.

 While the name Rothko may not have been a part of your consciousness, his works surely have. Rothko’s canvases feature layers of emotion with each brush stroke: Bold reds, geometric shapes and streaks of color literally bleeding one into the other.

Rothko specially designed his paint to be fast drying so he could layer quickly and work in the moment. Groundbreaking in its day, Rothko’s masterpieces fetch in the millions of dollars and the influence of his work is still being felt.

In partnership with the Arkansas Arts Center’s exhibit “Mark Rothko in the 1940’s: The Decisive Decade,” The Rep is thrilled to stage the revealing Rothko drama Red. Rep Producing Artistic Director Robert Hupp will direct Red, which will star Rep favorite Joe Graves (Othello, The Tempest, Of Mice and Men, Moonlight and Magnolias) as the abstract artist Mark Rothko.

Written by John Logan (whose Hollywood screenplays include Hugo, Gladiator and Skyfall) and set in Rothko’s studio on the Bowery, Red drops you squarely inside the world of the painter and sets your heart pounding, chronicling the tormented artist’s two-year struggle to complete a lucrative set of murals for Manhattan’s exclusive Four Seasons restaurant.

This production provides a rare glimpse of an artist through the lens of his relationship with his naïve young assistant, who must choose between appeasing his mentor—and changing the course of art history. When his assistant challenges his artistic integrity, Rothko must confront his own demons or be crushed by the ever-changing art world he helped create.

The Rep’s first-time partnership with the Arkansas Arts Center provides a depth of artistic exploration never before offered to Little Rock audiences. Amid the swiftly changing cultural tide of the late 1950s, Red is a startling snapshot of a brilliant artist at the height of his fame, providing Arkansans a unique opportunity to witness both the artists’ life and work, all within a five mile radius.

Joining Graves in the cast is Chris Wendleken plays the young protege.  The design team includes Mike Nichols (set), Shawn Sturdevant (costumes), Justin A. Partier (lighting), Allan Branson (sound) and Lynda J. Kwallek (props).

Mark Rothko in the 1940s – focus of new exhibit at Ark Arts Center

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No. 8, 1949 Oil and mixed media on canvas 90 x 66 in. The National Gallery of Art, Washington Gift of The Mark Rothko Foundation, Inc., 1986.43.147 ©1998 Kate Rothko Prizel & Christopher Rothko /Artists Rights Society (ARS), New York Image courtesy of the National Gallery of Art, Washington

No. 8, 1949
Oil and mixed media on canvas
90 x 66 in.
The National Gallery of Art, Washington
Gift of The Mark Rothko Foundation, Inc., 1986.43.147
©1998 Kate Rothko Prizel & Christopher Rothko /Artists Rights Society (ARS), New York Image courtesy of the National Gallery of Art, Washington

The Arkansas Arts Center, the state’s premiere center for visual and performing arts with a renowned collection of international art, presents the Mark Rothko in the 1940s: The Decisive Decade exhibition, on view October 25 – February 9, in the Winthrop Rockefeller Gallery.

“When I began organizing the Mark Rothko exhibition back in 2009, it came together very quickly and grew from a dozen pieces to nearly 40. It was an honor and a privilege to see the exhibition come to fruition from its humble beginnings to a touring collection,” said Arkansas Arts Center executive director Todd Herman. “We are delighted to afford Arkansans the opportunity to view the thoughtfully rich works of a master in modern American art.”

Herman developed the Rothko exhibition while he was the chief curator and curator of European art at the Columbia Museum of Art in Columbia, S.C. Herman approached the National Gallery of Art in Washington about a collaboration to bring to the forefront a thought-provoking depiction of the famed late artists’ works.

The show began its run at the Columbia Museum of Art in Columbia, S.C., in September 2012, the Denver Art Museum in Denver, Colo. and will arrive at the Arkansas Arts Center in October. Herman also wrote the forward and introduction in the book, Mark Rothko: The Decisive Decade 1940-1950, which was listed at #6 on Huffington Post’s top art books in 2012.

Regarded as one of the leading American artists of the 20th century, Mark Rothko (1903-1970) forever changed the landscape of modern American art. Rothko was a member of The New York School, a collection of artists working in a nexus of artistic approaches, the best known of which were Gesturalism, or Abstract Expressionism and Color Field. What most members of this group shared was a faith in using the power of art effectively to address the pressing historical problems of their era though channels such as the movies, news reports and photographs of the war.

Rothko was the most important artist of the School’s Color Field wing and like many of his colleagues, the 1940s was the critical decade for his development. This exhibition is an examination into the artistic maturation, a decade of searching and rapid evolution, of one of the most influential artists of the twentieth century that deserves not only closer attention, but also a re-evaluation. Included in the exhibition are works by Rothko’s colleagues such as Jackson Pollock, Adolph Gottlieb and Clyfford Still developing along a very similar vein at the same time.

Mark Rothko in the 1940s will be the first exhibition and catalogue to reevaluate this work in the context of Rothko’s thoughts about art from the period. The exhibition will bring to light many works not seen before by scholars or the public and highlight a period of his career that is often overlooked.

The paintings, drawings and watercolors by Mark Rothko in this exhibition are on loan from the National Gallery in Washington. The exhibition was organized by the Arkansas Arts Center, the Columbia Museum of Art, the Columbus Museum of Art and the Denver Art Museum in conjunction with the National Gallery of Art in Washington, D.C. The exhibition is funded in part by the Dedalus Foundation. Local support is provided by Harriet and Warren Stephens, Chucki and Curt Bradbury, The Brown Foundation, Inc., of Houston, Mary Ellen and Jason Vangilder and the Capital Hotel.

Arkansas Arts Center members are invited to a member reception for Mark Rothko in the 1940s: The Decisive Decade, Face to Face: Artists’ Self-Portraits from the collection of Jackye and Curtis Finch, Jr. and Portraiture Now: Drawing on the Edge exhibitions to be held on Thursday, October 24, from 6:30 – 8:30 p.m. Dr. Bradford R. Collins, University of South Carolina associate professor of art history and catalogue editor of Mark Rothko, The Decisive Decade: 1940-1950, will present the lecture, “Rothko’s Dilemma: Beauty and Tragedy,” at 6 p.m. in the lecture hall, sponsored by the Fine Arts Club. Members and guests will enjoy music, cocktails and light hors d’oeuvres. Tickets are required to attend and are free for members. Non-members may purchase a ticket for $15 which includes access to the lecture, exhibitions and reception.

Additional events associated with the Mark Rothko in the 1940s: The Decisive Decade exhibition include;

Museum School Workshop: Artist Catherine Rodgers will lead a workshop, Paint like Rothko – Color: Complement, Shade, Tone and Tint, on Saturday, October 26, from 9 a.m. – 4 p.m. and on Sunday, October 27, from noon to 4 p.m. Admission to the workshop will be $92 for members and $115 for non-members. Those interested can register through the Museum School, arkansasartscenter.org or by contacting (501) 372-4000.

Dance: A special performance titled Color Play, an original choreographed interpretation of the work of Mark Rothko featuring Stephanie Thibeault and the UALR dance department, will be held on Saturday, December 7, at 2 p.m. in the Winthrop Rockefeller Gallery. Admission will be free with ticket purchase to exhibition. Guests may sign up at Stephens Inc. Visitors Center. Space is limited.

Feed Your Mind Fridays:

·         Artist Gallery Talk with Virmarie DePoyster will be held on Friday, November 8, at noon in the Winthrop Rockefeller Gallery. Admission will be free with ticket purchase to exhibition. Guests may sign up at the Stephens Inc. Visitors Center. Space is limited.

·         The film The Rothko Chapel (68 minutes) will be shown on Friday, November 29, at noon in the lecture hall.

·         The film Rothko’s Rooms (60 minutes) will be shown on Friday, December 13, at noon in the lecture hall.

·         The film Motherwell & the New York School: Storming the Citadel (55 minutes) will be shown on Friday, February 7, 2014, at noon in the lecture hall.

Lecture: Christopher Rothko, son of artist Mark Rothko, will be on hand for questions Thursday, January 16, 2014, at 6 p.m. for the lecture, “Conversations with Christopher Rothko and Todd Herman”, in the lecture hall presented by the Fine Arts Club. The Arkansas Arts Center will have extended hours through 9:00 p.m.

Family Festival: Rothko’s Colors and Perfect Portraits, a family festival, will be held on Saturday, January 18, 2014, from 11:30 a.m. – 2:30 p.m. Admission will be free for members, $5 per person and $20 per family.

Music: Haskell Small will present an original composition inspired by Mark Rothko and his paintings on Sunday, February 2, 2014, at 2 p.m. in the Winthrop Rockefeller Gallery. Admission will be free with ticket purchase to exhibition. Guests may sign up at the Stephens Inc. Visitors Center. Space is limited.

Drop-In Tours Museum docents will be giving 1-hour tours of Mark Rothko in the 1940s: The Decisive Decade. Tour times are as follows: Tuesday – Friday at 1 p.m., Saturdays at 11 am. and 1 p.m. and Sundays at 1p.m. Free with ticket. Space is limited to 20. Please sign in at the Stephens Inc. Visitors Center. First come, first served.

 

For more information, visit arkansasartscenter.org or call (501)372-4000.