Tag Archives: UA Little Rock

BUILD IT LAB today and next 4 Saturdays at Museum of Discovery

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NewMOD 021Starting today and continuing on Saturdays through February 21, the sound of hammering and sawing will fill the galleries of the Museum of Discovery during its latest project, “Build It Lab,” a hands-on exploration into the world of construction.  In partnership with AGC Arkansas, the state’s largest association of commercial contractors; University of Arkansas at Little Rock; and Home Depot, “Build It Lab” will be held from 10 a.m. to 3 p.m. on five consecutive Saturdays, January 24 through February 21, and promises to offer visitors an interactive view into the many phases of construction ranging from framing to wiring to painting.

Museum visitors each Saturday will engage in five hands-on activities related to framing, waterproofing, plumbing, wiring, roofing, soundproofing and painting.  Some of these activities include an introduction to hammering and sawing, circuit blocks, marble runs and painting with the aid of stencils.  The activities will be facilitated by area construction professionals, Home Depot employees and museum staff.

In addition to the hands-on projects, students from the University of Arkansas at Little Rock’s Construction Management program will build a playhouse, focusing on a different construction phase each Saturday.  Once the house is complete, the Museum of Discovery will donate the building to a school for their playground.

“The mission of the Museum of Discovery is to ignite a passion for science, technology and math in a dynamic, interactive environment,” said Kelley Bass, museum CEO, “and Build It Lab is going to give our visitors the chance to do just that as they engage in hands-on construction activities while also observing UALR students building the playhouse that later will be awarded to an Arkansas school.”

“Workforce development continues to be a topic at the forefront of the minds of many Arkansans,” said Richard Hedgecock of AGC Arkansas, “We are proud to partner with these great community leaders to open the eyes of young people, and their parents, about the possibilities offered to them through construction careers.”

“Build It Lab” participation is included in regular museum admission.  For more information, visit www.museumofdiscovery.org or contact 501-396-7050.

LR Look Back: HAIR flows at Robinson Auditorium

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Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Forty-three years ago today, on January 18, 1972, the musical Hair settled in for a week-long run at Robinson Auditorium.  The saga to bring the national tour to Little Rock had actually begun eleven months earlier.

In February 1971, a young Little Rock attorney named Phil Kaplan petitioned the Little Rock Board of Censors to see if it would allow a production of Hair to play in the city. He was asking on behalf of a client who was interested in bringing a national tour to Arkansas’ capital city. The show, which had opened on Broadway to great acclaim in April 1968 after an Off Broadway run in 1967, was known for containing a nude scene as well for a script which was fairly liberally sprinkled with four-letter words. The Censors stated they could not offer an opinion without having seen a production.

By July 1971, Kaplan and his client (who by then had been identified as local promoter Jim Porter and his company Southwest Productions) were seeking permission for a January 1972 booking of Hair from the City’s Auditorium Commission which was charged with overseeing operations at Robinson Auditorium. At its July meeting, the Commissioners voted against allowing Hair because of its “brief nude scene” and “bawdy language.”

Kaplan decried the decision. He stated that the body couldn’t “sit in censorship of legitimate theatrical productions.” He noted courts had held that Hair could be produced and that the Auditorium Commission, as an agent for the State, “clearly can’t exercise prior censorship.” He proffered that if the production was obscene it would be a matter for law enforcement not the Auditorium Commission.

The Commission countered that they had an opinion from City Attorney Joseph Kemp stating they had the authority. One of the Commissioners, Mrs. Grady Miller (sister-in-law of the building’s namesake the late Senator Robinson, she had served on the Commission since 1940), expressed her concern that allowing Hair would open the door to other productions such as Oh! Calcutta!

On July 26, 1971, Southwest Productions filed suit against the Auditorium Commission. Four days later there was a hearing before federal Judge G. Thomas Eisele. At that hearing, Auditorium Commission member Lee Rogers read aloud excerpts from the script he found objectionable. Under questioning from Kaplan, a recent touring production of Neil Simon’s Plaza Suite was discussed. That play has adultery as a central theme of one of its acts. Rogers admitted he found the play funny, and that since the adultery did not take place on stage, he did not object to it. Among those testifying in favor of it was Robert Reddington, who was director of performing arts at the Arkansas Arts Center.

Judge Eisele offered a ruling on August 11 which compelled the Auditorium Commission to allow Hair to be performed. Prior to the ruling, some of the Auditorium Commissioners had publicly stated that if they had to allow Hair, they would close it after the first performance on the grounds of obscenity. To combat this, Judge Eisele stated that the Commission had to allow Hair to perform the entire six day engagement it sought.

Upon hearing of the Judge’s ruling, Commissioner Miller offered a succinct, two word response. “Oh, Dear!”

In the end, the production of Hair at Robinson would not be the first performance in the state.  The tour came through Fayetteville for two performances in October 1971 at Barnhill Arena.

On January 18, 1972, Hair played the first of its 8 performances over 6 days at Robinson Auditorium.  In his review the next day, the Arkansas Gazette’s Bill Lewis noted that Hair “threw out all it had to offer” and that Little Rock had survived.

The ads promoting the production carried the tagline “Arkansas will never be the same.”  Tickets (from $2 all the way up to $8.50) could be purchased at Moses Melody Shops both downtown and in “The Mall” (meaning Park Plaza). That business is gone from downtown, but the scion of that family, Jimmy Moses, is actively involved in building downtown through countless projects. His sons are carrying on the family tradition too.

Little Rock was by no means unique in trying to stop productions of Hair.  St. Louis, Birmingham, Los Angeles, Tallahassee, Boston, Atlanta, Charlotte NC, West Palm Beach, Oklahoma City, Mobile and Chattanooga all tried unsuccessfully to stop performances in their public auditoriums.  Despite Judge Eisele’s ruling against the City of Little Rock, members of the Fort Smith City Council also tried to stop a production later in 1972 in that city. This was despite warnings from City staff that there was not legal standing.

Within a few years, the Board of Censors of the City of Little Rock would be dissolved (as similar bodies also were disappearing across the US). Likewise, the Auditorium Commission was discontinued before Hair even opened with its duties being taken over by the Advertising and Promotion Commission and the Convention & Visitors Bureau staff.  This was not connected to the Hair decision; it was, instead, related to expanding convention facilities in Robinson and the new adjacent hotel.  Regardless of the reasons for their demise, both bygone bodies were vestiges of earlier, simpler and differently focused days in Little Rock.

Robinson Center Redux- January

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WAVW LR Jan65Since Robinson Center Music Hall is closed for renovations and restoration, this year the Culture Vulture will take a monthly look back at some of the featured attractions which have played there.  This month looks at January of years ending in “0” and “5.”

As noted earlier on the blog, even before the February 1940 opening of the music hall, the lover level exhibition hall was playing host to events including basketball games.

By 1945, things were well underway on both levels. Buddy Johnson & his Orchestra were playing a dance for African Americans in the lower level on January 10. Upstairs events ranged from a lecture on Christian Science (January 7), a play Good Night Ladies (January 17), a lecture by Dr. Emil Ludwig on Germany after World War II, and Paul Draper & Larry Adler in concert (January 23).

In 1950, Tallulah Bankhead starred in a revival of Private Lives (January 13), a Passion Play booked it for over a week (January 21 – 28) and a double-header of Shakespeare plays held court on January 30. Margaret Webster’s Shakespeare Company played The Taming of the Shrew in the afternoon and Julius Caesar in the evening. Also that month the Arkansas State Symphony (a forerunner to today’s Arkansas Symphony Orchestra) gave a concert on the 17th.

A highlight of 1955 was a women’s wrestling match on January 4 in the lower level.

In 1960, two theatrical productions were presented. On January 8 & 9, Odd Man In was presented “pre-Broadway” (it didn’t make it). Much more successful was the national tour of My Fair Lady from January 18 through 23.

Though Little Rock native Ben Piazza had helped develop the play, he wasn’t in the cast when the national tour of Who’s Afraid of Virginia Woolf? played Robinson on Januayr 25, 1965.

By the late 1960s and early 1970s, Robinson was at a crossroads.  Many performers wanted to play at larger spaces (such as Barton Coliseum) or smaller venues (such as churches or the UALR recital hall).  In 1970, the Happy Goodman Family gave a concert on January 21.  Five years later they returned on January 10, 1975 in a concert with Vestel Goodman. The next night, Johnny Paycheck was in concert.  On January 21, 1975, Robert Alda headlined a tour of The Sunshine Boys.

Orchestra concerts dominated most January offerings from 1980 onward.  On January 27, 1980, the Pittsburgh Symphony Orchestra gave a concert at Robinson. In 1985, the Arkansas Symphony Orchestra presented concerts (January 19 & 20) with Misha Dichter, pianist.  January 1990 saw the ASO with Stephen Burns, trumpet on January 20 & 21.

In 1995, the ASO performed Rimsky-Korskaov’s Scheherazade on January 13 & 14.  Composer, pianist and conductor Marvin Hamlisch highlighted a concert with the ASO on January 22 in 2000. Earlier in the month the ASO performed Der Freischatz on the 15 & 16th.  The day before Hamlisch, the Martins were in concert.

2005 highlights included the ASO with Elmer Oliveira, violinist (Jan 15 & 16), the ASO Side by Side concert (where Arkansas Symphony Youth Orchestra musicians and ASO musicians perform together) on January 29 and the ASO Family Series: Secrets of the Orchestra on January 30.  The Irish dance spectacular Riverdance played Robinson from January 17 through 19.

Five years ago, Ron “Tater Salad” White performed his stand-up at Robinson on January 8, 2010. Later that month the ASO offered Edvard Grieg’s Piano Concerto on January 16 & 17. The 2010 ASO Side by Side concert was on January 30.  On January 20 the Shen Yun Chinese cultural performance took place in Robinson.

Works from 39 UALR Artists on display at Wildwood through February 15

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8801eb42-ba23-4132-aaea-11672e96b233Through February 15, Wildwood Park for the Arts will be showcasing the works of 39 artists as part of their Art in the Park program.

This exhibit highlights recent work by Faculty, Students, and Alumni of the University of Arkansas at Little Rock (UALR) Department of Art.

Tonight from 6pm to 8pm there will be a reception to celebrate the exhibit.

Following the reception, the art may be viewed weekdays between 10 am and 4 pm, and on Saturdays and Sundays, January 8 – February 15, from noon to 4 pm.

39 Exhibiting Artists Include:
Jasmine Av, Student
Heather Beckwith, Student
Win Bruhl, Retired Professor, Printmaking/Painting and Department Chair
Justin Bryant, Student
Byron Buslig, Student
Kevin Cates, Associate Professor, Graphic Design
Lane Chapman, Student
Taimur Cleary, Artist in Residence in Painting
Tom Clifton, Department Chair and Professor, Illustration and Drawing
Brad Cushman, Gallery Director
Jeffrey B. Grubbs, Associate Professor, Art Education
Mia Hall, Associate Professor, Applied Design
Kerrick Hartmon, Alumni
Morgan Hill, Alumni
Linda Holloway, Alumni
Amanda Hubbard, Student
Mehreen Khalid, Adjunct Professor, Photography
Joli Livaudais, Assistant Professor, Photography
Chelsye Mae Garrett, Student
Eric Mantle, Professor, Painting
Ian Park, Alumni
Tiffany Partin, Student
Jennifer Danielle Perren, Student
Katherine Purcell, Student
Laura Raborn, Alumni
Casey Roberson, Associate Professor, Photography
Sandra Sell, Alumni
Emily Shiell, Student
Allison Short Weaver, Student
David Smith, Assistant Professor, Ceramics
Aj Smith, Professor, Printmaking
Mesilla Smith, Student
Joe Tollett, Student
Joanna Waldron, Student
Michael Warrick, Professor, Sculpture
Marjorie Williams-Smith, Professor, Graphic Design
Spencer Zahrn, Student

Tonight END OF THE LINE at Old State House “2nd Friday Cinema”

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End of the lineJanuary’s installment of Second Friday Cinema features End of the Line, a 1987 movie directed by Arkansan Jay Russell and featuring Arkansans Mary Steenburgen and Levon Helm. The film is about two rail workers from Little Rock who hop aboard a train to Chicago in a last ditch effort to save their jobs and way of life.

Joining in the cast are Wilford Brimley, Barbara Barrie, Bob Balaban, Henderson Forsythe, Holly Hunter and Bruce McGill.  Perhaps, most importantly, Kevin Bacon is one of the stars making this a key component of “Six Degrees of Kevin Bacon” games everywhere.

The movie was filmed in Central Arkansas.  The Culture Vulture very clearly remembers working overnight to construct balloon arches for a scene to be filmed at the Missouri Pacific rail yards the next day. The Culture Vulture later donned his 1970s era band uniform (with fake satin tunic, dark pants, dark shoes and fuzzy black cowboy hat) and stood in the August heat for several hours while a “simple” scene was shot and re-shot countless times.

Ben Fry, general manager of KLRE/KUAR and coordinator of the film minor at UALR, will introduce the film and lead a discussion after the screening.

The screening starts tonight at 5pm at the Old State House Museum, an agency of the Department of Arkansas Heritage.

 

Remembering 14 Cultural Figures from 2014

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Little Rock lost several cultural luminaries in 2014. Some were practitioners, others were volunteers and donors.  All were passionate about the role the arts and culture play in not only everyday lives, but in making a city great.

While there are doubtless omissions to this list, these 14 are representative of the loss in 2014 but also the rich cultural legacy of the Little Rock area. They are presented in alphabetical order.

1414mayaThough never a Little Rock resident, Maya Angelou is linked to the City’s cultural life. Throughout her career, she would make appearances in Little Rock at a variety of venues. As an actress, dancer, poet and professor, she lived life to the fullest and encouraged others to do likewise.

1414jeffbJeff Baskin was more than a librarian in North Little Rock. He was a religious scholar, an actor, and an appreciator of many art forms. He was a regular fixture at cultural events on both sides of the Arkansas River. With his sly smile and quick wit, he put others at ease. His charm was disarming and his circle of friends was boundless.

1414BowenAttorney, banker, historian, author, Dean, advisor, raconteur. This was Bill Bowen. And so much more.  He helped build Little Rock and Arkansas into modern entities. As such, he realized the value of arts and culture to the big picture.  He was not only generous with money, he was generous with wise advice.

1414tcT.C. Edwards was far more than the lead singer of TC and The Eddies, TC and The Ponies and The Piranhas. One of the most familiar faces in the Little Rock music scene over the last 25 years, he was an icon. Much more could be said about him, but he’d prefer the music just keep playing.

1414lawrenceBroadway star Lawrence Hamilton. After conquering the Great White Way, he conquered the Rock. Whether with the Philander Smith College Choir, the Arkansas Rep, Arkansas Symphony, surprising Governor Beebe, or at an event, Lawrence was a consummate performer and warm and welcoming individual.

1414anneAnne Hickman was ever-present at the Arkansas Arts Center. For over forty years she gave time and money to make sure this museum could fulfill its mission. Her generous smile and ebullience were also part and parcel of many Arts Center events. In recognition of her dedication, she received the Arts Center’s Winthrop Rockefeller Award in 2008.

1414geraldGerald Johnson was a tenor saxophone player and Little Rock music scene mainstay. Whether headlining a concert or as a side man in a recording session, he brought the same level of cool excellence to his playing. He also mentored younger musicians and worked to instill love of music in many generations.

1414warrenWarren Law lit up Little Rock. For nearly three decades he was lighting designer and a teacher at UALR.  He designed the lighting for many Ballet Arkansas, Murry’s Dinner Playhouse and Arkansas Arts Center productions as well. At the time of his death, he was the lighting designer for Robinson Auditorium and the Little Rock School District.

1414barbaraBarbara Patty was a force of nature, especially when it came to support of music and art. As a singer, master gardener at museums, Arkansas Symphony Orchestra volunteer and board member, Arts Center docent, Aesthetic Club president, and general lover of the arts, she not only enjoyed the arts, she was a mentor and encourager of arts patrons and practitioners.

1414pennickBanker Edward M. Penick served on the Arkansas Arts Center Board of Trustees.  As a longtime leader at Worthen Bank, he was instrumental in helping establish many nascent cultural institutions such as the Arts Center, Arkansas Symphony and Arkansas Rep as they were getting established in the 1960s and 1970s.

1414TTheresa Quick, or “T,” was a founding member of the Arkansas Rep. She spent over three decades on stage as an actress. She also was a teacher and mentor.  In addition to usually stealing the show when she appeared at the Rep, she shone at Murry’s, the Arts Center and countless radio commercials.

1414kayKay Terry Spencer enjoyed being on stage, but also enjoyed volunteering to make sure others had the opportunities to shine in their artistic talents. After moving to Little Rock, she spent countless hours as a volunteer at the Arkansas Arts Center, Arkansas Symphony Orchestra and with the Fine Arts Club.

1414billTBill Trice. That name is synonymous with the arts in Little Rock. He was an actor, director, dancer, singer, teacher, student and mentor. From small blackboxes to large halls, bars to churches, his smile and talents left their mark. He was an expert attorney too. And a lover of music (all types), politics (Democratic), and his exceptionally talented family.

1414pollyCaroline “Polly” Murphy Keller Winter embraced the arts as she embraced all aspects of life – fully and without reservation. She served as board chair for the Arkansas Symphony and established the ASO endowment, which continues to grow.  She was an active supporter of the arts in Little Rock, south Arkansas and other states.

History of Arkansas State Fair focus of December Legacies & Lunch at noon

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ark state fairThis month’s Legacies & Lunch program focuses on the Arkansas State Fair.

Numerous state fairs and livestock shows have been held in Arkansas since the 1860s.  The Arkansas Livestock Show Association has existed for 75 years. While early fairs promoted agriculture and tourism, these events struggled financially.  Following the social upheaval caused by the Great Depression, a group of businessmen, farmers and educators led by oilman T. H. Barton envisioned a new Arkansas economy not dependent on cotton farming.

Deb Crow, museum and archive director for the Arkansas State Fair, and Dr. Jim Ross, professor of history at UALR ,will share details about the fair’s rich history, including rare photographs.

Legacies & Lunch is a monthly program of the Butler Center for Arkansas Studies, a division of the Central Arkansas Library System.  The program, sponsored in part by the Arkansas Humanities Council, takes place at 12 noon.  This month’s program will be at the Darragh Center of the main library.