Little Rock Look Back: Airplane explosion shatters Hillcrest calm

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An LRPD officer talks to bystanders next to a piece of debris

An LRPD officer talks to bystanders next to a piece of debris

An LRPD officer talks to bystanders next to a piece of debrisThe peaceful morning of March 31, 1960, was interrupted by a horrendous noise over Hillcrest around 6:00am.  A six-engine B47 from the Little Rock Air Force Base exploded mid-air.

Flaming debris fell from Allsopp Park all the way to the State Capitol grounds and stretched from Cantrell to 12th Street.  Other debris was found as far away as the Country Club of Little Rock.  The next day the Arkansas Gazette ran a map which showed the extent of the damage.

Three airmen died in the explosion.  The only survivor from the crew, 1st Lieutenant Thomas Smoak, was found dangling from a tree in his parachute at Kavanaugh and Martin.  He was treated by a nurse, Jimmye Lee Holeman, in whose yard he had landed.

Two civilians on the ground were killed by falling debris.  Many vehicles and homes were damaged, some were destroyed by debris.  The damage estimate was put around $4 million.

Police and fire crews were quickly on the scene to secure impacted areas, fight fires and rescue injured persons.

Those who perished were Captain Herbert Aldridge, Lieutenant Colonel Reynolds Watson, Staff-Sergeant Kenneth Brose, and civilians Alta Lois Clark and James Hollabaugh.

Today, a portion of the crash site is part of the Arkansas Children’s Hospital campus.  Other sites were removed by the I-630 construction.  Other houses were rebuilt or removed.

While there may not be visible reminders of that fateful morning, to those who lost loved ones, there is still a sense of grief over their loss.  It is a reminder that History is not just places, names, and dates: but events that happened to actual people.

B47 Wreck Map

Arkansas Gazette map of debris and damage

Women Making History: Florence Price

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Florence Price was the first African-American female composer to have a symphonic composition performed by a major American symphony orchestra.

In 2016, when Robinson Center reopened, a new atrium was named in her honor. It is adjacent to the ballroom named after her childhood friend Dr. William Grant Still.  Having a space named after Price at Robinson is especially appropriate since one of the first concerts given there in 1940, by contralto Marian Anderson, featured songs written by Price.

Florence Price was born in Little Rock on April 9, 1887, to James H. Smith and Florence Gulliver Smith. Her father was a dentist in Little Rock, while her mother taught piano and worked as a schoolteacher and a businesswoman.

As a child, Florence received musical instruction from her mother, and she published musical pieces while in high school. She attended Capitol Hill School in Little Rock, graduating as valedictorian in 1903. Florence then studied at the New England Conservatory of Music in Boston, Massachusetts, In 1907, she received degrees as an organist and as a piano teacher.

After graduation, Florence returned to Arkansas to teach music. After stints in Cotton Plant, North Little Rock and Atlanta, GA, Smith returned to Little Rock in 1912 to marry attorney Thomas Jewell Price on September 25, 1912. Her husband worked with Scipio Jones.

While in Little Rock, Price established a music studio, taught piano lessons, and wrote short pieces for piano. Despite her credentials, she was denied membership into the Arkansas State Music Teachers Association because of her race.

The Prices moved to Chicago, Illinois, in 1927. There, Price seemed to have more professional opportunity for growth despite the breakdown and eventual dissolution of her marriage. She pursued further musical studies at the American Conservatory of Music and Chicago Musical College and established herself in the Chicago area as a teacher, pianist, and organist. In 1928, G. Schirmer, a major publishing firm, accepted for publication Price’s “At the Cotton Gin.” In 1932, Price won multiple awards in competitions sponsored by the Rodman Wanamaker Foundation for her Piano Sonata in E Minor, a large-scale work in four movements, and her more important work, Symphony in E Minor.

The latter work premiered with the Chicago Symphony Orchestra on June 15, 1933, and the orchestras of Detroit, Michigan; Pittsburgh, Pennsylvania; and Brooklyn, New York, performed subsequent symphonic works by Price. This was the first time a black woman had presented her work on such a stage. In this regard,

Price’s art songs and spiritual arrangements were frequently performed by well-known artists of the day. For example, contralto Marian Anderson featured Price’s spiritual arrangement “My Soul’s Been Anchored in the Lord” in her famous performance on the steps of the Lincoln Memorial in Washington DC on Easter Sunday, April 9, 1939. European orchestras later played Price’s works.

This national and international recognition made her more popular back home, and in 1935, the Alumni Association of Philander Smith College in Little Rock sponsored Price’s return to Arkansas, billing her as “noted musician of Chicago” and presenting her in a concert of her own compositions at Dunbar High School.

In her lifetime, Price composed more than 300 works, ranging from small teaching pieces for piano to large-scale compositions such as symphonies and concertos, as well as instrumental chamber music, vocal compositions, and music for radio. Price died in Chicago on June 3, 1953, while planning a trip to Europe.

#5WomenArtists – Reita Walker Miller

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November Birds 
1980
22 x 29 1/2 in.
watercolor on paper
Arkansas Arts Center Foundation Collection:
Gift of the Mid-Southern Watercolorists Exhibition. 1980.008

Through their social media campaign #5WomenArtists, the National Museum of Women in the Arts (NMWA) asks, “Can you name five women artists?

In response to that, this month five artists with Little Rock connections will be highlighted throughout March.  The final one for 2019 is Reita Walker Miller.

Reita mainly paints in watercolor. She has long been active in the Mid-Southern Watercolorists and held many leadership positions within the organization; she is currently serving as an at-large board member.

In addition to being a talented artist, she is known as an educator and encourager of others whether it is in watercolors or another artform.  She helped establish the art program at the Central Arkansas Library System during her tenure on staff there. She was also a founding member of Little Rock’s Arts+Culture Commission.

Her artwork is in numerous collections. The Arkansas Arts Center has three of her pieces in its permanent collection.

Little Rock Look Back: Werner C. Knoop

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To Little Rock citizens under a certain age, the name Knoop means Knoop Park — a picturesque park tucked away in a pocket of Hillcrest.  There are, however, still many who remember Werner C. Knoop as a business and political leader who helped shape Little Rock as a modern city.

Knoop was born on March 30, 1902.

In 1946, Knoop joined with Olen A. Cates and P. W. Baldwin to form Baldwin Construction Company in Little Rock.  Knoop had previously founded Capital Steel Company and established his business reputation there.  From 1945 through 1951, he served on the Little Rock School Board.

Following a series of political scandals, efforts were undertaken for Little Rock to shift from Mayor-Council to City Manager form of government.  Even before the desegregation of Little Rock Central put the city in the eyes of the world, an election for new leaders had been set for November 1957.  Knoop was on a “Good Government” slate and was one of the members elected.

At the first meeting of the new City Board, Werner C. Knoop was chosen by his fellow directors to serve as Little Rock Mayor.  Knoop served as Mayor until December 1962.  For the first several months in office, Little Rock had no City Manager so Knoop oversaw the transition of City staff as the forms of government changed.

Though City Hall generally stayed out of school district matters, that did not mean that the public viewed the two entities separately.  In September 1959, the Baldwin Construction offices were bombed as part of a series of terrorist activities protesting the desegregated reopening of all Little Rock high schools.

Downtown LR as viewed from Knoop Park

Downtown LR as viewed from Knoop Park

After two terms on the City Board, Knoop decided against seeking a third term.  He concluded his elected public service on December 31, 1962.  Following his time on the City Board, Knoop did not retire from Civic Affairs.  In 1970, he served as Chairman of the Little Rock Chamber of Commerce.   The previous year he served as President of the Arkansas Chapter of Associated General Contractors.

Mayor Knoop died in July 1983.  He is buried at Roselawn Memorial Park next to his wife Faith Yingling Knoop, a renowned author.

In the 1930s, Knoop moved into an Art Moderne house on Ozark Point in Hillcrest.  It was adjacent to Little Rock Waterworks property which was developed around the same time.  Eventually much of the land was deeded to the City for creation of a park.  In 1989, it was named in tribute to long-time neighbor Knoop in honor of his lifetime of service to Little Rock.

The QQA 55th Spring Tour Preview Party is tonight

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Image result for qqa logoJoin the QQA for the start of the 55th Tour of Homes, 2019!
Attendees will party like its 1929 at the Albert Pike Hotel and get an exclusive sneak peak at the homes chosen for this year’s tour in the MacArthur Park Historic District.
Saturday, March 30, 2019 – 5:30 pm to 7:30 pm
Tickets are $40.00 at the door.
QQA will introduce guests to the houses selected for this year’s tour, serve up some delicious food and a signature cocktail, and listen to music by local band Whale Fire.
The Spanish-Revival style Albert Pike Hotel was built in 1929 at a cost of one million dollars. It was one the best known hotels in Little Rock for many decades.

Little Rock Look Back: Last City Council meeting in 1868 City Hall

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On March 30, 1908, the Little Rock City Hall held its final meeting in the 1868 City Hall.  The new city hall, located at Markham and Broadway streets, was nearing completion.  The meeting was presided over by Mayor W. E. Lenon.

The aldermen present were: John A. Adams, John Brod, A. B. Hightower, W. H. Jarrett, Christopher Ledwidge, Louie Miller, Jonathan S. Odom, R. C. Powers, A. L. Smith, George Stratman, Jonathan H. Tuohey, Louis Volmer, and L. N. Whitcomb.  Three aldermen missed the meeting: John Herndon Hollis, A. B. Poe and Benjamin S. Thalheimer.

The meeting was filled with typical requests for zoning and street improvements.  There was actually nothing out of the ordinary about the meeting.  If there was mention that it would be the final meeting, it did not make it into the minutes.

There was a request by the Arkansas Association of Pharmacists to have a meeting at the new building on May 12, 13 and 14.  It was referred to the City Hall Committee.  At prior meetings, there had also been requests by other groups to hold conferences at the new edifice.

At the conclusion of the meeting, it was noted that former City Clerk Clay Jones had died. A resolution memorializing him was proposed to be presented and adopted at the next meeting.

And with that, the meeting ended.  Forty years of City Council meetings at 120 to 122 West Markham came to a close.

Women Making History – Jeannette Edris Rockefeller

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Jeannette Edris Rockefeller only lived in Arkansas for about fifteen years. But her impact on the cultural life of Little Rock and all of Arkansas continues to be felt today.

Born and raised in Seattle, as a young mother she met Winthrop Rockefeller while both were in New York.  He moved to Arkansas in 1953; after their 1956 marriage, she joined him. They split their time between Little Rock and Petit Jean.

In 1959, she was asked to become involved in plans for a new art museum in Little Rock.  She became a tireless advocate and fundraiser for the new Arkansas Arts Center.   In 1960, she assumed the role of president of the Arkansas Arts Center Board of Trustees, a position she held until 1968.  During that time period she oversaw the planning, construction and opening of the building.  She also invited Townsend Wolfe, who she had met when he taught some classes at the Arts Center, to apply to become the museum’s first executive director.

From 1967 to 1971, she was First Lady of Arkansas.  In that capacity, she supervised renovation of the Governor’s Mansion and started the tradition of displaying art on the walls.

Shortly after her 1971 divorce from Rockefeller, she relocated to California.  She continued to be a supporter of the Arts Center.  One of the galleries in the Arts Center is named in her honor.  In addition, one of the sculptures on the lawn of the Arts Center, Standing Red, was dedicated in 1970 in recognition of her service on the Arts Center Board.