Tag Archives: UA Little Rock

LR Women Making History – Mary Fletcher Worthen

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Mary Fletcher Worthen cultivated history and music with the same grace and skill as she cultivated gardens.

Born outside of Scott, she attended Vassar and Little Rock Junior College. After marrying banker Booker Worthen, she has devoted her life to improving Little Rock. Together with Stella Boyle and George Smith, she and Booker helped found the precursor to the Arkansas Symphony Orchestra.  Through its many iterations, she has been a steadfast supporter and is now a life member of the ASO Board.  She has also been a supporter of many other music organizations in Little Rock including the Chamber Music Society of Little Rock, of which she was a founder.

Another hallmark of her involvement is Mount Holly Cemetery Association.  For over 50 years she has served on the board of this body.  Without notes, she can recite the history of practically every resident buried there.  The tours she would lead with Peg Newton Smith were hot commodities when auctioned at fundraisers.  These two loving and lifelong friends would sometimes remember things differently. They playfully prodded and needled each other as they wended and winded their way through the headstones and history regaling rapt audiences with yarns of yore, quips and quotes, plus an anecdote or two.

She has also served on the Old State House Museum Board and the Pulaski County Historical Society Board.  As a historian, she literally wrote the book on Trinity Episcopal Cathedral.  She combined her interest in herb gardening and history with the creation of the Medicinal Garden at Historic Arkansas Museum, which is now named in her honor.

Born in 1917, up until her final days in 2015 Mary Worthen continued to learn new facts, share her love of history and music, and work to cultivate the next generations of cultural enthusiasts.

LR Women Making History – Peg Newton Smith

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While the Culture Vulture remains a huge fan of Peg Newton Smith, it is better for this entry to be taken from a tribute written by her longtime friend Bill Worthen.

Peg Newton Smith was a pioneer in the field of history and historic preservation.  A founder of both the Arkansas Museums Association and the Quapaw Quarter Association, Little Rock’s historic preservation organization, she served as a significant resource for many local history researchers and historians.

Born February 10, 1915, Peg Smith came from a family deeply engaged in Arkansas history. Two Arkansas counties – Newton and Hempstead – are named after ancestors.  She married George Rose Smith, himself from a prominent Arkansas family, in 1938. Peg Smith became his most vigorous supporter as George Rose Smith was elected and  reelected to the State Supreme Court, ultimately offering 38 years of service as Associate Justice.

She  enjoyed a sixty-two year career as a volunteer at the Historic Arkansas Museum, where she served as Commission Chair from 1978 to 1983. On the museum’s first day, she was dressed in period garb as a volunteer.  She was named Chair Emerita of the Commission in 2002. Her commitment to history has also included decades of service on the Mount Holly Cemetery Association Board of Directors, where she was famous with Mary Worthen for tours of the cemetery, often hot items at charity auctions.

Because of her instrumental work for the Arkansas Museums Association and the Quapaw Quarter Association, both organizations named significant annual awards after her. She was appointed to the inaugural Review Committee of the State Historic Preservation Program and with architect Edwin Cromwell was the first Arkansan named to the Board of Advisors of the National Trust for Historic Preservation. She was appointed to the Arkansas Bicentennial Commission, was elected president of the Junior League of Little Rock, was a founding member of the Board of the Historic Preservation Alliance of Arkansas, and was active in the Pulaski County Historical Society.  She also was an early supporter of the MacArthur Museum of Arkansas Military History.

She was honored by many groups, being named 1967 Greater Little Rock Woman of the Year by the Arkansas Democrat, Shield of the Trojan Award winner from the UALR Alumni Association in 1979, Fellow of the Museum of Science and History in 1981, and Candlelight Gala Honoree of the Historic Arkansas Museum in 1994. She became the first recipient of the Lifetime Achievement Award from the Arkansas Museums Association in 2003.

Peg Newton Smith died on July 20, 2003.

Because of her love of Arkansas history and Arkansas art, the Historic Arkansas Museum commissioned the pARTy for Peg sculpture which dances near the north entrance to the museum.  pARTy for Peg is not a portrait of our dear friend—it is a sculpture inspired by her spirit. It had been her brainchild for the museum to have a separate gallery devoted to contemporary Arkansas artists. She also founded the Museum Store, filled with Arkansas crafts.

Little Rock Look Back: HAIR’s Sun Shines In to Robinson Auditorium

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Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Forty-six years ago today, on January 18, 1972, the musical Hair settled in for a week-long run at Robinson Auditorium.  The saga to bring the national tour to Little Rock had actually begun eleven months earlier.

In February 1971, a young Little Rock attorney named Phil Kaplan petitioned the Little Rock Board of Censors to see if it would allow a production of Hair to play in the city. He was asking on behalf of a client who was interested in bringing a national tour to Arkansas’ capital city. The show, which had opened on Broadway to great acclaim in April 1968 after an Off Broadway run in 1967, was known for containing a nude scene as well for a script which was fairly liberally sprinkled with four-letter words. The Censors stated they could not offer an opinion without having seen a production.

By July 1971, Kaplan and his client (who by then had been identified as Southwest Productions) were seeking permission for a January 1972 booking of Hair from the City’s Auditorium Commission which was charged with overseeing operations at Robinson Auditorium. At its July meeting, the Commissioners voted against allowing Hair because of its “brief nude scene” and “bawdy language.”

Kaplan decried the decision. He stated that the body couldn’t “sit in censorship of legitimate theatrical productions.” He noted courts had held that Hair  could be produced and that the Auditorium Commission, as an agent for the State, “clearly can’t exercise prior censorship.” He proffered that if the production was obscene it would be a matter for law enforcement not the Auditorium Commission.

The Commission countered that they had an opinion from City Attorney Joseph Kemp stating they had the authority. One of the Commissioners, Mrs. Grady Miller (sister-in-law of the building’s namesake the late Senator Robinson, she had served on the Commission since 1940), expressed her concern that allowing Hair would open the door to other productions such as Oh! Calcutta!

On July 26, 1971, Southwest Productions filed suit against the Auditorium Commission. Four days later there was a hearing before federal Judge G. Thomas Eisele. At that hearing, Auditorium Commission member Lee Rogers read aloud excerpts from the script he found objectionable. Under questioning from Kaplan, a recent touring production of Neil Simon’s Plaza Suite was discussed. That play has adultery as a central theme of one of its acts. Rogers admitted he found the play funny, and that since the adultery did not take place on stage, he did not object to it. Among those testifying in favor of it was Robert Reddington, who was director of performing arts at the Arkansas Arts Center.

Judge Eisele offered a ruling on August 11 which compelled the Auditorium Commission to allow Hair to be performed. Prior to the ruling, some of the Auditorium Commissioners had publicly stated that if they had to allow Hair, they would close it after the first performance on the grounds of obscenity. To combat this, Judge Eisele stated that the Commission had to allow Hair to perform the entire six day engagement it sought.

Upon hearing of the Judge’s ruling, Commissioner Miller offered a succinct, two word response. “Oh, Dear!”

In the end, the production of Hair at Robinson would not be the first performance in the state.  The tour came through Fayetteville for two performances in October 1971 at Barnhill Arena.

On January 18, 1972, Hair played the first of its 8 performances over 6 days at Robinson Auditorium.  In his review the next day, the Arkansas Gazette’s Bill Lewis noted that Hair “threw out all it had to offer” and that Little Rock had survived.

The ads promoting the production carried the tagline “Arkansas will never be the same.”  Tickets (from $2 all the way up to $8.50) could be purchased at Moses Melody Shops both downtown and in “The Mall” (meaning Park Plaza). That business is gone from downtown, but the scion of that family, Jimmy Moses, is actively involved in building downtown through countless projects. His sons are carrying on the family tradition too.

Little Rock was by no means unique in trying to stop productions of Hair.  St. Louis, Birmingham, Los Angeles, Tallahassee, Boston, Atlanta, Charlotte NC, West Palm Beach, Oklahoma City, Mobile and Chattanooga all tried unsuccessfully to stop performances in their public auditoriums.  Despite Judge Eisele’s ruling against the City of Little Rock, members of the Fort Smith City Council also tried to stop a production later in 1972 in that city. This was despite warnings from City staff that there was not legal standing.

Within a few years, the Board of Censors of the City of Little Rock would be dissolved (as similar bodies also were disappearing across the US). Likewise, the Auditorium Commission was discontinued before Hair even opened with its duties being taken over by the Advertising and Promotion Commission and the Convention & Visitors Bureau staff.  This was not connected to the Hair decision; it was, instead, related to expanding convention facilities in Robinson and the new adjacent hotel.  Regardless of the reasons for their demise, both bygone bodies were vestiges of earlier, simpler and differently focused days in Little Rock.

Little Rock Look Back: J. N. Heiskell

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At the age of 87, J. N. Heiskell in 1960.

John Netherland (J. N.) Heiskell served as editor of the Arkansas Gazette for more than seventy years.  He was usually called “Mr. Heiskell” by all, but a very few confidantes felt confident to call him “Ned.”

Mr. Heiskell is the person most responsible for Robinson Center Music Hall being located at the corner of Markham and Broadway.  As Chair of the Planning Commission and editor of the Arkansas Gazette he had twin bully pulpits to promote this location when those on the City Council (who actually had the final say) were looking at other locations.  He felt the location would help create a cluster of public buildings with its proximity to the county courthouse and to City Hall.  Mr. Heiskell finally succeeded in winning over the mayor and aldermen to his viewpoint.

He was born on November 2, 1872, in Rogersville, Tennessee, to Carrick White Heiskell and Eliza Ayre Netherland Heiskell. He entered the University of Tennessee at Knoxville before his eighteenth birthday and graduated in three years at the head of his class on June 7, 1893.

His early journalism career included jobs with newspapers in Knoxville and Memphis and with the Associated Press in Chicago and Louisville. On June 17, 1902, Heiskell’s family bought controlling interest in the Arkansas Gazette. Heiskell became the editor, and his brother, Fred, became managing editor.

Governor George Donaghey appointed Heiskell to succeed Jeff Davis in the United States Senate after Davis’s death in office. Heiskell served from January 6, 1913, until January 29, 1913, when a successor was chosen by the Arkansas General Assembly.  His tenure is the shortest in the U. S. Senate history.  His first speech on the Senate floor was his farewell.  He was also only the second US Senator to live to be 100.

On June 28, 1910, Heiskell married Wilhelmina Mann, daughter of the nationally prominent architect, George R. Mann. The couple had four children: Elizabeth, Louise, John N. Jr., and Carrick.

In 1907, he joined a successful effort to build the city’s first public library. He served on the library board from that year until his death and was issued the first library card.  He also served on the City’s Planning Commission for decades.  In 1912, he was instrumental in bringing John Nolen to Little Rock to devise a park plan.

In the paper and in his own personal opinions, he crusaded on a variety of progressive causes.  Perhaps the most famous was the Gazette’s stance in the 1957 Central High desegregation crisis.  It was for this effort that the paper received two Pulitzer Prizes.

Although Heiskell stopped going to the office at age ninety-nine, he continued to take an active interest in the newspaper. He began by having a copy of the newspaper delivered to his home by messenger as soon as it came off the press each night. Eventually, he switched to having his secretary call him daily at his home and read the entire newspaper to him. He operated on the premise that “anyone who runs a newspaper needs to know what’s in it, even to the classified ads.”

A few weeks after turning 100, Heiskell died of congestive heart failure brought on by arteriosclerosis on December 28, 1972. He is buried in Little Rock’s Mount Holly Cemetery.  Interestingly, he is buried in the same cemetery as two of his most notable adversaries: Governor Jeff Davis, and segregationist Congressman Dale Alford.

Mr. Heiskell donated his vast papers to UALR. They are part of the Arkansas Studies Institute collection. These papers give insight into not only his career as a journalist, but also his political and civic affairs.  Thankfully he saved much of his paperwork. Without it, much insight into Little Rock in the 20th Century would be lost.

Central to Creativity – Nancy Rousseau

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Though not a graduate of Little Rock Central High School, Nancy Rousseau is a Central High Tiger through and through.

She has been principal of Little Rock Central High School since the summer of 2002. Born in New York, she graduated high school in Tenafly, New Jersey.  After attending Ohio University, she graduated from Adelphi University with a degree in English education.  Her first job was teaching in Port Washington, NY, where she won the “New Teacher of the Year” award.  After teaching in Midwest City, Oklahoma, she arrived in Little Rock in 1976.

From 1976 until 1986, she taught English at Pulaski Academy.  After receiving her master’s degree in educational administration from the University of Arkansas at Little Rock, she was hired by the Little Rock School District as an Assistant Principal at Central High School.  From 1991 until 1998, she served in that capacity. During that time, she worked on the planning for the 40th anniversary of the integration of Central High by the Little Rock Nine.

In 1998, she became principal of Pulaski Heights Junior High School.  She led the school’s transition from a junior high to a middle school.  When the position of Central High School principal became open in 2002, she applied for the job.

Since returning to Central as its principal, Mrs. Rousseau has been a very visible champion of the school, its students, faculty and alumni.  She served as co-chair for the Central High Integration 50th Anniversary Commission.  During her tenure, the school’s physical plant has been upgrade and much of the historic façade and interior has been restored.  A Central High Alumni Association and a Tiger Foundation have been formed.  Through their effort, the arts, academics and athletics have been enhanced.

Mrs. Rousseau also participated in the planning for the 60th anniversary of the school’s integration.  She is one of a very few who worked on the 40th, 50th and 60th anniversaries.

Remembering Betty Fowler

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(Photo courtesy of Arkansas Jazz Heritage Foundation)

Arkansas entertainer icon Betty Fowler died Saturday, April 15, 2017.

The information below is adapted from her obituary.

Betty was born on September 17, 1925 in Wynne, Arkansas to the late Harry Willis Hunter and Elizabeth Sands Hunter. Her love for music began at age 9, when she started taking piano lessons. Betty began her illustrious career at age 18 after winning a talent contest, which gave her the push she needed to pursue her life’s passion. Betty graduated from Little Rock Jr. College in 1944. She spent most of her life in Little Rock as a popular musician and television entertainer.

Betty began her musical career on a statewide radio show. She moved on to become a television performer in the early 1950’s in Little Rock with what is now known as Channel 7. She was best known for her children’s TV show, “Betty’s Little Rascals”, which began in 1955.

She went on to co-host the “Little Rock Today Show” on Channel 4 with Bud Campbell, where she did live commercials, played the piano and interviewed celebrities who came to town, such as Liberace, Sammy Davis Jr., Bob Hope, Red Buttons and Robert Goulet.

Through the years, Betty maintained a vigorous schedule with her band, “The Betty Fowler Four”, which produced a record album of her music. She was also musical director for The Miss Arkansas Pageant (1960-84), Musical Director for Broadway musicals produced by the Community Theater, Musical Director for the Farkleberry Follies and The Gridiron.

For many years, Betty taught piano and had a recording studio in her home, where she gave voice coaching lessons and made accompany tapes for many aspiring performers.
Betty Fowler will forever be remembered and treasured for her lifetime love and devotion to the world of music, both in performing and in the teaching of music to others.

Women’s History Month – Raye Montague

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Last month, Raye J. Montague, RPE was recognized on “Good Morning America” for her work as a pioneering scientist. She was not only the first woman to design a U.S. Naval ship using a computer, or the first African American to do so, she was the first PERSON to do so.

She began a career in Washington, DC with the United States Navy in 1956 and retired in 1990 after serving in numerous leadership roles during her tenure of thirty-three and one-half years. Her work designing the FFG-7 Class in the early 1970s revolutionized naval ship design.  She also served as the first female Program Manager of Ships in the US Navy and was the first female professional engineer to receive the Society of Manufacturing Engineers Achievement Award.

Throughout her career she received many honors, and was often the first woman of any race to achieve statuses in the engineering profession.

In 2006, she returned to Arkansas.  She is involved with numerous civic activities including mentoring students in the sciences at UALR and also eStem Public Charter School.  She was inducted into the Arkansas Black Hall of Fame in 2013.