Arkansas composers Florence Price and William Grant Still topic of noon Clinton School program today

In advance of the Beethoven & Blue Jeans concert, join conductor Andrew Grams and Linda Holzer, professor of music at University of Arkansas at Little Rock, on a discussion about the music of Arkansas composers William Grant Still and Florence Price.

It will take place at 12 noon at the Clinton School of Public Service.

American conductor Andrew Grams has steadily built a reputation for his dynamic concerts, ability to connect with audiences, and long-term orchestra building. He’s the winner of 2015 Conductor of the Year from the Illinois Council of Orchestras and has led orchestras throughout the United States. Now in his 7th ESO season, Andrew Grams became music director of the Elgin Symphony Orchestra after an international search.

Florence Price was the first African-American female composer to have a symphonic composition performed by a major American symphony orchestra. Born in Little Rock in 1887, she was valedictorian of her class at Little Rock’s Capitol Hill School.  After college, she returned to Little Rock, was married, and established a music studio, taught piano lessons, and wrote short pieces for piano.

The Prices moved to Chicago, Illinois, in 1927. There, Price seemed to have more professional opportunity for growth despite the breakdown and eventual dissolution of her marriage.  In 1928, G. Schirmer, a major publishing firm, accepted for publication Price’s “At the Cotton Gin.” After winning several composition awards, she had a piece premiere with the Chicago Symphony Orchestra on June 15, 1933.

Price’s art songs and spiritual arrangements were frequently performed by well-known artists of the day. For example, contralto Marian Anderson featured Price’s spiritual arrangement “My Soul’s Been Anchored in the Lord” in her famous performance on the steps of the Lincoln Memorial in Washington DC on Easter Sunday, April 9, 1939. European orchestras later played Price’s works.

William Grant Still was long known as the Dean of African American composers. Though not born in Little Rock, he spent much of his youth in the city.

Dr. Still, who wrote more than 150 compositions ranging from operas to arrangements of folk themes, is best known as a pioneer. He was the first African-American in the United States to have a symphonic composition performed by a major orchestra.

He was the first African American to conduct a major symphony orchestra in the US; the first to conduct a major symphony in the south; first to conduct a white radio orchestra in New York City; first to have an opera produced by a major company. Dr. Still was also the first African-American to have an opera televised over a national network

 

 

Artober – Behind the Scenes. An Arkansas Symphony Orchestra rehearsal in 2017

Image may contain: 2 people, people sittingOctober is Arts and Humanities Month nationally and in Little Rock. Americans for the Arts has identified a different arts topic to be posted for each day in the month. Today’s focus is “Behind the Scenes.”

In 2017, I had the rare privilege of sitting on the stage during an Arkansas Symphony Orchestra rehearsal. These are some of the photos I took from that time.  It was exciting to not only hear the music up close but the see the musicians interact with each other on breaks. My appreciation for the ASO musicians (which was already high) grew even more so that evening.

As I was seated next to the violins, most of the photos are of the strings section.  I tried to be as subtle as possible in taking the photos.

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Artober – Music. The sounds of the Arkansas Symphony Orchestra

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Little Rock has a thriving music scene from jazz to blues to r&b to rock to soul to gospel to, well, you name it.

For over 50 years, the Arkansas Symphony Orchestra has been playing a pivotal role in that scene.  While they play programs that are largely classical music, they also incorporate many different styles of music into their offerings.  Last night, they played a concert with Tony and Grammy winner Heather Headley which spanned numerous musical genres.  The ASO is led by Interim Music Director Geoffrey Robson and Executive Director Christina Littlejohn.

Incorporated in 1966, the ASO now performs more than 60 concerts per season, which includes the Masterworks and Pops Concerts. In addition, the orchestra has a Chamber Series, River Rhapsodies, at the Clinton Presidential Center, ASO, I.N.C.: Intimate Neighborhood Concerts, and a busy schedule of statewide touring and educational performances in numerous venues, along with collaborations with Ballet Arkansas and the Arkansas Repertory Theatre. Integral to the ASO’s activities are its resident string quartets, the Rockefeller and Quapaw Quartet; The ASO Brass Quintet, ASO Big Band, and the Arkansas Symphony Youth Ensembles, which comprises two string-only ensembles and two full orchestras. Through ASO education programs over 40,000 children each year experience the magic of music.

Distinguished guest artists including Bill Clinton, Itzhak Perlman, Yo Yo Ma, Mignon Dunn, Marilyn Horn, Andre Watts, Maureen McGovern, Bernadette Peters, Maya Angelou, and Doc Severinsen, among others, have appeared in concert with the orchestra in Arkansas.

Comprised of the state’s most sought after professional musicians, the Arkansas Symphony Orchestra is heard by more than 165,000 Arkansans each year, and consistently plays to high critical praise.

Tony and Grammy winner Heather Headley performs with the ASO tonight

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The Arkansas Symphony Orchestra presents A Broadway Evening with Heather Headley, Saturday, October 5th at 7:30 p.m. in the Robinson Center. The ASO is proud to collaborate with Headley and her special guest, NBC’s The Voice finalist, Chris Mann. Headley and Mann will be joined on stage by the Parkview High School Lab Singers and Madrigals in Little Rock for one night only.

From her role as Broadway’s original Nala in The Lion King and her Tony Award-winning role as Aida in Elton John and Tim Rice’s Aida to her recurring role as Gwen Garrett on NBC’s Chicago Med, Headley is one of the most talented artists of this generation. In 2016 she returned to the Broadway stage as Shug Avery in the Tony Award-winning revival of The Color Purple.

Headley will perform selections from The Lion King and Aida as well as selections from Broadway favorites like “For Good” from the award-winning musical, Wicked and “My House” from Matilda. Headley will also perform selections from classic hits like “Amazing Grace” and Elton John’s “Your Song” for a well-rounded musical evening.

Tickets are $19, $39, $59, and $79 and can be purchased online at www.ArkansasSymphony.org; at the Robinson Center street-level box office beginning 90 minutes prior to the concert; or by phone at 501-666-1761, ext. 1.

The ASO River Rhapsodies series starts tonight with Beethoven and Milhaud

The Arkansas Symphony Orchestra opens the 2019-2020 River Rhapsodies Chamber Music series with Beethoven and Milhaud, Tuesday, October 1st at 7:00 p.m. at the Clinton Presidential Center.

ASO’s Quapaw and Rockefeller String Quartets, along with other musicians are performing Milhaud’s Quartet No. 1, Roussel’s Serenade for Flute, String Trio, and Harp, and Beethoven’s String Quartet in A minor.

River Rhapsodies Chamber Music Concerts are held in the intimate setting of the Clinton Presidential Center’s Great Hall. A cash bar is open before the concert and at intermission, and patrons are invited to carry drinks into the concert. The Media Sponsor for the River Rhapsodies Chamber Music Series is UA Little Rock Public Radio.

General Admission tickets are $26; active duty military and student tickets are $10 and can be purchased online at www.ArkansasSymphony.org ; at the Clinton Center beginning 60 minutes prior to a concert; or by phone at 501-666-1761, ext. 1.

Artists

Quapaw String Quartet

  • Meredith Maddox Hicks, violin
  • Charlotte Crosmer, violin
  • Timothy MacDuff, viola
  • David Gerstein, cello

Rockefeller String Quartet

  • Trisha McGovern Freeney, violin
  • Linnaea Brophy, violin
  • Katherine Reynolds, viola
  • David Gerstein, cello

Gabriel Vega, flute

Alisa Coffey, harp

Diana Norwood, violin

Rafael León, cello